The Cheerful Insanity of Giles, Giles & Fripp
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Artist: Giles & Fripp Giles
Label: Polygram Records Category: Music Average customer rating: Media: Audio CD Number Of Discs: 1 UPC: 042282096524 EAN: 0042282096524 ASIN: B000001F74 Release Date: 1993-07-20 |
The Cheerful Insanity of Giles, Giles & Fripp
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Customer Reviews:
overlooked.......2004-11-20
Wit and Music not subpar.......2004-10-10
La alegre locura de Giles, Giles & Fripp, antes de Crimson.......2004-04-05
Para los fanáticos de la primera época Crimson, aparte de algunos pasajes de Fripp en la guitarra, hay poco que investigar aquí. Pero para los buscadores de psicodelia inglesa puede llegar a ser una grata experiencia. El disco está divido en dos secciones: "The Saga of Rodney Toady" y "Just George", con fragmentos hablados y que francamente no pasa de ser una idea ridícula y fuera de lugar.
Sin embargo, la música dice bastante más. Los primeros 11 temas son cuidadas piezas pop con toques psicodélicos, con ecos de Syd Barrett en las voces, fraseos jazzisticos de Fripp (Digging My Lawn, How Do They Know) y ocasional presencia de teclados, mellotron, cuerdas y trombones. Hay números más perturbadores como Call Tomorrow y The Krukster e indicios Crimson en el riff y los trombones iniciales de Elephant Song.
Los dos últimos temas son más extensos y aventureros, con un Fripp mostrando sin restricciones su velocidad y talento en Suite No.1. Los temas agregados también dejan ver nuevos horizontes, con Under The Sky anticipándose a sonoridades Crimsonianas.
No más que una rareza para algunos, notable para otros, The Cheerful Insanity es un disco relajado y original, realizado justo antes de que el trío empezara a tomarse las cosas más en serio.
The Creative Insanity of Giles, Giles and Fripp.......2003-03-29
While this is not heavy or powerful it is overflowing with creativity and talent. Only a few cuts contain distorted guitar, but Fripp's playing and picking style is sublime. Michael Giles skill on the drumkit is worldclass and totally unique, his crisp snare and cymbal work is fantastic. Michael also does the vocals in a lovely, quintessential English style. And Pete Giles' bass playing is smooth, round and very musical.
The Giles brothers started young and by this time had already been playing together for years, their playing just sounds so natural and effortless.
Listening to this and the first two Crimson albums confirms that Michael Giles is one of my all-time favorite drummers and I'd love to get a chance to play with him. (BTW-He just released a new solo recording, havn't heard it yet)
There are some bits and pieces that may have been better left of the original album. The odd, wacky Pythonesque humor would be more effective had it been more focused and consistent.
The overall musicality is really of high standard. You'll recognise certain melodic swoops that further blossomed on the following Crimson albums.
Some of the better songs come towards the end of the disc...Erudite Eyes, and She is loaded.
Maybe is doen't merit a full five stars, but if you get what's going on here then you'll realise this was a unique project of some young and talented players.
I really don't view this as a buildup to Crimson as much as just a different (and now) fresh sounding project.
Insanity is 9/10 of the solution.......2003-03-27
The highlights outweigh the weaker moments. This edition has four bonus tracks of particular interest to early Crim fans; She is Loaded features Ian McDonald on saxes and vocals (he contributed the vocal arrangement as well). Under the Sky (credited to Fripp but written by McDonald-Sinfield)is the first evidence of the fruitful McDonald-Sinfield songwriting partnership. Ian sings lead vocals and, again, plays assorted instruments. He also did the arrangements. Thursday Morning is a re-recorded version of the album track (in mono and stereo)that features, again, McDonald on woodwind instruments and some minor changes to the vocal arrangement courtesy of McDonald.
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