Early Bird

Early Bird

Early Bird

ASIN: B0000035XY

Track Listings
 
1. Early Bird Gets the Short End of the Stick
2. Bad Case of the Bu's
3. Quiet Fire
4. If You Could See Me Now
5. Bassically Simple
6. Playground for the Birds
7. Dorothy
8. Speak Low

Early Bird,Donald Brown,Sunny Side,Hard Bop,Jazz,Jazz Music,Pop
Instruments of the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Altar of Dreams
Average customer rating: Not rated
    Altar of Dreams

    Manufacturer: Early Bird
    ProductGroup: Classical
    Binding: Audio CD
    ASIN: B000FCWTK2

    Product Description

    24 great cuts of Classic East Coast Doo Wop and Girl Groups from the late 50s and early 60s
    Byrd: The Caged Bird
    Average customer rating: 4.5 out of 5 stars
    • Why aren't more ensembles doing this?
    • A well-selected collection of Byrd compositions
    Byrd: The Caged Bird

    Manufacturer: Chandos
    ProductGroup: Music
    Binding: Audio CD

    AllemandesAllemandes | Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music
    PavanesPavanes | Ballets & Dances | Classical | Styles | Music
    Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    VariationsVariations | Variations | Forms & Genres | Classical | Styles | Music
    Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
    GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
    ASIN: B000000A6O
    Release Date: 1997-09-16

    Tracks:

    1. Vigilate
    2. Crowned With flow'rs And Lilies
    3. The Tennthe Pavian, Sir William Petre
    4. O quam gloriosum est regnum
    5. Rejoice Unto The Lord
    6. Deus, venerunt gentes
    7. Rowland
    8. Why Do I Use My Paper, Inke And Penne?
    9. Super Flumina Babylonis
    10. Quomodo cantabimus
    11. Walsingham
    12. The Noble Famous Queen
    13. Domine, tu iurasti
    14. The Queen's Alman
    15. Laudibus in sanctis

    Amazon.com

    Although these days Byrd is mostly known for his vast output of sacred choral works, he contributed a considerable number of secular and instrumental pieces to the repertoire, and this disc includes a variety of works in all of these genres. In Byrd's England, musical accomplishment in the form of singing or playing an instrument was an accepted and highly regarded social skill. Naturally, composers filled the need for music to be performed in the homes of amateur musicians, and much of it took the form of songs and instrumental pieces for keyboard or groups of viols. Here, by means of the talents of I Fagiolini--a refreshingly spirited singing ensemble--Concordia consort of viols, and acclaimed harpsichordist Sophie Yateswe enjoy both Byrd's lighter side and a few of his more substantial religious works, arranged in an attractive and enlightening program. --David Vernier

    Customer Reviews:

    5 out of 5 stars Why aren't more ensembles doing this?.......2006-11-23

    The theme of this CD focuses on the recusant nature of Byrd's Latin works - Catholicism being illegal at the time, his music would not have been performed by cathedral choirs as we often hear it today. So it certainly makes sense to perform them one on a part, and who knows, even with female voices on some of the parts. I Fagiolini is as good as any other early music group performing this repertoire, and the quality of the performance is excellent.

    The thing that makes this CD stand out is the use of historical Anglo-Latin pronunciation (vih-jih-LAY-tee as opposed to vih-jih-LAH-tay.) It is like a breath of fresh air to hear this as opposed to the 19th-century ecclesiastical/Italianate Latin that most groups use. I don't understand why so many groups are resistant or even hostile to the notion of historical pronunciation. Far from being pedantic and irrelevant, historical pronunciation is well-documented, not that hard (once you lose the baggage of your college Latin diction classes) and it does have an affect on sound of the music. In this recording, I Fagiolini provides a great example of how this can be done well and why it should be done more.

    If you're interested in learning more about historical pronunciation, check out the books Singing Early Music (ed. Timothy J. McGee), English Choral Practice 1400-1650 (ed. John Morehen), and if you're lucky to find a copy, Singing in Latin (Harold Copeman.)

    4 out of 5 stars A well-selected collection of Byrd compositions.......1999-02-09

    I Fagiolini put together an honest rendition of Byrd choral works. With a many existing recordings of Byrd choral works done with multiple voices per part, it is easy to forget that a number of such works were written for performance at a house or manor, by a very few musicians and in secret at forbidden Catholic ceremonies. I had previously only heard my favorite sacred song, Quomodo cantabimus, performed by The Sixteen. It was a delight to hear I Fagiolini with far fewer voices per part -- in this way they bring out so many of the little details that evince Byrd's true mastery. Yates' harpsichord performances are likewise honest, not overly ornamented (as it is easy enough to do with Byrd) and overall well-played. An interesting twist is I Fagiolini's pronunciation of the Latin texts, utilizing a far more English and less Italianate accent. It is quite strange to ears that are used to the latter, but an accompanying explanation justifies the accent as a choice to perform the choral works as accurately as possible.
    Grieg: Lyric Pieces
    Average customer rating: Not rated
      Grieg: Lyric Pieces

      Manufacturer: Angel Records
      ProductGroup: Music
      Binding: Audio CD

      Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      ScherzoScherzo | Forms & Genres | Classical | Styles | Music
      ASIN: B000002SCW
      Release Date: 1997-01-21

      Tracks:

      1. Book I, Op.12: No.3 Watchman's Song
      2. Book I, Op.12: No.5 Popular Melody
      3. Book I, Op.12: No.7 Album-leaf
      4. Book I, Op.12: No.8 National Song
      5. Book II, Op.38: No.1 Bercuse
      6. Book II, Op.38: No.3 Melody
      7. Book II, Op.38: No.6 Elegy
      8. Book III, Op.43: No.1 Butterfly
      9. Book III, Op.43: No.2 Lonely Wanderer
      10. Book III, Op.43: No.3 In the Native Country
      11. Book III, Op.43: No.4 Little Bird
      12. Book III, Op.43: No.5 Erotic
      13. Book III, Op.43: No.6 To the Spring
      14. Book IV, Op.47: No.1 Valse-Impromptu
      15. Book IV, Op.47: No.2 Album-leaf
      16. Book IV, Op.47: No.3 Melody
      17. Book IV, Op.47: No.4 Norwegian Dance (Halling)
      18. Book IV, Op.47: No.5 Melancholy
      19. Book IV, Op.47: No.6 Spring Dance
      20. Book IV, Op.47: No.7 Elegy
      21. Book V, Op.54: No.1 Shepard Boy
      22. Book V, Op.54: No.2 Noregian March
      23. Book V, Op.54: No.3 March of the Dwarfs
      24. Book V, Op.54: No.4 Nocturne
      25. Book V, Op.54: No.5 Scherzo
      26. Book V, Op.54: No.6 Bell-ringing
      27. Book VI, Op.57: No.1 Vanished Days
      28. Book VI, Op.57: No.2 Gade
      29. Book VI, Op.57: No.3 Illusion
      30. Book VI, Op.57: No.4 Secret

      Tracks:

      1. Book VI, Op.57: No.5 She dances
      2. Book VI, Op.57: No.6 Home-sickness
      3. Book VII, Op.62: No.1 Sylph
      4. Book VII, Op.62: No.2 Gratitude
      5. Book VII, Op.62: No.3 French Serenade
      6. Book VII, Op.62: No.4 Brooklet
      7. Book VII, Op.62: No.5 Vision
      8. Book VII, Op.62: No.6 Homeward
      9. Book VIII, Op.65: No.1 From Early Years
      10. Book VIII, Op.65: No.2 Peasant's Song
      11. Book VIII, Op.65: No.3 Melancholy
      12. Book VIII, Op.65: No.4 Salon
      13. Book VIII, Op.65: No.5 Ballad
      14. Book VIII, Op.65: No.6 Wedding Day at Troldhsaughen
      15. Book IX, Op.68: No.1 Sailor's Song
      16. Book IX, Op.68: No.2 Grandmothers Minuet
      17. Book IX, Op.68: No.3 At Your feet
      18. Book IX, Op.68: No.4 Evening in th Mountins
      19. Book IX, Op.68: No.5 At the Cradle
      20. Book IX, Op.68: No.6 Melancholy Waltz
      21. Book X, Op.71: No.1 Once upon a Time
      22. Book X, Op.71: No.2 Summer Evening
      23. Book X, Op.71: No.3 Puck
      24. Book X, Op.71: No.4 Peace in the Wood
      25. Book X, Op.71: No.5 Noregian Dance (Halling)
      26. Book X, Op.71: No.6 Gone
      27. Book X, Op.71: No.7 Remembrances
      Gu: Spring Suite for orchestra; Singapore Glimpses Suite for orchestra
      Average customer rating: Not rated
        Gu: Spring Suite for orchestra; Singapore Glimpses Suite for orchestra

        Manufacturer: Marco Polo
        ProductGroup: Music
        Binding: Audio CD

        QuintetsQuintets | Chamber Music | Classical | Styles | Music
        GeneralGeneral | Chamber Music | Classical | Styles | Music
        GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
        SuitesSuites | Forms & Genres | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | International | Styles | Music
        CDs $7 - $10CDs $7 - $10 | Classical General | Classical | Today's Deals in Music | Formats | Music
        All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
        4-for-3 Classical4-for-3 Classical | 4-for-3 Music | Stores | Music
        4-for-3 International4-for-3 International | 4-for-3 Music | Stores | Music
        4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
        ASIN: B00000466F
        Release Date: 1996-11-19

        Tracks:

        1. Spring Ste for Orch: Azalea Blooming
        2. Spring Ste for Orch: Fine Horses Galloping
        3. Spring Ste for Orch: Early Spring In The Miao Mountains
        4. Spring Ste for Orch: Green Fields In The River Country
        5. Spring Ste for Orch: Grand Festival By The Tianshan Mountains
        6. Erhu Concerto 'Gazing At The Moon' - Ma Xiaohui
        7. Variations For The Pipa - Yang Wei
        8. Torrent Quintet
        9. Singapore Glimpses Ste For Orch: Bird' Eye-View
        10. Singapore Glimpses Ste For Orch: Kreta Ayer
        11. Singapore Glimpses Ste For Orch: Sea Shore
        12. Singapore Glimpses Ste For Orch: Festival
        The Sound of Speed
        Average customer rating: 4.5 out of 5 stars
        • Interesting.
        • the seminal cocktail culture composer
        • What about Bob?
        The Sound of Speed

        Manufacturer: Bacchus Archives
        ProductGroup: Music
        Binding: Audio CD

        Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
        GeneralGeneral | Jazz | Styles | Music
        Modern PostbebopModern Postbebop | Jazz | Styles | Music
        LoungeLounge | Easy Listening | Pop | Styles | Music
        GeneralGeneral | Easy Listening | Pop | Styles | Music
        Orchestral PopOrchestral Pop | Easy Listening | Pop | Styles | Music
        GeneralGeneral | Pop | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        Similar Items:
        1. Delirium in Hi Fi
        2. Futura
        3. The Unexpected
        4. The Spacesound Effect
        5. From Another World

        ASIN: B00009ZYAG
        Release Date: 2003-08-12

        Tracks:

        1. Super Chief [Diesel Train]
        2. Midnight Sailing [Ocean Liner]
        3. Vespa [Motor Scooter]
        4. Sub-Manhattan Blues [Subway]
        5. Three-Wheeler Waltz [Tricycle]
        6. Count Down [Missile]
        7. Star Fire [Jet Plane]
        8. Surrey Serenade [Horse & Buggy]
        9. Mans [Sports Car]
        10. Streetcar Named Irving
        11. Sea-Spray [Speed Boat]
        12. Early-Bird Whirly-Bird [Helicopter '96 Mix]

        Customer Reviews:

        4 out of 5 stars Interesting........2006-03-17

        This could be background music the to any movie, television series or commercial from the 50's and early 60's. It grows on you. A "Baby Boomer's" delight.

        5 out of 5 stars the seminal cocktail culture composer.......2004-07-05

        Finally, a stateside reissue of the seminal cocktail culture composer Bob Thompson's landmark lounge album, The Sound of Speed, has been released on CD courtesy of those pop culture archeologists at Dionysus, and the tireless efforts of Thompson's son, Spenser. The brilliant Thompson, a contemporary of such celebrated and better known RCA mood music magicians like Juan Garcia Esquivel and Henry Mancini, is long overdue for popular and critical re-discovery, and this crucially cool LP is a perfect launching pad for this revival.

        Recorded in Rome in 1960, The Sound of Speed may seem relatively syrupy in our current culture of hyper-frenetic bass beats and pulse-pounding urban rhythms, but this music hails from a totally different context and era: The Space Age, when rest and relaxation were as much a part of our perceived future as electronically enhanced convenience. While Bob Thompson was at the peak of his powers, a lifestyle of luxury was promised for all, from the stay-at-home mom to the working stiff to the corporate climber. The soothing, stirring orchestration on this collection conveys both inspiration and intoxication. Each track is devoted to a different mode of transportation, most incorporating (or "sampling") the actual mechanical sounds of the object in musical question.

        The soaring rhapsody of "Star Fire" (Jet Plane) and the bouncy lushness of "Early-Bird Whirly-Bird" (Helicopter) have been heard before on lounge compilations, but the rest of the dozen tunes here will be beautiful new music to the lucky listener's ears. From the continental coolness of "La Vespa" (Motor Scooter) to the dreamy drama of "Sub-Manhattan Blues" (Subway Train) to the aquatic aural atmosphere of "Sea-Spray" (Speed Boats) to the cosmic blast of "Count Down" (Missile), Bob Thompson will take you for one wild, wondrous ride. The destination for each traveler is the same: the sanctuary of your own sonically soused soul.

        Along with the original cover and liner notes, the CD package also includes excerpts from an interview yours truly did with Bob for the Fall 2002 issue of ATOMIC Magazine, in which he humbly acknowledges the resurgence of interest in his music with bemused appreciation. Here's to you, Mr. Thompson: cheers, and thanks for the bright, shiny, brand new musical memories. The 21st Century welcomes you!
        - Will Viharo
        www.PortHalcyon.com

        5 out of 5 stars What about Bob?.......2003-10-15

        This is Bob's first solo US release in 43 years. For more about Bob and and a picture of the album cover go to:
        www.bobthompsonmusic.com
        The Triumphs of Oriana
        Average customer rating: 4.5 out of 5 stars
        • What a wonderful CD!
        • The triumphs of I Fagiolini
        The Triumphs of Oriana

        Manufacturer: Chandos
        ProductGroup: Music
        Binding: Audio CD

        Byrd, WilliamByrd, William | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
        Holborne, AnthonyHolborne, Anthony | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
        GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
        Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Chamber Music | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        MadrigalsMadrigals | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
        GeneralGeneral | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
        PartsongsPartsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
        ASIN: B00005YUGY
        Release Date: 2002-03-26

        Tracks:

        1. The Triumphs Of Oriana: The Lady Oriana - Matthew Brook
        2. The Triumphs Of Oriana: Sing, Shepherds All - Robert Hollingworth
        3. The Triumphs Of Oriana: Lightly She Whipped O'er The Dales - Robert Hollingworth
        4. The Triumphs Of Oriana: Calm Was The Air And Clear The Sky - Robert Hollingworth
        5. The Triumphs Of Oriana: Fantasia No.2 (Hirsch No.46) - David Miller
        6. The Triumphs Of Oriana: Hence Stars Too Dim Of Light - Robert Hollingworth
        7. The Triumphs Of Oriana: Come, Gentle Swains And Shephards' Dainty Daughters - William Purefoy
        8. The Triumphs Of Oriana: With Angel's Face And Brightness - Matthew Brook
        9. The Triumphs Of Oriana: The Nymphs And Shepherds Danced - Robert Hollingworth
        10. The Triumphs Of Oriana: Galliard - David Miller
        11. The Triumphs Of Oriana: All Creatures Now Are Merry Merry-Minded - William Purefoy
        12. The Triumphs Of Oriana: Fair Nymphs, I Heard One Telling - Matthew Brook
        13. The Triumphs Of Oriana: Fair Oriana, Seeming To Wink At Folly - Robert Hollingworth
        14. The Triumphs Of Oriana: The Fauns And Satyrs Tripping - William Purefoy
        15. The Triumphs Of Oriana: Galliard No.8 'Jest' Or 'Clark's Galliard' (Hirsch No.15) - David Miller
        16. The Triumphs Of Oriana: Round About Her Charret, With All-admiring Strains - Matthew Brook
        17. The Triumphs Of Oriana: With Wreaths Of Rose And Laurel - William Purefoy
        18. The Triumphs Of Oriana: Thus Bonny-boots The Birthday Celebrated - Anna Crookes
        19. The Triumphs Of Oriana: Long Live Fair Oriana - William Purefoy
        20. The Triumphs Of Oriana: Fantasia No.3 (Hirsch No.49) - David Miller
        21. The Triumphs Of Oriana: Arise, Awake, Awake - Matthew Brook
        22. The Triumphs Of Oriana: Hark! Did Ye Ever Hear So Sweet A Singing? - William Purefoy
        23. The Triumphs Of Oriana: Fair Orian In The Morn - William Purefoy
        24. The Triumphs Of Oriana: With Angel's Face And Brightness - Matthew Brook
        25. The Triumphs Of Oriana: Come, Blessed Bird - Robert Hollingworth
        26. The Triumphs Of Oriana: Galliard (Hirsch No.2) - David Miller
        27. The Triumphs Of Oriana: Hard By A Crystal Fountain - Anna Crookes
        28. The Triumphs Of Oriana: Fair Oriana, Beauty's Queen - Robert Hollingworth
        29. The Triumphs Of Oriana: Fair Cytherea Presents Her Doves - William Purefoy
        30. The Triumphs Of Oriana: As Vesta Was From Latmos Hill Descending - Matthew Brook

        Customer Reviews:

        5 out of 5 stars What a wonderful CD!.......2003-07-15

        This really is a beautiful collection of music. "The Triumphs of Oriana" was published in 1601 by famous English composer Thomas Morley as a collection of songs honoring Queen Elizabeth (Oriana). 25 major English composers' songs are in here, except for William Byrd. The vocals are beautiful and really take the listener back to the golden age of European civilization. There are also several lute pieces inserted into the CD to add to the Renaissance feeling. This is an excellent CD!

        4 out of 5 stars The triumphs of I Fagiolini.......2002-08-25

        The Triumphs of Oriana are a collection of polyphonic songs of the Elisabethian period published by Morley to honour Oriana (poetic nickname of Queen Elisabeth I). Therefore he collected songs composed by 25 wellknown English composers of his time (only William Byrd is missing) which all end with the words "Long life fair Oriana".
        I already heard the Triumphs of Oriana sung by the King's Singers. This version by I Fagiolini sounds differently, as they are 7 men and 3 women instead of 6 men, but the result is very interesting: the female voices give indeed more brilliant to the sound.
        Because this series was famous in its time among the amateurs, for private concerts, this CD includes various lute pieces in order to sound like an Elisabethian private concert.
        Today, the listener has other standards and I don't find this idea is really good: it deforces the a cappella songs by a kind of intermezzo.
        Anyway, the listener has yet the possibility to skip the lute pieces if he likes thanks to the miracle of the CD player.
        In that case, the CD is really very good.
        Another Way Out
        Average customer rating: Not rated
          Another Way Out
          Mickey Bass
          Manufacturer: Early Bird Records
          ProductGroup: Music
          Binding: Audio CD

          Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
          Hard BopHard Bop | Bebop | Jazz | Styles | Music
          GeneralGeneral | Jazz | Styles | Music
          Swing GeneralSwing General | Swing Jazz | Jazz | Styles | Music
          Traditional Jazz GeneralTraditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music
          ASIN: B0006PKZIG
          Release Date: 2003-10-14

          Tracks:

          1. But Beautiful
          2. Danielle's Waltz
          3. Samba de Mama
          4. Dear Old Stockholm
          5. Lust for Love
          6. Hippopotamus With Green Shoes On
          A Different View
          Average customer rating: 5 out of 5 stars
          • Move over, Bonnie Raitt!
          A Different View
          Barbara Martin
          Manufacturer: Rare Bird Music
          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | Blues | Styles | Music
          GeneralGeneral | Children's Music | Indie Music | Stores | Music
          ASIN: B00003CM1D
          Release Date: 1999-11-01

          Tracks:

          1. Do Your Duty
          2. I'm Not Shy
          3. Blue Storm
          4. Finish Me Off
          5. The Scenic Route
          6. Driving Those Demons Down
          7. Up the Country Blues
          8. Blue Skies
          9. Why
          10. Exit 59
          11. That's What Love Is All About

          Album Description

          While Martin has featured blues on her last three recordings, her new release represents a departure from her country/folk slant to a focus on blues and jazz. Although she may have changed genres, Martin remains true to her acoustic songwriter roots. The recording is simply produced using all acoustic instruments with 8 of the 11 cuts penned by Martin.

          A Different View showcases the talents of the Barbara Martin Trio. Bassist, Steve Wolf, of DC's popular Swing Speak, brings his producing and bass playing skills that won Swing Speak the traditional jazz recording Wammie for 1997. Half of the songs were recorded at Wallie Cleaver Studio in Fredericksburg, while the remaining cuts were recorded at the studio of guitarist, Mac Walter, formerly with Deanna Bogart Band, who doubles on engineering duties and lead and rhythm guitar. Also featured are some of the DC area's finest musicians, Robby Magruder on drums and percussion, Denise Carlson on violin and Gary Gregg on clarinet.

          Customer Reviews:

          5 out of 5 stars Move over, Bonnie Raitt!.......2003-05-17

          I listened to Barbara Martin's CD because I book a concert series at an arts center. It's excellent: A rocking, bluesy, jazzy CD, beautifully produced and performed. Fans of Bonnie Raitt or of any of the blues women who preceded her (Sippie Wallace, Big Mama Thornton, etc.) will enjoy this effort. So will folks who want a departure from traditional blues, as Barbara uses jazz chords and even some Latin rhythms to vary the pace.
          Just the Beginning
          Average customer rating: 4 out of 5 stars
          • Solid,, Swinging, Advanced Hard Bop - 4&1/2 Stars
          Just the Beginning
          Julius Tolentino
          Manufacturer: Sharp Nine
          ProductGroup: Music
          Binding: Audio CD

          Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
          GeneralGeneral | Jazz | Styles | Music
          Similar Items:
          1. The Thang
          2. It's All in the Game
          3. Ends and Means
          4. The Lineup
          5. Sonny Please

          ASIN: B000AQKXS8
          Release Date: 2005-10-18

          Tracks:

          1. Just The Beginning
          2. Domingo
          3. I Want To Talk About You
          4. Pharaoh's Curse
          5. High Drama
          6. Quadrangle
          7. Shell Joy
          8. Make Someone Happy
          9. Letter to Illinois

          Customer Reviews:

          4 out of 5 stars Solid,, Swinging, Advanced Hard Bop - 4&1/2 Stars .......2005-11-22

          Don't make the mistake of dismissing this as one more "young lions" jazz recording, of which we had one too many by the mid-90's. For one thing alto saxophonist Julius Tolentino is 30 years old with a solid background in study and performance with masters such as Jackie McLean and Illinois Jacquet. Furthermore, Julius Tolentino is a already of player of considerable depth and improvisational maturity, though one senses he has much musical potential still to develop and unfold.

          In any case, "Just the Beginning" is a very solid CD of attractive and intelligently arranged, advanced hard bop recorded in March 2005. There is plenty of variety on this beautifully recorded 60 minute CD which includes five originals by the group members, as well as four jazz standards. The groups include an alto/piano duo (on the last track), a sextet on 5 tracks, a quartet on 2 tracks, and a quintet on 1 track.

          The recording begins with Tolentino's original "Just the Beginning" and opens with an attention grabbing duet between the leader and drummer Willie Jones 111, which clearly proclaims that this is Tolentino's recording and that he is in charge here. This strong track goes through several tempo changes and sets the stage for what is to come. The best track may be Jackie McLean's "Quadrangle" played by a pianoless quartet. At times this track reminds one of the late 50's Ornette Coleman quartet. It includes especially strong solos by Tolentino and trumpeter Jeremy Pelt, and suggests a direction the altoist may profitably pursue in the future. On the tracks with trombonist Steve Davis there is a more of a traditional hard bop Jazz Messengers or One For All - type sound. Other notable tracks include Tolentino's ballad reading of "I Want To Talk About You"; Benny Golson's "Domingo"; Pelt's high octane "Pharaoh's Curse"; and Tolentino's swinging tribute to his wife Michelle, "Shell's Joy."

          Tolentino's alto sound is bright and piercing, situated somewhere along the continuum between Jackie McLean and Dave Sanborn (though he sounds like neither of them). His sound and approach can be very warm and gentle too, as on the closing "Letter to Illinois."

          Overall, there is plenty of fire and drama in this highly recommended set which more than maintains SharpNine's high production standards. "Just the Beginning" is is a very impressive debut recording for Julius Tolentino.

          Jazz Music:

          1. Easy as It Gets
          2. El Rey del Ritmo [Import]
          3. Electrifying Miles
          4. For Eva [Import]
          5. Foreststorn
          6. Four Seasons
          7. Frozen Thought
          8. Have Tenor Sax, Will Blow/Live at Small's Paradise [Live]
          9. Heroes
          10. I Wished on the Moon

          Jazz Music

          Jazz Music