Complete Uppsala Concert [Import]

Complete Uppsala Concert [Import]

ASIN: B000A0BC20

Track Listings

1. What Is This Thing Called Love

2. 245

3. Laura

4. 52nd Street Theme

5. Bag's Groove

6. Out Of Nowhere

7. I'll Remember April

8. 52nd Street Theme

9. When Lights Are Low

Editorial Reviews
Product Description
2 CD set. One of the legendary multi-reed instrumentalist's most inspired concerts, this edition contains Eric Dolphy's complete Uppsala Concert, recorded in Uppsala, Sweden on September 4, 1961. The performance features Dolphy's longest recorded improvisation ever, a 13 minute solo on his composition '245'. The concert also features an alto-sax solo on David Raskin's tasteful tune Laura. Dolphy is backed by pianist Rony Johansson, bassist Kurt Lindgren and drummer Rune Carlsson for a night of unforgettable music. Gambit Records. 2005.

Tracks:

Building A Mystery
Plenty
Hold On
Good Enough
Do What You Have To Do
Witness
Wait
I Will Remember You
Ice
I Love You
I Will Not Forget You

Tracks:

The Path Of Thorns (Terms)
Mary
Adia
Fear
Elsewhere
Vox
Into The Fire
Posession
Ice Cream
Sweet Surrender
Fumbling Towards Ecstacy
Angel

Customer Reviews:

superlative.......2007-01-13

This collection came into my hands as a boxed set. While I had heard some of the songs before, there was a new twist to some of them and the live performances make it interesting for the listener. Building a mystery, Vox, Aida, Into the fire,Angel, all the favorites with new interpretations.
You wont be disappointed, if you add this to your collection, it will see a lot of playtime..

Viewing Sarah through the Mirrorball.......2007-01-05

Sarah is one of my all time favorites. We already had the first Mirrorball c.d. and were skeptial about buying this one. She had some additional songs on this version and honestly it's been a great addition to our collection!

Awesome live album!.......2006-11-25

I love Sarah's live performance and I realy recommend this album the sound quality is just amazing, buy this remastered and complete version of Mirrorball live.

Sarah Fan? - Buy this Now..........2006-11-18

I wasn't a Sarah fan in 1999 when the "Mirrorball" tour came through my backyard, where "Mirrorball" was recorded live, at Portland Oregon's Rose Garden. But I had become a fan, and was at her show, when she came through with the "AfterGlow" tour. By the time "AfterGlow" was out, I had just discovered the original Mirrorball CD and DVD, and up until the release of this 2-CD set, the original "Mirrorball" live CD and DVD were my "most played" CD and DVD of my whole 700+ various artist collection. But even before finishing the first CD of this 2 CD set, I know that I had to have another copy for the car. Sarah Fan? You must buy this now. I promise you won't be disappointed. It is the full show, with all of her interactions with the crowd, and the sound is better than either of the previously released Mirrorball CD and DVD titles. I love live music, and this set is a dream come true. Sarah is a true performer "live", and I think is actually at her best when performing "live". Absolutely amazing recording and performance on this newly released 2-CD Full Concert Live set. And if you get a chance to see her perform, pay whatever it costs to see her show.

Must have for Sarah fans..........2006-11-10

I, like other reviewers, stumbled upon this release with absolute joy. (As far as I know, there has been virtually no promotion for this 2 CD set.) I immediately bought it, went home, and listened to the whole thing. And I was not disappointed.

The set is packaged nicely with two CD's, about two hours' worth of music. The set always comes with a nice booklet with beautiful pictures of Sarah during the Mirrorball tour, and it also includes the lyrics to all of the included songs, which is a nice bonus one usually doesn't see in a concert release.

As usual, Sarah's voice is stunning. In fact, most of the songs in this set completely eclipse the studio versions ("Hold On" comes to mind first). There are not many live concert CDs I will actually buy, simply because not every musician sounds good live, but Sarah is an exception by all means.

It's extremely nice to now have the complete concert with all 23 tracks. This set is definitely worth the price of admission. For Sarah fans, this is now an essential piece in your music collection, and even casual Sarah listeners will highly enjoy this concert (my mom loved it!).

As one reviewer previously mentioned, most of the tracks are "seamed" together, and I too wish (though it's a completely personal thing) they would have gone for a non-seamed approach to this set (most of the songs sort of just blend into the next), but please note that you do get to hear Sarah interact with the audience and share her insights on a few songs on several occasions throughout the two CDs.

All in all, get your hands on this as soon as you can; it'll blow your mind away!

Live at the Roxy, Hollywood, California, May 26, 1976 - The Complete Concert

Average customer rating:

Gift for a good friend
Long Live Bob
Poetry In Motion
Best live album ever!
Songs of freedom

Live at the Roxy, Hollywood, California, May 26, 1976 - The Complete Concert
Bob Marley & The Wailers
Manufacturer: Island
ProductGroup: Music
Binding: Audio CD

General | Reggae | International | Styles | Music

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All Blowout Music | Blowout Music | Stores | Music

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ASIN: B00009V7T0
Release Date: 2003-06-24

Tracks:

Introduction
Trenchtown Rock
Burnin' & Lootin'
Them Belly Full (But We Hungry)
Rebel Music (3 O'Clock Roadblock)
I Shot The Sherif
Want More
No Woman No Cry
Lively Up Yourself
Roots Rock Reggae
Rat Race

Tracks:

Positive Vibration
Get Up Stand Up/No More Trouble/War

Customer Reviews:

Gift for a good friend.......2007-04-08

I was pleased how quickly this CD arrived. It was a birthday present for a dear friend, so I haven't heard it yet, however, I'm sure it's excellent. After all, it's by Bob Marley.

Long Live Bob.......2007-02-03

This is an awesome CD. Many hours of listening pleasure to anyone who purchases this product.

Poetry In Motion.......2007-01-11

With the pace of the arrangements adding even more powerful meaning to the vocals and music, Bob Marley & The Wailers deliver an astounding concert before an appreciative audience in a small club on Sunset Strip in West Hollywood, California, during the Rastaman Vibration tour.

The pristine sound captures Marley at his poetic best, as his songs of protest & redemption draws the listener into the music. The performance touches the senses in highly subtle ways, which are uniquely found in Want More & No Woman No Cry. The vocal interplay between Marley & Rita Marley, Marcia Griffiths and Judy Mowatt tugs at your soul.

Even the obligatory - for American rock audiences - I Shot the Sheriff is delivered with an added punch. The extraordinary set (Disc One) culminates with Rat Race, with the band returning (Disc Two) for an encore of 28 minutes; Positive Vibration and Get Up Stand Up/No More Trouble/War.

This is Marley the artist at the peak of his creative powers and one of the best live performances ever captured on CD.

Best live album ever!.......2007-01-10

When I look at my music collection in its entirety, my favorite albums tend to be the live ones, recorded at small halls or large arenas (think DMB, Zeppelin, U2, Frampton, Stones, Doors, etc). There is something unique, exhilarating, and almost unattainable about capturing the greatness mixed with spontaneity of live music. Live at the Roxy is my all time favorite live album. Incredibly good sound quality, just the right volume of crowd interaction, and Marley's poetic, lyrical leadership at the peak of his grasp of the power of his message and sound all combine to make this concert a priceless jewel. If you're like me, you'll put this double cd set in your car stereo and leave it in there for weeks. Makes you want to grow dreads and join the cause.

Songs of freedom.......2006-11-17

This was the concert that launched Marley in the US. In it he plays the songs from Rastaman Vibration, his breakout album. Rolling Stone magazine ranked it as one of the greatest concerts of all time. It was important for many reasons, but probably the main reason was the star-studded audience that was there to see him. He had already made himself known in America, but this concert would cement his reputation. His songs of freedom spoke of an embattled nation but at the same time reached people in a way no other music had before from the developing world. The Wailers were anchored by Marley, Tosh and Bunny Wailer, but also included the I-Threes, those "three little birds" that included Judy Mowatt, Marcia Griffiths, and his wife Rita. They literally filled the stage not only with their voluminous presence but with the joyful music they sang. As a result of this concert, Rastaman Vibration rose to the top of the charts, and Marley became a household name. It really doesn't get any better than this.

Cheap Trick At Budokan: The Complete Concert

Average customer rating:

On the drums...Mister Bun E. Carlos...
I cannot play this album loudly enough!
One of the best live cd's you'll ever own!!
Finally, the entire show!
One of the best live performances I've ever heard - it's a little cheesy but you'll still love it!

Cheap Trick At Budokan: The Complete Concert
Cheap Trick
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

New Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music

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Cheap Trick
Heaven Tonight
Dream Police
In Color
Rockford

ASIN: B0000062FR
Release Date: 1998-04-28

Tracks:

Hello There
Come On, Come On
Elo Kiddies
Speak Now Or Forever Hold Your Peace
Big Eyes
Lookout
Downed
Can't Hold On
Oh Caroline
Surrender
Auf Wiedersehen

Tracks:

Need Your Love
High Roller
Southern Girls
I Want You To Want Me
California Man
Goodnight
Ain't That A Shame
Clock Strikes Ten

Amazon.com essential recording

Originally released as a 10-track live album in the late 1970s when live albums were all the rage, At Budokan neatly summed up this oddball power-pop/hard rock band with the added ferocity a live show brings. Tracks such as "Hello There," "Surrender," "I Want You to Want Me," and Fats Domino's "Ain't That a Shame" were infused with a power their studio versions only hint at. Twenty years after the original concert in April 1978, the classic live album has been expanded to include nine additional tracks that make this a must-have for fans of the original. --Rob O'Connor

Customer Reviews:

On the drums...Mister Bun E. Carlos..........2007-03-04

Face it, folks...if you're reading these reviews to decide if you should by "Cheap Trick At Budokan," you haven't been paying attention to the world around you. As Mike Meyers said in "Wayne's World," this album was shipped with packets of Tide to everyone in the suburbs. It became the mission in life for every second, third and fourth rate band to do a "Live At Budokan" album, but Cheap Trick did it FIRST, and Cheap Trick did it BEST. The magic moment here is during "Clock Strikes Ten," and I believe Robin Zander KNEW his words were magic the moment they left his mouth. "ON THE DRUMS...MISTER BUN E. CARLOS"...and B.E.C. rips forth with a tight, compressed drum solo that's the equal of Ringo's on "The End." Grand Funk may have coined the catch-phrase "An American Band," but for many of the air guitar faithful in garages across America, Cheap Trick is king of that hill. A five star album, and if you need to ask why, don't even bother asking.

I cannot play this album loudly enough!.......2006-12-09

Remember that album you listened to in the waning years of the 1970s to the point that you'd spent so many hours pouring over the music and photos that you started to believe you'd actually attended this concert? Then get this set of the entire concert--all those great pop songs you remember plus the tracks you love from all those albums you bought in the wake of "Cheap Trick at Budokan." It'll put you there all over again.

I hear that the other show of this two-night Tokyo stand was videotaped. A DVD release of that show would be incredible. Until that day, go see Cheap Trick when they come to your town. You will not be disappointed.

One of the best live cd's you'll ever own!!.......2006-06-06

Back in 1977, Cheap Tricks management wanted to release a cd that would hold them over until the new release was finished. Dream Police was almost ready to roll, but it just needed a little extra time to be fully completed before it was released to the world. Up until now, Cheap Trick had not had much success in North America and they were counting on the Dream Police release to put them on the map. When they recorded Live a Budokan it was to help get things rolling and to be a stop gap measure to fill the void until the new release was ready. It was also only supposed to be released in Japan. Well as it turned out, it was one hell of a stop gap. Live At Budokan became the anthem in North America and broke the band big time. It was a tremendous success that helped propel the band to new heights. Songs like I Want You To Want Me became overnight hits. They had reached massive success almost overnight or least it seemed. Cheap Trick was a hard working band and this over night success so to speak was well earned.

Well here we are some 30 years later and this time out we get the complete concert. Yup that's right, uncut from the record label big wigs this time out and in it's entirety. It's amazing that something this old can still sound so fresh and unencumbered. The darn thing still sounds good!!!

This release is a tribute to what good rock & roll is all about. It just had something about it, a live energy or passion that still holds up today.

If you only have one Cheap Trick cd, this is the one you want or need as it's the band at it's best!

Finally, the entire show!.......2006-03-19

Like The Who, Cheap Trick utterly dominates the stage as a live band. Unlike The Who, however, Cheap Trick has never really put out a truly extraordinary studio album (good albums yes, but not extraordinary). I think these are the reasons why Live at Budokan has always been a favorite of critics and listeners alike.

Although I personally have a distaste for CDs that add bonus tracks to classic albums, thereby ruining the atmosphere of the original work, I regard The Complete Concert as a different CD entirely. Because Cheap Trick is a first-class live act, it deserves to have the entire performance documented. The original Live at Budokan, great as it was, always seemed disjointed and incomplete, even though that never detracted from its appeal. This CD brings you the entire show, fills in gaps, answers questions, and really makes me wish I could have been there to witness thousands of lovely Japanese ladies chanting "Bun E, Bun E"!

Not all the additional songs on this CD are up to par with the original, abridged Live at Budokan. But that's not the point. The point is that this documents a classic live show in its entirety, and it IS very entertaining from start to finish. When you consider all that stringy hair, Rick Neilson's "quirkiness", and Bun E. Carlos' decidedly non-rock-and-roll-star appearance, you quickly realize how great this band really is to entertain so many people for so many years. Live at Budokan has always been an inspiration to me both as a drummer (Thanks, Bun E!) and as a live musician. The Complete Live at Budokan does nothing to change that.

I'm keeping the original Live at Budokan along with this CD, but I for one am thrilled to finally have the entire concert in my collection.

One of the best live performances I've ever heard - it's a little cheesy but you'll still love it!.......2005-12-29

Cheap Trick is essentially a minor guilty pleasure and a little cheesy, but if you can get past that then you will find that they are an AMAZING band! Their strengths lay in their live performances, and this album especially proves this point (they were more of a "show" than an artistic, political or poetic group, and they knew this). What's so fascinating about "Cheap Trick At Budokan: The Complete Concert" is that it's so well-produced for a live show - you can hear everything clearly! The drums are especially easy and fun to listen to. The songs are all essentially cheesy-but-fun power pop songs with a hard rock twist, and even if they aren't the deepest songs in the world lyrically, you will still probably love them. Not all of the songs here are great, unfortunately (the original album only had 10 songs, but this has about 25 - that could explain it), but the album's length and the amount of good ones it DOES have more than make up for it. "Hello Kiddies", "Big Eyes" and "Surrender", for example, are all classic power pop songs from the early seventies. Singer Robin Zander does an excellent job with the vocals as fits perfectly as a power pop/hard rock vocalist - I'm pretty sure that most people will love him. The lyrics aren't all that interesting by themselves, but Robin definitely adds much needed energy to the mix. Like I said, the only downfall to this particular verson of the album is that some of the extra songs aren't that good (the original album wasn't the whole concert, but this is). Basically, if you're into power pop, the history of rock or if you're looking for an amazing live album, then "Cheap Trick At Budokan: The Complete Concert" is one of the best you buy! Absolutely recommended!

Highlights include:
"Hello Kiddies"
"Come On Come On"
"Big Eyes"
"Downed"
"Surrender"
the rest are good or decent

We Shall Overcome: Complete Carnegie Hall Concert

Average customer rating:

Not _Quite_ Uncut
Superb, a songwriter / singer for his time, and for today also
Humanity's songster
Still Singing
WHEN PETE WAS " KING"

We Shall Overcome: Complete Carnegie Hall Concert
Pete Seeger
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Folk | Styles | Music

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Folk Music | Children's Music | Styles | Music
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ASIN: B0000026V0
Release Date: 1989-10-10

Tracks:

Audience
Banjo Medley: Cripple Creek/Old Joe Clark/Leather Britches
Lady Margret
Mrs. McGrath
Mail Myself to You
My Rambling Boy
A Little Brand New Baby
What Did You Learn in School Today?
Little Boxes
Mrs. Clara Sullivan's Letter
Who Killed Norma Jean?
Who Killed Davey Moore?
Farewell
A Hard Rain's A-Gonna Fall
Didn't He Ramble (Fragment)
Keep Your Eyes On The Prize
If You Miss Me At The Back Of The Bus
I Ain't Scared Of Your Jail
Oh Freedom

Tracks:

Audience
Skip To My Lou
Sweet Potatoes
Deep Blue Sea
Sea Of Mercy (Fragment)
Oh Louisiana
(The Ring on My Finger Is) Johnny Give Me
Oh What A Beautiful City
Lua Do Sertao (Moon Of The Backland)
The Miserlou
Polyushke Polye (Meadowlands)
Genbaku O Yurusumagi (Never Again The A-Bomb)
Schtille Di Nacht (Quiet Is The Night)
Viva La Quince Brigada (Long Live The Fifteenth Brigade)
Tshotsholosa (Road Song)
This Land Is Your Land
From Way Up Here
We Shall Overcome
Mister Tom Hughes's Town
Bring Me Li'l' Water Silvy
Guantanamera

Amazon.com essential recording

Pete Seeger, who began recording in the early 1940s, is perhaps the most influential figure in the American folk revival, a walking repository of song who's had an immense influence in popularizing folk music with mainstream audiences. The 2 CD We Shall Overcome is an expanded version of a classic 1963 live album that offers an excellent example of Seeger's activist passion and good-humored humanity. This expanded edition contains the entire 40-song concert, making it almost three times longer than the original vinyl incarnation. The typically eclectic and heartfelt program, encompassing civil-rights anthems and anti-war pleas, along with tunes from England, Russia, Brazil, and the Caribbean, provides an excellent introduction to the artist. --Scott Schinder

Customer Reviews:

Not _Quite_ Uncut.......2007-05-22

This is a great recording, but it should be noted that "Wimoweh", which is on the original Columbia Records LP, is not present here, presumably because of the immensely complicated issues surrounding the copyright of "The Lion Sleeps Tonight". This is a mild disappointment, since it would have been nice to hear Pete teaching the song to the audience, something rarely heard in recordings.

Superb, a songwriter / singer for his time, and for today also.......2007-01-18

Pete Seeger, is a "one-off". An exceptional talent and a great human being. We need to be listening to his music today. It is still as important and relevant as when he was touring America and giving concerts like this one.
I first heard and fell in love with his style and message in the mid 1960s, on vinyl LPs. I loved his music and his message. So did Bob Dylan, Joan Baez and many others. Pete, Woody Guthrie, Leadbelly, The Weavers were important influences on Dylan and Baez, and many others. Their messages and active involvement in important social and political issues of their day had a great influence. Unfortunately it is still relevant today.
Please keep this wonderful music available to today's generation and future ones too. Eventually humankind 'might' get the message. I hope so.

Humanity's songster.......2007-01-09

Back in the mid-1950's I attended a summer camp in New Hampshire for 5 years. For most of those years, sometime in the middle of the summer a tall, lanky redhead came striding up the camp's dirt road with two instrument cases slung across his back. He'd stay with us for 10 days or so, and every night we'd meet in the rec hall or by the lake and he'd teach us songs and sing with us. There was a small group of us who played instruments like guitar or (in my case, at that point) mandolin, and he'd meet with us and teach us. All I knew about him was that his name was Pete, that he had an amazing and inspiring, trumpet-like voice, infectious optimism and charisma, and that we all sang alot better when we was there than when he wasn't.

I had no idea who Pete was, what his last name was, or anything more about him until my 4th year at camp, when my counselor, who was a banjo player, filled me in (and refused to play in front of Pete because he was embarrassed). "The Weavers at Carnegie Hall" had just come out, and I got that album and lo and behold, most of those songs were ones we'd learned from Pete and there was that amazing voice, that banjo, the driving rhythms, and the charismatic presence bringing people together to sing better than they ever knew they could. Pete was blacklisted then, and made his living going from schools to colleges to summer camps; there were many kids like me who grew up with Pete's warm and human influence.

Any recording of a Pete Seeger concert will give you an inkling of what it was like to be with him, but this one is special -- it's complete, it's long, it's very human, and it catches Pete at the height of the folk music revival and before the crucible of the late-1960's. It's all here. I suspect you'll find yourself singing along, stamping your feet, and at the end feeling a lot better about yourself, more committed to making life better for yourself and others, and more optimistic about this world. That's the hallmark of Pete's humanity. He wanted people to be involved, he disliked passive media like TV and recordings, and he played and inspired his audiences like an extension of his beloved banjo and guitar.

Yes, Pete was a member of the Communist Party from 1941 to 1949, but whether his songs after 1949 reflect, or were driven by, his affiliation (as another reviewer suggests) is, I believe, incorrect. Pete's songs were always guided much more by his native optimism, his love of people and the planet, his belief that songs and singing can somehow make a difference, his curiosity and openness, his response to the events around him (which actually made him more radical as he (and we) progressed through the 60's and 70's) and, yes, his open-hearted humanity.

No matter what your affiliation, and even if you've never heard a folk-song record in your life, you deserve to hear this one and let your spirit soar.

Still Singing.......2006-11-11

I've attended Pete's concerts for over 50 years. When you see him you sing. When you hear him you sing along, not necessarily well, but with fervor. This has always been a part of his concerts and this one is no different. What a joy to listen and sing. It is a timeless thrill and experience.

WHEN PETE WAS " KING".......2006-04-03

This review is being used to describe several of Pete Seeger's recordings. Although I have listened to most of his songs and recordings the ones selected here represent those that best represent his life's political and musical work.

My musical tastes were formed, as were many of those of the generation of 1968, by `Rock and Roll' music exemplified by the Rolling Stones and Beatles and by the blues revival, both Delta and Chicago style. However, those forms as much as they gave pleasure were only marginally political at best. In short, these were entertainers performing material that spoke to us., and we took that at face value. In the most general sense that is all one should expect of a performer. Thus, for the most part that music and those musicians need not be reviewed here. Those who thought that a new musical sensibility laid the foundations for a cultural or political revolution have long ago been proven wrong.

That said, in the early 1960's there nevertheless was another form of musical sensibility that was directly tied to radical political expression- the folk revival. This entailed a search for roots and relevancy in musical expression. While not all forms of folk music lent themselves to radical politics it is hard to see the 1960's cultural rebellion without giving a nod to such figures as Dave Van Ronk, the early Bob Dylan, Utah Phillips, Joan Baez, Pete Seeger, Woody Guthrie and others. Whatever entertainment value these performers provided they also spoke to and prodded our political development. They did have a message and an agenda and we responded to it as such. That these musicians' respective agendas proved inadequate and/or short-lived does not negate their affect on the times.

As I have noted in my review of Dave Van Ronk's work when I first heard folk music in my youth I felt unsure about whether I liked it or not. As least against my strong feelings about the Rolling Stones and my favorite blues artist such as Howling Wolf and Elmore James. Then on some late night radio folk show here in Boston I heard Dave Van Ronk singing `Come All You Fair and Tender Ladies' and that was it. From that time to the present folk music has been a staple of my musical tastes. From there I expanded my play list of folk artists with a political message, including obviously Pete Seeger.

Although I had probably heard Seeger's `Had I a Golden Thread' at some earlier point I actually learned about his music secondhand from a recording of Songs of the Spanish Civil War which included `Viva la Quince Brigada' a tribute to the American Abraham Lincoln Battalion of the International Brigades. Since I was intensely interested in that fight in Spain and in that "premature anti-fascist" organization I was hooked. While like Woody Guthrie Seeger's influence has had its ebbs and flows since that time each succeeding generation of folk singers still seems to be drawn to his simple, honest tunes about the previous political struggles and the ordinary people who made this country, for good or evil what it is today.

Pete's relationship with the American Communist Party while no secret is not widely known. As with Woody what is interesting is that the subjects of his songs fairly closely reflect the party line as it changed to reflect the winds blowing from Moscow. Pete's best work, like Woody's is reflected in the People's Front style of ` Where Have All The Flowers Gone' and the above-mentioned "Golden Thread" reflecting that party's further development of its class collaborationist policy with the Democratic Party. That is, giving up the fight for an independent working class party based on its won program. Politcal differences between us aside, listen to Seeger's recordings and learn about hard times and struggle from earlier times. You deserve to treat yourself to that voice, instrument and message.

Complete Benny Goodman Carnegie Hall Concert 1938

Average customer rating:

A very good concert, and a decent recording
Finally the 1938 concert without the static!
THE classic swing era concert
SUPERB REMASTERING OF MILESTONE JAZZ CONCERT
Uneven

Complete Benny Goodman Carnegie Hall Concert 1938
Benny Goodman
Manufacturer: Jasmine Music
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Swing General | Swing Jazz | Jazz | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music

Contemporary Big Band | Swing Jazz | Jazz | Styles | Music
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The Very Best of Benny Goodman
Ellington At Newport 1956
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Sing, Sing, Sing
The Golden Years: 1938-1942

ASIN: B000HWXGDO
Release Date: 2006-10-09

Tracks:

Don't Be That Way
Sometimes I'm Happy
One O'Clock Jump
Sensation Rag
I'm Coming Virginia
When My Baby Smiles at Me
Shine
Blue Reverie
Life Goes to a Party
Honeysuckle Rose
Body and Soul
Avalon - Benny Goodman Quartet
Man I Love - Benny Goodman Quartet
I Got Rhythm - Benny Goodman Quartet

Tracks:

Blue Skies
Loch Lomond
Blue Room
Swingtime in the Rockies
Bei Mir Bist du Sch
China Boy
Stompin' at the Savoy - Benny Goodman Quartet
Dizzy Spells - Benny Goodman Quartet
Sing, Sing, Sing
If Dreams Come True
Big John's Special

Album Details

The Complete Concert Has Been Digitally Remastered and Captures Goodman and his Orchestra at the Peak of their Performance. Guests Include Count Basie.

Customer Reviews:

A very good concert, and a decent recording.......2007-04-12

The band was in top form, and it's lots of fun to listen to. Good solos by various members, a lively beat, and great tunes.

Best played loud.

Finally the 1938 concert without the static!.......2007-03-28

A great remake of the best jazz concert ever. Cleaning up the sound makes this CD a treat to listen to over and over

THE classic swing era concert.......2007-03-19

Much has been written about Benny Goodman's Carnegie Hall 1938 concert. Very little about this brilliant edition, and its masterful sound restoration by Bjorn Almstedt. At last this classic swing era concert sounds like the time when the LP came out: a full, warm, authentic sound, far from the horrible CD edition that has been on the market for many years. Make sure you get this version: it's worth every cent, you'll love playing it again and again, and marvel at the likes of Goodman and his many great associates: Gene Krupa, Teddy Wilson, Lionel Hampton, Jess Stacy, and a host of swing and jazz legends. Among them Johnny Hodges, Harry Carney and Cootie Williams, three immortal Ellingtonians, who play 'Blue Reverie'. When I heard this piece for the first time, in 1967, I instantly became a fan of the music of Duke Ellington. That's 40 years ago ...

SUPERB REMASTERING OF MILESTONE JAZZ CONCERT.......2007-01-24

Amongst celebrated dates which exist in popular music, 16th January 1938 denotes the day the Benny Goodman Orchestra played the rarified environs of New York's Carnegie Hall - previously designated as the dignified home of classical music. Initially conceived as a publicity stunt to enhance Goodman's increasing popularity, this was the very first time a jazz ensemble had ever played this venue and despite initial coolness towards the event, the sell-out performance left no doubt that swing dance bands provided the latest craze which could no longer be ignored.

Fortunately, the Concert was recorded but in comparison with today's technology the methods and equipment used at the time were relatively crude. The outcome was acceptable but the acetates were filed away and not rediscovered until 1950 when their transfer to vinyl resulted in a million-plus selling album-set. The back-up aluminium masters were also lost for decades but when located in 1998, they formed the basis for a CD set released by Sony the following year. Unfortunately the re-mastering failed to filter out numerous surface imperfections, clicks and hiss with the overall shrill sound lacking depth, much to the disappointment of many buyers who were quick at making their views known concerning such an outcome which could only be regarded as a botched job. Subsequently, other record companies released the Concert with attempts using ongoing developments in technology enabling a degree of improved sound. However, this new Jasmine release has succeeded in both cleanly removing annoying defects and managing to furnish an overall warmer sound without compromising the music, the excitement and ambiance of the occasion and venue.

It's now possible to enjoy interludes by Benny's trio and quartet as well as the full orchestra with the lengthy version of HONEYSUCKLE ROSE played as a jam session and starring such luminaries as Lester Young, Buck Clayton, Count Basie, Harry James and Johnny Hodges. That old Goodman favourite, AVALON brings vibraphonist Lionel Hampton to the fore and other stellar names involved include Ziggy Elman, Teddy Wilson and Bobby Hackett. Supplying necessary glamour, vocalist Martha Tilton, handles LOCH LOMOND and BEI MIR BIST DU SCHON with great style. Of course the highlight is SING, SING, SING, with Jess Stacey's spontaneous piano interlude equaled by typical star drumming from Gene Krupa with his tom-tom rhythms stirring up enthusiasm of the highest order. Carnegie Hall would henceforth open its doors and embrace performances by dance bands, jazz instrumentalists and popular vocalists. This finely-tuned re-mastered recording will ensure this event continues to be cherished as a jazz milestone.

Uneven.......2006-12-25

It is well established that Benny Goodman's 1938 swing concert at Carnegie Hall was pivotal in "legitimizing" jazz as a musical art form among the general public-especially the white audience. My jazz collection is weak on swing and heavy on bebop. So, I decided to purchase this CD. I have some mixed feelings regarding the quality of the music as well as the sound.
First, the choice of music is very uneven. While some pieces are timeless, others are just plain corny and dated! Goodman's intention was to present a history of jazz from its beginnings in New Orleans to 1938 New York. The musical execution is of high quality. But, this is no surprise, as Goodman was known to be a perfectionist. Ellington and Basie band members who "jammed" with Goodman's Orchestra on this date were at the peak of their careers.
Second, the original sound recording is very poor. At the time, Goodman was not aware the concert was being recorded and only found out weeks later. There is only so much modern technology can achieve with such poor originals. Bjorn Almstedt did a great job restoring the original audio. Unfortunately, he had an almost Herculean task. Some of the soloing is so low as to be almost inaudible. Regardless, this is an important recording in the history of jazz and it provides some enjoyable listening moments.

Average customer rating:

Fennell Interpretation
Symphonic Band Memories
Fennell - A Wind Band Pioneer
The Gold Standard for Symphonic Band Music
Hold On To Your Socks!

British and American Band Classics

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Marches | Miscellaneous | Styles | Music
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British Wind Band Classics

ASIN: B0000057KR
Release Date: 1990-10-19

Tracks:

The Earle Of Oxford's Marche: Suite 'William Byrd'
Pavana: Suite 'William Byrd'
Jhon Come Kisse Me Now: Suite 'William Byrd'
The Mayden's Song: Suite 'William Byrd'
Wolsey's Wife: Suite 'William Byrd'
The Bells: Suite 'William Byrd'
A Coronation March: 'Crown Imperial'
'Hammersmith': Prelude And Scherzo, Opus 52
Serenade: Symphonic Songs For Band
Robert Russell Bennett: Symphonic Songs For Band
Celebration: Symphonic Songs For Band
Fanfare And Allegro

Customer Reviews:

Fennell Interpretation.......2007-05-14

For Band Conductors / Teachers, there is no better conducting interpretation than those of Frederick Fennell. Tho these recordings are not new recordings, they are still viable interpretations. Glad to see them still available.

Symphonic Band Memories.......2005-09-05

I bought this album primarily for the "Symphonic Songs for Band" suite by Robert Russell Bennett and the "Fanfare and Allegro" By Clifton Williams. They are the favorite pieces I was privledged to participate in performing while a member of the Cal Poly symphonic ban in the 70's. I also remember performing them in high school. I was not disappointed in purchasing this disc! The performances captured here are excellent! The music sends chills down my spine .... I highly recommend the entire album for anyone interested in the genre of symphonic band music!

Fennell - A Wind Band Pioneer.......2002-03-08

'British and American Band Classics' is a great disc for band lovers and music lovers in general. Frederick Fennell has been one of the top leaders in wind band music for decades. Here, one of his early recordings with the Eastman Wind Ensemble survives as a ground-breaking event in wind band music.

Anyone not familiar with Gordon Jacob's "William Byrd" Suite, "Crown Imperial," or any of the other greats on this disc should check out what serious band literature is available. In fact, this music has been available for many years, and has stood the test of time. I would buy the disc just for Clifton Williams' "Fanfare and Allegro," one of the most exciting works for band ever written. It will get your blood pumping!

Contrary to to other reviewers, these performances are not flawless. Intonation is a real problem that shows up especially in the William Byrd Suite, particularly in "The Earle of Oxford's March," and "The Bells." For me, the trumpets are too harsh in some of "Crown Imperial," but these factors wouldn't keep me from purchasing the disc. Remember, these recordings were made in 1958 and 1959...A lot has changed since then! However, no recording is perfect, and this one deserves a place in your collection of great music.

The Gold Standard for Symphonic Band Music.......2000-12-01

This is the second of the two gold standard recordings of symphonic band music, the first being the prior Mercury recording of Fennel conducting the Eastman Winds performing the Holst overture and Vaughan Williams' Folksong Suite. The arrangement, the conductor, the performance, the interpretation are all perfect; one can only wonder what a current all digital master would sound like. Close call whether the vinyl through a tube power amp gives cleaner bass, but by all means get this CD for an indelible recording of unforgettable music.

Hold On To Your Socks!.......2000-11-19

I waited sixteen years for this recording to become available again, after first hearing it on the radio, and it was well worth the wait. The sound on this release, as well as on the others in this Mercury series of vintage recordings, is amazingly spacious and dynamic. This disc's rousing version of the Crown Imperial Coronation March is THE definitive recorded performance of that work. Complete with a stirring, regal melody, startling cannon blast, majestic organ, chimes, cymbals, shattering gong crashes, and thunderous drums, it will literally blow your socks off!

Average customer rating:

F.R.S
A Sentimental Favorite, but Somewhat Overrated
Down Home Swingin'. (no dancing please!)
A Great Summation of the MJQ's career
A great concert disc, and a jazz classic

The Complete Last Concert
The Modern Jazz Quartet
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music

Cool Jazz | Jazz | Styles | Music

General | Jazz | Styles | Music

Cool Jazz | Live Albums | Jazz | Styles | Music

General | Live Albums | Jazz | Styles | Music
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Modern Jazz Quartet: 1957
Blues on Bach
Fontessa
Dedicated to Connie
Third Stream Music

ASIN: B000002IO8
Release Date: 1990-10-25

Tracks:

Softly As In A Mornig Sunrise
The Cylinder
Summertime
Really True Blues
What's New
Blues In The Mirror
Confirmation
Round Midnight
Night In Tunisla
Tears From The Children
Blues In H
England's Carol

Tracks:

The Golden Striker
One Never Knows
Trav'lin
Skating In Central Park
The Legendary Profile
Concierto De Aranjuez
The Jasmine Tree
In Memoriam
Django
Bags Groove

Customer Reviews:

F.R.S.......2006-03-18

This is one of the greatest albums that I have ever listened to.
Each disc all the songs are great, they bring back many old memories. I'm just sorry three quarters of the band are no longer with us.

A Sentimental Favorite, but Somewhat Overrated.......2004-07-30

This is a fine album, with good to very good live versions of some classic MJQ tunes. However, the quartet's "last concert" was not really their best. At times, the music on these discs is a bit too staid and careful, and one gets the feeling that the decision to disband (temporarily, as it turned out) was motivated at least in part by a slight loss of enthusiasm for a project in which these musicians had been engaged, by 1974, for over two decades. This impression is reinforced by the inclusion, in this CD reissue, of some of the weaker material that was wisely omitted from the original 2-LP set.

The excitement the MJQ at its best generated in live performance is much better captured by the excellent "Dedicated to Connie" (ASIN B000002J4T) and "European Concert" (ASIN B000058TGY, but currently out of print). Both were recorded in Europe in 1960, when the group was at the height of its ability but still had something to prove, and both feature taut, committed performances of an intensity that "The Last Concert" doesn't quite match.

Down Home Swingin'. (no dancing please!).......2004-04-13

I'm not going to write a lot about this album; other customers have already sumed it up quite well. This album has almost no elements of slow boring classical, as one might recall albums as No Sun I Venice or Concorde, it swings just as hard as for instance, Miles Davis would. A new comer to MJQ , but not jazz will love this album!!!!!!!!

A Great Summation of the MJQ's career.......2003-08-09

If you are looking for an answer to the question what the Modern Jazz Quartet is all about, you have come to the right place. In 1974, the MJQ had been in existence for almost 20 years, and vibraharpist Milt Jackson (now sadly deceased) became tired of the somewhat rigid structure of the quartet. Thus, the MJQ decided to disband and to give one more concert at New York's Avery Fisher Hall. Here, sensing that this might really be the last time they had a chance to play these songs, the quartet gave every tune a special treatment.
The classical aspect of their music, so often likened to chamber-music, is well displayed in several tunes from their "Blues on Bach" album, but if you listen to Milt Jackson when he swirls and weaves his melody around the steady pulse by both drums and bass, you realize that this interpretation is beyond both classical music and Jazz. However, their reading of "Concierto de Aranjuez" is far closer to the original than the one done by Miles Davis on "Sketches of Spain".
Standards such as "Summertime" and "'Round Midnight", as well as tunes that recall the quartet's origin in Dizzy Gillespie's band, such as "Confirmation" and "A Night in Tunisia", are also present. But mostly the tunes are by pianist John Lewis and, with stronger leanings to the blues, by Milt Jackson. Lewis' "Skatin' in Central Park" and "One Never Knows", for example, are both lovely ballads, whereas Jackson's "Really True Blues" and "The Cylinder" are more deeply rooted in the realm of Jazz and Blues.
This only shows how much the music and the programme of the band was always built around the contrasting musical personalities of John Lewis, the quartet's musical director, and Milt Jackson, their main soloist, who embodies perfectly grace, style, time and swing at the same time. He was certainly one of the great masters of Jazz, and his at times forceful and energetic, but also often cool and crisp playing is to me the main attraction of the quartet. This edition is the first complete rendition of the now legendary concert (needless to say that they gave many more afterwards), and for that fact alone, the CD deserves six stars. If your new to the MJQ, you cannot find a better and more comprehensive collection of their playing. If you are a fan, what took you so long to get this marvellous highlight of their career? Get it!

A great concert disc, and a jazz classic.......2001-08-17

I wish I'd been there on the night of November 25, 1974 as the MJQ took the stage at Avery Fisher Hall. It was a concert that was truly a climactic end to the Modern Jazz Quartet's 22 years. (At the time it was not known that they would reassemble ten years later, albeit without as much musical interest.) John Lewis, Milt Jackson, Percy Heath and Connie Kay played their hearts out, creating some of the finest renditions of their repertoire ever. Fortunately, every note was captured in crystal-clear sound and is on this 2-CD set.

As for highlights...there are so many the whole set could just be called one continuous highlight of the quartet's legacy. But there are some standouts: the opening, disarmingly-complex "Softly As In A Morning Sunrise," the bluesy "Summertime," the funky "True Blues," the smokey "'Round Midnight" (featuring one of Milt's best solos on record for which he gets a deserved spirited ovation), the very sweet and sentimental "Skating In Central Park," the virtuostic "Blues in A minor," the delicate "One Never Knows," the energetic "Jasmine Tree," and two encores that are the group's signature pieces, "Django" and (of course!) "Bags' Groove" in what I promise you is the wildest rendition of this piece you will ever hear. All the selections have intricacy and interplay (each man knew when the other was going to breathe) beyond what can be described here. Suffice it to say these four men get textures, colors and tones that are quite unlike any other jazz group, and any other group of musicians in any genre. It's hard to appreciate today how innovative their approach was in the 1950s and 60s because so much of what they've done has become so assimilated by pop, jazz, TV and movie music, and classical. (Of course, they did a lot of assimilating of their own; it was a symbiotic relationship.)

Despite the overall high quality of music here, there are a few lowlights, and they underscore the reasons the MJQ became unglued and, frankly, *needed* to disband. They were being pushed more and more into Lewis' Third-Stream mode towards the end, and a lot of the compositions were forced and contrived. (Of course this conflict existed from the beginning, but Jackson and co. managed to actually feed off the tension. By the late 60s, though, Jackson was sounding in a rut.) I love the Third-Stream movement of music (and if you don't know what this is, go to any good music dictionary and look up "Gunther Schuller"), and wish more exploration had been done in this area (the economics made it prohibitive). But many of Lewis' "serious" compositions are, honestly, pretentious hybirds that Jackson and the others never could quite get down on. The audience applauds politely, but there's not much real enthusiasm for the sprawling and unoriginal "In Memoriam," the dry, dutiful reading of Rodrigo's famous "Concierto de Aranjuez" or the incredibly pretentious "Tears For The Children." (With a title like this you know it's going to be pretentious, and it delivers.) These tunes were kept off the original LP of this concert, and frankly, it was no loss. It's worth having here only for completeness' sake.

Still, these are but small nicks on a great masterpiece of an historic evening. If there were only a handful of jazz albums I could own, this would be one of them. (Pyramid and The Comedy would be two other MJQ albums on that list.) Of course we all know the group got back together again, but they never again made music like this.

Complete Mozart Symphonies / Pinnock, English Concert
Average customer rating:

The best period instrument Mozart symphony cycle around

The best period orchestra Mozart symphonies around!

A Beautiful Time Capsule

Another BBB (basically bland Brit) recording

Pinnock excellent, DG Archiv sound variable

Complete Mozart Symphonies / Pinnock, English Concert
Mozart , Ecc , and Pinnock
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

All Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
General | Symphonies | Classical | Styles | Music
General | Classical | Styles | Music
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ASIN: B000069KJ3
Release Date: 2002-10-08

Tracks:

Molto Allegro
Andante
Presto
Allegro Assai
Andante
Presto
Allegro
Andante
Presto
Allegro
Andante
Molto Allegro
Allegro Maestoso
Andante
Presto
Allegro
Andante
Menuetto - Trio
Allegro

Tracks:

Molto Allegro
Andante
Menuetto - Trio
Molto Allegro
Allegro
Andante
Menuetto - Trio
Molto Allegro
Allegro
Andante
Menuetto - Trio
Molto Allegro
Allegro Maestoso
Andante
Menuetto - Trio
Allegro
Allegro
Andante
Menuetto - Trio
Allegro
Allegro
Andante
Allegro Molto

Tracks:

Allegro
Andante
Menuetto - Trio
Presto
Allegro
Andante
Menuetto - Trio
Allegro
Allegro
Andante
Allegro
Allegro
Andante
Menuetto - Trio
Allegro Molto
Allegro
Andantino
Menuetto - Trio
Allegro
Allegro
Andante
Menuetto - Trio
Molto Allegro

Tracks:

Allegro
Andante
Allegro
Allegro
Andante
Menuetto - Trio
Allegro
Allegro
Andante
Menuetto - Trio
Molto Allegro
Allegro Moderato
Andante
Menuetto - Trio
Molto Allegro
Allegro
Andante
Menuetto - Trio
Presto

Tracks:

Allegro Maestoso
Andante Grazioso
Allegro
Allegro
Andante
Allegro
Allegro
Andantino Grazioso
Menuetto - Trio
Molto Allegro
Allegro
Andante
Menuetto - Trio
Allegro
Molto Presto
Andante
Allegro

Tracks:

Allegro
Andante
Menuetto - Trio
(Allegro)
Allegro
Andante
Menuetto - Trio
Allegro
Allegro Assai
Andantino Grazioso
Presto Assai
Allegro Spiritoso
Andantino Grazioso
Presto Assai
Allegro
Andantino Grazioso
Presto

Tracks:

Allegro Spiritoso
Andantino Grazioso
Allegro
Allegro Con Brio
Andante
Menuetto - Trio
Allegro
Molto Allegro
Andantino Con Moto
Menuetto - Trio
Presto
Allegro Assai
Andante
Allegro

Tracks:

Allegro Moderato
Andante
Menuetto - Trio
Allegro Con Spirito
Allegro Spiritoso
Andante
Menuetto: Allegretto - Trio
Presto
Allegro Assai
Andante Moderato
Menuetto - Trio
Allegro Assai

Tracks:

Allegro Spiritoso
Andante
Tempo Primo
Allegro Vivace
Andante Di Molto Piu Tosto Allegretto
Finale: Allegro Vivace
Allegro Con Spirito
Andante
Menuetto - Trio
Presto
Adagio - Allegro Spiritoso
Andante
Menuetto - Trio
Presto

Tracks:

Adagio - Allegro
Andante
Presto
Adagio - Allegro
Andante Con Moto
Menuetto: Allegretto - Trio
Finale: Allegro

Tracks:

Molto Allegro
Andante
Menuetto: Allegretto - Trio
Allegro Assai
Allegro Vivace
Andante Cantabile
Menuetto: Allegretto - Trio
Molto Allegro

Customer Reviews:

The best period instrument Mozart symphony cycle around.......2005-11-24

Trevor Pinnock and the English Concert turn in the best period instrument Mozart Symphony cycle around. With 20-30 players, the English Concert sounds full and rich, and are so well recorded, one could mistake them for a modern instrument chamber orchestra augmented with more players for a bigger sound. The early symphonies employ fewer players, the symphonies from about No. 20 and following call for more players, in some cases trumpets, horns and timpani in addition to the usual strings, harpsichord, flutes, oboes, and bassoon.

Pinnock chooses perfect tempos for the English Concert: allegros are spritely, but not driven and there's never a sense that the musicians are having trouble keeping up at Pinnock's tempos. Andante movements sing with the cantabile quality Mozart is famous for, and are always musical and flowing: very beautiful.

I am not a big fan of period instrument Mozart. I have heard Hogwood and the Academy of Ancient Music (L'Oiseau Lyre) in Mozart Symphonies 34, 38, 39, and 41 and that's enough to give me a sense that Pinnock is superior - more confident, and better recorded - to Hogwood in this music. Haydn's symphonies seem to work better with period instruments than do Mozart's, but Pinnock and the English Concert have a special musical quality which MAKE Mozart work with a period orchestra. Incidentally, both Pinnock and Hogwood have recorded very fine Haydn Symphonies with their respective orchestras.

I have also read, in AMERICAN RECORD GUIDE (July/August 2005 issue) in a review of the Mozart Symphonies with Linden/Mozart Academy of Amsterdam, a period orchestra (Brilliant Classics set) that Pinnock's Mozart cycle is to be preferred. I have not heard Linden myself, but ARG's review states that with the exception of Symphonies 20, 39, 40, and 41, Pinnock "wins across the board." The reviewer cites sour tuning, below standard pitch, sloppy playing, not enough contrasts of dynamic range and pokey allegros, as liabilites which are especially annoying in Linden's cycle, and advises the reader to go with Pinnock if looking for a period cycle of Mozart symphonies.

Other options? Bohm/Berlin Philharmonic (DG); Krips/Concertgebouw (for Symphonies 21-41, Philips); Hans Graf/Mozarteum Orchestra, Salzburg (Capriccio); and Nicholas Ward/Northern Chamber Orchestra, modern instrument chamber orchestra (for early symphonies, Naxos). But unless you really hate period instruments, you will like Pinnock, as I do, and as I stated earlier: I am not a fan of period instrument Mozart.

The best period orchestra Mozart symphonies around!.......2005-08-23

Trevor Pinnock and the English Concert perform Mozart's symphonies with great style, elan, and spirit, making this the best period orchestra Mozart Symphonies around. Pinnock deals alot in contrasts and atmosphere, setting a mood for each movement, within each symphony. The English Concert plays even Mozart's earliest symphonies-written when he was a pre-teen-as great music, and it works, very effectively. Allegros bristle with spirit, Andantes and Adagios emphasize cantabile (singing style) as all Mozart's music has a vocal/singing emphasis (in contrast to Haydn or Beethoven, who tend to build movements arount motives, or rhythmic patterns of notes; Mozart emphasizes melody moreso in many of his works).

I am not a fan of period instruments in music of Haydn, Mozart, and any composers after Bach and Handel, but this cycle is really fine. My favorite Mozart Symphonies have been Karl Bohm/Berlin Philharmonic (complete cycle, DG); 21-41 by Joseph Krips/Concertgebouw Orchestra (Philips, coupled with Marriner/Academy of St. Martin in the fields for 1-20); Bruno Walter/New York Philharmonic for Symphonies 25,28,29,35,36,38-41 (Sony); Otto Klemperer/Philharmonia for Symphonies 36,38-41 (EMI). But, Pinnock's accounts are spirited and the English Concert, at about 20-25 players, doesn't sound scrawny or ineffective at all. If you're used to the sonority of the Berlin Philharmonic or Philharmonia Orchestra, this will take some getting used to, but it is very good.

This could be called "period instrument Mozart for those who don't like period instruments." I have heard Christopher Hogwood/Academy of Ancient Music in Symphonies 34,38,39,41, and they are not as good as Pinnock's accounts. Hogwood's orchestra sounds small, puny compared with Pinnock's more robust group. I am not meaning to degrade Hogwood, as I have a number of fine recordings of his: Beethoven Symphonies 1,2;
Handel's MESSIAH; Haydn Symphonies 94, 96; Boyce Opus 6 Symphonies. But in Mozart Symphonies, I prefer Pinnock.

Pinnock's set is also well recorded, adding to it's high quality. You can't go wrong with these, unless you absolutely hate period instruments.

A Beautiful Time Capsule.......2005-04-08

In comparing this recording, with its use of original instruments, and my favorite recordings with modern instruments, I find I prefer this. It doesn't lose any power, but it gains by the imaginative process of listening to the music as Mozart would have heard it. The collection is also a wonderful way to listen to the progression of Mozart's music throughout his life. As you listen to the first two of the eleven discs, you'll be amazed at the symphonies he wrote when he was only nine years old!

Another BBB (basically bland Brit) recording.......2005-04-06

This is a short review because when you've heard one of these you've heard them all. They're all played in the same starched, stiff mannor, with brisk tempi, little feeling, no shaping of phrase, and no color. The Mozart symphonies--the latter ones, anyway--have their own style and merit different approaches (No. 31, the "Paris," is almost curtain-raiser music for an opera buffa, for example, while No. 39 is in some ways proto-Beethoven, harmonically sharing a good deal with the "Eroica," and No. 40 shows Mozart heading into a realm of a basically Romantic chromaticism that would have led to much fascinating music if he'd lived longer and written more in that style). Yet here all the works are played interchangably. These are performances that could have been generated on a computer.

The sound is excellent, but that's about all there is to recommend this set. Hogwood's traversal on period instruments has more personality, believe it or not. And to really show what can be done with works like these on HIP instruments, try Franz Bruggen's remarkable recordings of the Haydn symphonies on Philips. I can't recommend this set, and I got it for considerably less than the Amazon price, too.

Pinnock excellent, DG Archiv sound variable.......2005-02-18

I greatly admire Pinnock's style, directing skill and harpsichord playing, but I don't understand the variability of sound balance achieved on his many recordings by DG. Most are recorded in Henry Wood Hall and have the same "tonmeister" and producers. For example his recording of the Bach Violin Concertos is vibrant, full bodied and has a great "presence", whereas on the other end of the spectrum, the last disc of the symphonies, 40 and 41, is really anemic, with pratically no bass. I gave them a +12db bass boost to try and compensate for the lack of bass, but there was hardly any difference in the low end response. In order to listen to this disc, and to some extent the prior two as well, I have reverted to my volume expander used with vinyl records from the 70's.

My system has very clean and deep bass response and handles Telarc organ recordings with great effect, so I do not believe it is that. And, as I stated the violin concertos have a great presence, to the point where I can visualize the bass and cello players bowing their instruments. It may be do to different microphone placement for the larger ensemble of the latter symphonies, without compensating for the different acoustic.

When it comes to Archiv's 4D recordings of the English Concert, I do not like them at all. The choir from the Mozart Coronation Mass sounds like it is being piped down from outer space, detached and way to ethereal. The Telemann suites do not fare any better, thin and anemic. Don't think the extended dynamic range and lower threshold noise level helped in any way.

I should also add that I have about every recording of Pinnock and the English Concert, really the best "Original Instruments Group" out there. In my humble opinion, Pinnock should have a "Sir" in front of his name.

Average customer rating:

happy music
Vintage march collection for connoisseurs

Fennell Conducts Hands Across the Sea

Manufacturer: Mercury
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

Marches | Miscellaneous | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music
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ASIN: B0000057M6
Release Date: 1994-02-15

Tracks:

Hands Across The Sea
Father Of Victory
The Golden Ear
Old Comrades
March, Op. 99
Valdres March
Inglesina
Knightsbridge March
The U.S. Field Artillery
The Thunderer
Washington Post
King Cotton
El Capitan
The Stars And Stripes Forever
American Patrol
On The Mall
Lights Out
Barnum And Bailey's Favorite
Colonel Bogey
The Billboard

Customer Reviews:

happy music.......2006-08-29

I could't offer a technical critique of this c.d,instead I'll attempt to describe the enjoyment it gave me.Imagine you're sitting in your car listening to the radio,not terribly enthusiastic about getting out to start work.You become aware there's a bright ,cheerful sounding tune being played-vaguely familiar,I find myself tapping out the beat and humming along-what's this called then?Then we get to the part I can identify-DAH-DAHdeDAHdeDAH-DAH-DAH-Oh,of course,it's the music they used in "The Hunters",oh the memories that brought back.That tune got me out of the car ,through the day's turmoil,and when I woke up the next morning at 3a.m.,it was still going throgh my head!Okay,log onto Amazon,click,click,all I've gotta do now is contain my impatience .The C.D. duly arrived,suffice it to say it exceeded all my expectations regarding quality and content and has become one of my favourites.

Vintage march collection for connoisseurs.......2000-05-26

It seems like the heyday for recorded march collections was the early stereo era. The classic Mercury recordings by Fennell and the Eastman Wind Ensemble dating from that time no doubt contribute to that impression. In this collection, they demonstrate the seriousness with which they approach this repertoire by unearthing some lesser known (at least in the US) pieces to go along with the usual Sousa-esque fare. However, there is no sense that they scraped the bottom of the barrel: all of these marches are first rate. Even the less familiar marches will have you humming along in no time, so infectious are they. These performers bring their usual gutsy exuberance and the necessary polish, too. The sound is on the bold side so turn the volume down a bit for this one.

Average customer rating:

Superb Performance and musical Work
A nice set at a nice price!

Complete Organ Concertos
Handel , Preston , Pinnock , and English Concert
Manufacturer: Archiv Produktion
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music
Similar Items:

Handel - Concerti grossi, op. 6 / AAM · Manze
Bach: Concertos
Jirí Antonín Benda: Sinfonias Nos. 1-6
Manfredini: CONCERTI GROSSI OP. 3 Nos. 1-12
Muffat: Concerti Grossi, Nos. 1-6

ASIN: B000065TV0
Release Date: 2002-06-11

Customer Reviews:

Superb Performance and musical Work.......2007-05-19

G.F. Haendel is mostly known for his masterly written great vocal works, his instrumental work being less known for the wider public, except for Music for Royal Fireworks and Water Music. Though not an expert on classical music, I think this trio would give almost every listener a sheer joy (I, Personally, enjoy listening to all 3 cd's one by one, when I have the time), for one gets a great performance, as he would usually do when it comes to the English Concert, of all of Haendel's Organ Concertos for a great price (about 7$ a disc).

A nice set at a nice price!.......2007-01-16

Prior to this 3-CD set, I had owned an old LP recording of the complete Handel Organ Concerti. What a treat this performance is! I'm a fan of the English Consort with Trevor Pinnock, so I wasn't surprised that I enjoyed this recording.

These are fun pieces that any baroque lover would enjoy.

A 3-CD set for under $25 was quite a bargain.

Jazz Music:

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Jazz Music