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Artist:
Artie Shaw
Label: RCA Category: Music Average customer rating: Media: Audio Cassette UPC: 090266849444 EAN: 0090266849444 ASIN: B000003G2S Release Date: 1996-04-16 |
Tracks:
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Customer Reviews:
The greatest jazz clarinettist of the 20th Century.......2005-06-07
Great swing! A good compilation...but there are better ones!.......2004-03-22
However, this compilation is weaker than some of the others on the market right now. "Begin the Beguine" from the Bluebird Treasury Series and "The Very Best of Artie Shaw," also from RCA Victor, are longer collections with a better survey of Shaw's music, and cost comparatively only a bit more. Most of the important tracks on this album ("Begin the Beguine," "Frenesi," and "Oh! Lady Be Good") are also on these collections, plus they have a greater selection of music from some of Artie Shaw's more unusual bands, such as the small group The Gramercy Five. These albums are better deals than what you'll find here.
But still, you can't really go TOO wrong with this album; the music is simply too good. The majority of the tracks come from Shaw's most popular big band, the one he formed in 1938 and disbanded in late 1939. He had previously formed a band in 1936 using a string quartet as part of the ensemble, but this band failed to catch anybody's attention (none of these recordings are on this CD -- or the other two that I mentioned). But the 1938-39 band was a sensation, and Shaw knocked Benny Goodman off the `King of Swing' throne for a brief time. The pieces on here from this era are: "Begin the Beguine" (Shaw's most well-known number, and a masterpiece of romantic swing), "Comes Love" (with a great vocal by Shaw's most popular female vocalist, Helen Forrest), "Deep Purple" (another vocal from Helen Forrest), "Any Old Time" (the only recording the band made with Billie Holiday during her brief tenure as their singer), "Indian Love Call" (a wonderful swing interpretation of this usually slow ballad, with a great scat vocal from saxophonist Tony Pastor), "Oh! Lady Be Good" (a superb, hard swinging number!), and a live version of "St. Louis Blues" (another big band swinger, from the venerable W. C. Handy blues tune).
The rest of the tracks come from Shaw's orchestra of 1940-41, a huge band of 22 musicians which made extensive use of a string section. This band never swung as hard as the first (honestly, I personally never liked the strings), but turned out some very good pieces. The best are "Temptation" and "Frenesi," both huge sellers and good swing dance numbers. "Stardust" and "Moonglow" are pretty ballad instrumentals (Shaw also recorded these numbers with the '38-'39 band) and show off Shaw's great clarinet technique. "To a Broadway Rose" seems to start as a `sweet n' pretty' number, but turns into a really joyous and jumpin' swing piece. Only "I Cover the Waterfront" and "Lover, Come Back to Me" are disappointing -- the only minor tracks on this album.
But even considering the quality of the music on this CD, you'll still get a better deal on most of the same music, plus much more, with the compilations "Begin the Beguine" and "The Very Best of Artie Shaw."
Artie Swing.......2003-09-13
This newcomer to the big band sound loves it.......2003-07-08
Artie, you were the greatest!.......2003-02-23
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