One More: Music of Thad Jones

One More: Music of Thad Jones Artist: Various Artists
Label: Ipo Recordings
Category: Music



Average customer rating: 4.5 out of 5 stars
Media: Audio CD


UPC: 675754802226
EAN: 0675754802226
ASIN: B0007WQHSA


Release Date: 2005-03-29

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Related | Jazz | Styles | Music
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Tracks:

  1. Subtle Rebuttle
  2. Thad's Pad
  3. Kids Are Pretty People
  4. One More
  5. Mean What You Say
  6. Child Is Born
  7. Bossa Nova Ova
  8. The Waltz You Swang For Me
  9. H&T Blues
  10. Consummation
  11. The Farewell
  12. Monk's Mood

Similar Items:

  1. One More: The Summary: Music of Thad Jones, Vol. 2
  2. Live at the Village Vanguard
  3. Thelonious Monk Quartet with John Coltrane at Carnegie Hall
  4. Groovin' to Marty Paich
  5. The Bill Holman Band Live

Customer Reviews:

4 out of 5 stars Never Too Much.......2006-12-17

It's not entirely clear to me why this tribute to Thad's music and charts required a 50% downsizing of the original Jones-Lewis orchestra, but the diminished firepower is made up for by the clever orchestrations and the inherent substance of Jones' music itself. A harmonically advanced player and first-rate composer-arranger-leader, Thad for many years made many jazz followers marvel at his patience while playing 2nd trumpet in Basie's band night after night, limited to minimal solo work (most of it given to Joe Newman). He never got his due and probably was the last to know his own originality and mastery in all areas of music--practically a latter-day Duke Ellington.

One advantage of the smaller ensemble is more solo time for the soloists, most of whom have been heard from far too little in recent years and, judging by their contributions here, for no good reason. (I thought Jimmy Owens had disappeared, but he's playing like a pollwinner--he'd have to, since he's largely taking on the Thad Jones' trumpet role.) When it came to meeting listeners' expectations while simultaneously answering the needs of the musicians, Thad had few peers as a composer-arranger.

The ensemble choruses are executed with the deft precision you'd expect of these professionals. The program itself testifies to Thad's inclusive genius--from high-spirited, infectious swingers to light and spritely woodwind motives to the haunting, deeply affecting beauty of Thad's immortal "A Child Is Born." Definitely one of the better recording sessions during these barren times for both big bands and composers who have anything to offer of genuine inventiveness or lasting substance.

5 out of 5 stars Bringing the music of Thad Jones to a new generation . . ........2005-05-22

. . . certainly a worthwhile project, especially done as gloriously as here. One thing this disc proves beyond a doubt: many jazzers don't get old; they just get better. Featuring a collection of musicians that easily have more than a half-millennium of playing between them, this band reads like a who's who of early boppers: James Moody (sax), Benny Golson (sax), Hank Jones (Thad's brother, piano), Bob Brookmeyer (trombone), Richard Davis (bass), Roland Hanna (piano), Frank Wess (tenor sax, alto sax, flute), Jimmy Owens (trumpet, flugelhorn), and Mickey Roker (drums). And man, can they play! No mailing in their chops for these guys. It probably helps that they're completely familiar and comfortable with this music; some of them have been playing it practically forever.

And it doesn't hurt, either, that it's music of the absolute first rank, some of the finest jazz ever written. Thad Jones not only had an uncanny ear for a beautiful melody, he was a crack arranger and colorist. Thus, there's a constantly varied musical palette, a veritable luxuriance of sonic efflorescence, greatly adding to the variety and beauty of the melodies and harmonies.

Another thing: there's a stateliness and grandeur in Thad Jones' music often sadly lacking in this era of musical irreverence. Just listen to Roland Hanna's powerfully rendered five minute intro to Jones' most famous theme, "A Child Is Born," for a taste of what I mean.

Perhaps not for everyone, but surely no one who considers himself a jazz connoisseur should be without at least a sampling of one of the greatest composers/bandleaders in the history of jazz. And this is as good a place to start as any.

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