Label: Prestige
Category: Music
Average customer rating:
Format: Box set
Media: Audio CD
Number Of Discs: 8
UPC: 025218440028
EAN: 0025218440028
ASIN: B000000ZC0
Release Date: 1993-09-22
Chronicle: The Complete Prestige Recordings (1951-1956)
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Artist:
Miles Davis
Label: Prestige Category: Music Average customer rating:
Format: Box set Media: Audio CD Number Of Discs: 8 UPC: 025218440028 EAN: 0025218440028 ASIN: B000000ZC0 Release Date: 1993-09-22 |
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Customer Reviews:
Miles has Style.......2006-05-08
simply superb collection of artist.......2003-12-25
Lots of Ballads.......2000-10-25
The music itself is varied. As a listening experience, it's clear that Miles tended towards ballads and towards interpreting popular songs through his trumpet. I prefer the weightier parts on here ... "The Serpeent's Tooth" (great underheard theme) ... Sonny Rollins' compositions ... much of the music is centered on a singular melody line though.
So, it's interesting music (there's a who's-who of 50's jazz musicians moving through the credits) but to me less so than Miles 60's quintet, or Miles 1970's explorations in funk.
Some Indispensable Recordings, Some Forgettable Recordings.......2000-10-19
On this box set are songs so indispensable that my wife had better grab the kids if the houseboat starts sinking because I don't want to live without the best versions of such songs as "My Funny Valentine", "Diane", and "Surrey with a Fringe on Top" that Davis ever made. Discs Five through Eight, which are the original Miles Davis Quintet recordings, see a developing John Coltrane. Coltrane does not yet show the freedom and emotion of his Prestige box set, nor would Davis have tolerated it, but he was already a brighter talent than many saxophonists could ever hope to be, and he works well within the structured environment of these pre-modal Davis arrangements. (By the end of their collaborations, Coltrane's forays beyond even modal improvisation and his tendency toward the chaos of free jazz made him no longer a good fit with Davis). These discs are the work of perhaps the most legendary assemblage of jazz giants that has ever existed. In my book, this group was topped only by addition of Cannonball Adderley, the frequent substitution of Bill Evans for Garland, and the improved recording technology that had occurred by the time Davis moved to Columbia records and made Kind of Blue.
The quality of sound is an issue with me on this box set. I suspect there is only so much that can be done with recordings made before the advent of stereo or, on the earlier discs, before even the existence of the LP. The sound quality is certainly adequate, but it is a distinct step down from the recent reworkings of Davis's Columbia recordings. Secondly, the first four discs do have some interesting pieces and some interesting sidemen, such as a young Sonny Rollins and even a cameo by the Bird. But if the houseboat sinks, I might trade one for the dog, or even a kid if I don't get another tie for father's day. The work is very uneven and even the best of it does not match the brilliance of the last four discs. Davis was struggling with a substance abuse problem during much of this period and it shows. These two reasons are why I give this set only four stars. I seldom listen to the first four discs, and I am contemplating trying the JVC reworkings of the original quintet recordings to see whether the sound quality makes these rather pricey single CD's worthwhile. The quintet's work is a must have, but if you must have one and only one box set, try the Columbia release of all of the work Davis and Coltrane did on that label.
amazing.......2000-09-24
The listener has to be aware of Miles' life during the years of 1950-55 to better understand what they are listening to. Alas, much of this period starts and ends with his heroin habit. This habit was all consuming and certainly physically took its toll on Davis. His playing also suffers a lot of the time due to it. There are some sessions where he sounds together, and others (the gut wrenchingly sad "Round Midnight" take with Charlie Parker (a rare tenor sax appearance) right before Bird's death, where both Miles and Bird's playing sounds like they were nodding off on heroin during it) where it is close to disaster. Despite the downs, Miles WAS a professional and while his tone was at points very thin, he gave it his all.
Discs 1-3 showcase that lost period, while discs 4-8 showcase Miles on the rebound from his habits, and the slow and steady recovery of his tone, chops, and musical career with it. Not surprisingly, the tracks, grooves, and voice that we love Miles for, improves dramatically on these discs, and discs 6-8 are the finest efforts, with Miles and his 1st great quintet's "Steamin," "Workin," "Relaxin," and "Cookin" lps featured.
This collection is an amazing journey. If you are willing to take the great with the not so great, then this collection is for you. All Miles completists need this collection for its musical and historic value. At times rough and gut wrenching, and by the end glorious and astounding, but never dull, the set is a gem.
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