Sheet Music

Sheet Music Artist: 10cc
Label: Repertoire
Category: Music



Average customer rating: 5 out of 5 stars
Format: Import
Media: Audio CD
Number Of Discs: 1
EAN: 4009910484326
ASIN: B000042OR9


Release Date: 2000-02-24

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Listmania:

  1. Kate Bush and 10 CC: An Intimate Relationship
  2. 25 More Albums I Cannot Live Without!
  3. Favourite Albums of 1974
  4. Timeless works of pop/rock art
  5. 25 **GREATEST** Albums of 1974!!
  6. Blitzomania
  7. A Sampling of Great 70's Albums

Tracks:

  1. The Wall Street Shuffle
  2. The Worst Band In The World
  3. Hotel
  4. Old Wild Men
  5. Clockwork Creep
  6. Silly Love
  7. Somewhere In Hollywood
  8. Baron Samedi
  9. The Sacro-Iliac
  10. Oh Effendi
  11. 18 Carat Man Of Means
  12. Gismo My Way

Similar Items:

  1. The Original Soundtrack
  2. 10cc
  3. How Dare You!
  4. Deceptive Bends
  5. Bloody Tourists

Customer Reviews:

5 out of 5 stars Sheet Music - 10CC.......2005-10-21

Further to the other reviews, which I agree with, I bought this CD version of Sheet Music for the bonus b-side tracks "18 Carat Man Of Means" and "Gizmo My Way".

18 Carat Man Of Means is as good as anything on the album...it starts off like a basic 12 bar blues/rock song, then morphs into a heartbreaking multi-harmonied classic.

Gizmo My Way is merely a hawaiian sounding instrumental, and not entirely essential but still pleasant.

Anyone who likes the spontaneous nature of this album should check out the album simply titled "L" by Godley&Creme from 1981 and prepare to be blown away with it's weirdness.

(it is also interesting to note the major similarities between "Somewhere In Hollywood" and Queen's subsequent mega-hit "Bohemian Rhapsody" released the following year. Freddie and Co. must have been studying it, surely).

5 out of 5 stars No Sophmore Slump.......2005-03-17

10cc was a band that got better with every album, up until How Dare You! any ways: I've only heard Deceptive Bends and Bloody Tourists after this (though Look Hear and Ten out of Ten are in the mail) so I can't really judge those albums. But while the first album was a perfect mix of goofy jokes, innovative song writing and playing, and great satire, this album not only one ups that album musically, but ten ups it! sorry, bad pun.

The music gets much more complex on this album: the strange styles have amagalized into a style of complex genre changes, complex chord changes and harmonies, multiple parts, and on somewhere in hollywood, a sweeping, dramatic feel.

The lyrics are good too: funny, catchy, very great word play. Not my main focus in the band: gotta love those songs!

Pick up the Double Disc Uk Records Collection. It has this album, plus the first, all their b-sides from the two albums, and the single versions of the singles, plus some cool liner notes. It's easy to find if you live in america, and a steal!

5 out of 5 stars The thingamajig got lost in the Wall Street Shuffle........2004-02-01

I have long admired the innovative music of 10CC. When I first heard this vinyl recording, I couldn't believe the unique lyrics, musicanship, and down right hummable tunes. All there work is stellar. This may be the best debut album ever. It is more than "I'm not in Love"; their only hit in the states. Pity that they broke up into separate projects, I prefer the Godley&Creme recordings. Do yourself a favor and BUY this and all their work, while they are still available. They are the thinking man's R&R band.

5 out of 5 stars Sheet Music.......2003-02-08

This is a pop classic that many critics have hailed as one of the best releases of the 7o's, that not alot of people know about. Its not 10cc's fault. Their popularity at the time was still growing after the colossal success of their first album (1973's 10CC). When I say colossal I mean this. In 10cc's career from 1973 - 1976, they were rarely out of the Top 10 charts in Europe, with quite a few No. 1's. By 1975 that success repeated in the States. They were virtually the most successful of the 1970's British 'pop' groups. And practically no one knows.

I first picked up SHEET MUSIC on a whim in 2001. Being familiar only with their songs 'The Wall Street Shuffle', Í'm Not In Love',and 'The Things We Do For Love' I was not sure what 10cc's other material sounded like based from these 3 selections from different albums & years. By the time I heard the third track from SHEET MUSIC 'Hotel' I couldn't believe I was listening to an album that had sounds of the 80's in 1974. These musicians in the studio were years ahead of their time, and certainly influenced what came out of Europe and later America with the 4 albums they released with the band line-up of Graham Gouldman, Eric Stewart, Lol Creme and Kevin Godley. That Stewart & Gouldman later went on to write one of the most played songs in the world Í'm Not In Love', and Creme & Godley later went on to direct some of the most familiar and groundbreaking Videos of the 80's should tell you that there was an incredible amount of talent & vision in this band.

That they were one of the few bands, if not only, to run their own studio, and have complete control over their recorded output says something else. Everything they did was ín-house'and performed,produced,engineered & mixed by 10cc from the debut album onwards. SHEET MUSIC is the high watermark of this collaboration between four musicians when songwriting partnerships hadn't quite been cemented, and wider success was around the corner.

Think of the writing teams in that old cliche style --- Stewart & Gouldman were the McCartney, Godley & Creme were the Lennon. I hate having to use expressions like these, but it generalises and gives you, as someone not familiar with the music, an idea of the difference. The Wall Street Shuffle by Gouldman & Stewart is pure pop, and a top 10 single in Britain and still gets circulated around today for Stock market reports on TV. Gouldman & Creme's The Worst Band In The World is a witty and very ahead of its time indictment of pop ego and the music business. Musically it sounds very little like 1974. It sounds ahead. Hotel is one of the most unique songs I have ever heard. Blending a very 80's sounding introduction with island Calypso, Hollywood 1930's backing vocals, and a twisted tale told with alot of humour, Hotel is an undeniable classic written by Godley & Creme. Again, it sounds nothing like what was going on in 1974 or before. I heard just about every 80's synth pop band in the introduction of Hotel. Old Wild Men is a beautifully played and sung homage to the ageing rocker and marks the debut of the Godley/Creme invented ínstrument enhancer'The Gizmo' which could be placed on the bridge of a guitar to make it sound like a multitude of instruments, primarily strings (violin, cello etc.) . This Godley & Creme composition is further enhanced by the dual vocal team of Godley & Stewart, in my mind, two of the best singers Britain has produced. Clockwork Creep also by Godley & Creme is a tour de force of effects, tempo changes, inventiveness all behind the story told by a bomb. Stewart, Godley & Creme play different roles in this all too brief saga. Stewart as the Passenger, Godley as The Plane, and Creme as The Bomb.

(?) Side two kicks off with Stewart & Creme's 'Silly Love'. Sheet Music is the start of identifying songwriting partnerships in 10cc. Stewart & Gouldman paired off, as did Godley & Creme, but success was also had by pairing Godley & Gouldman, and Silly Love became a hit song with the Stewart & Creme combination. Silly Love is a rocker like other rockers but with a twist. Imploring that those Valentine's consumers opt for their OWN way of saying I love you rather than seek out tired old cliche's, Silly Love is original, funny and it jams. Godley & Creme's Somewhere In Hollywood follows. This is where the inventiveness of this writing team shows itself fully, but also shows the talent all 4 possessed in contributing to a song. Godley & Creme's explorations and obvious eccentricities were harnessed in and made clarified by Stewart & Gouldman's pop sensibilities. It really was a near perfect marriage of two different visions.
Stewart & Gouldman's 'Baron Samedi' has a Santana/afrocuban backing but with (again) ahead of its time recording and quality. Godley & Gouldman''s 'The Sacro-Iliac' should have been a single, it is that catchy. Telling the tale of a dance that everyone can do if you can't dance. And the final song Oh Effendi by Stewart & Godley tells the tale of very current events (USA/French/Middle East relations) in a no holds barred humourous way, giving a little diplomatic relations history as it does.

Sheet Music should be regarded as one of the best albums released in the 7o's. It may not suit everyone's tastes, but this albums influence on musicians, fans,and critics alike is undeniable. Sheet Music was the 8o's before the '8o's arrived.
On their next 2 albums together, the original lineup of 10cc innovated pop music, in recording and writing to a degree that I find them as influential as any other group you hear too much about.

Music CD:

  1. Christina Aguilera ~ Christina Aguilera
  2. Brian Wilson ~ Brian Wilson
  3. 1998 Grammy Nominees ~ Various Artists
  4. 10cc ~ 10cc
  5. All or Nothing ~ Milli Vanilli
  6. I'll Never Stop ~ *NSYNC
  7. Best of Beach Party ~ James Last
  8. Young Man with a Horn ~ Original Soundtrack
  9. Vertical Man ~ Ringo Starr
  10. The Subversive Sounds Of Love ~ Frisbie

Music CD

Music CD

Music CD

Grandes Exitos Norteños, Vol. 3 ~ Various Artists

Rancherisimo, Vol. 5 ~ Antonio Aguilar

Class of '71 ~ Reunion Series

Excursions for a People of Dreams ~ Simko

Here's to the Miracles ~ Vince Jones

Under the Rainbow ~ Tex Beneke

20 Rancheras Con Ellas ~ Various Artists

Un Amor Prohibido ~ Zinzzero

Tangos Del Sur ~ Floreal Ruiz

Tejano Back to 70's ~ Various Artists