The Relatives

Artist: Jeff Parker
Label: Thrill Jockey
Category: Music

Average customer rating:

Media: Audio CD
Number Of Discs: 1

UPC: 790377012927
EAN: 0790377012927
ASIN: B0006B6AO8

Release Date: 2005-01-25

Related Categories:

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Listmania:

"Jazz Guitar Is On The Rise Again"
My favorites of 2005 (In no particular order)

Tracks:

Istanbul
Mannerisms
Sea Change
When Did You Stop Loving Me, When Did I Stop Loving You
Beanstalk
The Relative
Toy Boat
Rang

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Customer Reviews:

The Relatives.......2007-01-20

Any blame for the post-rock movement deliquescing into an overly intellectual jazz puddle should be laid directly at guitarist Jeff Parker's feet. He was, after all, the man most responsible for turning Tortoise into what was essentially a post-cool-jazz band on "TNT," unwittingly inviting about 20 million additional jazz tortoises to follow suit. Thing is, the Tortoise guys were actually great jazzbos, especially Parker, whose tasteful guitar work brought relative warmth and accessibility to a band that once concerned itself with frigid austerity. It was to no one's great surprise, then, that Parker became a full-time jazzman following Tortoise's imminent demise, surrounding himself with Chicago's finest in jazz and avant-garde alike. By some distance "The Relatives" is Parker's most lively and listenable recording under his own name, as though he gave the most melodic moments of his first album, "Like-Coping," a much-needed shot in the arm. He and his band members work together to attain a goal of refinement (no Gene Krupa drum solos here, thank you very much), and they're so in sync with each other it's as though they can read the others' thoughts. Thank God, too, that they nailed the tunes; the most memorable of them is "Mannerisms," a funky 1970s R&B holiday for guitar and Rhodes piano. While so many of my CDs have gone stale at one time or another, "The Relatives" has yet to flag after dozens upon dozens of spins.

Intricately simple.......2005-11-09

The nice thing about Jeff Parker is that although the sound of his jazz guitar is unflinchingly similar to his peers, the context of the music is very interesting. He has a more than competent band behind him (witness the beginning of "Rang") and this helps the melodies to shine all the more brightly.

The first time I listened to "The Relatives," my first Jeff Parker album, I more or less let it fly right by me. Why? I guess because he's not Charlie Hunter. But many listens later I realize that's a stupid observation and that this album just seems to naturally improve with each listen.

Cool. Now I have another current jazz musician to follow.

Restless and satisfying.......2005-02-11

Known for adding restless and unexpected 6-string sounds to Tortoise, Isotope 217, and Chicago Underground Orchestra, Jeff Parker plays jazz like someone raised on dub, hip hop, and experimental music. On The Relatives, Parker's woody tone is refreshingly unprocessed, and his stark, angular lines provide a welcome alternative to the carefully manicured guitar timbres that too often characterize fusion, faux world music, and smooth jazz. The album's tunes have elaborate melodic and harmonic structures - this isn't free jazz - but Parker and his three bandmates are never tied to a click track or a rigid arrangement. Collectively improvised around spirited changes and riffs, the music is loose and fluid, yet tinged with a brooding, slightly manic energy. Like espresso or bittersweet chocolate, Parker's playing is bold and uncompromising, yet ultimately satisfying. Engineered by John McEntire (Tortoise, the Sea and Cake, Stereolab, Trans Am) at the fabled Soma Electronic Music Studios, The Relatives has an open, dynamic sound.

Excelente mesmo! .......2005-02-09

What makes Jeff Parkermusics so appealing to me, a chapa who has listened to "almost" every great jazz guitar recording from Brasil, Europe, and USA ever recorded to LP/CD format,(as Jaco Pastorius say, "no brag, just fact"!).. I am 48 years old, and listening for a LONG time!), is that Jeffparker pursues the wonderfully righteous "path" that makes his career so far as a performing /recording musician most listenable.
The decision , IMO, jeffparker does not emulate the great jazz guitar masters of the past, we have their recordings avaliable to us.
He is influenced by them,you can hear this, but not trapped to repeat the ideas, timbres, frasings from those who have already communicated their musical visions. He forges his own distinct identity .
No need for that manner repetition, so jeffparker makes option to forge his own individual frasing, compositional concepts, and best of all, he needs not play that blistering "64th notes" blizzard of scale-derived "note-i-ness" that so many of the new generation of musics-schooled jazz guitaristics are "guilty" of too often.
A contemplative musician then, but this does not indicate he is boring , or in that ECM mode (no complaints on ECM, just to advise he does NOT sound like Terje Rypdal, HAHA!),

I find he is adventurous in the same mode as the great Grant Green, or the enigmatic Sonny Greenwich. Idea over technique.

His ideas sometime seem to overwhelm his technique, and it is a pleasure to hear him reach for what he "wants to say". (This is not to say he lacks for technique, in fact, he usually frases in more clipped call-response lines rather than the long fluid eighth note "post-Wes" style, with more pause/reflection in his musical gestures. )

This recording, without ruining the surprise and describing the compositions, is very much in the concept framed by Mingus, it is "improvisation within the composition", not just a "blowing session". All members of the quarteto contribute to the sounds.

My advise, grab this one. A joyful noise for both jazz fans and also those entusiastics of the grupo "Tortoise".

Welcome to the Jeff Parker Song-Book.......2005-01-25

Principally known as lead guitarist for seminal post-rock group Tortoise, Jeff Parker's jazz pedigree is by now common knowledge among fans of the genre. Although he holds membership in a number of key Chicago based Jazz ensembles, "The Relatives" is only Parker's second recording date as leader. Following 2003's "Like-Coping," this new wrinkle in Parker's take on modern electro-acoustic jazz is even better than his debut.

Where "Like-Coping" was an equitable mix of austerely melodic fare crossed with avant noise explorations, "The Relatives" is a more cohesive effort. Boasting a bounty of memorable tunes, it swaps the previous record's more outre' tendencies for a more melodic approach. Other than an entirely unexpected but intensely cool distorted, bowed bass solo at the intro to the final cut "Rang," there is relatively little in the way of dissonance on this session. Catchy song-oriented tunes predominate and the entire band shares writing duties.

The line-up is similar to Parker's previous trio outing, with Chad Taylor on drums, Chris Lopez on bass and newcomer Sam Barsheshet on Fender Rhodes and Wurlitzer electric pianos. It is on these highly distinctive analog keyboards that the quartet gains its signature sound. Although the band has all the key elements in place for a post-1970's Fusion outing, they rarely sound derivatively retro. Only on Parker's "Mannerisms" do they invoke that much hallowed genre. Imagine 1960's era Blue Note guitarist Grant Green's ebullient fretboard stylings woven into a double timed variation on Miles Davis' classic "In A Silent Way." Catchy doesn't begin to do it justice. Danceable perhaps. An old Isotope 217 tune even appears in the form of "The Relative," utterly distinctive with it's sinuous bassline, tricky counterpoint and tempo shifts. Although a modicum of abstraction is present on the album, the group never allows these moments to eradicate the innate tunefulness of the compositions themselves.

There is a well chosen cover of Marvin Gaye's "When Did You Stop Loving Me, When Did I Stop Loving You" that reveals some of Parker's earliest influences. The quartets' attention to detail on this track is indicative of the session as a whole and affirms their ability to write and perform jazz compositions that are every bit as memorable as pop songs. This is most definitely Parker's finest effort yet.

Music CD:

Music CD

Music CD

Music CD

Butt Nekkid ~ Mr. Goldfinger

Inside Information ~ Foreigner

Home Truths from Abroad ~ Fretblanket

Rock You All Night Long ~ The La Donnas

Ritual Rock-A-Billies ~ Various Artists

Sleepy Eyed ~ Buffalo Tom

Two Story ~ Orbis

The Pink Panther

Certified ~ Certified

Vol. 1-Compilation