Bouderbala

Bouderbala Artist: Nass Marrakech
Label: World Village
Category: Music



Average customer rating: 4.5 out of 5 stars
Format: Live
Media: Audio CD
Number Of Discs: 1


UPC: 842759200030
EAN: 0842759200030
ASIN: B000062TI7


Release Date: 2002-10-08

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Listmania:

  1. New Jazz Beat Elite, Part II

Tracks:

  1. Zeye Meyel
  2. L'Ham
  3. Beyna L'Ejwan
  4. Aisha
  5. Zid El Maal
  6. Hamdushi II
  7. Sandia
  8. Galou
  9. Mash Q' Mani

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Customer Reviews:

5 out of 5 stars The magical participation of Omar Sosa . . ........2004-03-14

. . . lifts the proceedings beyond the ordinary into wondrous realms of "trance"cendence.

Yes, this is an authentic Gnawan band, an outfit from the deserts of Northwest Africa, playing centuries-old traditional trance music originally used in indiginous healing ceremonies. Here, the band is broadened out to include flute, mandolin, marimba, sax, violin, Bulgarian gaduka, Brazilian percussion, and piano. It's the latter instrument, played by that inimitable, iconoclastic Cuban pianist Omar Sosa, that makes this far more than just another offering of some relatively obscure example of world-folk music.

Sosa has this uncanny ability to absorb, assimilate, and almost magically transform just about any music he encounters, amply demonstrated on his own amazing recordings such as Pictures of Soul and Sentir. An example here is his astounding playing on "Hamdushi II" where his dancing, lyrical presence provides perfect counterpart to the simple chantlike basic musical materials, all the while highlighting and framing the specific toanl qualities of this music in new and adventurous ways. Indeed, his playing here is some of the very best I've heard from him on record. And though he plays on only four of the nine tunes, he's still on board for more than three-fifths of the total time because he plays on the longer numbers.

I'm sure listening to literally hundreds of hours of Sosa's marvelous playing on his own discs greased the skids for my encounter with this admittedly (to North American ears, at least) alien music. Still, it took me quite a while to totally track with their vocal approach--and I believe the very best tune on the disc is the sans-vocal song "Beyna l'Ejwan," bringing up the fascinating proposition of an entire disc of wordless tunes by this Gnawan band, with one would hope, the continued participation of Omar Sosa. Be that as it may, by means of the Sosa entree I was able to find access to what has now become one of my favorite discs. Anyone interested in world jazz will want to give it a listen.

4 out of 5 stars fascinating mixture of styles.......2003-01-09

Here you have a real Gnawa band (Gnawa is an ancient Moroccan form of healing trance music), playing authentic Gnawa instruments, when after a while you realize you're hearing contemplative jazz piano parts. Then sax parts. This album showcases a very effective, subtle mixture of very different styles of music. The mix works, in no small part due to the sensitive treatment given the jazz instrumental parts. In less skilled hands, this would have all come off sounding clumsy and forced.....Here, the effect is fascinating and exotic.

Also highly recommended is the other release by Nass Marrakech.

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