Destiny's Dance

Destiny's Dance Artist: Chico Freeman
Label: Ojc
Category: Music



Average customer rating: 5 out of 5 stars
Media: Audio CD
Number Of Discs: 1


UPC: 025218679923
EAN: 0025218679923
ASIN: B000000YZS


Release Date: 1994-01-15

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Tracks:

  1. Destiny's Dance
  2. Same Shame
  3. Crossing The Sudan
  4. Wilpan's Walk
  5. Embracing Oneness
  6. C & M

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Customer Reviews:

5 out of 5 stars A very special session.......2004-02-05

When thinking about father/son jazzmen, who first comes to mind? John Coltrane/Ravi Coltrane? Dewey Redman/Joshua Redman? Thelonius Monk/T.S. Monk? Freddie Waits/Nasheet Waits? Jackie Mclean/Renee Mclean? Ornette Coleman/Denardo Coleman? Terry Gibbs/Gerry Gibbs? Jerry Granelli/J.A. Granelli? Probably not Von Freeman/Chico Freeman, unless you're really into the Chicago scene. Chico may be the only one of the above more famous AND a better player than his dad (Joshua's probably more famous, but not as good as Dewey; Nasheet's probably better, but less famous than Freddie--although neither, it must be said, is a household name).

As a young man in the late seventies and early eighties, Chico made a series of very fine albums including Chico, Morning Song, Beyond the Rain, Spirit Sensitive, The Outside Within, and Destiny's Dance, mostly on small independent labels like India Navigation and Contemporary (a division of Fantasy out of San Francisco). Of these, Destiny's Dance seems to me to be the most accomplished; he's honed his "outside in" approach to maximum impact, has perhaps his best band, and there just seems to be some kind of magic in the air--although it must be said that any of these are worth hearing. This was the Heyday of Contemporary. They had a fine stable of young players and seasoned veterans: Bobby Hutcherson, George Cables, Art Farmer, Barney Kessel, Frank Morgan, Benny Golson, Tom Harrell.

On to the music. From the first few notes of the extremely tricky--melodically and rhythmically--unison tenor/trumpet passage that opens the first song on Destiny's Dance, you can tell something special's afoot. When the tempo rockets forward as the whole band roars in, featuring even more daring unison tenor/trumpet playing, followed by some impossibly tasty solo licks from a very young Wynton Marsalis, a gripping short solo from Freeman, and Bobby Hutcherson all over his vibes like a tarp covering the infield, you're in some kind of zone only the greats can access.

More unison lines, this time with Wynton on muted trumpet and Freeman on bass clarinet, presenting a radically different soundscape, open "Crossing the Sudan," underpinned by McBee's mesmeric bass figures, lending the piece a hugely exotic feel--you're there, bobbing up and down as your camel keeps pace with the others in the caravan.

In between we get another one of those beatiful, mystery-laden Arabic-tinged compositions from Bobby Hutcherson, "Same Shame," marvelously, effortlessly rendered by the quartet (Marsalis and Dennis Moorman on piano sitting out).

"Wilpan's Walk," an attractive burner from Cecil McBee follows, featuring the full septet, Paulino Da Costa on scintillating percussions joining Freeman, Marsalis, McBee, Moorman, Hutcherson, and the great Ronnie Burrage on drums. A high-wire act from beginning to end, this tune displays a level of small-group interaction that simply astounds.

More interesting unison sonorities--bass clarinet/arco bass--open "Embracing Oneness," a very hip slow number that shifts between freeish and bop-tinged bloozy passages. Quite beguiling.

The disc closes with what begins as another all-out burner, "C & M," again featuring some jaw-dropping unison playing. But then it shifts to a slow passage, revs up again, slows down, cruises for a while, and finally blasts into the stratisphere with a mind-boggling outro, an entirely apt close for these supercharged proceedings.

My only complaint is that at 36:34 it's a little on the short side. But that's no biggie. The overall brilliance of this session more than makes up for its brevity. And anyway, there's something to be said for gettin' in, gettin' it done, and gettin' out.

All in all, a stunning performance.

5 out of 5 stars Don't Miss This !.......2002-04-24

I used to be biased against post 60's jazz. I thought that after Coltrane, Dolphy, Ayler, and Miles Smiles - everything became less interesting.
I was wrong, of course. There are post 60's works by Sun Ra, Cecil Taylor, Ornette Coleman, Sam Rivers, post 60's giants such as David Murray, Anthony Braxton, The Art Ensemble, Arthur Blythe, David S. Ware,Charles Gayle, and many others.
One CD that helped me realize my mistake was this one by Chico Freeman. It is not as experimental as some of the others I mentioned, but it is original, creative, and superbly performed.
Chico Freeman plays both saxophone and bass clarinet with equal beauty.
The tunes are all interesting, while I especially liked "Crossing the Sudan" and "Embracing Oneness" - these are the slower tracks. Note Bobby Hutcherson wonderful vibes - he never ceases to sound good !
This is a CD for all who like their jazz creative, innovative and well played.

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