Starring Henry the Human Fly

Starring Henry the Human Fly Artist: Richard Thompson
Label: Hannibal
Category: Music



Average customer rating: 5 out of 5 stars
Media: Audio CD
Number Of Discs: 1


UPC: 031257440523
EAN: 0031257440523
ASIN: B00000063S


Release Date: 1991-07-01

Related Categories:

British Folk British Folk
Related | Traditional British & Celtic Folk | Folk | Styles | Music
General General
Related | Contemporary Folk | Folk | Styles | Music
General General
Related | Folk | Styles | Music
Traditional Folk Traditional Folk
Related | Folk | Styles | Music
General General
Related | Pop | Styles | Music
Singer-Songwriters Singer-Songwriters
Related | Pop | Styles | Music
Folk Rock Folk Rock
Related | Rock | Styles | Music
General General
Related | Rock | Styles | Music
Hannibal Records Hannibal Records
Related | Amazon.com Label Stores | Stores | Music
Singer-Songwriters Singer-Songwriters
Related | Contemporary Folk | Folk | Styles | Music

Listmania:

  1. Best of Richard With and Without Linda
  2. The Genius of Richard Thompson
  3. Eccentricity 101
  4. Joe Boyd alltime great producer
  5. The Essential Richard and Linda Thompson
  6. Favorite Recordings (varying and time-tested)
  7. A Top 10 List that Omits Tons of Minor Masterpieces
  8. Not awake but abirth

Tracks:

  1. Roll Over Vaughn Williams
  2. Nobody's Wedding
  3. The Poor Ditching Boy
  4. Shaky Nancy
  5. The Angel's Took My Racehorse Away
  6. Wheely Down
  7. The New St. George
  8. Painted Ladies
  9. Cold Feet
  10. Mary And Joesph
  11. The Old Changing Way
  12. Twisted

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Customer Reviews:

5 out of 5 stars Addendum to previous review.......2004-06-17

Just an update here for anyone who may want to buy a copy of this terrific album. It turns out that a remastered, slipcased edition is now available from Fledgling Records in the UK. They may be releasing it through license with Island, but at any rate the CD is available for pre-order NOW at amazon.co.uk! Your regular amazon.com info will transfer over when you log into the site, so ordering a new and superior copy of "Human Fly" will be a breeze. It comes out on July 5, so pre-order your copy today, and definitely don't buy an overpriced used copy of the disc.

5 out of 5 stars Great Album - but don't buy a used copy just yet.......2004-04-06

"Henry the Human Fly" is indeed a great album. That's why you shouldn't buy it. At least, you shouldn't buy the used copies that are being sold for 75-100 bucks right now.

The reason? Island Records in the UK is reissuing ALL of the early Richard Thompsons that were part of the Hannibal/Rykodisc catalogue in the US. "Pour Down Like Silver" and some other titles will be available next week, and "Henry the Human Fly" will almost certainly be released by June. All of the new releases will be completely remastered and will come with bonus tracks. You'll be able to buy them through amazon.com, or through its affiliate amazon.co.uk. And best of all, you'll be buying a currently available product, so you'll be putting money into Richard Thompson's pocket, where it belongs, and not lining the pockets of greedy sellers hawking the used CD. Word to the wise - wait a little longer to buy this, and you'll be buying a better quality remastered product AND helping to support one of our greatest recording artists, Richard Thompson.

5 out of 5 stars Richard Thompson begins his distinguished solo career.......2004-01-11

Richard Thompson was a founding member of the seminal British folk-rock group Fairport Convention, but by the start of the 1970s the songs he was writing were clearly going in a different direction from the rest of the group, which was moving towards more traditional English folk music. So in 1972 Thompson embarked on his solo career with his first album, "Henry the Human Fly," which has the distinction of being the worst selling album in the history of Warner Bros. Records.

The obvious explanation would be that copies of the albums were never taken out of the boxes and put on the shelves in the record stores (remember those?), because this is an excellent album which showcases both Thompson's songwriting skill and his superb guitar work on mostly acoustic, but still some electric guitar. The songs are still a mixture of the traditional British folk music with contemporary rock 'n' roll, but with more of Thompson's peculiar brand of dark humor coming through than before. The ballad "The Poor Ditching Boy," "The New St. George," and "The Old Changing Way" are very much in the traditional vein, while "The Angels Took My Racehorse Away" (with the great guitar solo) and "Roll Over Vaughn Williams" are clearly representative of the modern folk-rock style. The result is Thompson establishing his own voice as a solo artist.

Also appearing on the album are Sandy Denny and Ashley Hutchings, the former lead singer and co-founder of Fairport Convention respectively, and Linda Peters, whom Thompson would marry. Two years later they would put out their first album together, "I Want to See the Bright Lights Tonight," which is even better than this album. Ultimately I think of Richard Thompson as being the male counterpart to Sandy Denny, as pre-eminent British folk singers who accomplished even more after they left Fairport Convention than they did when the group was making great albums like "Unhalfbricking" and "Liege & Leaf."

5 out of 5 stars I'll keep it simple.......2003-08-25

I'll keep it simple. Get all the Richard Thompson you can get your hands on. I know you will want to thank me later, but that won't be necessary. I saw him in concert playing solo. Having a band with him would have been superfluous. I put him up there with Stevie Ray and Jimi for guitar-playing and Dylan for lyrics. He has wit that can make you laugh one moment and an emotional wallop that pierces your heart the next. Richard has never played a false note or sung a contrived lyric. One caveat; he is not for the simple-minded or those who are into faddish music. This is time-less, near-perfect music that makes you think and feel. Thank God for Richard Thompson.

5 out of 5 stars Squashed Bug.......2002-11-01

Richard Thompson's first solo album has a lot to recommend it. Not only was it the worst selling album in Warner Bros. history, it was pretty much panned across the board. To top it all off, it's nearly out of print at the moment. I'm sure the Halloween get up on the cover didn't help either. All the more reason to seek this out. No self respecting Richard Thompson fan is complete without it.

It's no surpise that he doesn't quite shake off his Fairport trappings. Most of the band can be found in the credits. Yet, Thompson still manages to find his own voice while keeping Fairport's Medievil contrivences at bay. Mordant, playful and arcanely witty, HENRY is a perfect introduction to "rock's best kept secret". Here, Thompson's able to flesh out what was hinted at in his last outing with Fairport. "Poor Will & The Jolly Hangman" was certainly a highlight off of FULL HOUSE and it would have been right at home on HENRY.

While "Roll Over Vaughn Williams" does nothing for Thompson's Doom & Gloom reputation, it's a memorable start. Imagine the reel & jig of Fairport's signature sound cut with early, more acoustic Black Sabbath. If Thompson was concerned with mainstream success, why kick off your first album with a refrain like "live in fear! live in fear!"

"Nobody's Wedding" might come off as a little too cute for it's own good but haunting lines like "why is the wild boy chopping up the floor" come to the rescue. "The Poor Ditching Boy" ranks as one of Thompson's most underrated ballads. Thompson's skill really comes to fore on this one, preceeding later gems like "Beeswing" and "1952 Vincent Black Lightning" by 20 years.

"The Angels Took My Racehorse Away" may have escaped WATCHING THE DARK's retrospective notice but is nevertheless a Thompson classic. Still a staple in his live shows, his solo here will drop your jaw while his words rip out what's left of your heartstings. A near impossible feat in this day & age. Another neglected standout is "Wheely Down". With lyrics that sound swiped from some prophetic Book of Doom, he hints at a personal, almost inconsolable loss. "Mary & Joseph"'s demetented Salvation Army stylings give Tom Waits a run for his money long before SWORDFISH TROMBONES. By the album's end, you're left "sitting in a bar, face down in a jar". The last line you hear is, "something tells me, I'm twisted".

Not only does Thompson surpass his work with Fairport Convention here, he manages to establish a unique voice for himself. A voice precociously ahead of it's time. From his more recent collaborations with Mitchell Froom on down to classics like BRIGHT & SHOOT OUT THE LIGHTS, Thompson travels in a world that is part Dickens, part Poe, and a little Monty Python. And yet, for all of HENRY's tinkers, whores and doomsaying, he still manages to be far more topical than the thousand or so Glam Rock bands of the time. A buried treasure.

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