Atomic Roooster

Atomic Roooster Artist: Atomic Rooster
Label: Repertoire
Category: Music


Average customer rating: 4 out of 5 stars
Format: Import
Media: Audio CD
Number Of Discs: 1
EAN: 4009910413524
ASIN: B000006Z62


Release Date: 1991-02-21

Atomic Roooster


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Categories | Rock | Styles | Music
Progressive Rock Progressive Rock
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Tracks:

  1. Friday The Thirteenth
  2. And So To Bed
  3. Broken Wings
  4. Before Tomorrow
  5. Banstead
  6. Sly
  7. Decline And Fall
  8. Play The Game

Similar Items:

  1. In Hearing of Atomic Rooster
  2. Death Walks Behind You
  3. Death Walks Behind You
  4. The Crazy World of Arthur Brown
  5. Johnny Winter And

Album Description

Import reissue of 1970 album includes one bonus track, 'Play The Game'. Repertoire.

Customer Reviews:

5 out of 5 stars Open your ears guys. This is Vincent Crane is playing ..........2004-01-10

I am not going through the review above, which is not true about this album and about Hammond organ wizard Vincent Crane. Carl Palmer is only a good drummer and can not be attraction to this album without Great Vincent Crane. Probably that guy(reviwer) is not into a real ProgRock.
I hope many of you(who know) agree with me and it's good to know for who don't know, that Vincent Crane (RIP) was one of the GREATEST keyboard players of 70th progrock era. He stood in one row with Tony Kaye(YES), Patric Moraz(YES), Rick Wakeman(YES), Keith Emerson(ELP), Jonh Lord(Deep Purple), Ken Hensley(Uriah Heep), Rick van der Linden(Trace) and on and on ... And He was not last in that BIG ROW, where each name is a Hammond Organ Brilliant Master.
From all 5 Atomic Rooster's albums this one is my favorite. Give it a try and you will not be disappointed. I hope Vincent Crane will take the place he really deserves in your heart like he's got in hearts of others and unfairness will be corrected at least this way, because I still can not get it, why this group did not get recognition (BTW many others too)...

4 out of 5 stars A hint of things to come for Atomic Rooster.......2004-01-05

Atomic Rooster's debut album is a showcase for the virtuosic talents of keyboardist Vincent Crane and drummer Carl Palmer, the latter defecting afterwards to form Emerson, Lake and Palmer. At this juncture, the band has yet to establish its individual style, but many of the key ingredients are already in place here. Vincent Crane organ playing is already very much accomplished, with its jazz, blues and classical influences very prominent in his solos. The additional overdubbing of guitar parts by future AR guitarist/vocalist John Cann on "Friday the 13th," "Before Tomorrow" and "S.L.Y." help fill out the sound.

The songwriting here is tentative compared to on subsequent AR releases. On "Atomic Rooster," the songs are constructed primarily around unison guitar/organ riffs and jazz/blues themes, offering little more than platforms for Crane and Palmer to demonstrate their chops. The instrumentals "Before Tomorrow" and "Decline and Fall" are good examples of this. The former is a modal jam that features Crane wailing away on his Hammond while abusing the wah-wah pedal, before John Cann takes a solo that threatens to burn through both stereo speakers. "Decline and Fall" is a jazz-rock workout showcasing both Crane's and Palmer's chops, Palmer showing off his skills in a drum solo equal to, if not superior, his future efforts with ELP. "Banstead" and "Winter" afford the opportunity for Crane to branch out and incorporate classical influences into Atomic Rooster's songs and give the band its "progressive rock" credentials.

The lyrics only hint at the Satanic and death-like imagery that would pervade their followup classic, "Death Walks Behind You. Bassist/vocalist Nick Graham's melodramatic delivery works well on songs such as "Banstead," a depiction of Crane's stay in a mental hosptal. "Winter" is a quiet piece with a melancholy vocal by Graham, highlighted by Crane's jazzy piano and Graham's flute solo. However, on tunes such as "And So to Bed" and "S.L.Y.," Graham's vocal stylistics verge on the parodic, as he veers on the edge of becoming a hack blues-shouter.

While most people would buy this album just to hear what Palmer sounded like before he joined ELP, "Atomic Rooster" holds its own. While much of the album sounds tentative in light of what was to come later, the main musical ideas that Crane would develop to the fullest with AR are laid out for everyone to hear.

4 out of 5 stars Tripping through the past.......1999-10-03

Surely a product of the era. Having formed Atomic Rooster from the recently demised Crazy World of Arthur Brown (of 1968's Fire fame), this was the first release from them.

Elements of the time are apparent on such songs such as "and so to bed" which is reminiscent of Deep Purple of the time (Concerto for Group..., In Rock). In general the entire music scene after the demise of the Beatles where searching for the new direction to go. Fortunately for some (ELP/Asia fans) and unfortunately for others the band never really caught on in the US.

Nick Grahams vocals are best heard on songs like "Broken Wings" as well as the Organ prowess of the late Vincent Crane.

The real surprise about this band is why they never caught on bigger considering the acts that were a going concern at the time, which this band could have held their own against (Savoy Brown, Early Fleetwood Mac, Early Deep Purple).

4 out of 5 stars Mainly a curio for fans of Carl Palmer.......1999-07-27

I got this CD out mainly out of historical interest. This was the only album Carl Palmer recorded with Atomic Rooster before leaving to form Emerson, Lake and Palmer.

The key ingredients to Atomic Rooster's sound are apparent, with lots of Hammond organ/guitar interplay (the latter instrument overdubbed to the album by John Cann, who joined the band in time for the followup album "Death Walks Behind You"), along with Palmer's thunderous approach to the drums he would display to the fullest with ELP.

Music-wise, the entire at times veers into second-rate hard rock/R&B/jazz rock on tunes like "Broken Wings" and "S.L.Y.". Bassist/vocalist Nick Graham isn't a key fit here, as he at times seems to try too hard to sound like a blues shouter.

Nevertheless, highlights include the modal jam "Before Tomorrow", with Crane's wah-wah drenched Hammond taking a blistering solo before Cann (who appears uncredited in the credits on the CD) takes a searing guitar solo. "Banstead" is a rather baroque-sounding piece, with a moody, chord progression and an anguished vocal courtesy of Nick Graham. "Winter" is more reminiscent of something by Jethro Tull, with some jazzy piano and a flute solo courtesy of Graham, which gives the song, along with "Banstead", Atomic Rooster's "progressive rock" credentials, if any. The closing piece "Decline and Fall" is a jazz-rock tune that affords Crane and Palmer the opportunity to unleash their chops.

The only worthless track has to be the bonus cut, "Play the Game", which does not feature Graham and Palmer, but instead features their replacements guitarist/lead vocalist John Cann and drummer Paul Hammond. This tune, a heavy riff-rocker, does not fit within the overall context of the album, and should have been included on another Rooster album, either "Death Walks Behind You" or "In Hearing of Atomic Rooster".

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