Move Your Hand

Move Your Hand Artist: Lonnie Smith
Label: Blue Note Records
Category: Music



Average customer rating: 4.5 out of 5 stars
Format: Live
Media: LP Record
Number Of Discs: 1


UPC: 724383124916
EAN: 0724383124916
ASIN: B000002TUA


Release Date: 1996-03-05

Related Categories:

General General
Related | Jazz | Styles | Music
Modern Postbebop Modern Postbebop
Related | Jazz | Styles | Music
General General
Related | Live Albums | Jazz | Styles | Music
Soul-Jazz & Boogaloo Soul-Jazz & Boogaloo
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Vinyl Records Vinyl Records
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Jazz Funk Jazz Funk
Related | Funk | R&B | Styles | Music

Tracks:

  1. Charlie Brown
  2. Layin' in the Cut
  3. Move Your Hand
  4. Sunshine Superman
  5. Dancin' in an Easy Groove

Similar Items:

  1. Live at Club Mozambique
  2. Everything I Play Is Funky
  3. Down Home Style
  4. Turning Point
  5. Electric Funk

Customer Reviews:

4 out of 5 stars "Dancing to an Easy Groove" is exactly what you'll do. .......2004-08-10

Anyone that has listened to Lonnie Smith should know that Dr. Smith is at his best when performing the slow and grinding ilk of funk. While his album "Live at Club Mozambique" is a great and funky disc, it tends towards the faster and more energized groves; it only gives us a taste of the grinding slow stuff. This album, however, gives us a lot more of the slow grinders that Dr. Smith is rightly known for.

The two best tracks on this disc, then, are "Layin' in the Cut" and the "extra," track, "Dancin' in an Easy Groove." These tracks have two of the most fun grooves I've heard and find the band laying back quite a bit. "Move Your Hand" is at a middle-of-the-road tempo but all the while has the same type of grinding groove to it, with more of a James Brown "Hotpants" flavor. The other two tracks, "Charlie Brown" and and "Sunshine Superman" - both of them covers - serve as welcome counterpoints to the slower grooves - both tracks being a bit faster, more energetic, and posessing standard blues chord changes.

The only thing I can say against the CD is that the musicianship tends to be a bit sloppier than I'd like. The drummer in particular makes some huge gaff ending fills a bit hesitantly, and most noticeably, speeding up quite a bit on a few tracks. The soloists at times get a tad bit boring as some of the soloing consists more of 'diddling around' episodically on the instrument than actually playing a connected and melodic solo.

But of this, I cannot complain too terribly much and can only deduct one star. The grooves this disc provides is more than enough to rave about.

4 out of 5 stars Low on the volume / Low on the funk.......2003-11-26

This is a great album by one of my favorite soul-funk-jazz artists, but LIVE at CLUB MOZAMBIQUE is better. The volume on MOVE YOUR HAND is really low and where is the funky drums?? I really think the band was tighter and more in the pocket at Mozambique. George Benson on guitar and Joe Dukes on drums makes all the difference. I wouldn't want to be without Move Your Hand, but I am glad I got Live @ C.M. first. Oh by the way, thats not a woman singing on the title cut (like some have suggested)thats the man himself- LONNIE SMITH!

5 out of 5 stars Definitely, Lonnie at his Funkiest ! ! !.......2001-01-29

Yes, this is Lonnie Smith at his funkiest.

A great 1970 session... Lou Donaldson protege Lonnie Smith was actually beating out Jimmy Smith in the Downbeat Polls as Best Organist at that time... Today (2001), Lonnie Smith has traded in the Cowboy hat for a turban, is back with Lou (sometimes tours with McGriff) and can often be heard playing stunning ballads and blues (but will still get VERY funky when called upon), but at the heyday of the era, he made the right move teaming up with baritone sax player Ronnie Cuber adding even more funky bottom to the groove.

Just as Lou Donaldson's albums broke loose of many blues cliches a few years before, introducing a new funky boogaloo rhythm into Jazz, Lonnie breaks free of the boogaloo funk cliche's of the '60s and absorbs the funk of JB and then contemporary black radio. In fact, this is probably the least dated B3 CD of that era. He even does a bit of singing visa vis the enormously funky "Move Your Hand" which could of just as easily been taken up by George Clinton and P-Funk.

Cool, Funky and Groovin', this CD along with Jimmy Smith's ROOT DOWN and Lou Donaldson's Midnight Creeper are definitely top picks for the true Hammond B-3 funkateer.

When the heck is Blue Note going to re-reissue Reuben Wilson's BLUE MODE ??????????????

5 out of 5 stars Move Your Hand and You Will Follow.......1999-12-08

Lonnie Smith's greatest album. Lonnie Smith not Lonnie Liston Smith whom many people mistake him for. Both of these artists play the Hammond organ, but Lonnie Smith is far superior. Lonnie has that essential groove that remains through the whole album. Right from the first track you realise you are on one of Blue notes very special albums. "Charlie Brown" sets the scene while "Layin in the Cut" builds up the pace to an awe inspiring state on one of the greatest groove organ tracks I have ever heard. On the Title track "Move Your Hand" Lonnie matches his organ brilliance with unique heart felt vocals. On "Sunshine Superman" Lonnie continues the saga. The man is backed by awesome performances on guitar by Larry Mcgee and Rudy Jones on Tenor Saxaphone as well as many other musicians also giving excellent performances. This is an album that always remains by the stereo, mainly in it. You will always return to it. This is the exact music you would want to listen to in your favourite bar with dim lights a groovy armosphere and your favourite drink in your hand......Superb

5 out of 5 stars Makes me feel gooood..........1999-08-04

This is a fantastically enjoyable recording. Great grooves, great organ sound. "Move Your Hand" with the female vocals is a gem. This disc gives me the same joy as "Black Talk" by Charles Earland. Buy it and be happy too!

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