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Artist: Ron Sexsmith
Label: Interscope Records Category: Music Average customer rating: Media: Audio CD Number Of Discs: 1 UPC: 606949029920 EAN: 0606949029920 ASIN: B00000J2TT Release Date: 1999-05-18 |
Whereabouts
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Pop is one of the most overused terms in the rock-critic lexicon, but on Whereabouts, Ron Sexsmith's third and most ambitious album to date, the brilliant Canadian singer-songwriter offers up 12 pop gems. "Still Time," the opening track, kicks things off with a purpose. Featuring an immediately memorable and haunting guitar riff, Beach Boys-style harmonies, and a hopeful yet melancholic lyrical theme ("Still time for love"), it could be mistaken as an outtake from the Kinks song book. Likewise, "Right About Now" has a distinctly Lennon-esque flair. Sexsmith's familiar idiosyncratic-yet-warm Jackson Browne-like vocals give all 12 tracks a certain sadness. Sexsmith and producer Mitchell Froom temper the darkness with neat tricks of the trade--be they the harpsichord that fades in and out of "Still Time," the banjo and violin on "Riverbed," the heavy piano riff that opens the wonderful "Feel for You," the lo-fi organ that pops up on "The Idiot Boy," or the New Orleans-meets-cabaret orchestra that gives "One Grey Morning" additional charm. This is melancholic pop, to be sure, but it all hurts so good. Whereabouts is further proof that Sexsmith is one of the most important artists to come out of the 1990s. --Bill HoldshipCustomer Reviews:
Doomed.......2003-10-18
Ron is first of all a very traditional songwriter. He doesn't invent dynamite or strive for originality of any kind. This is songwriting for the art of it. Consistant, melodic songs that clocks in at about 3 minuits in average. Ron's voice is nothing special. The arrangements are almost anonymous. There is no real joy or exitement in the music. The overall feeling of the album is tender, mild, a little tame some places, strictly mid-tempos and ballads all the way through.
Doesn't it sound like a really big bore? Yes. But truth is, it ain't. Ron's great gift for songwriting is the only thing that holds this album together, and he is so good at the game it makes it a satisfying, inspiring album to listen to.
Some write songs out of pure inspiration, but Ron's songs sound like cleverly worked out constructions more than anything else. But what constructions they are! The basic formula verse-refrain- verse-refrain-bridge-refrain has been repeated so endlessly many times you should expect the river to be completely dry. Then all of a sudden, a guy like Ron Sexsmith comes along and makes it sound fresh and convincing.
Most noticeable is the wonderful simplicity. It takes great skill to make pop songs sound as effortlessly simple as this. My guess is that lots of ideas and sketches have been concidered, rejected, reworked and refined over and over again, untill the essential core is revealed, in all its universal beauty. At least, that is how it sounds like to me.
Personally, besides having a problem with Ron's singing, I could sometimes wish for more risktaking in the songwriting department. Ron walks on a knive's edge here, and he runs the risk of sounding formulaic and laboured in his work. "Whereabouts" however, doesn't have the caracter of this.
The strict economy of the songwriting, arrangements and production, makes Ron Sexsmith a close relative to Magnetic Fields' boss Stephin Merritt. To these ears, the similarities are so striking I find it puzzling to never have seen it mentioned before. Well then, now I have. I will therefore strongly advise fans of Ron Sexsmith to check out the magnificent "69 Love Songs".
For obvious reasons, music like this will never be hip. Ron is just a talented, faithful singer/songwriter with an unfortunate surname, a person who is simply too clever and honest to ever become a major star.
Solid folk album.......2003-05-02
Only my first listen and i love it already.......2002-12-25
A marvel!.......2002-08-14
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