Eventyr
Eventyr
ASIN: B00000DTET
Editorial Reviews
Amazon.com
Jan Garbarek's expressively keening tone, particularly on soprano saxophone, is one of the most recognizable in jazz, suggestive of numerous reed instruments from around the world. On 1980's Eventyr, he combines his unique sound and gift for sculpting lengthy melodic lines with sonic soul mates Nana Vasconcelos on percussion and John Abercrombie on guitar, to a highly atmospheric effect. Six of the eight Garbarek-penned originals begins with a theme based on a traditional song and develops it in a stately, evocative manner. Garbarek's vocalized style is particularly well suited to the folkloric nature of this material. On "Once Upon a Time," the group shifts gears somewhat, with Vasconcelos playing trap drums in a brisk, light style, and Garbarek playing tenor in a more urgent, Coltrane-like manner. Throughout, Abercromie's guitar is more suggestive than overt, while Vasconcelos provides subtle rhythmic accompaniment, providing a suitably wide canvas for Garbarek's universal tone-paintings. --Wally Shoup
Eventyr,Jan Garbarek with John Abercrombie & Nana Vasconcelos,Ecm Records,Jazz,Jazz Music,Pop,Post-Bop
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In a Summer Garden: The Music of Delius
Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Delius: Orchestral Works
- Delius: Paris, the Song of a Great City; Double Concerto; Cello Concerto
- Delius: Florida Suite RTvi/1; Pieces RTvi/19
- Frederick Delius: Orchestral Works
- Delius: On Hearing the First Cuckoo in Spring
ASIN: B0000647HU
Release Date: 2004-03-02 |
Tracks:
- Brigg Fair - An English Rhapsody: Introduction (Slow. Pastoral)
- Brigg Fair - An English Rhapsody: I. Theme & Variations 1-6 -
- Brigg Fair - An English Rhapsody: II. Interlude (Slow And Very Quietly)
- Brigg Fair - An English Rhapsody: III. Variations 7-12
- Brigg Fair - An English Rhapsody: IV. Variations 13-17 -
- Brigg Fair - An English Rhapsody: Coda (Very Quietly)
- In A Summer Garden
- Eventyr (Once Upon A Time)
- A Song Of Summer
- Summer Night On The River - London Philharmonic Orchestra
- A Song Before Sunrise - London Philharmonic Orchestra
- A Village Romeo And Juliet: The Walk To The Paradise Garden - London Philharmonic Orchestra
Customer Reviews:
Superb Music.......2005-03-20
This Classics For Pleasure CD is a new release of older material from two previous albums. Unlike previous releases this contains nearly 80 minutes of music so it is excellent value.
Delius is often described as a British composer, which is slightly inaccurate. He had German parents, he lived in the United States, travelled to France and Germany as well as other parts of Europe before settling in France. He was in many ways an International Composer. His music may seem curiously eclectic. Think of Debussy with a bit of a Grieg melody and Wagnerian drama thrown in. Yet his music seems all the more distinctive because of it.
Vernon Handley's interpretation of these pieces have often been regarded as a bit too emotional, much like other British Conductors like Barbarolli and Beecham who recordings are yardsticks which others are measured. Yet Brigg Fair has an incredible lyricism and the rare Eventyr combines the Debussian impressionism with drama. The use of percussion and the shouting voices, presumably from the orchestra itself, in the hands of Handley come across so vividly. This piece alone with Handley's direction brought Delius to my attention. I now enjoy Delius' music more than I do say Elgar, Holst and Vaughan Williams.
This is a great introduction to Delius' music and can be recommended with enthusiasm.
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Delius: Paris; Brigg Fair; Eventyr; Irmelin; La Calinda
Manufacturer: Naxos
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Binding: Audio CD
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Similar Items:
- Delius: On Hearing the First Cuckoo in Spring
- Frederick Delius: Orchestral Works
- Delius: Orchestral Works
- Delius: Florida Suite RTvi/1; Pieces RTvi/19
- Sir Malcolm Arnold: Dances
ASIN: B00000142S
Release Date: 1995-08-22 |
Tracks:
- Paris: Nocturne, The Song Of A Great City
- Brigg Fair: An English Rhapsody
- Eventyr (Once Upon A Time)
- Irmelin: Prelude
- La Calinda (From Koanga)
Amazon.com
This is a very fine Delius disc. It contains several of his very best works, including Paris (which could have been subtitled "An Englishman in Paris"), Brigg Fair, and Eventyr. This last item is a Nordic "troll and goblin" piece that at one point actually requires that the members of the orchestra give a loud shout. The composer no doubt intended it to be terrifying, but most orchestras don't really give it the oomph it needs to really get your hackles up. The New Zealand Symphony Orchestra does better than most. The conductor is well known as an English music specialist--LP collectors will remember a particularly fine Bax Symphony No. 2 on Lyrita--and his interpretations do the music justice. --David Hurwitz
Customer Reviews:
Excellent.......2003-11-10
This is a must have for any admirers of British Music or Delius.
I think, especially, his great symphonic poem "Eventyr" is the best track of this CD.
This work was based on Asbjornsen's (as you know, the first famous poet) Norwegian Stories.
The theme of "La Calinda" was taken from Delius' first successful work "Florida Suite"
The performances are very good. I think, these are among the best performances of New Zealand Symphony Orchestra, and they're actually a very good orchestra. (Another successful recording of is, the Symphonies of Stravinsky, available on Naxos).
Highly recommended.
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Eventyr
Jan Garbarek with John Abercrombie & Nana Vasconcelos
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD
Bebop General
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- Rites
- Dis
- Twelve Moons
- Time Line
ASIN: B00000DTET
Release Date: 2001-01-30 |
Tracks:
- Soria Maria
- Lillekort
- Eventyr
- Weaving A Garland
- Once Upon A Time
- The Companion
- Snipp, Snapp, Snute
- East Of The Sun And West Of The Moon
Amazon.com
Jan Garbarek's expressively keening tone, particularly on soprano saxophone, is one of the most recognizable in jazz, suggestive of numerous reed instruments from around the world. On 1980's Eventyr, he combines his unique sound and gift for sculpting lengthy melodic lines with sonic soul mates Nana Vasconcelos on percussion and John Abercrombie on guitar, to a highly atmospheric effect. Six of the eight Garbarek-penned originals begins with a theme based on a traditional song and develops it in a stately, evocative manner. Garbarek's vocalized style is particularly well suited to the folkloric nature of this material. On "Once Upon a Time," the group shifts gears somewhat, with Vasconcelos playing trap drums in a brisk, light style, and Garbarek playing tenor in a more urgent, Coltrane-like manner. Throughout, Abercromie's guitar is more suggestive than overt, while Vasconcelos provides subtle rhythmic accompaniment, providing a suitably wide canvas for Garbarek's universal tone-paintings. --Wally Shoup
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Sir Thomas Beecham Conducts Delius
Manufacturer: Dutton Labs UK
ProductGroup: Music
Binding: Audio CD
Delius, Frederick
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- Delius: Orchestral Works
ASIN: B0006840GG
Release Date: 2005-02-08 |
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- On hearing the first Delius in 2005.
- How Beecham conducted Delius in the !920s and 1930s.
- How Beecham conducted Delius in the 1920s and 1930s.
- The Beecham Magic and Delius
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Delius: Orchestra Works, Vol. 1
Manufacturer: Naxos
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Similar Items:
- Delius: Orchestra Works, Vol. 3
- Historical - Delius: Orchestral Works Vol 2 / Beecham, et al
ASIN: B00004SDH5
Release Date: 2000-06-13 |
Tracks:
- Two Pieces: I. On Hearing The First Cuckoo In Spring - RPO/Sir Thomas Beecham
- Two Pieces: II. Summer Night On The River - RPO/Sir Thomas Beecham
- Eventyr ('Once Upon A Time')
- Koanga: Closing Scene - London Select Chor
- Hassan: Incidental Music: I. Interlude, Act I
- Hassan: Incidental Music: II. Ser
- Paris ('Ein Nachtstuck') (The Song Of A Great City)
Customer Reviews:
On hearing the first Delius in 2005........2005-01-21
This is a disc for people who have already got the Delius bug and know the composer, not for newcomers. A first-class job has been done by David Lennick in giving these recordings, some of which are nearly 80 years old, an acceptable sound for the third millennium, but there are limits to what he or anyone can do in that department.
There were very few limits indeed to what Beecham could make an orchestra do. Delius is all about sound, not about musical structure or dramatic effect, probably not even much about emotional expression as a rule. It says a lot for Mr Lennick, and I dare say for the recording engineers of the 20's and 30's, that so much of the special Beecham magic in this composer still manages to communicate itself through these recordings. Beecham was still in his 20's when he discovered and fell in love with the music of Delius, and I doubt whether any modern composer has benefited so much from the consistent advocacy of any interpreter. In general Beecham was lukewarm at best regarding British composers (unless you count Handel), but I would say Delius does not have an English sound to him. He is deeply original, but the nearest I can think of would be his younger and greater contemporary Ravel. They are both magicians with the orchestra, although Delius's range of expression is more limited. The pieces here are well-known and very typical, all languorous orchestration and mainly at some variety of andante tempo. No deficiency in the recorded quality could disguise Beecham's resourcefulness and tact, and a surprising amount of the richness of the sound still manages to come through. In particular I still felt a thrill at the sound of the bass at the start of Paris, the biggest piece in this selection.
This disc is the first of a series, of which I'm aware of three so far. There are later Delius recordings by the same conductor that would be a safer recommendation for newcomers, but these early performances have something special about them for all that. Some of them were done while the composer was still alive, and the rest date from only months after his death in 1934, and are obviously intended as a memorial. Delius knew how lucky he was to have Beecham promoting his work. I heard Beecham once on the subject of Delius's own conducting, to the effect `There are bad conductors, and dreadful conductors, and appalling conductors...and there was dear Frederick. He would beat five in a bar of four...'etc etc. Happily he got the thing done for him.
The liner-note by Lyndon Jenkins, chairman of the Delius Society, is short but informative and to the point, a model of how such notes can be done.
How Beecham conducted Delius in the !920s and 1930s........2003-04-09
Lovers of the music of Delius will not want to be without this collection of the first attempts by his great champion, Sir Thomas Beecham, to record his works. All the items on this CD were recorded between the years 1927 and 1934. The 1934 items were produced for the first volume of the Delius Society, by Walter Legge, working for the first time with Sir Thomas Beecham. How do they sound in 2000? Despite Beecham’s care over phrasing and balance, the presence of the great oboe player Leon Goossens in the orchestra ranks, and the efforts of David Lennick in transferring the wobbly old originals to CD, the results are sonically no more than tolerable. About one third of the long series of recordings Sir Thomas Beecham made with his London Philharmonic Orchestra in the 1930s still sound well, but these are not amongst them. The sound has no transparency. Orchestral colour and sonority is severely limited. The recordings from the 1920s sound better than those of 1934. Fortunately all the items were subsequently re-recorded by Sir Thomas, many of them in stereo, and most of them are still currently available. As the Naxos CD is at super budget price, expense is not likely to be a consideration for committed Delius enthusiasts, but no one should expect this historical issue to win new converts.
How Beecham conducted Delius in the 1920s and 1930s........2001-10-24
Lovers of the music of Delius will not want to be without this collection of the first attempts by his great champion, Sir Thomas Beecham, to record his works. All the items on this CD were recorded between the years 1927 and 1934. The 1934 items were produced for the first volume of the Delius Society, by Walter Legge, working for the first time with Sir Thomas Beecham. How do they sound in 2000? Despite Beecham's care over phrasing and balance, the presence of the great oboe player Leon Goossens in the orchestra ranks, and the efforts of David Lennick in transferring the wobbly old originals to CD, the results are sonically no more than tolerable. About one third of the long series of recordings Sir Thomas Beecham made with his London Philharmonic Orchestra in the 1930s still sound well, but these are not amongst them. The sound has no transparency. Orchestral colour and sonority is severely limited. The recordings from the 1920s sound better than those of 1934. Fortunately all the items were subsequently re-recorded by Sir Thomas, many of them in stereo, and most of them are still currently available. As the Naxos CD is at super budget price, expense is not likely to be a consideration for committed Delius enthusiasts, but no one should expect this historical issue to win new converts.
The Beecham Magic and Delius.......2000-10-03
Frederick "Fritz" Delius (1862-1934) was one of the earliest living composers to benefit from recorded representations of his music, this thanks to Thomas Beecham (Delius' advocate on the podium) and the Delius Society (largely Beecham's doing), which sponsored studio sessions and distributed records from the late 1920s through the late 1940s. These recordings have circulated fairly widely in various incarnations, from the original 78 rpm subscription-sets to LP re-issues to CD revivals. Among the characteristics of the Delius Society recordings was (and remains) their technical superiority, their fullness and suavity of sound: Producer Walter Legge especially achieved extraordinary results for the enterprize; but even the pre-Legge Beecham 78s offer better than usual sonic qualities for their era, a fact all the more astonishing considering that some of this music requires large combined forces of orchestra and chorus. Now Naxos has begun reissuing these classic documents at budget-price, making them accessible, one hopes, to a wider audience. The CD under review here is Volume I of a projected series (II has appeared and III is announced as shortly forthcoming). The 1934 recording of Paris: Nocturne (Song of a Great City) offers a good example of just how special these recordings were in their day and still are. Delius calls on a very large orchestra to give a picture in tones of the French metropolis, where he spent, or perhaps misspent, part of his youth, running with Bohemia and sowing his oats (also contracting the venereal infection that later blinded and paralyzed him). David Lennick's digital transfers capture the dark, woody sounds of the celli and low woodwind that open the piece; we sense the great ebony glow at the core of this twenty-minute-plus "night-piece," with its phantasmagoric episodes of vaudeville and shadowy street. The dance-sections come across as vital and pounding; the singing of the strings at 16.20 and on is gorgeous. Beecham pours his life's blood into it. Eventyr, too, of Norwegian inspiration, is a large in scale and massive in sound. The two great shouts from the orchestra halfway through the piece's fifteen minutes must have shocked early listeners unfamiliar with the score. The disc also gives us a selection of miniatures, including the Two Pieces for Orchestra: On Hearing the First Cuckoo in Spring and Summer Night on the River. A fellow would have to have a hard heart not to be moved by the musical experience on this CD. Thanks to Naxos for resurrecting the old Beecham magic.
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The Danish Nightingale
Manufacturer: Point
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Binding: Audio CD
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ASIN: B000001UYF
Release Date: 1995-12-15 |
Tracks:
- Fille du regitment: Dette regiment, som over alt
- Ungdom og galskab: Jeg er endnu i livets var
- Ungdom og galskab: Deres sure, barske mine
- Lille rode ronnebaer
- Mot kveld
- Fjorton ar tror jag visst att jag var
- Et evertyr i Rosenborghave: En elskovserlaering
- Drot og marsk: Jeg kjender af navn kun guldet
- Drot og marsk: Jeg beder for hver en vejfarende sjael
- Litanei
- Die Forelle
- Ved solnedgang
- Ave Marie
- Lass mich mit Tranen
- To ma man vaere
- Det doende barn
- Vuggevise
- Martha: Sidste rose
- Mignon: Kender du landet
- Zauberflote: Skaelv ej, min son
- Zauberfolte: Sen vilde haevnlyst
- Barbiere di Siviglia: Nys en staerk, en maegtig rost
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Beecham Conducts Delius (Box Set)
Manufacturer: Naxos
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Binding: Audio CD
Delius, Frederick
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ASIN: B00007DWLY
Release Date: 2003-03-18 |
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Delius: Paris: A Nocturne RTvi/14; Fennimore and Gerda RTi/8
Manufacturer: Beecham Collection
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Binding: Audio CD
Delius, Frederick
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ASIN: B000009J0H
Release Date: 1994-03-18 |
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Niels W. Gade: Piano Music - Complete Edition, Vol. 3
Manufacturer: Marco Polo
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Binding: Audio CD
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ASIN: B0000045R9
Release Date: 1992-06-22 |
Tracks:
- Bornens Jul for klaver Op.36: Jule-Klokkerne F
- Bornens Jul for klaver Op.36: Indgangsmarsch A
- Bornens Jul for klaver Op.36: Drengenes Runddans a
- Bornens Jul for klaver Op.36: Smaapigernes
- Bornens Jul for klaver Op.36: Godnat! F
- Andantino c
- Albumblad S
- Danserinden F
- 4 Fantasistykker Op.41: I Skoven B
- 4 Fantasistykker Op.41: Mignon f
- 4 Fantasistykker Op.41: Eventyr g
- 4 Fantasistykker Op.41: Ved Festen B
- Klaversykke i B
- Scherzino. Aquarel
- Foraarstoner, 3 klaverstykker Op. 57: Alllegretto grazioso F
- Foraarstoner, 3 klaverstykker Op. 57: Andantino con moto B flat
- Foraarstoner, 3 klaverstykker Op. 57: Allegretto cantabile C
- Rebus 3 klaverstkker Op.2 A: Scherzo B flat
- Rebus 3 klaverstkker Op.2 A: Intermezzo G
- Rebus 3 klaverstkker Op.2 A: All macia C
- Akvarel A
- Nye Akvareller, 5 klaversykker Op.57: Humoreske a
- Nye Akvareller, 5 klaversykker Op.57: Notturno E
- Nye Akvareller, 5 klaversykker Op.57: Scherzo D flat
- Nye Akvareller, 5 klaversykker Op.57: Romanza A
- Nye Akvareller, 5 klaversykker Op.57: Capriccio F
- Nordiske Tonebilleder Op.4: Allegro risoluto F - Morten Mogensen
- Nordiske Tonebilleder Op.4: Allegretto quasi Andantino a min - Morten Mogensen
- Nordiske Tonebilleder Op.4: Allegro commodo F - Morten Mogensen
- Tre karaktersykker for firhaendigt klaver Op.18: Bortejsen C - Morten Mogensen
- Tre karaktersykker for firhaendigt klaver Op.18: Valpladsen e - Morten Mogensen
- Tre karaktersykker for firhaendigt klaver Op.18: Hjemkomsten E - Morten Mogensen
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