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Artist:
Natalie MacMaster
Label: Rounder / Umgd Category: Music Average customer rating: Media: Audio CD Number Of Discs: 1 UPC: 011661702127 EAN: 0011661702127 ASIN: B0000003EN Release Date: 1998-02-10 |
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Customer Reviews:
pure genius!.......2000-05-02
This CD has the greatest 7 minutes 19 seconds ever recorded.......1999-10-17
Natalie MacMaster is the best musician I ever heard in concert or on a recording. Yet I have not seen a CD of hers in a chain store or heard her on the radio. Natalie is an extraordinary Celtic Fiddler in the Cape Breton style. She learned to play from her uncle Buddy MacMaster who is considered one of the great fiddlers in history. I have studied music seriously for close to 50 years. I've heard most of the great musicians in concert in their prime. This includes hearing Chuck Berry,Eric Clapton and Stevie Ray Vaughn play electric guitar, Ray Charles, Jerry Lee Lewis and Elton John on piano,and major groups from Dylan and The Band to The Grateful Dead and Metallica. I've listened close up to the blazing fiddles of Charlie Daniels,All Ireland Champion Martin Hayes and Scotland's International Fiddle Master Alasdair Fraser. Natalie MacMaster tops them all to my ear. Hearing her in concert was like being thunderstruck by a lightning bolt of beauty out of the blue. I was stunned, dazzled and amazed that anyone,anywhere could play an instrument so good. Her rendition of the tune "Captain Keeler" from the CD "My Roots Are Showing" was the best work of an instrument I ever heard, just incredible. On studying Natalie's music, I found a tune that shows her technical ability,intense playing and personal style. It is called "The King's Set",track 8 on her Cd "A Compiliation". When I close my eyes and listen to it, my mind is filled with wonderful images of life and history from centuries past. "The King's Set" starts with a happy go lucky old Celtic air.....Here I see a bright young man strolling along a country road in Old Ireland or Scotland hundreds of years ago. He's just been to market and is jingling a few coins in his pocket that he earned selling potatoes,cabbages,salt fish and some wool. He's going to a dance that night and he whistles the old tune he hopes the fiddler will play. He calls out to the dog that tags along with him, a red Irish Setter. From this idyllic scene,Natalie's fiddle stirs and changes the mood. Now she plays a deep melody that conjures up dark images of storm clouds gathering over The North Atlantic Ocean. You can feel the changing mood with every note,through to your bones.The tunes Natalie calls up were cherished and passed along for centuries, the treasure lore of Cape Breton fiddlers. Now you hear echoes of "The Old King's Reel" and see mosaics of throne wars with armies sweeping across the land driving families of farmers away to enclose the land for wealthy barons. The images are starkly contrasting as they appear right out of the music. One moment you are in a grand ballroom where ladies and
gentlemen in wigs and splendid finery bow and curtsy to waltzes played by fiddler butlers. Then you see the crowded hold of emigrant ships tossing in a furious gale. You see the young man again on the passage. He holds tight to his dog and the fiddle that will carry and preserve the old tunes in the New World. Natalie's fiddle takes you through history,now there's the sounds of steam locomotives and drive trains. In her music you hear the sounds of the industrial revolution and see mills and factories where once there was farmland. Here is the story of the people,social history written in music. Now her fiddle is warmed up and Natalie really begins to pour it on. From wind to fire she calls up the mad dance tunes of The Celts. At the 4 and a half minute mark,Natalie starts flying with a breathtaking series of chord changes and progressions, up and down the scales. She's red hot now and goes back and forth with subtle changes of pace,picking up steam and glory. Her music crosses the centuries,now you see mothers reading The Good Book to children by hearthfire. You see generations of unknown,brilliant fiddlers patiently passing on the old tunes and techniques of string and bow to apt young children of hard dirt farmers and cold ocean fishermen. Then suddenly Natalie takes off in a heavenly reel,"The Cape Breton Fiddle Society's Welcome to The Shetland Isles".There you are off the boat in the New World, running with joy and your Irish Setter through a coastal meadow. There's bright wildflowers in a green field of four leaf clovers, the fragrance of purple sage and honeysuckle. You see pine,fir and redwood trees and eucalyptus scented streams. The music carries you along faster,chasing your dog who seems about to fly off. Overhead there are birds, seagulls and eagles soaring,wild swans and hawks and the singing of robins. The sky seems to open and rainbows pour down to pots of gold everywhere. You leap into the air,filled with happiness,off you go into pure light. Then just as pretty as you please,Natalie brings it home and sets you down like a feather. Now that's music,and why I call " The King's Set" the greatest 7 minutes and 19 seconds of music ever recorded. From the heart, with admiration, I say she is the best musician I ever heard. If you have a chance to hear her in concert, GO. She will take you to heaven for a while and show you what the word Beauty means. As far as I can see and hear in the music world, Natalie MacMaster is the best there is. John Mackesy Middletown, California 9/27/99
Excellent and beyond belief,incredibly beautiful music........1999-09-22
Energy, Drive and a polished blending of old and new styles.......1998-06-19
If you haven't seen her in Concert do. She shure can dance, and boy the snake skin pants don't hurt none either!
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