Last Sessions: The Complete General Recordings

Last Sessions: The Complete General Recordings Artist: Jelly Roll Morton
Label: Verve Labels
Category: Music



Average customer rating: 5 out of 5 stars
Media: Audio CD
Number Of Discs: 1


UPC: 011105040327
EAN: 0011105040327
ASIN: B0000001NO


Release Date: 1997-01-28

Related Categories:

General General
Related | Blues | Styles | Music
Traditional Blues Traditional Blues
Related | Blues | Styles | Music
General General
Related | Jazz | Styles | Music
New Orleans Jazz New Orleans Jazz
Related | Jazz | Styles | Music
Traditional Jazz General Traditional Jazz General
Related | Traditional Jazz & Ragtime | Jazz | Styles | Music
General General
Related | Pop | Styles | Music
Verve Verve
Related | Verve Music Group | Specialty Stores | Music

Listmania:

  1. great piano recordings from all over the map
  2. Historic Ragtime Recordings
  3. Last Sessions

Tracks:

  1. Sporting House Rag(Perfect Rag)
  2. Original Rags
  3. The Crave
  4. The Naked Dance #2
  5. Mister Joe
  6. King Porter Stomp
  7. Winin' Boy Blues
  8. Animule Dance
  9. Buddy Bolden's Blues(I Thought I Heard Buddy Bolden Say)
  10. The Naked Dance
  11. Don't You Leave Me Here
  12. Mamie's Blues
  13. Michigan Water Blues
  14. Sweet Substitute
  15. Panama
  16. Good Old New York
  17. Big Lip Blues
  18. Why?
  19. Get The Bucket
  20. If You Knew
  21. Shake It
  22. Dirty, Dirty, Dirty
  23. Swinging The Elks
  24. Mama's Got A Baby
  25. My Home Is In A Southern Town

Similar Items:

  1. Jelly Roll Morton: 1926-1930
  2. Winin Boy Blues
  3. Jelly's Blues: The Life, Music, and Redemption of Jelly Roll Morton
  4. Kansas City Stomp: The Library of Congress Recordings, Vol. 1
  5. Blues and Stomps from Rare Piano Rolls

Customer Reviews:

5 out of 5 stars Beautiful music........2006-08-14

Great cd especially for Morton's beautiful warm vocal. No chance to listen something similar in current music. Tracks 1 - 13 are piano solos with Morton's vocal (around half tracks) and rest tracks are Morton's hot six and hot seven. Great is trumpeter Red Allen too. Especially on SWEET SUBSTITUE, GET THE BUCKET and MY HOME IS IN A SOUTHERN TOWN.
And super vocal by Morton again and again.

5 out of 5 stars His Home Was A Southern Town.......2005-12-09

Did anyone (don't remember) mention the excellence of the transfers and the liner notes? Steven Lasker is a hero - just compare (if you are a fanatic like I am) to the Classics issue of this material. And Animule Ball is a wonderful bonus. SOME of the band tracks ARE wonderful - particularly Dirty Dirty Dirty, Swinging The Elks and Mama's Got A Baby (all from the last session; what a pity there was to be no more). Claude Jones' replacement of Joe Britton on trombone,and the absence of Eddie Williams' alto sax help enormously. Dirty Dirty Dirty was the best writing Morton had done in years and Mama's Got A Baby shows that in addition to Jazz, Morton also invented R + B. Of course, the solo tracks are classics; have been since the day they were issued. I couldn't live without The Crave, Michigan Water, Don't You Leave Me Here - the incredible recording of King Porter...Oh let's face it, I couldn't live without any of it. And you shouldn't either.

5 out of 5 stars Mr. Jelly Lord.......2005-10-11

This CD compiles Morton's last commercial sessions: a solo piano date (actually 2) from 1939, and 3 dates, all of them using pretty much the same personnel, from January 1940, all for the General label. By far the most impressive sides are the piano recordings; most of these are remakes of tunes he had recorded in the 1920s. Slow and medium tempos dominate, and he sings on some of them, too - as only Morton could. WININ' BOY, BUDDY BOLDEN'S BLUES, MAMIE'S BLUES (an absolute masterpiece), and MICHIGAN WATER BLUES are all standouts. The small band sides feature Red Allen on trumpet, Albert Nicholas (cl), Eddie Williams (as) among others, and most contain Morton vocals, but these sides just don't come across as well as the earlier solo tracks. Still, this CD collects the culminating work of one of the great jazz pioneers, and is highly recommended.

5 out of 5 stars We Are So Fortunate.......2004-05-01

What can one really add to the previous excellent reviews? So many great jazzmen died so young....Bix, Teschemacher, Fats, Parker, and "Jelly". How fortunate we are to have these final superb recordings by this flawed but incredible person.

The audio quality is excellent, so we are able to hear how his early recordings of some of his most well-known pieces should have sounded. Although in poor health at the time of these recordings, his playing is as exciting and inventive as ever. Truly one of jazz's giants.

5 out of 5 stars a treasury in the history of jazz piano playing.......2001-08-22

How could a Jelly Roll Morton piano solo session receive less than five stars?Like Duke,Monk,Earl Hines,James P.,he was one of the most talented pianists and composers in the jazz history.The first part of this cd consist in a complete solo session by Mr Ferdinand Joseph LaMenthe (1885-1941),a creole from New Orleans who proclaimed himself as the inventor of jazz,blues and stomp;megalomaniac,irritable,insufferable for those who worked with him,Sweet Papa Jelly Roll is truly one of jazz greatest geniuses.These sessions,recorded one year after the marathon-like "Library of Congress" recordings,are among his best,mostly for the solos.He excells playing ragtime ("sporting house rag",a tune he recorded in 1924 under the title "perfect rag",an exceptionnal version of Joplin's "original rags",maybe the most beautiful with Paul Lingle's version,a magnificent spanish-tinged tune called "the crave","the naked dance",a tune he used to play in the whorehouses,and "King Porter stomp",a masterpiece),and he excelles too playing blues ("Michigan water blues","don't you leave me here",the poignant "winin' boy blues",and another masterpiece,as Mr Tutt said,"Mamie's blues",which was recorded in 1940 by Louis Armstrong and Sidney Bechet under the title "2:19 blues").The second part of the cd,the band sessions,were recorded in 1940.The personnel is absolutely superlative:Red Allen,Albert Nicholas,Wellman Braud,Zutty Singleton,Claude Jones.Again,a bunch of masterpieces: the rare "sweet substitue"(listen to Sammy Price and Leon Redbone's versions),"Why"(another beautifully melancholic tune),"big lip blues"(listen to Jelly Roll saying "I'm gettin' drunk" in the middle of the tune),and "if you knew".Maybe Sweet Papa Jelly Roll wasn't the inventor of jazz,blues and stomp,surely he was a lyer and a mythomaniac,but clearly he was one of jazz most important figures,an immense pianist,composer,and a great singer,and I'm sure you'll enjoy these last recordings.

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