Thompson Plays Jelly Roll Morton Solos

Thompson Plays Jelly Roll Morton Solos

Thompson Plays Jelly Roll Morton Solos

ASIN: B000003HME

Editorial Reviews
Amazon.com
Today the premier interpreter of early piano jazz, Thompson showed even on this recording debut, at age 25, that his early promise as a piano prodigy would be fulfilled. On 12 tunes from the first half of the early jazz-piano master's career, Thompson lacks none of Morton's later sophistications. He has interpreted Morton's recordings afresh, though without modernization or one-upsmanship. He misses none of the tunes' nuances, including hints at ragtime, stomps, and Morton's tinge of tango. He also finds ways--in, for example, "Kansas City Stomps"--to allude to Morton's arrangements of many of these tunes for his famed Red Hot Peppers band. He summonses up the banjo, the clarinet, and entire trad bands, not to mention the brothels and gambling dens that Morton frequented. --Peter Monaghan

Thompson Plays Jelly Roll Morton Solos,Butch Thompson,Biograph,Classic Jazz,Jazz,Jazz Music,Jazz Traditional,Pop,Stride
Thompson Plays Jelly Roll Morton Solos
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    Thompson Plays Jelly Roll Morton Solos
    Butch Thompson
    Manufacturer: Biograph
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Jazz | Styles | Music
    Traditional Jazz GeneralTraditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music
    Stride PianoStride Piano | Traditional Jazz & Ragtime | Jazz | Styles | Music
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    ASIN: B000003HME
    Release Date: 1996-03-19

    Tracks:

    1. King Porter Stomp
    2. Jungle Blues
    3. Fat Meat & Greens
    4. Bert Williams
    5. Tiger Rag
    6. Pep
    7. Kansas City Stomps
    8. The Crave
    9. Seattle Hunch
    10. Original Rags
    11. I Hate A Man Like You
    12. Black Bottom Stomp

    Amazon.com

    Today the premier interpreter of early piano jazz, Thompson showed even on this recording debut, at age 25, that his early promise as a piano prodigy would be fulfilled. On 12 tunes from the first half of the early jazz-piano master's career, Thompson lacks none of Morton's later sophistications. He has interpreted Morton's recordings afresh, though without modernization or one-upsmanship. He misses none of the tunes' nuances, including hints at ragtime, stomps, and Morton's tinge of tango. He also finds ways--in, for example, "Kansas City Stomps"--to allude to Morton's arrangements of many of these tunes for his famed Red Hot Peppers band. He summonses up the banjo, the clarinet, and entire trad bands, not to mention the brothels and gambling dens that Morton frequented. --Peter Monaghan

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