Songs: The Art of the Trio, Vol. 3

Songs: The Art of the Trio, Vol. 3 Artist: Brad Mehldau
Label: Warner Bros / Wea
Category: Music



Average customer rating: 4.5 out of 5 stars
Media: Audio CD
Number Of Discs: 1


UPC: 093624705123
EAN: 0093624705123
ASIN: B00000AG8T


Release Date: 1998-09-15

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Listmania:

  1. moody: music to be moved by
  2. Essential Jazz in no order
  3. Some of the best jazz around right now.
  4. Cool Jazz with Warmth (since 1990)
  5. Upright Bass Jazz Essentials
  6. piano music to dream by
  7. 25 of My Favorite CDs that I own in no particular order
  8. My favorite books and music
  9. Emo for Emo Lovers
  10. Ambient/Chillout beauties.

Tracks:

  1. Song-Song
  2. Unrequited
  3. Bewitched, Bothered, And Bewildered
  4. Exitt Music (For A Film)
  5. At A Loss
  6. Convalescent
  7. For All We Know
  8. River Man
  9. Young At Heart
  10. Sehnsucht

Similar Items:

  1. The Art of the Trio, Vol. 1
  2. The Art of the Trio, Vol. 2: Live at the Village Vanguard
  3. Art of the Trio, Vol. 5: Progression
  4. The Art Of The Trio, Vol. 4 - Back At The Vanguard
  5. Elegiac Cycle

Customer Reviews:

1 out of 5 stars Jazz that sounds like an acedemic exercise........2007-01-09

I am so glad that I purchased this Brad Maldau album first. After seeing all these rave reviews for this album, with comments that tell me this is his trio at its strongest, I know that Mehldau is not for me. I will give him one star for his strong fundementals, but that is all I have good to say. Where is the heart, where is the fire. Some people say "you don'nt understand, it is supposed to sound cold and haunting"; to this I say, look at Bill Evans. Even at Evan's most sparse and meditative, he always had that subdued passion; that is just not there with Mehldau. Even Mehldau's syncopations seem forced and predictable. His voicings are the worst--tediously homogenous. The whole thing sounds so terribly forced: as if someone made him make the album at gun-point. The hipe about Mehldau must be the fact that there are'nt many new musicians playing this kind of original material these days. I could see people going to Mehldau as an easy access into this type of jazz (or jazz in general) and not knowing any better and thinking that he is expressive. Even worse, some might think that this is what "introspective" jazz is like and become completely turned off.

His playing is so lifeless that its scary. If you need an introspective, meditative pianist, look harder or look to the past.

5 out of 5 stars Elegant, sensitive, melodic & contemporary.......2005-08-29

It's too long ago now that jazz performed by trios using acoustic piano as the center-piece was the mainstay of the genre. It's where everything started and ended. We heard how jazz could speak to us through melody AS WELL AS rhythm and be innovative at the same time. Clearly, Mehldau has inherited that tradition which some thought had suffered a pre-mature death. His debt to Bill Evans perhaps is the greatest, but Mehldau's lingering classical influence is also strongly felt- and why not? On these pieces we seem to hear Evans' voicings returning with a fresh new life. Treatment of the standards, especially "Bewitched . . ." is sensitive and lyrical, but the best selections to my taste are the original numbers, particularly "Song Song" (what a title) with harmonic structures that recall Chopin. While there are flourishes of technique, the salient feature is the clear musical statement. The bass and drums complement the piano in what becomes at once subtle and stirring. For my money, the album is Mehldau's best of his trio performances and one of the more reassuring contributions to a version of the art form that has been largely distorted if not ignored in recent years.

5 out of 5 stars Great piano trio music.......2004-03-27

As a serious fan of Bill Evans, but with little knowledge of the jazz world, I picked up the first four volumes of Mehldau's Art of the Trio recordings following a recommendation from a friend.

Volumes 1 and 3 are studio recordings; volumes 2 and 4 are live (I don't have volume 5, yet, another live volume, this one on 2 CDs). I think Mehldau is great, and I especially like the studio recordings. They are lyrical and melodic, whereas the live recordings tend more toward pyrotechnics and displays of virtuosity.

If you like the kind of music Bill Evans played, you'll certainly like volumes 1 and 3. You may prefer the live ones, especially if you're into Keith Jarrett (at least Mehldau doesn't grunt and squeal all the time). In any case, this is great music, well played and the trio has a great rapport.

5 out of 5 stars Rave.......2004-02-24

Out of the 5 of his albums I have, this is the one I keep coming back to and the one I'd recommend to listeners who want an initiation into his world. Lyrical, passionate, and effortlessly smart.

5 out of 5 stars exit music.......2003-11-22

By far the best moment of this record is brad's version on radiohead's "exit music".....but this is NOT an one piece album. From the first moments you really get the idea...great love for the songs and wonderful originals that will make you wanna find out more about this amazing guy and his trio. The sound is incredibly clear and I really enjoyed the drum riffs. I continously had the idea that this was a soundtrack. There are so many images. I still after all this time enjoy listening to it anticipating every hit on the piano....a must of modern jazz and together with places....his best work yet...

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