Sound of Surprise [Import]

Sound of Surprise [Import]

Sound of Surprise [Import]

ASIN: B00005AMKJ

Track Listings
 
1. Revel Without a Pause
2. Triplicity
3. Shadow of a Doubt
4. Teaching Vera to Dance
5. Hale Life
6. Come to Dust
7. Cloud Cuckoo Land
8. Never the Same Way Once
9. Wooden Man Sings, And the Stone Woman Dances: Prelude/The Wooden Man Si

Editorial Reviews
Product Description
Japanese edition of 2001 album for the renowned progressive rock drummer, founding member of Yes who later joined King Crimson. Includes one bonus track, 'The Sound Of Surprise'. Standard jewel case.

Sound of Surprise,Bill Bruford's Earthworks,Pony Canyon [Japan],Dance Collections,Jazz,Pop,Post-Bop,Rock
John Adams: I Was Looking at the Ceiling and Then I Saw the Sky
Average customer rating: 3 out of 5 stars
  • I was Looking at the Ceiling - Comment
  • This is Not Classical Music; It's Also Not Very Good Pop Music
 John Adams: I Was Looking at the Ceiling and Then I Saw the Sky

Manufacturer: Naxos American
ProductGroup: Music
Binding: Audio CD

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  3. Rorem: Double Concerto for Violin and Cello; After Reading Shakespeare
  4. Benjamin Britten: A Time There Was / Tony Palmer

ASIN: B000B9O9PW
Release Date: 2005-10-18

Tracks:

  1. I Was Looking At The Ceiling And Then I Saw The Sky
  2. A Sermon On Romance
  3. Leila's Song Of The Wise Young Woman
  4. Solo In Sunlight
  5. Donde Estas?
  6. Mike's Song About Arresting A Particular Individual
  7. Tiffany's Solo
  8. Song About The On Site Altercation
  9. Song About The Bad Boys And The News
  10. Your Honor My Client He's A Young Black Man
  11. Consuelo's Dream
  12. Rick's Cross-Examination Of Tiffany And Mike
  13. Song About Law School As The Natural Follow-Up To Jail
  14. Leila's Solo: Alone (Again Or At Last)
  15. Song About The Sweet Majority Population Of The World

Tracks:

  1. Duet: Three Weeks And Still I'm Outta My Mind
  2. Earthquake-Sounds
  3. Earthquake Music
  4. Crushed By The Rock I've Been Standing On
  5. Duet In The Middle Of Terrible Duress
  6. Dewain's Song Of Liberation And Surprise
  7. Este Pais/This Country
  8. One Last Look At The Angel In Your Eyes
  9. Finale

Customer Reviews:

4 out of 5 stars I was Looking at the Ceiling - Comment.......2007-06-26

Adams shows great versitility in this piece. There are entertaining references to American musicals. The music is, simply, fun to listen too. The voices are excellent, the production is well executed. It has an interesting plot, attractive characters, tunes you can whistle (almost) - what more can you want?

2 out of 5 stars This is Not Classical Music; It's Also Not Very Good Pop Music.......2005-11-11

I admire John Adams immeasurably -- I think his 'Harmonielehre,' for instance, is truly a masterpiece -- although I've had some questions about some of his compositions. Many people think his cantata 'El Niño' is terrific. I think it's claptrap. And this one, I'm sorry to say, is much worse. It is lousy pop music, quasi Broadway, and although it shows that Adams can compose music in several pop styles -- gospel, soul, r&b, blues rock, et al. -- none of it sounds very good. The combo that accompanies the singers sounds like someone's garage band. The pop singers in this recording are primarily European and their accents -- although some are fairly good -- are often jarringly European in what is quintessentially American music.

I freely admit that as an old geezer, I'm not particularly fond of the past twenty-five years of American pop music, and you must take that into account when considering my opinion here. But for those of you who are expecting something along the lines of Adams's better-known works, including his operas, this one is a real shocker. Be warned.

Scott Morrison
Sound Of Surprise
Average customer rating: 4.5 out of 5 stars
  • Best album of the year!
  • A Konitz Classic !
  • Major-label recognition (and about time)
  • Sound of Surprise
 Sound Of Surprise
Lee Konitz
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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  1. Lee Konitz New Nonet
  2. Motion
  3. Dialogue

ASIN: B000046Q8O
Release Date: 2000-03-07

Tracks:

  1. Hi Beck
  2. Gundula
  3. Mr. 88
  4. Bits And Pieces
  5. Blues Suite
  6. Friendlee
  7. Soddy And Bowl
  8. Singin'
  9. Wingin'
  10. Thingin'
  11. Crumbles
  12. Subconsciouslee

Amazon.com

The great Cleveland Browns running back Jim Brown used to get up slowly after he'd been tackled, whether he was hurt or not. If he always did this, Brown reasoned, the opposition could never tell if they had inflicted any damage. He would rise to his feet like an old man, leaving observers to wonder if he'd really slowed down. Phlegmatic alto saxist Lee Konitz has probably never before found himself in the same sentence with Jim Brown. But, like the wily fullback, Konitz has made it impossible for the rest of us to tell if he's gotten old. True, he helped Miles Davis launch his Birth of the Cool in 1949. But since then, Konitz has consistently worked to prune his style of ornamentation, to leave unexpected spaces between his phrases, to avoid fast, note-filled passages when less busy is best. This paring down has resulted in one of the most distinctive styles in all of jazz, one in which Konitz sounds ever fresh because it doesn't depend on youthful energy or knuckle-busting technique. So even Konitz veterans can rejoice in Sound of Surprise, on which he simply does what he always does--play standards and his own relaxed originals at medium tempos. Tenor saxist Ted Brown and an all-star rhythm section of Joey Baron (John Zorn's favorite drummer), Marc Johnson (Bill Evans's last bassist), and guitar hero John Scofield support Konitz with the calm zeal of true believers. The only false note lies in the clichéd album title, which represents the umpteenth use of critic Whitney Balliett's famous definition of jazz (Jeez, is he getting royalties?). The phrase lost its cachet long ago--something you still can't say about Konitz's music. --Neil Tesser

Customer Reviews:

5 out of 5 stars Best album of the year!.......2004-11-11

What a fine come back for this great saxophonist - with a truly terrific group - and great compositions to work with. Konitz is so unique among jazz musicians and really stands out - perhaps my favorite on alto. He is accompanied by one of the finest and most original guitarists here in John Abercrombie and supported by a fine rhythm section as well as mr. Brown on tenor. I can't get enough of this truly original album - and a Konitz classic!

4 out of 5 stars A Konitz Classic !.......2000-06-21

A true veteran and classic in the world of jazz Mr Konitz has hopped, skipped and jumped around many labels. This one however is every bit as impressive and is in fact one of his best. His altoist unique dry sound providing an exceptional sound in the field of jazz, this album also having the luxury of rarely recorded tenor saxophonist Ted Brown. Konitz's rarely found improvision of mixing old and new is the making of this supberb cd and I commend it to all Konitz fans and anyone who truely appreciates good sax!

4 out of 5 stars Major-label recognition (and about time).......2000-04-22

Since his days with Verve and Milestone Konitz has had a prolific recording career, but one mostly sustained on small labels. They have often served him well, but it's great to see him finally get some recognition from major labels.

This disc assembles a first-rate band to perform a set of Konitz tunes (unusually for him, no standards, though of course many of the tunes are based on standard changes). The band contains Ted Brown, a Tristano-associated tenor-player; John Abercrombie on guitar; Marc Johnson on bass; and Joey Baron on drums.

It's a good album, though I'm not sure it's quite one of Konitz's finest. There's some absorbing blowing on "Hi Beck" & "Thingin'", and a terrific free-jazz piece called "Wingin'". Brown and Abercrombie seem to be having something of a quiet day (& seem to recognize some mutual incompatibility: many of the tracks either lose the tenor or the guitar to make the group a quartet). The most interesting interaction often is that between Konitz & the bass and drums. (Oddly there's little of the twinned-saxophone simultaneous improvisation that one associates with the Tristano School.)

In short, a good disc, well worth picking up. Not quite the best of recent-vintage Konitz--perhaps his work on Kenny Wheeler's _Angel Song_ might be closer to that.

5 out of 5 stars Sound of Surprise.......2000-03-20

As a student of Lee Konitz's I came to appreciate his artistry and consummate integrity which he has consistently demonstrated throughout his career. His most recent release, "Sound of Surprise" is an excellent example of his skills as both an improviser and composer. It is especially gratifying to see Lee featured on a "high profile" label (BMG) where his music will (hopefully) be exposed to a wider audience. As mentioned in the liner notes, Lee's penchant for creating original improvisations that are truly "in the moment" can sometimes yield inconsistent results, but with this session he really conveys his musical philosophy more clearly than I have heard in some of his other recent recordings (is it just me or are there others who wonder why "Another Shade of Blue" was even released?). "Sound of Surprise" is a fine introduction to Lee's music for those unfamiliar with his work and it most definitely belongs in any long-standing Konitz fan's collection.
An Introduction to Schubert's Piano Quintet "Trout"
Average customer rating: Not rated
    		An Introduction to Schubert's Piano Quintet "Trout"

    Manufacturer: Naxos
    ProductGroup: Music
    Binding: Audio CD

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    5. Symphony 9: Introduction to Dvorak

    ASIN: B000076FX6
    Release Date: 2003-01-21
    Sound of Surprise
    Average customer rating: 4.5 out of 5 stars
    • Good if Not Great
    • It's not fusion or progressive rock, but kicking jazz!
    • It's not fusion or progressive rock, but kicking jazz!
    • Earthworks in the stratosphere
    • Acoustic Earthworks????? Inconceivable!!!!!
    		 Sound of Surprise
    Bill Bruford's Earthworks
    Manufacturer: Discipline Us
    ProductGroup: Music
    Binding: Audio CD

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    1. A Part, And Yet Apart
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    ASIN: B00005A8IK
    Release Date: 2001-03-27

    Tracks:

    1. Revel Without A Pause
    2. Triplicity
    3. The Shadow Of A Doubt
    4. Teaching Vera To Dance
    5. Half Life
    6. Come To Dust
    7. Cloud Cuckoo Land
    8. Never The Same Way Once
    9. The Wooden Man Sings, And The Stone Woman Dances: Prelude/The Wooden Man Sings/...And The Stone...

    Customer Reviews:

    4 out of 5 stars Good if Not Great.......2004-02-27

    I think that Bruford and his Eathworks bands are at their best when playing in concert. Their studio records sometimes sound a bit dry and difficult, whereas in live performance their humor, good grace, ability, and ambitioun come through more clearly and with less clutter. And in a related note, I think that the 6 tunes from this CD also on next year's live "Footloose and Fancy Free" sound better there (in fact they sound fantastic there).

    Not to say this isn't a good record. There are some nice compositions and there is some nice playing. None moreso than by Bruford himself, who has become a subtle but brilliant supporting player (after years of fighting for his right to exist as more than a support structure). The sound becomes a bit shrill though and the listener might lose interest.

    I'd recommend starting with "Footloose and Fancy Free" and then, if you decide you're an Earthworks fan, reaching back for this. There's certainly value to this and to these particular takes of these songs, plus as one reviewer noted "Teaching Vera To Dance" is well worth hearing/having.

    4 out of 5 stars It's not fusion or progressive rock, but kicking jazz!.......2002-06-24

    This is a quick and bright cd of upbeat and forceful jazz compositions. It's not fusion or progressive rock, so for Bruford this is a bit of a retro-twist. But he's committed to this, and it is so evident in these wonderful arrangements.

    I was expecting fusion or progressive rock, but was very pleasantly suprised by this cd. It keeps the tempo up and it not "smooth jazz." I especially like "teaching vera to dance."

    This is a good cd to have in the car when commuting to and from work. It's would also be good in a cafe to play agressively at closing time. It gets the blood moving and can drive away a bad mood.

    Why not five stars? Well, it's a collection of strong individual pieces, that mix well with other stuff. However, there isn't much of an overall theme that holds everything together.

    4 out of 5 stars It's not fusion or progressive rock, but kicking jazz!.......2002-06-24

    This is a quick and bright cd of upbeat and forceful jazz compositions. It's not fusion or progressive rock, so for Bruford this is a bit of a retro-twist. But he's committed to this, and it is so evident in these wonderful arrangements.

    I was expecting fusion or progressive rock, but was very pleasantly suprised by this cd. It keeps the tempo up and it not "smooth jazz." I especially like "teaching vera to dance."

    This is a good cd to have in the car when commuting to and from work. It's would also be good in a cafe to play agressively at closing time. It gets the blood moving and can drive away a bad mood.

    Why not five stars? Well, it's a collection of strong individual pieces, that mix well with other stuff. However, there isn't much of an overall theme that holds everything together.

    5 out of 5 stars Earthworks in the stratosphere.......2002-04-16

    I became a diehard Earthworks fan after seeing them live for the first time in 1999, just prior to the release of "A Part, and Yet Apart. This is one of the few bands I will actively seek out on release day - and with good reason. This is their finest studio effort yet, and truly showcases the immense individual and collective talents of Bill Bruford and this lineup's young virtuosos(all under 30 and from the burgeoning London jazz scene). If you felt that the previous release was a bit too soft, fasten your seatbelt for this one. While "Surprise" contains a couple of ballads (the ever gorgeous "Come to Dust" and "The Shadow of a Doubt"), there are surprisingly delicious turns such as "Triplicity" and the finale tune "The Wooden Man Dances and the Stone Woman Sings." A MUST HAVE for any jazz collection and particularly for Bruford fans. His jazz chops will stupify even the most diehard King Crimson fans.

    For those fortunate enough to have ever seen this group live, you well know what a joy Bruford and his colleagues are to watch on stage. Bruford maintains the enthusiasm of a child on his instrument yet plays with the focus and seeming effortlessness that have earned him his status as a drumming legend. Patrick, Mark and Steve each possess a richness and depth beyond their years that evokes the playing of many jazz legends of the 50s and 60s.

    Give this a thorough listen and enjoy the seven minute video of "Some Shiver While He Cavorts", a tune erroneously labeled as "Never the Same Way Once." It is a mere taste of their phenomenal live performances.

    5 out of 5 stars Acoustic Earthworks????? Inconceivable!!!!!.......2001-08-20

    What in God's name has Bill done to my beloved Earthworks?

    Well, all I have to say is, after All Heaven Broke Lose (Earthworks' 3rd studio release), I was dubious, to say the least. Their 1st album was incredible fusion. Their 2nd was just, perhaps, a little less so, and their 3rd was a bit regrettable. So, I procrastinated on getting A Part, and Yet Apart. Purchased more than a year after its release, I finally put "A Part" into my CD player to find out what this new incarnation was capable of. And this is what I found: they got better!! Inconceivable! What a great CD! With 5 tracks that are absolutely superb, and the rest less so, this is one dynamite CD.

    So, it was with great anticipation that I pre-ordered my copy of The Sound of Surprise, which not surprisingly turned out to be a wonderful follow-up and excellent complement to A Part, and Yet Apart. What WAS surprising is that they got better! That is to say, the overall quality of the compositions (melodies courtesy of The Maestro) got better. Inconceivable!

    With all new musicians, save for the founder, Earthworks' MVP has to be not The Maestro, but Steve Hamilton, the pianist. Not that Mark Hodges (bass) or Patrick Clahar (sax) are slouches. On the contrary, they are incredible. But while the gifted Hodges (he really is exceptional) takes a traditional role, and the talented Clahar the usual lead role, Hamilton does it all, in the background, without fanfare nor ego... at least from my perspective, having seen them live. But, what really makes Hamilton shine is his mixture of styles, his wonderful touch, and his sublime style. He IS the perfect complement to The Maestro, Bill Bruford! This is one band I hope stays together for a very long time.

    So, it is with glee that I rate this CD 5 stars, along with its predecessor, A Part, and Yet Apart. Buy them both!
    Classic Care: Music to Heal the Mind, Body and Soul (Box Set)
    Average customer rating: Not rated
      		Classic Care: Music to Heal the Mind, Body and Soul (Box Set)

      Manufacturer: Delta
      ProductGroup: Music
      Binding: Audio CD

      Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
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      London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
      National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
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      ASIN: B00000IGV3
      Release Date: 2000-12-06

      Tracks:

      1. Symphony No. 94 In G Major 'Surprise,' 2nd Movement: Music Selections I
      2. Rainforest
      3. Menuet: Music Selections II
      4. Rainforest
      5. Was betrubst du dich, meine Seele (Psalm 4215): Music Selections III

      Tracks:

      1. Tarrega: Music Selections I
      2. Rainforest
      3. Valse Triste Op. 44: Music Selections II
      4. Rainforest
      5. Piano Sonata In A Major Rondo all turca: Music Selections III
      The Sound of Surprise
      Average customer rating: Not rated
        		The Sound of Surprise
        Bill Bruford's Earthworks
        Manufacturer: Summerfold UK
        ProductGroup: Music
        Binding: Audio CD

        Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
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        ASIN: B0002UJMBG
        Release Date: 2004-09-27

        Tracks:

        1. Revel Without A Pause - Bill Bruford's Earthworks
        2. Triplicity - Bill Bruford's Earthworks
        3. The Shadow Of A Doubt - Bill Bruford's Earthworks
        4. Teaching Vera To Dance - Bill Bruford's Earthworks
        5. Half Life - Bill Bruford's Earthworks
        6. Come To Dust - Bill Bruford's Earthworks
        7. Cloud Cuckoo Land - Bill Bruford's Earthworks
        8. Never The Same Way Once - Bill Bruford's Earthworks
        9. The Wooden Man Sings, And The Woman Dances: Prelude/The Wooden Man Sings/...And The Stone Woman Dances - Bill Bruford's Earthworks

        Tracks:

        1. An Introduction To Winterfold Records - An Introduction To Winterfold Records
        2. An Introduction To Winterfold Records - An Introduction To Winterfold Records
        3. An Introduction To Winterfold Records - An Introduction To Winterfold Records
        4. An Introduction To Winterfold Records - An Introduction To Winterfold Records
        5. An Introduction To Winterfold Records - An Introduction To Winterfold Records
        6. An Introduction To Winterfold Records - An Introduction To Winterfold Records
        7. An Introduction To Winterfold Records - An Introduction To Winterfold Records

        Product Description

        1. Revel Without A Pause
        2. Triplicity
        3. Shadow Of A Doubt, The
        4. Teaching Vera To Dance
        5. Half Life
        6. Come To Dust
        7. Cloud Cuckoo Land
        8. Never The Same Way Once
        9. Wooden Man Sings, And The Stone Woman Dances, The

        Format: CD
        The Sound of Surprise
        Average customer rating: 5 out of 5 stars
        • Fantastic! Bruford & company keep with jazz tradition
        		 The Sound of Surprise
        Bill Bruford's Earthworks
        Manufacturer: Pony Canyon [Japan]
        ProductGroup: Music
        Binding: Audio CD

        Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
        GeneralGeneral | Jazz | Styles | Music
        Modern PostbebopModern Postbebop | Jazz | Styles | Music
        GeneralGeneral | Rock | Styles | Music
        Progressive RockProgressive Rock | Progressive | Rock | Styles | Music
        CompilationsCompilations | Dance & DJ | Styles | Music | Ambient | Dance Pop | Disco | Drum & Bass | Electronica | Freestyle | Techno-House | Trance | Trip Hop
        GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
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        JazzJazz | Imports | Stores | Music
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        ASIN: B00005AMKJ
        Release Date: 2001-02-27

        Tracks:

        1. Revel Without a Pause
        2. Triplicity
        3. Shadow of a Doubt
        4. Teaching Vera to Dance
        5. Half Life
        6. Come to Dust
        7. Cloud Cuckoo Land
        8. Never the Same Way Once
        9. Wooden Man Sings, and the Stone Woman Dances
        10. Sound of Surprise

        Album Description

        Japanese edition of 2001 album for the renowned progressive rock drummer, founding member of Yes who later joined King Crimson. Includes one bonus track, 'The Sound Of Surprise'. Standard jewel case.

        Album Details

        Japanese version featuring a bonus track: The Sound of Surprises

        Customer Reviews:

        5 out of 5 stars Fantastic! Bruford & company keep with jazz tradition.......2001-03-18

        Jazz purists, take heart! Earthworks' first release of the new millenium once again features virtuosos Bill Bruford (drums), Mark Hodgson (bass), Patrick Clahar (saxes), and Steve Hamilton (piano). This lineup's second effort takes the ensemble even closer to trad jazz roots with compositions like "Teaching Vera To Dance," with it's prominent featuring of bass and sax. Also enjoyable is Earthworks' new twist on "Never the Same Way Once," a cut from the 1997 Bruford/Towner/Gomez disc, "If Summer Had Its Ghosts." "The Sound of Surprise" should appeal to diehard Bruford fans as well as trad jazz and fusion fans alike. Absolutely gorgeous all around! This Japanese import features an extra (tenth) track, aptly entitled "The Sound of Surprise."
        Surprise
        Average customer rating: Not rated
          		Surprise
          Bizarre Inc
          Manufacturer: Phantom Sound & Vision
          ProductGroup: Music
          Binding: Audio CD
          ASIN: B00000E2BC
          Release Date: 1996-11-21
          Sweet Surprise
          Average customer rating: Not rated
            		Sweet Surprise
            Irene Sjogren
            Manufacturer: Vivid Sound
            ProductGroup: Music
            Binding: Audio CD

            GeneralGeneral | Jazz | Styles | Music
            GeneralGeneral | Rock | Styles | Music
            Pop RockPop Rock | Pop | Styles | Music
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            ASIN: B00008O79H
            Release Date: 2003-03-10

            Tracks:

            1. I Thought About Yo
            2. Lonely Islands
            3. I Wish I Knew
            4. Till Skuggan Av En Verklighet
            5. This Masquerade
            6. Sweet Surprise
            7. Real Guitarist In The House
            8. Portrait
            9. Nocturne For Flute
            Avalanche
            Average customer rating: 4.5 out of 5 stars
            • A lush synthpop gem
            • Uninspired and forgettable
            • A hidden synth pop gem
            • NEW new wave!
            • A fantastic debut!
            		 Avalanche
            Synthesist I
            Manufacturer: Satellite Symphonics
            ProductGroup: Music
            Binding: Audio CD

            GeneralGeneral | Alternative Rock | Styles | Music
            GeneralGeneral | Dance & DJ | Styles | Music
            ElectronicaElectronica | Dance & DJ | Styles | Music
            GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
            GeneralGeneral | Pop | Styles | Music
            GeneralGeneral | Alternative Rock | Indie Music | Stores | Music
            Dance PopDance Pop | Dance & DJ | Indie Music | Stores | Music
            GeneralGeneral | Pop | Indie Music | Stores | Music
            ASIN: B00022EW4G
            Release Date: 2004-05-04

            Tracks:

            1. Red Clouds
            2. Lost Parade
            3. Images
            4. Captain, My Captain
            5. , Aerial Dreams
            6. Paralyzed
            7. Hiding
            8. Glides On
            9. Another World
            10. Mad Connection
            11. Avalanche

            Album Description

            While listening to any of the songs on Avalanche, the debut release by I, Synthesist(a.k.a)composer/producer Chris Ianuzzi on his own Satellite Symphonics label) it quickly becomes evident that what you're hearing is indeed a coherent whole. This genre-transcending sound is not a fortunate accident, nor is it the result of slick, expensive studio production, but rather the synthesis of years of musical influence and experience for an artist whose talent and creativity enable him to listen to the past and hear the future.

            And what of the influences? You'll hear traces of the pioneers here: Gary Numan, Kraftwerk, Fad Gadget, Ultravox. But the most exciting compound in this joyous chemistry may be the hint of bowie-esque rock sound, even reaching into territory covered by innovative musicians like Bjork.

            There's a hit song here, and you'll know it when you hear it. There are remix-ready tracks poised to explode on international dance floors. There are words; Ianuzzi's command of the medium gives life and sound to the twitchy introspection that hovers behind post-millennial shoulders. And there's a lot more where that came from; proof that Chris Ianuzzi knows what he's doing-he knows he's going to keep Synthesizing-which, really, is what music and culture are all about.

            Customer Reviews:

            4 out of 5 stars A lush synthpop gem.......2005-09-16

            Chris Ianuzzi's solo debut recalls many turn-of-the'-80s influences, but not the ones that have been done to death these last few years. Instead of dry, primitivist electro, he's created polished, cerebral singer/songwriter synthpop a la Thomas Dolby. His gritty voice -- edged with the rasp of Peter Gabriel and the wail of David Byrne -- guides you through the dense, burbling production, telling stories of sci-fi romance and danger.

            2 out of 5 stars Uninspired and forgettable.......2004-11-03

            This was a speculative purchase due to the editorial references to Numan, Kraftwerk and Ultravox. I have everything that Numan has ever released and about 90% of Kraftwerk's and Ultravox's output too. I didn't hear a trace of anything resembling those artist's creativity (I mean how can you imitate Numan? ;-) I'd say this piece of work sounds most like what John Foxx has been doing for the last few years, but without as much daring or melody. When I listen to something new I like to hear something which makes me want to hear a key track or two again and again. For me there are no key tracks and the whole album blurs into a wash of below par synth-pop. I bought Automatic by I Satellite some time ago and thought I'd like this too. I didn't.

            5 out of 5 stars A hidden synth pop gem.......2004-09-19

            I just saw "I, Synthesist" last night with "The Cruxshadows" at a local venue. Prior to last night I didn't have a clue as to who "I, Synthesist" was and thought "Oh, just another opening act filler." Boy was I wrong. From the moment this one man band appeared on stage my ear was magically drawn into the beats, synths, and vocals emanating from the sound system. After the set, I didn't have to be told twice and immediately bought this album. I love it and if you like New Wave and modern day Synth Pop you'll love it as well. I'm amazed that I didn't hear more about Chris Ianuzzi before. All in all if you're looking for a nice, well crafted, and catchy electronic album to dance or bob your head to this is a great selection to make.

            5 out of 5 stars NEW new wave!.......2004-07-30

            Some may call it a trend, some may call it nostalgia, and some may call it a musical renaissance, but the recent wave of new wave and synth pop revivalists seems to be going strong. Joining the ranks is I, Synthesist, the brainchild of New York composer/producer Chris Ianuzzi. The man has been brewing his special blend of electronic-generated bliss for sometime, having contributed his skills to the likes of HBO, The History Channel, and collaborating with Vangelis and Peter Baumann of Tangerine Dream. With such an impressive resume, expectations for a debut solo release may run high; suffice to say, Ianuzzi knows electronic music well and rises to the challenge wonderfully. I, Synthesist is pure avant-garde new wave synth pop the likes of which have not been seen or heard since Kraftwerk or Gary Numan. Running the gamut from creating pure mood and atmosphere to beautifully infectious dance sequences, the music on Avalanche is sure to get listeners moving their feet and aspiring musicians running for their keyboards.
            Kicking things off is the song "Red Clouds," exemplifying what the disk has to offer. Ianuzzi's vocals are, for the most part, raw and unfiltered (with exception of the vocoder effects on "Paralyzed"); he comes across sounding like an American Stephan Groth. The lyrics are very futurist, recalling the attitudes of the `80's new wavers who looked forward to a shining new technological age in the 21st century. The electronics blend pulsating bass lines and dance beats with the familiar but oh so tried and true pop melodies; enough to give the futurepop EBM heavyweights a run for their money. Another standout is "Images," sounding like a mutant hybrid of older Depeche Mode mixed with Covenant. The music is of special note here, revolving around some unorthodox chord progressions, which belie the simplicity of the synth pop genre. "Captain, My Captain" sounds like the best song Gary Numan never wrote, with a synth melody that sounds eerily like those used on "Cars." Songs like "Aerial Dreams" and "Hiding" begin with a slow buildup of dreamlike soundscapes and sequences that gradually lead into more fodder for the dance floor.
            I, Synthesist's Avalanche is an album the new wave crowd can be proud of. It manages to recall the sound of old while still having the ability to compete with the modern sound. It both complements and challenges today's futurepop and EBM scene with music and lyrics that may sound like old-hat, but are really just as relevant today as it was then. With Avalanche, Chris Ianuzzi makes a statement that I, Synthesist is here to revel in a new future. Listen and enjoy.

            5 out of 5 stars A fantastic debut!.......2004-05-13

            I have seen I,Synthesist live several times and based on those shows I purchased "Avalanche".

            The CD is fantastic from start through finish and I have found it a favorite for my car stereo. My favorite tracks so far are "Avalanche", "Images" "The Lost Parade", "Aerial Dreams", "Red Clouds" and "Captain, My Captain".

            I highly recommend this CD and if you get a chance to see I, Synthesist perform do not pass up the opportunity. The songs are great live and cool visuals are used to enhance the show even more.

            Frank J. Freda
            http://www.halovox.com

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