Oscar Peterson & Fred Astaire: Complete Norman Granz Sessions
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Artist:
Oscar Peterson , and
Fred Astaire
Label: Jazz Factory Spain
Category: Music
Average customer rating:
Format: Import
Media: Audio CD
Number Of Discs: 2
EAN: 8436006498770
ASIN: B00076SFX6
Release Date: 2005-01-06 |
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Tracks:
- Isn't This a Lovely Day
- Puttin' on the Ritz
- I Used to Be Color Blind
- Continental
- Let's Call the Whole Thing Off
- Change Partners
- 'S Wonderful
- Lovely to Look At
- They All Laughed
- Cheek to Cheek
- Steppin' Out with My Baby
- Way You Look Tonight
- I've Got My Eyes on You
- Dancing in the Dark
- Carioca
- Nice Work If You Can Get It
- New Sun in the Sky
- I Won't Dance
- Fast Dances [Instrumental]
- Top Hat, White Tie and Tails
- No Strings
- I Concentrate on You
- I'm Putting All My Eggs in One Basket
Tracks:
- Fine Romance
- Night and Day
- Fascinating Rhythm
- I Love Louisa
- Slow Dances [Instrumental]
- Medium Dance [Instrumental]
- They Can't Take That Away from Me
- You're Easy to Dance With
- Needle in a Haystack
- So Near and Yet So Far Away
- Foggy Day
- Oh, Lady Be Good
- I'm Building Up to an Awful Letdown
- Not My Girl
- Jam Session for a Dancer [Instrumental]
- Astaire Blues [Instrumental]
- Second Astaire Blues [Instrumental]
Similar Items:
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The Irving Berlin Songbook
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The Complete London Sessions
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Steppin' Out: Astaire Sings
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Fred Astaire & Ginger Rogers At RKO: Motion Picture Soundtrack Anthology
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Ben Webster Meets Oscar Peterson (20-Bit Master)
Customer Reviews:
S'Marvelous.......2005-09-22
Finally, Fred Astaire's 1952 recordings with Oscar Peterson and Jazz at the Philharmonic are back in print. One wonders why Verve has ever let these go out of their catalogue and why a Spanish record company are the currently the only people with the good sense to issue these--but it is probably a better idea just to buy the album.
Astaire may not have had a voice for the ages, but the man certainly knew his way around a lyric. He imbues these classic numbers with an honest sensitivity and panache that often make these chesnuts sound completely brand-new. (Which makes sense, given the number that were originally for him.) The small jazz combo backing was something unique in Astaire's recording career: gone are the deliciously overblown Hollywood orchestrations, replaced with Oscar Peterson's elegant piano playing and some inspired solos by the two horns, Charlie Shavers and Flip Phillips.
All the tracks on this album are stellar, but the four standouts (in my mind) are "Puttin' on the Ritz," "Dancing in the Dark," "Night and Day," and "Lady Be Good": on these, the interaction between Astaire and combo creates some of the most inspired readings of these numbers ever. This album also demonstrates Astaire's absolute genius as a dancer: lots of people have sung the blues extremely well, but who else could actually manage to tap-dance a blues and convey the same passion as Bessie Smith or Jimmy Rushing without singing a single note?
The one minor caveat a listener might have with this album is that the remastering job seems to be uneven: some tracks have a pretty silent background, while there is audible tape hiss on others. This may be a problem with the source material, since the tracks on Verve's domestic compilations like "Fred Astaire's Finest Hour" suffer the same problems.
Still, this album should be on the CD rack of every person who has even a passing interest in the repertory of American songs. Astaire was the best thing ever to happen to the musical film, and he's still one of the best thing ever to happen to the record industry. This is, quite simply, great stuff.
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