Early Bird
Early Bird
ASIN: B0000035XY
Track Listings
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1. Early Bird Gets the Short End of the Stick
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2. Bad Case of the Bu's
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3. Quiet Fire
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4. If You Could See Me Now
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5. Bassically Simple
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6. Playground for the Birds
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7. Dorothy
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8. Speak Low
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Early Bird,Donald Brown,Sunny Side,Hard Bop,Jazz,Jazz Music,Pop
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
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Altar of Dreams
Manufacturer: Early Bird
ProductGroup: Classical
Binding: Audio CD
ASIN: B000FCWTK2 |
Product Description
24 great cuts of Classic East Coast Doo Wop and Girl Groups from the late 50s and early 60s
Average customer rating:
- Why aren't more ensembles doing this?
- A well-selected collection of Byrd compositions
|
Byrd: The Caged Bird
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
Allemandes
| Baroque Dance Suites
| Ballets & Dances
| Classical
| Styles
| Music
Pavanes
| Ballets & Dances
| Classical
| Styles
| Music
Byrd, William
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Variations
| Variations
| Forms & Genres
| Classical
| Styles
| Music
Vocal & Song
| Early Music
| Historical Periods
| Classical
| Styles
| Music
| Requiems
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Motets
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B000000A6O
Release Date: 1997-09-16 |
Tracks:
- Vigilate
- Crowned With flow'rs And Lilies
- The Tennthe Pavian, Sir William Petre
- O quam gloriosum est regnum
- Rejoice Unto The Lord
- Deus, venerunt gentes
- Rowland
- Why Do I Use My Paper, Inke And Penne?
- Super Flumina Babylonis
- Quomodo cantabimus
- Walsingham
- The Noble Famous Queen
- Domine, tu iurasti
- The Queen's Alman
- Laudibus in sanctis
Amazon.com
Although these days Byrd is mostly known for his vast output of sacred choral works, he contributed a considerable number of secular and instrumental pieces to the repertoire, and this disc includes a variety of works in all of these genres. In Byrd's England, musical accomplishment in the form of singing or playing an instrument was an accepted and highly regarded social skill. Naturally, composers filled the need for music to be performed in the homes of amateur musicians, and much of it took the form of songs and instrumental pieces for keyboard or groups of viols. Here, by means of the talents of I Fagiolini--a refreshingly spirited singing ensemble--Concordia consort of viols, and acclaimed harpsichordist Sophie Yateswe enjoy both Byrd's lighter side and a few of his more substantial religious works, arranged in an attractive and enlightening program. --David Vernier
Customer Reviews:
Why aren't more ensembles doing this?.......2006-11-23
The theme of this CD focuses on the recusant nature of Byrd's Latin works - Catholicism being illegal at the time, his music would not have been performed by cathedral choirs as we often hear it today. So it certainly makes sense to perform them one on a part, and who knows, even with female voices on some of the parts. I Fagiolini is as good as any other early music group performing this repertoire, and the quality of the performance is excellent.
The thing that makes this CD stand out is the use of historical Anglo-Latin pronunciation (vih-jih-LAY-tee as opposed to vih-jih-LAH-tay.) It is like a breath of fresh air to hear this as opposed to the 19th-century ecclesiastical/Italianate Latin that most groups use. I don't understand why so many groups are resistant or even hostile to the notion of historical pronunciation. Far from being pedantic and irrelevant, historical pronunciation is well-documented, not that hard (once you lose the baggage of your college Latin diction classes) and it does have an affect on sound of the music. In this recording, I Fagiolini provides a great example of how this can be done well and why it should be done more.
If you're interested in learning more about historical pronunciation, check out the books Singing Early Music (ed. Timothy J. McGee), English Choral Practice 1400-1650 (ed. John Morehen), and if you're lucky to find a copy, Singing in Latin (Harold Copeman.)
A well-selected collection of Byrd compositions.......1999-02-09
I Fagiolini put together an honest rendition of Byrd choral works. With a many existing recordings of Byrd choral works done with multiple voices per part, it is easy to forget that a number of such works were written for performance at a house or manor, by a very few musicians and in secret at forbidden Catholic ceremonies. I had previously only heard my favorite sacred song, Quomodo cantabimus, performed by The Sixteen. It was a delight to hear I Fagiolini with far fewer voices per part -- in this way they bring out so many of the little details that evince Byrd's true mastery. Yates' harpsichord performances are likewise honest, not overly ornamented (as it is easy enough to do with Byrd) and overall well-played. An interesting twist is I Fagiolini's pronunciation of the Latin texts, utilizing a far more English and less Italianate accent. It is quite strange to ears that are used to the latter, but an accompanying explanation justifies the accent as a choice to perform the choral works as accurately as possible.
Average customer rating:
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Grieg: Lyric Pieces
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Scherzo
| Forms & Genres
| Classical
| Styles
| Music
ASIN: B000002SCW
Release Date: 1997-01-21 |
Tracks:
- Book I, Op.12: No.3 Watchman's Song
- Book I, Op.12: No.5 Popular Melody
- Book I, Op.12: No.7 Album-leaf
- Book I, Op.12: No.8 National Song
- Book II, Op.38: No.1 Bercuse
- Book II, Op.38: No.3 Melody
- Book II, Op.38: No.6 Elegy
- Book III, Op.43: No.1 Butterfly
- Book III, Op.43: No.2 Lonely Wanderer
- Book III, Op.43: No.3 In the Native Country
- Book III, Op.43: No.4 Little Bird
- Book III, Op.43: No.5 Erotic
- Book III, Op.43: No.6 To the Spring
- Book IV, Op.47: No.1 Valse-Impromptu
- Book IV, Op.47: No.2 Album-leaf
- Book IV, Op.47: No.3 Melody
- Book IV, Op.47: No.4 Norwegian Dance (Halling)
- Book IV, Op.47: No.5 Melancholy
- Book IV, Op.47: No.6 Spring Dance
- Book IV, Op.47: No.7 Elegy
- Book V, Op.54: No.1 Shepard Boy
- Book V, Op.54: No.2 Noregian March
- Book V, Op.54: No.3 March of the Dwarfs
- Book V, Op.54: No.4 Nocturne
- Book V, Op.54: No.5 Scherzo
- Book V, Op.54: No.6 Bell-ringing
- Book VI, Op.57: No.1 Vanished Days
- Book VI, Op.57: No.2 Gade
- Book VI, Op.57: No.3 Illusion
- Book VI, Op.57: No.4 Secret
Tracks:
- Book VI, Op.57: No.5 She dances
- Book VI, Op.57: No.6 Home-sickness
- Book VII, Op.62: No.1 Sylph
- Book VII, Op.62: No.2 Gratitude
- Book VII, Op.62: No.3 French Serenade
- Book VII, Op.62: No.4 Brooklet
- Book VII, Op.62: No.5 Vision
- Book VII, Op.62: No.6 Homeward
- Book VIII, Op.65: No.1 From Early Years
- Book VIII, Op.65: No.2 Peasant's Song
- Book VIII, Op.65: No.3 Melancholy
- Book VIII, Op.65: No.4 Salon
- Book VIII, Op.65: No.5 Ballad
- Book VIII, Op.65: No.6 Wedding Day at Troldhsaughen
- Book IX, Op.68: No.1 Sailor's Song
- Book IX, Op.68: No.2 Grandmothers Minuet
- Book IX, Op.68: No.3 At Your feet
- Book IX, Op.68: No.4 Evening in th Mountins
- Book IX, Op.68: No.5 At the Cradle
- Book IX, Op.68: No.6 Melancholy Waltz
- Book X, Op.71: No.1 Once upon a Time
- Book X, Op.71: No.2 Summer Evening
- Book X, Op.71: No.3 Puck
- Book X, Op.71: No.4 Peace in the Wood
- Book X, Op.71: No.5 Noregian Dance (Halling)
- Book X, Op.71: No.6 Gone
- Book X, Op.71: No.7 Remembrances
Average customer rating:
|
Gu: Spring Suite for orchestra; Singapore Glimpses Suite for orchestra
Manufacturer: Marco Polo
ProductGroup: Music
Binding: Audio CD
Quintets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| International
| Styles
| Music
CDs $7 - $10
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Classical General
| Classical
| Today's Deals in Music
| Formats
| Music
4-for-3 Classical
| 4-for-3 Music
| Stores
| Music
4-for-3 International
| 4-for-3 Music
| Stores
| Music
4-for-3 All Music
| 4-for-3 Music
| Stores
| Music
ASIN: B00000466F
Release Date: 1996-11-19 |
Tracks:
- Spring Ste for Orch: Azalea Blooming
- Spring Ste for Orch: Fine Horses Galloping
- Spring Ste for Orch: Early Spring In The Miao Mountains
- Spring Ste for Orch: Green Fields In The River Country
- Spring Ste for Orch: Grand Festival By The Tianshan Mountains
- Erhu Concerto 'Gazing At The Moon' - Ma Xiaohui
- Variations For The Pipa - Yang Wei
- Torrent Quintet
- Singapore Glimpses Ste For Orch: Bird' Eye-View
- Singapore Glimpses Ste For Orch: Kreta Ayer
- Singapore Glimpses Ste For Orch: Sea Shore
- Singapore Glimpses Ste For Orch: Festival
Average customer rating:
- Interesting.
- the seminal cocktail culture composer
- What about Bob?
|
The Sound of Speed
Manufacturer: Bacchus Archives
ProductGroup: Music
Binding: Audio CD
Bebop General
| Bebop
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
Modern Postbebop
| Jazz
| Styles
| Music
Lounge
| Easy Listening
| Pop
| Styles
| Music
General
| Easy Listening
| Pop
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
General
| Pop
| Styles
| Music
General
| Classical
| Styles
| Music
Similar Items:
- Delirium in Hi Fi
- Futura
- The Unexpected
- The Spacesound Effect
- From Another World
ASIN: B00009ZYAG
Release Date: 2003-08-12 |
Tracks:
- Super Chief [Diesel Train]
- Midnight Sailing [Ocean Liner]
- Vespa [Motor Scooter]
- Sub-Manhattan Blues [Subway]
- Three-Wheeler Waltz [Tricycle]
- Count Down [Missile]
- Star Fire [Jet Plane]
- Surrey Serenade [Horse & Buggy]
- Mans [Sports Car]
- Streetcar Named Irving
- Sea-Spray [Speed Boat]
- Early-Bird Whirly-Bird [Helicopter '96 Mix]
Customer Reviews:
Interesting........2006-03-17
This could be background music the to any movie, television series or commercial from the 50's and early 60's. It grows on you. A "Baby Boomer's" delight.
the seminal cocktail culture composer.......2004-07-05
Finally, a stateside reissue of the seminal cocktail culture composer Bob Thompson's landmark lounge album, The Sound of Speed, has been released on CD courtesy of those pop culture archeologists at Dionysus, and the tireless efforts of Thompson's son, Spenser. The brilliant Thompson, a contemporary of such celebrated and better known RCA mood music magicians like Juan Garcia Esquivel and Henry Mancini, is long overdue for popular and critical re-discovery, and this crucially cool LP is a perfect launching pad for this revival.
Recorded in Rome in 1960, The Sound of Speed may seem relatively syrupy in our current culture of hyper-frenetic bass beats and pulse-pounding urban rhythms, but this music hails from a totally different context and era: The Space Age, when rest and relaxation were as much a part of our perceived future as electronically enhanced convenience. While Bob Thompson was at the peak of his powers, a lifestyle of luxury was promised for all, from the stay-at-home mom to the working stiff to the corporate climber. The soothing, stirring orchestration on this collection conveys both inspiration and intoxication. Each track is devoted to a different mode of transportation, most incorporating (or "sampling") the actual mechanical sounds of the object in musical question.
The soaring rhapsody of "Star Fire" (Jet Plane) and the bouncy lushness of "Early-Bird Whirly-Bird" (Helicopter) have been heard before on lounge compilations, but the rest of the dozen tunes here will be beautiful new music to the lucky listener's ears. From the continental coolness of "La Vespa" (Motor Scooter) to the dreamy drama of "Sub-Manhattan Blues" (Subway Train) to the aquatic aural atmosphere of "Sea-Spray" (Speed Boats) to the cosmic blast of "Count Down" (Missile), Bob Thompson will take you for one wild, wondrous ride. The destination for each traveler is the same: the sanctuary of your own sonically soused soul.
Along with the original cover and liner notes, the CD package also includes excerpts from an interview yours truly did with Bob for the Fall 2002 issue of ATOMIC Magazine, in which he humbly acknowledges the resurgence of interest in his music with bemused appreciation. Here's to you, Mr. Thompson: cheers, and thanks for the bright, shiny, brand new musical memories. The 21st Century welcomes you!
- Will Viharo
www.PortHalcyon.com
What about Bob?.......2003-10-15
This is Bob's first solo US release in 43 years. For more about Bob and and a picture of the album cover go to:
www.bobthompsonmusic.com
Average customer rating:
- What a wonderful CD!
- The triumphs of I Fagiolini
|
The Triumphs of Oriana
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD
Byrd, William
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Holborne, Anthony
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Early Music
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Early Music
| Historical Periods
| Classical
| Styles
| Music
| Requiems
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Madrigals
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Partsongs
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
ASIN: B00005YUGY
Release Date: 2002-03-26 |
Tracks:
- The Triumphs Of Oriana: The Lady Oriana - Matthew Brook
- The Triumphs Of Oriana: Sing, Shepherds All - Robert Hollingworth
- The Triumphs Of Oriana: Lightly She Whipped O'er The Dales - Robert Hollingworth
- The Triumphs Of Oriana: Calm Was The Air And Clear The Sky - Robert Hollingworth
- The Triumphs Of Oriana: Fantasia No.2 (Hirsch No.46) - David Miller
- The Triumphs Of Oriana: Hence Stars Too Dim Of Light - Robert Hollingworth
- The Triumphs Of Oriana: Come, Gentle Swains And Shephards' Dainty Daughters - William Purefoy
- The Triumphs Of Oriana: With Angel's Face And Brightness - Matthew Brook
- The Triumphs Of Oriana: The Nymphs And Shepherds Danced - Robert Hollingworth
- The Triumphs Of Oriana: Galliard - David Miller
- The Triumphs Of Oriana: All Creatures Now Are Merry Merry-Minded - William Purefoy
- The Triumphs Of Oriana: Fair Nymphs, I Heard One Telling - Matthew Brook
- The Triumphs Of Oriana: Fair Oriana, Seeming To Wink At Folly - Robert Hollingworth
- The Triumphs Of Oriana: The Fauns And Satyrs Tripping - William Purefoy
- The Triumphs Of Oriana: Galliard No.8 'Jest' Or 'Clark's Galliard' (Hirsch No.15) - David Miller
- The Triumphs Of Oriana: Round About Her Charret, With All-admiring Strains - Matthew Brook
- The Triumphs Of Oriana: With Wreaths Of Rose And Laurel - William Purefoy
- The Triumphs Of Oriana: Thus Bonny-boots The Birthday Celebrated - Anna Crookes
- The Triumphs Of Oriana: Long Live Fair Oriana - William Purefoy
- The Triumphs Of Oriana: Fantasia No.3 (Hirsch No.49) - David Miller
- The Triumphs Of Oriana: Arise, Awake, Awake - Matthew Brook
- The Triumphs Of Oriana: Hark! Did Ye Ever Hear So Sweet A Singing? - William Purefoy
- The Triumphs Of Oriana: Fair Orian In The Morn - William Purefoy
- The Triumphs Of Oriana: With Angel's Face And Brightness - Matthew Brook
- The Triumphs Of Oriana: Come, Blessed Bird - Robert Hollingworth
- The Triumphs Of Oriana: Galliard (Hirsch No.2) - David Miller
- The Triumphs Of Oriana: Hard By A Crystal Fountain - Anna Crookes
- The Triumphs Of Oriana: Fair Oriana, Beauty's Queen - Robert Hollingworth
- The Triumphs Of Oriana: Fair Cytherea Presents Her Doves - William Purefoy
- The Triumphs Of Oriana: As Vesta Was From Latmos Hill Descending - Matthew Brook
Customer Reviews:
What a wonderful CD!.......2003-07-15
This really is a beautiful collection of music. "The Triumphs of Oriana" was published in 1601 by famous English composer Thomas Morley as a collection of songs honoring Queen Elizabeth (Oriana). 25 major English composers' songs are in here, except for William Byrd. The vocals are beautiful and really take the listener back to the golden age of European civilization. There are also several lute pieces inserted into the CD to add to the Renaissance feeling. This is an excellent CD!
The triumphs of I Fagiolini.......2002-08-25
The Triumphs of Oriana are a collection of polyphonic songs of the Elisabethian period published by Morley to honour Oriana (poetic nickname of Queen Elisabeth I). Therefore he collected songs composed by 25 wellknown English composers of his time (only William Byrd is missing) which all end with the words "Long life fair Oriana".
I already heard the Triumphs of Oriana sung by the King's Singers. This version by I Fagiolini sounds differently, as they are 7 men and 3 women instead of 6 men, but the result is very interesting: the female voices give indeed more brilliant to the sound.
Because this series was famous in its time among the amateurs, for private concerts, this CD includes various lute pieces in order to sound like an Elisabethian private concert.
Today, the listener has other standards and I don't find this idea is really good: it deforces the a cappella songs by a kind of intermezzo.
Anyway, the listener has yet the possibility to skip the lute pieces if he likes thanks to the miracle of the CD player.
In that case, the CD is really very good.
Average customer rating:
|
Another Way Out
Mickey Bass
Manufacturer: Early Bird Records
ProductGroup: Music
Binding: Audio CD
Bebop General
| Bebop
| Jazz
| Styles
| Music
Hard Bop
| Bebop
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
Swing General
| Swing Jazz
| Jazz
| Styles
| Music
Traditional Jazz General
| Traditional Jazz & Ragtime
| Jazz
| Styles
| Music
ASIN: B0006PKZIG
Release Date: 2003-10-14 |
Tracks:
- But Beautiful
- Danielle's Waltz
- Samba de Mama
- Dear Old Stockholm
- Lust for Love
- Hippopotamus With Green Shoes On
Average customer rating:
|
A Different View
Barbara Martin
Manufacturer: Rare Bird Music
ProductGroup: Music
Binding: Audio CD
General
| Blues
| Styles
| Music
General
| Children's Music
| Indie Music
| Stores
| Music
ASIN: B00003CM1D
Release Date: 1999-11-01 |
Tracks:
- Do Your Duty
- I'm Not Shy
- Blue Storm
- Finish Me Off
- The Scenic Route
- Driving Those Demons Down
- Up the Country Blues
- Blue Skies
- Why
- Exit 59
- That's What Love Is All About
Album Description
While Martin has featured blues on her last three recordings, her new release represents a departure from her country/folk slant to a focus on blues and jazz. Although she may have changed genres, Martin remains true to her acoustic songwriter roots. The recording is simply produced using all acoustic instruments with 8 of the 11 cuts penned by Martin.
A Different View showcases the talents of the Barbara Martin Trio. Bassist, Steve Wolf, of DC's popular Swing Speak, brings his producing and bass playing skills that won Swing Speak the traditional jazz recording Wammie for 1997. Half of the songs were recorded at Wallie Cleaver Studio in Fredericksburg, while the remaining cuts were recorded at the studio of guitarist, Mac Walter, formerly with Deanna Bogart Band, who doubles on engineering duties and lead and rhythm guitar. Also featured are some of the DC area's finest musicians, Robby Magruder on drums and percussion, Denise Carlson on violin and Gary Gregg on clarinet.
Customer Reviews:
Move over, Bonnie Raitt!.......2003-05-17
I listened to Barbara Martin's CD because I book a concert series at an arts center. It's excellent: A rocking, bluesy, jazzy CD, beautifully produced and performed. Fans of Bonnie Raitt or of any of the blues women who preceded her (Sippie Wallace, Big Mama Thornton, etc.) will enjoy this effort. So will folks who want a departure from traditional blues, as Barbara uses jazz chords and even some Latin rhythms to vary the pace.
Average customer rating:
- Solid,, Swinging, Advanced Hard Bop - 4&1/2 Stars
|
Just the Beginning
Julius Tolentino
Manufacturer: Sharp Nine
ProductGroup: Music
Binding: Audio CD
Bebop General
| Bebop
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
Similar Items:
- The Thang
- It's All in the Game
- Ends and Means
- The Lineup
- Sonny Please
ASIN: B000AQKXS8
Release Date: 2005-10-18 |
Tracks:
- Just The Beginning
- Domingo
- I Want To Talk About You
- Pharaoh's Curse
- High Drama
- Quadrangle
- Shell Joy
- Make Someone Happy
- Letter to Illinois
Customer Reviews:
Solid,, Swinging, Advanced Hard Bop - 4&1/2 Stars .......2005-11-22
Don't make the mistake of dismissing this as one more "young lions" jazz recording, of which we had one too many by the mid-90's. For one thing alto saxophonist Julius Tolentino is 30 years old with a solid background in study and performance with masters such as Jackie McLean and Illinois Jacquet. Furthermore, Julius Tolentino is a already of player of considerable depth and improvisational maturity, though one senses he has much musical potential still to develop and unfold.
In any case, "Just the Beginning" is a very solid CD of attractive and intelligently arranged, advanced hard bop recorded in March 2005. There is plenty of variety on this beautifully recorded 60 minute CD which includes five originals by the group members, as well as four jazz standards. The groups include an alto/piano duo (on the last track), a sextet on 5 tracks, a quartet on 2 tracks, and a quintet on 1 track.
The recording begins with Tolentino's original "Just the Beginning" and opens with an attention grabbing duet between the leader and drummer Willie Jones 111, which clearly proclaims that this is Tolentino's recording and that he is in charge here. This strong track goes through several tempo changes and sets the stage for what is to come. The best track may be Jackie McLean's "Quadrangle" played by a pianoless quartet. At times this track reminds one of the late 50's Ornette Coleman quartet. It includes especially strong solos by Tolentino and trumpeter Jeremy Pelt, and suggests a direction the altoist may profitably pursue in the future. On the tracks with trombonist Steve Davis there is a more of a traditional hard bop Jazz Messengers or One For All - type sound. Other notable tracks include Tolentino's ballad reading of "I Want To Talk About You"; Benny Golson's "Domingo"; Pelt's high octane "Pharaoh's Curse"; and Tolentino's swinging tribute to his wife Michelle, "Shell's Joy."
Tolentino's alto sound is bright and piercing, situated somewhere along the continuum between Jackie McLean and Dave Sanborn (though he sounds like neither of them). His sound and approach can be very warm and gentle too, as on the closing "Letter to Illinois."
Overall, there is plenty of fire and drama in this highly recommended set which more than maintains SharpNine's high production standards. "Just the Beginning" is is a very impressive debut recording for Julius Tolentino.
Jazz Music:
- Easy as It Gets
- El Rey del Ritmo [Import]
- Electrifying Miles
- For Eva [Import]
- Foreststorn
- Four Seasons
- Frozen Thought
- Have Tenor Sax, Will Blow/Live at Small's Paradise [Live]
- Heroes
- I Wished on the Moon
Jazz Music
Jazz Music