The Private Collection, Vol. 1: Studio Sessions: Chicago 1956

The Private Collection, Vol. 1: Studio Sessions: Chicago 1956 Artist: Duke Ellington
Label: Atlantic / Wea
Category: Music



Average customer rating: 4 out of 5 stars
Media: Audio CD
Number Of Discs: 1


UPC: 075679104120
EAN: 0075679104120
ASIN: B000002JML


Release Date: 1990-10-25

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Listmania:

  1. Born late '56 and still goin'

Tracks:

  1. March 19th Blues
  2. Feet Bone
  3. In A Sentimental Mood
  4. Discontented
  5. Jump For Joy
  6. Just Scratchin' The Surface
  7. Prelude To A Kiss
  8. Miss Lucy
  9. Uncontrived
  10. Satin Doll
  11. Do Not Disturb
  12. Love You Madly
  13. Short Sheet Cluster
  14. Moon Mist
  15. Long Time Blues

Similar Items:

  1. The Private Collection, Vol. 6: Dance Dates: California 1958
  2. The Private Collection, Vol. 3: Studio Sessions 1962
  3. The Private Collection, Vol. 7: Studio Sessions: 1957 & 1962
  4. Private Collection, Vol. 9: Studio Sessions, New York, 1968
  5. The Private Collection, Vol. 10: Studio Sessions, New York & Chicago, 1965, 1966 & 1971

Customer Reviews:

4 out of 5 stars Johnny Hodges Returns!.......2001-04-25

Johnny Hodges returns to Duke's band after a 5 year absence and just blows everybody away! Highlights include what may be Hodges' most seductive, sensual solo ever on "Prelude to a Kiss," and an incredibly salty, greasy blues solo on "Long Time Blues," which shows why B. B. King was such an admirer of Johnny Hodges. All the solos on "Long Time Blues" are exemplary, as Hodges gives way to Ray Nance, followed by an astounding solo by Harry Carney. Jimmy Hamilton brings it all to a close with a breathtaking clarinet solo. There is much good stuff to listen to from Ray Nance and Clark Terry throughout. Paul Gonsalves shines brilliantly on "Satin Doll," and "Moon Mist" features the kind of Ellington harmonies that will leave even the most formally trained wondering "What's THAT chord?" for days. Unfortunately, "Do Not Disturb" and "Love You Madly" proove to be little more than filler here, but the rest of the titles show Duke to being using his band to its best abilities, just a few months before they made jazz history at Newport.

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