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Artist: Steve Hackett
Label: Inside Out Germany Category: Music Average customer rating: Format: Import Media: Audio CD Number Of Discs: 1 EAN: 5035043001221 ASIN: B000006X8S Release Date: 2004-09-09 |
Guitar Noir
Tracks:
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Album Details
Reissue of 1994 Release. Includes Five Bonus Tracks.Customer Reviews:
Nice album from 1992.......2005-12-31
A Live Gem.......2002-10-12
A live "greatest hits" look at Hackett's solo career.......2002-06-08
Delivering the Goods.......2000-11-02
A document of two concerts seperated by ten years, Time Lapse presents a picture of Steve Hackett that is saturated with the energy and immediacy of a good performance. The live versions of these songs acutally succeed at improving on the studio material. All of Hackett's albums from 1975 to 1982 are represented here. Voyage of the Acolyte, Spectral Mornings and Defector are the ones most heavily drawn from. Anyone looking for materiel from Till We Have Faces, GTR or either of the acoustic albums (Bay of Kings and Momentum) will be dissapointed, as will fans of his '90s era albums. That being said, the songs that are included are some of his best. Camino Royale is the first number, an odd one to use as an opener, but then again no one ever accused Steve Hackett of being predictable. In That Quiet Earth is also included. This is part of three connected songs on the Genesis album Wind and Wuthering. I tend to think that these three songs should be listened to together. One of the many high points is Depth Charge, a short jam that does not exist on any other album. It sounds like something Hackett and his band came up with during sound checks. Hope I Don't Wake is wonderfully executed, while I happen to prefer the studio verson of Spectral Mornings. The feel of a concert hall is evident throughout these recordings. You can almost hear the sound expanding to fill the arena; and none of the subtlety of Hackett's music is lost. If there was some overdubbing added, you can hardly be dissapointed. After all, this isn't a bootleg recording and it all blends together seamlessly. The musicianship on this one is first rate, with the drums comming across better than they ever did on any studio release. The one disadvantage is that the continuity of his studio albums is missing. The songs on Hackett's albums tend to blend together and form a continuous whole. Oftentimes a kind of story is being told. This sort of feeling cannot be replicated when various songs from various albums are jumbled together.
I would recommend this album both to those looking for an introduction to Steve Hackett as well as fans who would like to check out his live sound. However I would advise against listening to it from beggining to end. All the heavyosity might get to be a little too much to handle. Time Lapse is like a large serving of very rich food. Small bites will do just fine.
Delivering the Goods.......2000-11-02
A document of two concerts seperated by ten years, Time Lapse presents a picture of Steve Hackett that is saturated with the energy and immediacy of a good performance. The live versions of these songs acutally succeed at improving on the studio material. All of Hackett's albums from 1975 to 1982 are represented here. Voyage of the Acolyte, Spectral Mornings and Defector are the ones most heavily drawn from. Anyone looking for materiel from Till We Have Faces, GTR or either of the acoustic albums (Bay of Kings and Momentum) will be dissapointed, as will fans of his '90s era albums. That being said, the songs that are included are some of his best. Camino Royale is the first number, an odd one to use as an opener, but then again no one ever accused Steve Hackett of being predictable. In That Quiet Earth is also included. This is part of three connected songs on the Genesis album Wind and Wuthering. I tend to think that these three songs should be listened to together. One of the many high points is Depth Charge, a short jam that does not exist on any other album. It sounds like something Hackett and his band came up with during sound checks. Hope I Don't Wake is wonderfully executed, while I happen to prefer the studio verson of Spectral Mornings. The feel of a concert hall is evident throughout these recordings. You can almost hear the sound expanding to fill the arena; and none of the subtlety of Hackett's music is lost. If there was some overdubbing added, you can hardly be dissapointed. After all, this isn't a bootleg recording and it all blends together seamlessly. The musicianship on this one is first rate, with the drums comming across better than they ever did on any studio release. The one disadvantage is that the continuity of his studio albums is missing. The songs on Hackett's albums tend to blend together and form a continuous whole. Oftentimes a kind of story is being told. This sort of feeling cannot be replicated when various songs from various albums are jumbled together.
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