Down in the Depths [Import] [Original recording remastered]

Down in the Depths [Import] [Original recording remastered]

ASIN: B0009X4U8Q

Track Listings

1. Down In The Depths On The 90th Floor

2. Laugh, Clown, Laugh

3. Little Toy Train

4. Spring Is Here

5. So It's Spring

6. Love And I Are Partin'

7. Listen Little Boy

8. Nobody's Heart

9. Where Are You

10. Gloomy Sunday

11. I'll Never Be The Same

12. Blame It On My Youth

Editorial Reviews
Product Description
Part of the Series of Reissues Entitled "Sinatra Society of Japan Presents". Previously Unreleased Album by the Ex-gene Krupa Band Singer Recorded in the 50s. 24bit Digitally Remastered

Tracks:

Prologue
Valjean's Soliloquy (What Have I Done?)
At The End Of The Day
I Dreamed A Dream
Lovely Ladies
Fantine's Arrest
The Runaway Cart
Who Am I?-The Trial
Fantine's Death
The Confrontation
Castle On A Cloud
Master Of The House

Tracks:

The Bargain-The Waltz Of Treachery
Look Down
The Robbery-Javert's Intervention (Another Brawl)
Stars
Eponine's Errand
The ABC Cafe-Red And Black
Do You Hear The People Sing?
Rue Plumet-In My LIfe
A Heart Full Of Love
The Attack On Rue Plumet
One Day More!
At The Barricade (Upon These Stones)
On My Own
Building The Barricade
Javert's Arrival
Little People
A Little Fall Of Rain
Night Of Anguish
First Attack

Tracks:

Drink With Me
Bring Him Home
Dawn Of Anguish
The Second Attack (Death Of Gavroche)
The Final Battle
The Sewers-Dog Eats Dog
Javert's Suicide
Turning
Empty Chairs At Empty Tables
Every Day (Marius And Cosette)
Valjean's Confession
The Wedding Chorale- Beggars At The Feast
Epilogue (Finale)
Bonus Track

Customer Reviews:

Great, definitely go with this and TAC.......2005-08-31

Right now, there are four official English-language versions of Les Miserables: the Original London Cast Recording, the Original Broadway Cast Recording, the Complete Symphonic Recording, and the 10th Anniversary Concert Recording. Les Mis' addicts are best served by purchasing all recordings, as they showcase different stages (as in the OLC and the OBC) of the development of this mega-musical, as well as the interesting variations in presentation and performances by the different casts and orchestras.

If you're the average musical-theater listener who can't afford to buy all available English-language recordings, however, my advice would be to get the CSR (due to the fact that it's "complete") and the TAC recording (due to the fact that performer- and performance-wise, it's leaps and bounds better than all of the other recordings). You deserve no less.

Awesome.......2005-07-03

I can't believe all the negative comments about Gary Morris. He is so much better in the role than Colm Wilkinson. I've seen Gary perform the part three times and there is NO better Jean ValJean (seen the play 14 times). It's an international cast and some of the accents do take time getting used to. But the power of the music supercedes it all. Listen with your heart people. It's so incredible.

Bought it used - thank God!.......2005-06-17

"Les Miserables" is a marvelous musical; a stunningly faithful interpretation of Victor Hugo's masterpiece, with an inspiring storyline and unforgettable characters. There are 2 reasons for buying a Les Mis CD - (1) you've seen a performance and want ONE CD to remind you of it or (2) you've become a les Mis junkie (like me) and want multiple versions so you too can hold forth on the rival merits of Andy Warlow vs Michael Maguire, Patty LuPone vs Ruthie Henshaw, Frances Ruffelle vs Kaho Shimada vs Lea Solonga. If you are in the first category, you really want the Tenth Anniversary Concert. The TAC has the complete storyline (albeit slightly abridged), it was recorded live (so there's an unique intensity and chemistry between performers), and from top to bottom it has by far the best cast.

However, if you're a serious Les Mis fan, you should buy this CD (in addition), simply because it does have the complete score. (The trouble with THAT is that it includes practically the only misstep in the whole script - if Jean Valjean has his number branded on his chest, then how is it credible that someone else will be convicted in his place?) I bought it for that reason and to hear other interpretations of the roles (in particular Andy Warlow's). I have all 4 versions, and they have all have their pluses and minuses, but frankly, I'm glad I didn't pay full price for this one. This version has a rather weak cast in general, but that does add to the fun arguing about it. On the plus side, it has Philip Quast ( THE BEST Javert, but he's even better on the TAC), Michael Ball (THE BEST Marius, also on the OLC and TAC versions), and Andy Warlow (a stirring Enjorlas for sure, but not THAT much better than Michael Maguire on the OBC and TAC). The scenes at the barricade are the best part of the CD. Kaho Shimada is an uneven Eponine, OK sometimes, less so at others. Debbie Byrne (Fantine) is OK, but I don't find her as moving as Patty LuPone (OLC) or Ruthie Henshaw (TAC). Tracy Shayne (Cosette) is irratating, not nearly as sweet as Judy Kuhn (OLB and TAC) or even Rebecca Caine (OLC). I find Barry James and especially Gay Soper (M. and Mme. Thenardier) grating as well.

I really miss Colm Wilkinson (OLC, OBC and TAC). OK, he has a unique singing style, but such heart. Not always perfect, but so powerful and emotional. All his solos and "Confrontation" just stop me dead in my tracks. The sweetness and purity of his "Bring Him Home" and "Epilogue" move me to tears. But really, there must be someone else who can do at least an adequate job or the show wouldn't have run so long in so many venues. I am willing to listen to another interpretation, but not this one. This is the central role in the play, it really can't survive without a good performance here. Gary Morris is horrible as Jean Valjean, cringe-provoking at times, merely weak at others. He's totally overmatched by Quast in "Confrontation" and by everyone in "One Day More" and "Epilogue". I haven't tried the recommendation of one reviewer of listening while squinting and shaking my head hard, but I don't see how that will help. Morris's "What have I done?", "Bring Him Home" and "Valjean's Confession" make me cover my ears or send me running for the fast forward button, although "Who am I?" isn't so bad. (I just tried the head shaking trick, it didn't help.)

magnificent!.......2005-06-15

Ok, I admit it. I have long been a fan of musicals, but I was only exposed to Les Mis a few months ago. My roommate loaned me this recording, and I fell in love. I played nothing but this soundtrack for the next several weeks.

As this is the only recording I've heard fully, I cannot give any comparisons between the performers here and those on other versions, but I do wish to give my general impression of the cast.

*Gary Morris (Valjean) - he has a strong, clear voice with which it is hard to find fault. He sings with emotion and passion, and I cannot imagine ever tiring of hearing him as Jean Valjean. If I had to give a complaint, it would be that I could imagine a voice with a little more distinct character...something a little riskier for the part of someone so complex.

*Philip Quast (Javert) - wow, I love deep voices, and his is so rich! I love when he hits the low note near the beginning of "Confrontation" ...I've seriously replayed that part over and over again just because it sends shivers through me...haha, I think you get the idea. This guy is good.

*Debbie Byrne (Fantine) - her voice took some getting used to because at first it seemed to me a little uncontrolled, almost like she could capture the fullness of the sound but not quite hit the notes. However, the more I listen to her, the more I enjoy her. Her voice has a wonderful texture, something you totally miss when listening to the super-clear, trilling sopranos that seem to be found all over most other musicals.

*Kaho Shimada (Eponine) - her voice took a little getting used to as well. I was a little confused until I realized she was Japanese, for though I wouldn't say you hear an accent, her voice does have a very different quality to it. Still, I enjoyed her performance very much. Her voice is trembling with emotion the entire time, almost like she can hardly control it...it is quite moving.

*Tracy Shayne (Cosette) - wow. I'm sorry, is Cosette supposed to be this shrill? Turn it off! While I'm impressed at some of the notes she hits, I don't think it's supposed to make you want to cover your ears.

*Michael Ball (Marius) -Ball makes Marius, a rather annoying character if you ask me, into someone actually likable, if not lovable. He's passionate and romantic, but not vapid. Probably my favorite vocal performance.

*Gay Soper and Barry James (the Thernardiers) - their voices are rather grating, but that's the point, right? Very entertaining performances...particularly in "Master of the House" (which, it's true, somehow manages to be stuck in your head all day).

*Anthony Warlow (Enjorolas) - very appropriate voice...manly and vibrant. If he doesn't make you want to go out and fight, then there's no help for you!

Overall, the performances were wonderful. I highly recommend this CD. A great recording of a great musical!

Mixed Feelings.......2005-04-20

I bought this recently, and it was an object lesson in why I ought to research an item before purchasing it.

For me, it's truly a toss-up as to whether this is a recording worth purchasing. The main benefit-a far from insignificant one-is that it is a complete recording full of much more materiel than can be found on the London or Broadway cast recordings. Basically, I was far from satisfied. The liner notes are error ridden, and the casting was not as good as possible. Gary Morris struck me as too young for the part, and Gay Soper (Mme. Thenardier) has a voice akin to the sound of fingernails on a chalkboard. But, in the absence of a complete Broadway recording, this still may be the best version available to buy. Be sure, however, to supplement it with another version. (The Tenth Anniversary recording might be the best.)

Before the Rainbow : The Original Music of Oz

Average customer rating:

Wonderful Restorations
What?
Excellent, historical, entertaining

Before the Rainbow : The Original Music of Oz
L. Frank Baum , Frederic Chapin , Louis F. Gottschalk , Paul Tietjens , James Patrick Doyle , and The Utensia Ensemble
Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

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The Wizard of Oz - Vintage Recordings from the 1903 Broadway Musical

ASIN: B00003WGP2
Release Date: 1999-12-06

Tracks:

The Wizard of Oz Opening Pantomime (Paul Tietjens)
The Wizard of Oz Phantom Patrol (Paul Tietjens)
The Wizard of Oz Waltz & Grand March (Paul Tietjens)
The Wizard of Oz Finale Act I (Paul Tietjens)
The Woggle-bug Selection (Frederic Chapin)
Down Among the Marshes (L. Frank Baum)
The Tik-Tok Man of Oz (Louis F. Gottschalk)
The Maid of Arran (L. Frank Baum)
Prelude/Ojo's Theme - Patchwork Girl of Oz (Gottschalk)
Dr. Pipt/Jesseva & Danx - Patchwork Girl of Oz (Gottschalk)
The Patchwork Girl Theme (Gottschalk)
Munchkin Waltz - Patchwork Girl of Oz (Gottscahlk)
Soldier with the Green Whiskers - Patchwork Girl of Oz (Gottschalk)
The Woozy - Patchwork Girl of Oz (Gottschalk)
The Hoppers - Patchwork Girl of Oz (Gottschalk)
The Tottenhots - Patchwork Girl of Oz (Gottschalk)
Horners/Lonesome Zoop - Patchwork Girl of Oz (Gottschalk)
The Dark Well - Patchwork Girl of Oz (Gottschalk)
Royal March - Patchwork Girl of Oz (Gottschalk)

Album Description

Rebuilding the Lost Oz Before Judy Garland sang Over the Rainbow, Oz had inspired over 200 songs. This CD provides an overview of the rich early musical legacy of Oz. Most of the original music of Oz is associated with Baums stage works: The Wizard of Oz (1902), The Woggle-Bug (1905), and The Tik-Tok Man of Oz (1913). In the absence of published vocal scores, music was gathered in the form of published songs, piano or orchestral medley arrangements, and manuscripts. For the Wizard suite, I drew upon Tietjens own manuscript indications and a 1902 orchestral selection by Hilding Anderson, who would later orchestrate for Gershwin shows. The Tik-Tok Man selection is a 1913 orchestral arrangement by J. Bodewalt Lampe, who, like Gottschalk, was a pioneering film composer. From these scores, it was a matter of laying down the parts track by track; fortunately, advances in digital sampling synthesis have allowed me to record this music within a reasonable budget without sounding like Switched-on-Baum. The scores and parts are available for performance. The Cowardly Lions share of this collaboration was done before David and I met, through hours of on-line conversation. The audience for The Wizard of Oz in 1902 largely arrived in horse drawn carriages to see the first stage show in history with electrically controlled lighting. For this project to have been coordinated through the internet and realized digitally is a wonder worthy of Baums imagination.

Customer Reviews:

Wonderful Restorations.......2006-06-04

James Doyle does a wonderful job restoring and re-creating these early scores which would otherwise be lost to time. You should also check out his recording "The Wonderful Wizard of Oz - Toronto Cast Recording", a completely new musical production which is extremely faithful to Baum's original book.

What?.......2000-07-20

Can someone PLEASE help me? I love the story of The Wizard of Oz. I'm sure this is a great CD, but does it have any words or is it just music. If some one can help me I would be vary thankful!

Excellent, historical, entertaining.......2000-01-01

The Hungry Tiger CD _Before the Rainbow_ is excellent and I recommend it highly. I might (or might not) have preferred "period instruments" to the synthesizer, but then it would have cost too much to produce and we'd be without anything. My roommate/landlady said the final grand march from Patchwork Girl sounded like "roller skating music." But that was intended as a compliment. No Oz fan can live without this recording.

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