Label: Atlantic / Wea
Category: Music
Average customer rating:
Format: Soundtrack
Media: Audio CD
Number Of Discs: 1
UPC: 075678327025
EAN: 0075678327025
ASIN: B00003TKGY
Release Date: 2000-01-04
Liberty Heights (From and Inspired by Various Artists)
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Artist: Various Artists - Soundtracks
Label: Atlantic / Wea Category: Music Average customer rating:
Format: Soundtrack Media: Audio CD Number Of Discs: 1 UPC: 075678327025 EAN: 0075678327025 ASIN: B00003TKGY Release Date: 2000-01-04 |
Liberty Heights (From and Inspired by Various Artists)
General
| Rock
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
1990s
| By Decade
| Soundtracks
| Styles
| Music
2000s
| By Decade
| Soundtracks
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
Traditional Pop
| Oldies
| Pop
| Styles
| Music
Tracks:
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Customer Reviews:
Music at its best!.......2000-02-01
Something For Everyone.......2000-01-24
This album is the true test of people who like to answer "everything" to those who ask "what kind of music do you listen to?" Besides Elvis's stunning performance of the oldies radio staple, "Blue Moon," Carl Perkins and Big Joe Turner add to the 50's flavor with "Honey Don't" and "Shake, Rattle & Roll."
But there is a second and even a third genre of music fighting for attention on this album. Louis armstrong's "If" is one of the most outstanding jazz performances of his early period. If you want more contemporary-sounding jazz, try Brenda Russel's "Baby Eyes" or "When Love Walked In." Perhaps one step above any of those selections is the legendary Nat King Cole's "Darling, Je Vous Aime Beaucoup."
Then, of course, there is Tom Waits, who has apparently devoted his career to busting the screws out of any category in which critics try to place him. Simply put, there is every kind of music, and there is Tom Waits. His "Putting on the Dog" sounds like a step in a new direction for him, while using the musical sounds of his acclaimed 80's and 90's output. It is another fantastic Tom Waits song, featuring the bleak soundscape expected of his music, but there is a fuller sound on this one. A Piano shrills through the rhythmic mess of congas, bongos, sax, electric guitar, bass, shaker and, yes, even a train whistle, played by none other than the man himself. "It's Over" is a blander track, quite similar to "Strange weather" from 1988's "Big Time," which is also heavy with accordian and accoustic guitar.
Surprisingly, the James Brown pieces feature a very young James Brown, one who I had never heard before. His "Please, Please, Please" and "Chonnie-On-Chon" are both thumping 50's Rock 'N Roll blasts remeniscent of Little Richard or Ricky Nelson. Both songs are fantastic and destined to get even the stiffest among us moving aorund. After discovering these selections from Brown's early days, I am going to look for some more.
It is doubtful that many people will love EVERY song on here, but that does not mean that there are any bad tracks. Every song is listenable. However, the styles are so varied that the inconsistency may have some skipping listeners around a little. Generally, the "Liberty Heights" soundtrack is a gem, and it definitely offers something for everyone. That is why it is likely to leave most people smiling. For those who were there, the 50's rock and older jazz classics will induce a nostalgic grin, for others, the new Tom Waits songs will win him some new fans and leave veterans thirsting for his follow up to the grammy nominated "Mule variations," released in 1999. I would say this album is as close to a must buy as could be.
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