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Artist:
Booker Ervin
Label: Ojc Category: Music Average customer rating: Media: Audio CD Number Of Discs: 1 UPC: 025218689625 EAN: 0025218689625 ASIN: B000000Z2H Release Date: 1996-06-11 |
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Customer Reviews:
Unique Synergy.......2002-04-01
When you get this CD along with The Freedom Book, by the same ensemble, you have one of the true monuments of modern jazz. Why this ensemble isn't considered on par with Mile Davis' quintets or the John Coltrane Quartet is a great oversight. Booker's quartet is a single finely tuned instrument, whose whole is greater than the sum of its parts. It's the one group, other than the Modern Jazz Quartet, who has me listening to each instrument with equal attention. Superior and unique jazz...
Tenor titan.......2001-03-28
"Space Book" joins Ervin with three other great individualists: Jaki Byard, who like Ervin, had served in the bands of Charles Mingus; Richard Davis, one of the great bass creators of the day; and the fine drummer Alan Dawson, a frequent collaborator with Ervin.
The powerful rhythmic attack that Ervin employed is displayed on the session's first track, "Number Two." His solos are dense and vertical, but I can always hear the R&B and blues roots in his playing. The fiery mood of "Number Two" is mellowed by the quartet's fine interpretation of "I Can't Get Started." Ervin here is sensitive to the contours of the melody, but he doesn't shy away from exploring the tune aggressively. In short, he walks the fine line between adherence to melody and the demands of improvisational freedom.
Byard is terrific throughout. On "I Can't Get Started," he creates a great sense of space behind Ervin and then creates dreamy melodies in his own solo. Listen to his Monk-inflected backing of the tenor on "Mojo." It's as interesting as Ervin's solo, which is saying something, as the tenorist's solos here and elsewhere have enough power to cook with nothing else behind him.
The set concludes at a slower tempo again with "There Is No Greater Love," which again finds Byard giving Ervin plenty of space in his accompaniment. Davis and Dawson too are not afraid to move about freely behind the soloist. Ervin plays passionately and lyrically, but with plenty of harmonic and rhythmic power. Great set closer.
Like Coltrane, Ervin departed at the age of 40 with so much music left ahead of him. His was a singular jazz voice, one who bridged the older worlds of jazz and the new. Give him a listen.
One of the Best Modern Jazz Albums Ever.......2000-08-20
essential for any serious collector.......1998-09-14
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