In the Beginning

Artist: Stevie Ray Vaughan and Double Trouble
Label: Sony
Category: Music

Average customer rating:

Format: Live
Media: Audio CD
Number Of Discs: 1

UPC: 074645316826
EAN: 0074645316826
ASIN: B0000028V0

Release Date: 1992-10-06

In the Beginning

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Tracks:

In The Open
Slide Thing
They Call Me Guitar Hurricane
All Your Love I Miss Loving
Tin Pan Alley
Love Struck Baby
Tell Me
Shake For Me
Live Another Day

Similar Items:

Live at Carnegie Hall
The Sky Is Crying
In Step
Soul to Soul
Texas Flood

Amazon.com essential recording

This visceral live recording from April 1, 1980, was broadcast on radio from the Steamboat 1874 club in Stevie Ray Vaughan's adopted hometown, Austin, Texas. It circulated among collectors, and his manager used some of the tape as a demo before Vaughan was signed to Epic Records by John Hammond. Young Stevie Ray's performance bristles with uncorked energy. Vaughan is caught improvising on raw slide guitar, growling through Otis Rush's "All Your Love (I Miss Loving)," and pushing his fretboard speed and vocal limits on Guitar Slim's "They Call Me Guitar Hurricane." Also offered are unpolished versions of tunes that became fan favorites: "Tin Pan Alley," "Love Struck Baby," and "Tell Me." <I>--Ted Drozdowski</I>

Customer Reviews:

Disappointingly Raw.......2006-10-28

I'm a huge SRV fan and enjoy Stevie's early more pure blues work more then his later more rock influenced music (which is still great). I was excited that a live album from his early period was put out, but became disappointed after repeated listings. My disappointment stems more from the band then from Stevie. This is the Layton\Shannon Double strouble we have come to love as Double Trouble. This album features Jackie on base it is just no comparison. Steve could be Stevie because DT was so GOOD. To understand how great and tight Doubel Trouble is just listen to Texas Flood. This is for hard core SRV fans only. Better live albums can be found in Live at Carniage Hall and Live at Montreux are much much better.

Fantastic playing.......2006-10-23

As a longtime fan of Stevie Ray Vaughan, I had the priviledge of seeing him play live at one of his last gigs. As always, he was brilliant. As time went on throughout his career, he began to experiment and expand a bit with new ideas, musicians, etc...

But not here. This album is raw, unadulterated, straight-ahead, ballsy blues guitar playing from a young Stevie Ray, who emerged onto the music scene fully formed and ready for business. Listening to IN THE BEGINNING, I feel like I'm right there in the audience. It confirms that Stevie Ray's playing was more than just something he learned to do. It's who he was, 24 hours a day.

Inspiring!!! . . . and Depressing.......2006-09-15

Before the Montreaux Jazz Festival, before Bowie's "Let's Dance" album, before "Texas Flood", before the Grammys, before the cocaine and alcohol abuse, before the redemption of sobriety, before the joyful "In Step" and "Family Style"..... before August 27, 1990..... before the all-star tributes, before "The Legendary Stevie RAY Vaughan"......

There was an unknown, hardworking 24-year-old gunslinger named Little Stevie Vaughan, learning his craft the hard way in the trenches of the Austin Texas clubs, trying his darndest to get out of the shadow of his famous older brother Jimmie.

It wouldn't be long.

Anyone lucky enough to have been in the audience at this early live show, on April Fools Day in 1980, could have told you that.

Here we have a rare glimpse into the evolution of a blues legend.

For those of us who play the guitar, this album is inspiring. I'll tell you why:

Even at this young age, Stevie still has that musical "feel" that you just can't teach. He is never musically lost, seeming to know exactly where to go every moment. His playing is filled with the passion of youth.... but even with all of that, this is still---quite clearly--- an immature and not-yet-fully-developed Stevie. His solos aren't as complicated as they WILL be.... the rhythm work is a bit more repetitive than it WILL be.... his technique is a bit sloppier than it WILL be.... it's like peeking over the shoulder of a teenage Picasso, and seeing glimpses of "Guernica."

I say this is inspiriing, because it shows that even our "Holy Legends" did not drop, God-like, from the sky fully-formed. They had to WORK HARD, they grew, they changed... they IMPROVED. In short, they were HUMAN, just like you and me. Listening to this album we are reminded that there was a time when Stevie Ray Vaughan was just Little Stevie Vaughan-- a great guitar player, but not yet a legendary one.

But the album is also depressing.... because we are left wondering: "How much better would he have gotten if he had never gotten into that helicopter?"

Because, even then--- even during the recording of "In Step" and "Family Style"--- he was still improving.

I guess this world was just not yet ready for a guitarist even BETTER than "The Legendary Stevie Ray Vaughan."

I miss him dearly.

Before the silk kimonos.......2005-03-23

In the Beginning . . . ironic to say that this was the last and final cd to go into my srv collection, (i don't have the box set, but the thought of it makes me salivate) and it's quite possibly my favorite.
The announcer comes on plugs a few ads then he says here's "Stevie Vaughan and Double Trouble!", and before you know it your hairs blown back, you've fallen outta yer chair and your socks are across the room, and you stay that way for nearly the whole next hour. Stevie, being as generous as he is, gives you two breaks though, both to introduce his backup ("Jakie Newhouse on the bass, and Chirs Layotn on the drum")but they're hardly enough to get you to breathing normal. His covers are amazing, and his three originals surpass what they would later become, example; "Live another day" seems more alive on here than "I'm crying" on Texas Flood, but none the less they could both slay most band's top numbers.
Love Struck Baby, as always in pure Stevie style, is different from any version i've heard before and is full of enough electricity to power Panama.
Be warned though don't listen to Slide Thing while driving, you'll be going through six lanes of traffic and a hundred and six, moving like a bullet in and out and right into a wall it's so good.
All Your Loving is just a brilliant song, that no one can make it sound bad, but Stevie just does it better than anyone else.
Tin Pin Alley on here is what Texas Flood is on "The Sky Is Crying, or the El Mocambo Video, he just slows you down but with licks that could jump start yer heart.
And Guitar Hurrican is such a fitting title you wonder why THAT wasn't the title any of his albums. He plays with such conviction and sheer geniusness that it doesn't come as a cover, but Stevie simply telling you "I'm here, listen up."
So all in all what do we learn? That stevie Ray was a genius long before his crash into abus, recovery, and death? That Stevie had a fuel that would burn better and brighter than anyone since Robert Johnson? That the small Austin club audience heard some of the best music to grace theis earth? Yes we learn all that and more, we learn what5 it was like before the Flood.

-Drew Patowsky

Awesome Blues Rock.......2005-01-06

I have most of SRV's stuff and I was very impressed. Some cover songs, some SRV songs. An excellent mix. Stuff you'll never hear on the radio.

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