Red Dragonfly (aka Tombo)

Artist: Jane Bunnett
Label: Narada
Category: Music

Average customer rating:

Format: Enhanced
Media: Audio CD

UPC: 724357805520
EAN: 0724357805520
ASIN: B0002IQIEC

Release Date: 2004-07-27

Related Categories:

Avant Garde & Free Jazz

| Jazz | Styles | Music

Bebop General

| Bebop | Jazz | Styles | Music

General

| Jazz | Styles | Music

Latin Jazz

| Jazz | Styles | Music

Modern Postbebop

| Jazz | Styles | Music

General

| Pop | Styles | Music

General

| Miscellaneous | Styles | Music

Tracks:

Odira - E
Red Dragonfly (Aka Tombo)
Heaven's Gate
Black Is The Color
Witchi Tia To
Maria La O
She's Like A Swallow
Rabo De Nube
Divule Oni
Nkosi Sikelel'i Africa
Moon Over Ruined Castle
Un Canadien Errant

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Customer Reviews:

A Wonderful Recording.......2004-10-30

I echo the comments of Mr. Dennis in the previous review. This is a recording of music of great beauty. I've been following Jane's career since the Spirits of Havana recording in 1992. All of her recordings are interesting (and different, one from the next) but this one is the easiest on the ear. It is music which is pretty and intelligent.
I saw the core of this group, Jane and a sextet (no string quartet) in tiny Cedarburg, Wisconsin on August 22. They played before a crowd largely unfamiliar with their repertoire and they won over the audience famously. Pianist David Virelles is a player to watch. Jane and trumpeter Larry Cramer are charming performers. If you can catch this group, go.
I also reccomend Jane Bunnett with the Cuban Piano Masters.

Absolutely lovely . . ........2004-07-29

. . . and I don't just mean the gorgeous Ms. Bunnett, reigning queen of jazz soprano saxophone and flute.

Red Dragonfly is certainly the most beautiful thing she's ever done. Careful attention has been paid to the smallest detail, from the stunning photos, to the ravishing packaging, to the inclusion of the Pendercki String Quartet. She's on a new label, the New Agey Narada. Hey, if Michael Brecker can sign with Heads Up, I've got no complaint with Jane Bunnett recording for this outfit, especially since they do such a wonderful job of presenting and packaging this delightful music.

Her flute's on the shelf here, and I must say, I've always wanted to hear her playing soprano sax exclusively, which, I believe, is her better instrument. Husband Larry Cramer's on board (as usual) with his distinct trumpet/flugelhorn sound. The great Kieran Overs once again brilliantly holds down the bass chair, but there's a couple of newcomers at piano (David Virelles) and drums (Mark McLean), and they make all the difference, especially the former, who contributes not only great piano stylings but also some very tasty arrangements. The inclusion of The Pendercki String Quartet was a brilliant move. They lend not only a stark and entirely apposite romanticism, but also a richness and depth of mood and timbre seldom encountered on jazz recordings.

With a program featuring a Brazilian number ("Odira-E"), a couple of Japanese songs ("Red Dragonfly" and "Moon Over Ruined Castle"), two of Canadian folk tunes ("She's Like a Swallow" and "Un Canadien Errant," memorably recorded by fellow Canadians Ian and Sylvia in the sixties), three from Cuba ("Maria La O," "Rabo de Nube," and "Divule Oni"), an Appalachian tune ("Black Is the Color," brilliantly reconfigured into 5/4 time), Jim Pepper's classic "Witchi Tia To," given a very straightforward reading that brings out its mournful/sanguine qualities, a South African song ("Nkosi Sikelel'i Africa," warmly conjuring both the great Abdullah Ibrahim and Bheki Mseleku) and a Bunnett original ("Heaven's Gate"), this is world/chamber/folk-jazz of the highest order.

The band has an uncanny ability to nail the heart of these wildly differing musics, making it hard to choose favorites among such a spectacular lineup; but diehard Jim Pepper fanatic that I am, I'm partial to "Witchi Tia To," here rendered with such grace of line and heartfelt emotion that it quickly becomes the standard by which all other interpretations must be measured. "Nkosi Sikelel'i Africa," the South African number, again played with a simplicity and sincerity entirely befitting its dedicatees, also shines brightly. And Ms. Bunnett has such a natural feel for the rhythms and sonorities of Cuban music that the numbers from that Caribbean Island country have a special quality about them as well. In fact, the more I listen to this disc, the more I'm pretty much just sitting here blown away by its glorious magnificence. Certainly there's not a weak number in the bunch, and this band just goes from strength to strength.

This is the music that Jane Bunnett was born to make. Always someone worth hearing, here she has immortalized herself with a disc of sustained splendor.

Just do it.

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