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Artist: Chris Rea
Label: Wea International Category: Music Average customer rating: Format: Import Media: Audio CD Number Of Discs: 1 EAN: 5050466145826 ASIN: B00006ZAI7 Release Date: 2003-01-21 |
Stony Road
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Album Details
The Beloved Singer/Songwriter Has Miraculously Recovered from a Dibilitating Illness and this Album is the First Fruit of his Regenerated Vigor. Based in the Blues, it is the Style of Music He Originally Meant to Record Through his Career Until Pop Producers Took Him in an Opposite Direction. The Tracks Clearly Show He was Meant to Sing the Blues and Age and Experience Has Only Enhanced Singing Voice. The Lyrical Content is his Most Honest, Poetic and Affecting. Critics have Justly Hailed this Album as the Best of his Career. A Bonus for Fans is a Documentary of the Recording of this Album that was Lensed by Director Rob Payton.Customer Reviews:
A STONEY AND LONELY ROAD.......2003-05-30
It's actually rather boring.......2003-05-15
File Under Blues.......2002-12-15
"Dancing Down the Stony Road" is a remarkable record by most standards, perhaps even those of classic blues. These are songs of pain, performed with a great deal of expression -- true blue blues. He voices the agony and the love of life and music he experienced while recovering from a potentially terminal illness. It's his first blues album (and deserves W.C. Handy Awards for every "crossover" category), but it sounds like he's been playing blues all his life.
Rea dedicates this album to Charley Patton, Blind Willie Johnson, and Sister Rosetta Tharpe. Rea's always had a knack for interesting, strong rhythms, so Patton might not come as a surprise, and his slide playing has obvious ties to Johnson's death meditations, but it's great to hear the songs influenced by Tharpe's fierce gospel drive. I'd like to think these artists would be proud to see their names associated with this album.
Rea has written songs suggesting bewilderment and sorrow before (cf. 'Nothing to Fear' or 'Gone Fishing'), but nothing so direct as these songs, in my opinion. I cried when I first heard 'Easy Rider'--the pain in the lyrics, the voice, and especially the slide guitar solo. I wasn't prepared for it, and I'm still startled by every song on the album. Perhaps the lyrics sometimes try a little too hard, making leaps I can't quite follow (i.e., looking for sugar to take away the gray). But they do convey an intensely personal experience, much like Van Morrison's lyrics do.
It's also a great album with which to consider his other albums, just like "Astral Weeks" and "Moondance" for Van's recordings. If all Rea's roads lead to "Dancing," they're not one-way streets, and I can go back and check them out. I realize that I love "King of the Beach" (one of the great summer albums of all time) and "God's Great Banana Skin" because their hearts beat to the blues you hear in "Dancing Down the Stony Road." Other albums don't, however, like "The Road to Hell, Part 2," which seems like a cynical statement about techno-rock.
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