Dippermouth Blues: His 25 Greatest Hits
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Artist:
King Oliver
Label: Asv Living Era
Category: Music
Average customer rating:
Media: Audio CD
Number Of Discs: 1
UPC: 743625521825
EAN: 0743625521825
ASIN: B000001HK0
Release Date: 1997-02-18 |
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Listmania:
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The CDs with which I am currently annoying my neighbors
-
The 15 Albums That Could.
Tracks:
- Chimes Blues - King Oliver's Creole Jazz Band
- Canal Street Blues - King Oliver's Creole Jazz Band
- Dippermouth Blues - King Oliver's Creole Jazz Band
- Snake Rag - King Oliver's Creole Jazz Band
- Chattanooga Stomp - King Oliver's Jazz Band
- Riverside Blues - King Oliver's Jazz Band
- Snag It - King Oliver's Jazz Band
- Deep Henderson
- Wa Wa Wa
- Someday Sweetheart
- Showboat Shuffle
- Willie The Weeper
- Black Snake Blues
- Farewell Blues
- Sobbin' Blues
- Tin Roof Blues
- West End Blues
- Speakeasy Blues
- Aunt Hagar's Blues
- I'm Watchin' The Clock
- New Orleans Shout - King Oliver And His Orchestra
- Everybody Does It In Hawaii - King Oliver And His Orchestra
- Rhythm Club Stomp - King Oliver And His Orchestra
- Struggle Buggy - King Oliver And His Orchestra
- Shake It And Break It - King Oliver And His Orchestra
Similar Items:
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Legendary Sidney Bechet
-
Bix Beiderbecke, Vol. 1: Singin' the Blues
-
Best of King Oliver
-
25 Greatest Hot Fives & Sevens
-
Birth of the Hot
Customer Reviews:
Just misses the boat.......2006-11-07
While no expert, I have listened to a fair share of 20s jazz. The cover of this CD lies, as it proclaims this is King Oliver's 25 Greatest Hits. That is not true.
Like most listeners of music from this era, I knew the name of Oliver as one of the pivotal figures, mentor and bandleader to a host of musicians whose fame would far transcend his own. I actually was familiar with just one recording, "Too Late" from an anthology CD I bought. It is an infectious ditty, with a blistering cornet and a perfect arrangement. I expected great things from this CD, where "Too Late" was not even good enough to crack the Top 25.
But that was not to be. This all feels like pretty standard stuff. Not great, not bad. Just somewhere in the vast middle. While the liner notes proclaim the first four tracks to among the greatest in the history of recorded jazz, I cannot share his enthusiasm. The sound quality hurts the final product (these are, after all, from 1923) and the band generates no sparks. Early studio recordings often sound stiff and formal; I guess the musicians missed their usual venue. Jazz was meant to be played, not recorded, and there is a formality that renders them placid. So I can hear all the good things; they just do not coalesce into worthy whole.
The later tracks have better sound, but no better performances. Some are fun and some bristle a bit, but compared to Benny Moten's recordings from the same time, these sound like robots.
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