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Artist: Ian Moore
Label: Koch Records Category: Music Average customer rating: Media: Audio CD Number Of Discs: 1 UPC: 099923806226 EAN: 0099923806226 ASIN: B00004LMMK Release Date: 2000-03-14 |
And All The Colors...
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Groomed by his former label to be the Texas blues-rock heir apparent to the late Stevie Ray Vaughan, Ian Moore instead severed those ties and gratifyingly veered onto a musical road less traveled. Guitar heroics are still present, though they're no longer Moore's raison d'être. It's tempting to make Hendrix comparisons (especially on "Johnny Cash and His Electric Bible" and the transcendent "Leary's Gate"), but only if it's also noted that Jimi's tastes and influences were historically much broader than the stereotype of him usually allows. Colors is an adventurous musical melange that, like the brief utopian pop era it evokes, samples freely from a heady variety of influences ranging from blues and soul to folk and classical, seasoned with a sly dedication to melodic song craft. Moore has claimed as musical inspiration the modern synthesis of style and technology fashioned by Los Lobos, the Latin Playboys, and Daniel Lanois. Here he may have just done them all one better. --Jerry McCulleyCustomer Reviews:
I don't do LSD anymore.......2006-01-12
The Best Balance for Ian Moore So Far.......2005-11-20
Hard rock with a lot of soul..........2004-12-06
Exploring All the Colors.......2004-05-19
I was excited to see the appearance of "Leary's Gate" which I had first heard during a show shortly after the release of "Modernday Folklore". The acoustic beginning is slow, almost to the point of stopping, and then he kicks it up with a fast, loud rhythm pulling you into the song. Blues? Not really, but he rocks out before giving us a break in the middle. The adrenalin picks back up with his solo, almost Hendrix style with a lot of whammy and dive-bombs. "Magdelena" is begins as a soft song where Moore's voice takes the center stage through the first chorus with very little backing, and then he adds acoustic guitar filling out the song. The slide solo is cool, and has a bluesy feel to it. Moore picks it up with "Johnny Cash and His Electric Bible". Another song of great rhythm and feel. "Rollercoster" has a great sound. Another best of the songs is "Angelyne," which begins simply and becomes more complex with each layer of sound Moore adds (even a singing saw) building until it reaches a crescendo.
Moore has definitely departed from his roots of a third-generation Texas Blues guitarist, running away from the title of the next SRV. The guitar doesn't take front billing on this album, and he even doesn't take long solos on most of the songs. Instead, he has created cuts relying on his other talents, letting them come to the forefront. The music is good, a departure from his past, but definitely headed towards a bright future.
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