There Is Still Time

There Is Still Time

ASIN: B0002XV1UI

On this CD: 1. There is Still Time, scenes for speaking voice & cello
Composed by Frances-Marie Uitti
with Paul Griffiths, Frances-Marie Uitti

Editorial Reviews
Amazon.com
This recording represents a remarkable collaboration between two dissimilar but kindred creative spirits. Paul Griffiths--music historian, music critic, librettist and novelist--adopts an extraordinary device: his text uses only the 482 words spoken by Ophelia in Shakespeare's "Hamlet." This could be a linguistic game, but read by the author with an actor's communicative skill, the result is grimly disturbing. With time and remembrance as "leitmotives," the hypnotic repetitions, unfinished, unpunctuated sentences and long pauses create an impression of mental disintegration. Addressing an unidentified companion, the speaker seems increasingly to lose contact with reality and, consumed by a nameless dread, to cling ever more desperately to inexorably fading memories. Frances-Marie Uitti's music cushions, underlines, and comments on the words with uncanny empathy for mood and atmosphere, from stasis to passion, melding modal, archaic, and improvisatory elements. Uitti, who has worked with many contemporary composers and written books on music and cello playing, has developed a novel technique that involves playing with two bows to produce sustained multi-voiced polyphonic textures. Here, she combines rhythmic and melodic passages with open-string drones; using three different instruments, including an electronic cello, she produces unusual, often unearthly timbres and sounds. The total effect is haunting, but eerily claustrophobic, as if your heartstrings were being pulled tight, choking off your breath. --Edith Eisler

Greg Cahill, Strings Magazine - September 2005
Art music doesn't get any better than this.

There Is Still Time,Frances-Marie Uitti,Frances-Marie Uitti,Ecm Records,Classical Artists,Free Improvisation,Jazz,Miscellaneous,Miscellaneous Music,Pop,Sound Art

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating:

Land of My Fathers: 100 Great Welsh Choir Favourites Manufacturer: Castle Pulse ProductGroup: Music Binding: Audio CD All Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music General | Boito, Arrigo | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Foster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Gounod | Gounod, Charles | ( G ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Rodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schubert | Schubert, Franz | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music Vocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Italian | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music Folk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music General | International | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Pop Rock | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music International | Imports | Stores | Music Similar Items: Favourite Welsh Choirs Land of Song Welsh Choral Classics Welsh Choirs: Wonderful Welsh Choirs Bryn Terfel - We'll Keep a Welcome Traditional Songs of Wales ASIN: B0009SOFXG Release Date: 2005-08-01

Tracks:

1. Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
2. Land of My Fathers - Caerphilly Make Voice Choir
3. Dies Irae
4. Men of Harlech
5. You'll Never Walk Alone
6. Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
7. Old Folks at Home
8. Il Liza Jane
9. Faust/Soldier's Chorus - Caerphilly Make Voice Choir
10. Vergine Degli Angeli
11. Ballard of Rourke's Drift - Cwt-Y-Collen Choir
12. My Hero
13. God Bless the Prince of Wales - Caerphilly Make Voice Choir
14. German Mass/Gloria
15. German Mass/Sanctus
16. Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
17. All Through the Night - Caerphilly Make Voice Choir
18. Arwelfa
19. Invictus
20. Softly as I Leave You

Tracks:

1. Diolch l'R L
2. Hine E Hine (Maori Lullaby)
3. Pererin Wyf (Amazing Grace)
4. Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
5. Memories of Martha
6. I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
7. Myfanwy - Treorchy Male Choir
8. Tales of Hoffman/Barcarolle
9. Creation's Hymn
10. In the Spirit!
11. Shall We Gather at the River
12. Nos a Bore
13. Very Best Time of Year
14. Soon Ah Will Be Done
15. Thanks Be to God
16. Flower That Shattered the Stone
17. Rhys - Treorchy Male Choir
18. Where Shall I Be?
19. Bywyd y Bugail
20. Lord's Prayer

Tracks:

1. Ave Maria
2. Pearl Fishers/Divine Brahma
3. She Was Beautiful (Cavatina) - Treorchy Male Choir
4. Cymru Fach
5. Nidaros
6. Jacob's Ladder - Treorchy Male Choir
7. Watching the Wheat
8. Pan Ddaw y Saint (When the Saints Go Marching In)
9. Misbles/Stars
10. Rachie
11. Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
12. There Is a Balm in Gilead
13. Rise Up Shepherd and Foller
14. My Lord, What a Mornin'
15. Bryn Myrddin
16. Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
17. Finnish Forest (Suomen Salossa)
18. Nabucco/The Glory of Israel
19. Ride the Chariot
20. Tydi a Roddaist - Treorchy Male Choir

Tracks:

1. Y Nefoedd
2. Phantom of the Opera/Think of Me
3. Morte Christe (When I Survey the Wondrous Cross)
4. By Babylon's Wave
5. I'm Gonna Sing
6. Where Could I Go But to the Lord?
7. Holy City - Treorchy Male Choir
8. Mefistofele: Ave Signor, Degli Angeli
9. Senzenina (Zulu Chant)
10. That's All I Want from You
11. Deep Harmony - Treorchy Male Choir
12. Give Me Jesus
13. Just a Closer Walk with Thee
14. My Wish for You
15. Jeptha/Waft Her Angels
16. Mose in Egitto/Prayer
17. Be Still My Soul (Finlandia Hymn)
18. God's Choir in the Sky
19. Floral Dance - Treorchy Male Choir
20. Smilin' Through

Tracks:

1. Calon Lan
2. True Love
3. Mor Fawr Wyt Ti (How Great Thou Art)
4. Aberystwyth
5. Comrades in Arms
6. Cats/Memory
7. They Led My Lord Away
8. State Fair/It's a Grand Night for Singing
9. When I Fall in Love
10. Let's Face the Music and Dance
11. Windmills of Your Mind
12. How Soon
13. Non Nobis Domine
14. Rhythm of Life
15. Kalinka
16. Sound an Alarm
17. Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
18. Turandot/Nessun Dorma
19. Christus Redemptor
20. Ann Evening's Pastorale

Album Details

Average customer rating: Inspirational! hymns we sang in church

Abide With Me Manufacturer: Decca ProductGroup: Music Binding: Audio CD Gibbons, Orlando | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Monk, William Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sibelius | Sibelius, Jean | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Sullivan | Sullivan, Arthur | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Tallis | Tallis, Thomas | ( T ) | Featured Composers, A-Z | Classical | Styles | Music Vaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music General | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Hymns | Vocal Non-Opera | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music The Decca Records Store | Specialty Stores | Music Similar Items: Hymns Through the Centuries Praise to the Lord - Hymns From St. Paul's Cathedral Hymns Triumphant 1 & 2 Be Still My Soul: The Ultimate Hymns Collection Best Loved Hymns ASIN: B000024236 Release Date: 1996-06-10

Tracks:

1. Praise, My Soul, The King of Heaven - Choir of King's College, Stephen Cleobury
2. Christ Is Made the Sure Foundation - Choir of King's College, Stephen Cleobury
3. All Glory, Laud and Honour - Choir of King's College, Stephen Cleobury
4. When I Survey the Wondrous Cross - Choir of King's College, Stephen Cleobury
5. Day of Resurrection - Choir of King's College, Stephen Cleobury
6. O God, Our Help in Ages Past - Choir of King's College, Stephen Cleobury
7. Dear Lord and Father of Mankind - Choir of King's College, Stephen Cleobury
8. Praise to the Holiest in the Height - Choir of King's College, Stephen Cleobury
9. Praise to the Lord - Choir of King's College, Stephen Cleobury
10. Church's One Foundation - Choir of King's College, Stephen Cleobury
11. Crown Him With Many Crowns - Choir of King's College, Stephen Cleobury
12. Love Divine, All Loves Excelling - Choir of King's College, Stephen Cleobury
13. Holy, Holy, Holy! Lord God Almighty - Choir of King's College, Stephen Cleobury
14. Now Thank We All Our God - Choir of King's College, Stephen Cleobury
15. Abide with Me - Choir of King's College, Stephen Cleobury
16. O Praise Ye the Lord - Choir of King's College, Stephen Cleobury
17. Drop, Drop, Slow Tears - Choir of King's College, Sir David Willcocks
18. Glory Be to Jesus - Choir of King's College, Sir David Willcocks
19. There Is a Green Hill Far Away - Choir of King's College, Sir David Willcocks
20. According to Thy Gracious Word - Choir of King's College, Sir David Willcocks
21. Holy Father, Cheer Our Way - Choir of King's College, Sir David Willcocks
22. Glory to Thee, My God, This Night - Choir of King's College, Sir David Willcocks
23. Day Thou Gavest, Lord, Is Ended - Choir of King's College, Sir David Willcocks
24. Hark! A Thrilling Voice Is Sounding - Choir of King's College, Sir David Willcocks
25. On Jordan's Bank the Baptist's Cry - Choir of King's College, Sir David Willcocks

Tracks:

1. Onward, Christian Soldiers - Huddersfield Choral Society, Wyn Morris
2. Lord's My Shepherd - Huddersfield Choral Society, Wyn Morris
3. Guide Me, O Thou Great Jehovah - Huddersfield Choral Society, Wyn Morris
4. All People That on Earth Do Dwell - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
5. O Come, O Come, Emmanuel - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
6. Forty Days and Forty Nights - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
7. O Sacred Head, Now Wounded - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
8. Christ the Lord Is Risen Today - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
9. Head That Once Was Crown'd With Thorns - U.S.A.F. Protestant Chapel Choir, West Ruislap, England,
10. Rock of Ages - Choir of King's College, Maurice Vinden
11. Eternal Father, Strong to Save - Choir of King's College, Maurice Vinden
12. All Things Bright and Beautiful - Choir of Paisley Abbey, George McPhee
13. Be Thou My Vision - Choir of Paisley Abbey, George McPhee
14. Be Still, My Soul - Choir of Paisley Abbey, George McPhee
15. King of Love My Shepherd Is - Choir of Paisley Abbey, George McPhee
16. Let Us With a Gladsome Mind - Choir of Paisley Abbey, George McPhee
17. For All the Saints - Choir of Paisley Abbey, George McPhee
18. O Worship the King - Choir of Paisley Abbey, George McPhee
19. Come, Thou Long-Expected Jesus - Choir of King's College, George Guest
20. Let All Mortal Flesh Keep Silence - Choir of King's College, George Guest
21. Spirit of Mercy, Truth, And Love - Choir of King's College, George Guest
22. Lead Us, Heavenly Father, Lead Us - Choir of King's College, George Guest
23. Immortal, Invisible, God Only Wise - Choir of King's College, George Guest
24. Jesu, Lover of My Soul - Choir of King's College, George Guest
25. Jerusalem - Bournemouth Symphony Orchestra, Choir of King's College, ,

Album Details

Customer Reviews:

Inspirational!.......2004-10-08

hymns we sang in church.......2003-02-16

Average customer rating: Lerner & Loewe Songbook Wouldn't it be lovely? A Successful Sequel Delightful Listening

Lerner & Loewe Songbook for Orchestra Frederick Loewe , and Erich Kunzel Manufacturer: Telarc ProductGroup: Music Binding: Audio CD General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Orchestral Pop | Easy Listening | Pop | Styles | Music Similar Items: Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites) Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri Puttin' on the Ritz: The Great Hollywood Musicals Classics of the Silver Screen Beautiful Hollywood ASIN: B000003D0E Release Date: 1994-01-25

Tracks:

1. I Wonder What The King Is Doing Tonight - The March To Welcome Guenevere - Et Al.
2. Wouldn't It Be Loverly - With A Little Bit Of Luck - Et Al.
3. The Night They Invented Champagne - Waltz At Maxim's - Et Al.
4. They Call The Wind Mariah - I Still See Elisa - Et Al.
5. Sword Dance - Down On MacConnachy Square - Et Al.

Customer Reviews:

Lerner & Loewe Songbook.......2006-02-24

Wouldn't it be lovely?.......2005-09-26

A Successful Sequel.......2005-08-03

Delightful Listening.......1998-12-05

Average customer rating: A National Treasure Stritch is superb Entertaining but grating on the ears Great Broadway Review Elaine Stritch at Liberty

Elaine Stritch - At Liberty (2002 Original Broadway Production) Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller Manufacturer: Drg ProductGroup: Music Binding: Audio CD All Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music Rodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Sondheim, Stephen | ( S ) | Featured Composers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Cabaret | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic | Vocal Pop | Pop | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music General | Jazz | Indie Music | Stores | Music Vocal Jazz | Jazz | Indie Music | Stores | Music Traditional & Vocal Pop | Pop | Indie Music | Stores | Music Similar Items: Elaine Stritch at Liberty Bea Arthur on Broadway - Just Between Friends Stritch Company - A Musical Comedy (1970 Original Broadway Cast) Company (2006 Broadway Revival Cast) ASIN: B000060P33 Release Date: 2002-04-02

Tracks:

1. There's No Business Like Show Business (Berlin)
2. Caca
3. I Want a Long Time Daddy (Grainger)
4. A Piece of Mahler
5. This Is All Very New to Me (Hague/Horwitt)
6. Going to New York
7. Marlon Brando
8. Broadway Baby (Sondheim)
9. My First Broadway Show
10. Civilization (Hilliard/Sigman)
11. Ethel Merman
12. Can You Use Any Money Today? (Berlin)
13. Pal Joey
14. Zip (Hart/Rodgers)
15. Ben Gazzara
16. Nokl Coward
17. Why Do the Wrong People Travel (Coward)
18. Richard Burton
19. But Not for Me/If Love Were All (Gershwin/Gershwin)
20. I'm Still Here (Sondheim)
21. Booze
22. Little Things You Do Together (Sondheim)
23. The Ladies Who Lunch (Sondheim)
24. John Bay
25. There Was Never a Baby Like My Baby (Comden/Green/Styne)
26. I've Been to a Marvelous Party (Coward)
27. God So Quickly
28. The Party's Over (Comden/Green/Styne)
29. Absent Almost Always
30. Something Good (Rodgers)

Tracks:

1. I'm Still Here (Sondheim)
2. Booze
3. Little Things You Do Together (Sondheim)
4. The Ladies Who Lunch (Sondheim)
5. John Bay
6. There Was Never a Baby Like My Baby (Comden/Green/Styne)
7. I've Been to a Marvelous Party (Coward)
8. God So Quickly
9. The Party's Over (Comden/Green/Styne)
10. Absent Almost Always
11. Something Good (Rodgers)

Amazon.com

Customer Reviews:

A National Treasure.......2007-07-05

Stritch is superb.......2007-06-27

Entertaining but grating on the ears.......2007-05-11

Great Broadway Review.......2007-04-11

Elaine Stritch at Liberty.......2007-01-19

Average customer rating: Wonderful Pure joy Copland's vocal work

A Copland Celebration Vol. 3 Manufacturer: Sony ProductGroup: Music Binding: Audio CD All Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Copland, Aaron | ( C ) | Featured Performers, A-Z | Classical | Styles | Music New York Philharmonic Orchestra | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music English | Languages | Opera & Vocal | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: A Copland Celebration Vol. 2 A Copland Celebration Vol. 1 The Copland Collection: Orchestral Works, 1948-1971 Copland: Old American Songs/Canticle Of Freedom/Four Motets The Copland Collection: Orchestral & Ballet Works, 1936-1948 ASIN: B000050HWV Release Date: 2000-11-07

Tracks:

1. Old American Songs, Sets 1 & 2: The Boatmen's Dance - William Warfield
2. Old American Songs, Sets 1 & 2: The Dodge - William Warfield
3. Old American Songs, Sets 1 & 2: Long Time Ago - William Warfield
4. Old American Songs, Sets 1 & 2: Simple Gifts - William Warfield
5. Old American Songs, Sets 1 & 2: I Bought Me A Cat - William Warfield
6. Old American Songs, Sets 1 & 2: The Little Horses - William Warfield
7. Old American Songs, Sets 1 & 2: Zion's Walls - William Warfield
8. Old American Songs, Sets 1 & 2: The Golden Willow Tree - William Warfield
9. Old American Songs, Sets 1 & 2: At The River - William Warfield
10. Old American Songs, Sets 1 & 2: Ching-A-Ring Chaw - William Warfield
11. Twelve Poems Of Emily Dickinson: I. Nature, The Gentlest Mother - Aaron Copland
12. Twelve Poems Of Emily Dickinson: II. There Came A Wind Like A Bugle - Aaron Copland
13. Twelve Poems Of Emily Dickinson: III. Why Do They Shut Me Out Of Heaven? - Aaron Copland
14. Twelve Poems Of Emily Dickinson: IV. The World Feels Dusty - Aaron Copland
15. Twelve Poems Of Emily Dickinson: V. Heart, We Will Forget Him - Aaron Copland
16. Twelve Poems Of Emily Dickinson: VI. Dear March, Come In! - Aaron Copland
17. Twelve Poems Of Emily Dickinson: VII. Sleep Is Supposed To Be - Aaron Copland
18. Twelve Poems Of Emily Dickinson: VIII. When They Come Back - Aaron Copland
19. Twelve Poems Of Emily Dickinson: IX. I Felt A Funeral In My Brain - Aaron Copland
20. Twelve Poems Of Emily Dickinson: X. I've Heard An Organ Talk Sometimes - Aaron Copland
21. Twelve Poems Of Emily Dickinson: XI. Going To Heaven! - Aaron Copland
22. Twelve Poems Of Emily Dickinson: XII. The Chariot - Aaron Copland
23. In The Beginning - Aaron Copland
24. Lark - Aaron Copland

Tracks:

1. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Gently Flowing - Aaron Copland
2. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderate Tempo: 'Once I Thought I'd Never Grow Tall As This Fence' - Joy Clements
3. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately Fast: 'Do You Suppose They're Makin' Food In There?' - Richard Fredericks
4. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Somewhat Faster: 'We've Been North'/'We've Been South' - Richard Cassilly
5. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): With Motion: 'Halloo, Halloo' - Norman Treigle
6. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Moderately: 'If You Boys Work As Smooth As You Talk, We'll Make Good Time In The Fields' - Norman Treigle
7. The Tender Land: Act One: The Day Before Graduation (Late Afternoon): Trifle Slower: 'The Promise Of Living With Hope And Thanksgiving' - Richard Cassilly
8. The Tender Land: Act Two: That Evening: Lively And Rough - Aaron Copland
9. The Tender Land: Act Two: That Evening: Quite Slow: 'Thank You, Thank You All' - Joy Clements
10. The Tender Land: Act Two: That Evening: Very Broadly: 'Ah, Laurie, You Are A Puzzle' - Norman Treigle
11. The Tender Land: Act Two: That Evening: Briskly: 'Stomp Your Foot Upon The Floor' - Richard Cassilly
12. The Tender Land: Act Two: That Evening: Somewhat Slower: 'The World Seems Still Tonight' - Richard Cassilly
13. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Introduction: Starting Slowly - Aaron Copland
14. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): As At First: 'Daybreak Will Come In Such A Short Time' - Richard Cassilly
15. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Fast Tempo: 'That's Crazy!' - Richard Fredericks
16. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): Broadly: 'The Sun Is Coming Up As Though I'd Never Seen It Rise Before' - Joy Clements
17. The Tender Land: Act Three: Later That Night/Then Graduation Day (Dawn): (Still Slower): 'You Are Strange To Me' - Claramae Turner

Customer Reviews:

Wonderful.......2007-04-22

Pure joy.......2005-07-29

Copland's vocal work.......2002-08-08

I can't completely explain why I give this five stars after giving the first two sets four stars each. This is just the way the opera, in particular, strikes me. I'm no great opera fan, and to my knowledge, America just has not yet proved itself in the operatic field although it's tried. It will take time, but I do see Copland's work as someday being considered the best example of American opera. This is all subjective opinion, obviously, and I'm sure there are those more knowledgeable who will disagree. So be it.

All in all, these three sets will give you a complete overview of one of America's most important composers.

Average customer rating:

With a Song in My Heart: The Songs of Rodgers & Hart Manufacturer: Asv Living Era ProductGroup: Music Binding: Audio CD Rodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Jazz | Styles | Music Swing General | Swing Jazz | Jazz | Styles | Music Classic Big Band | Swing Jazz | Jazz | Styles | Music Contemporary Big Band | Swing Jazz | Jazz | Styles | Music Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music General | Opera & Vocal | Styles | Music Nostalgia | Miscellaneous | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Soundtracks | Styles | Music General | Oldies | Pop | Styles | Music Traditional Pop | Oldies | Pop | Styles | Music Traditional Vocalists | Compilations | Pop | Styles | Music General | Vocal Pop | Pop | Styles | Music Classic | Vocal Pop | Pop | Styles | Music Vocal Jazz | Jazz | Indie Music | Stores | Music Traditional & Vocal Pop | Pop | Indie Music | Stores | Music Similar Items: Tea for Two: The Songs of Vincent Youmans Rodgers & Hart, Vol. 1 The Melody Lingers On: 25 Songs Of Irving Berlin Yes Sir, That's My Baby: The Songs of Walter Donaldson Anything Goes: The Songs of Cole Porter ASIN: B000059N0T Release Date: 2001-03-27

Tracks:

1. Manhattan - Ben Selvin & His Orchestra
2. Mountain Greenery - Frank Crumit
3. The Girl Friend - George Olsen & His Music
4. The Blue Room - The Revelers
5. My Heart Stood Still - Jessie Matthews/Hutch
6. Thou Swell - Ben Selvin & His Orchestra
7. You Took Advantage Of Me - Paul Whiteman & His Orchestra
8. With A Song In My Heart - Hutch
9. Ten Cents A Dance - Ruth Etting
10. Isn't It Romantic - Jeanette MacDonald
11. Lover - Paul Whiteman & His Orchestra
12. You Are Too Beautiful - Frank Sinatra
13. Blue Moon - Glen Gray & His Casa Loma Orchestra
14. It's Easy To Remember - Bing Crosby
15. My Romance - Dinah Shore & Frank Sinatra
16. There's A Small Hotel - Hal Kemp & His Orchestra
17. Where Or When - Lena Horne
18. My Funny Valentine - Mary Martin
19. Johnny One Note - Wynn Murray
20. The Lady Is A Tramp - Sophie Tucker
21. Falling In Love With Love - Allan Jones
22. This Can't Be Love - Benny Goodman & His Orchestra/Martha Tilton
23. I Didn't Know What Time It Was - Margaret Whiting
24. Bewitched, Bothered And Bewildered - Doris Day

Average customer rating: Impeccable singing - stylistically and technically A must-have CD for an outstanding price

Daniel Taylor: Portrait J.S. Bach , Suzie Le Blanc , Ensemble Da Sonar , Andreas Martin , and Sylvain Bergeron Manufacturer: Atma Classique ProductGroup: Music Binding: Audio CD All Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music General | Early Music | Historical Periods | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Passions | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music Similar Items: Lamento David Daniels - Serenade ASIN: B00004TQPQ Release Date: 2000-08-15

Tracks:

1. St. Matthew Passion, BWV 244/39: Erbarme Dich, Mein Gott
2. Time Stands Still
3. Come Again
4. Flow My Tears
5. I Saw My Lady Weep
6. King Arthur, Z.628: Fairest Isle
7. So Ceas'd The Rival Crew (An Ode On the Death Of Mr. Henry Purcell)
8. There Is No Rose Of Such Virtue
9. Easter Oratorio, BWV 249/8: Saget, Saget Mir Geschwinde

Amazon.com

Customer Reviews:

Impeccable singing - stylistically and technically.......2002-07-19

As for "full-on luscious" nonsense, all I can say is Baroque repertoire is NOT a Wagnerian opera. Highly romanticized singing style has no place here. The phrasing, diction, voice colour (Stimmfaerbungand), and vibrato should be carefully chosen so that one can clearly communicate the composers' intention and message. If one wants to adhere to the musicological correctness, there should not be much vibrato for music before ~1800.

There is no week point in this sampler CD. It is impeccable all way through - stylistically and technically. If one wants to proceed from here, Dan's complete discography is available on the net. Just run a search with a keyword "daniel+taylor+discography" with Google.

A must-have CD for an outstanding price.......2001-08-04

As the mournful opening strains of Erbarme Dich commenced, the haunting, sweeping violins and viol carried me along the winding roads through the mountains. The sky was overcast, and as I heard Taylor's voice for the first time the sun came out. I was in Heaven; beautiful vistas of mountains on one side, jagged cliffs plunging into the St. Laurent on the other and Daniel Taylor's voice in my ears. Erbarme Dich is deep, passionate, and so achingly beautiful. I am an avid lover of Bach but it was the first time I had heard anything from St. Matthew's Passion. I was more familiar with many of the other Dowland songs: Time Stands Still, Come Again, Flow My Tears, and I Saw My Lady Weep, all of which are present on Andreas Scholl's "English Folksongs and Lute Songs."

I have to disagree with the reviewer: the words "full-on luscious" and "David Daniels" should never go in the same sentence in my humble opinion. David Daniel's tone, to my delicate ears, is completely mezzo-soprano, lacking the delicacy of Scholl, Mera, and Taylor, and with poor vibrato control on the top notes. Yes, Daniels can turn out a beautiful tune but at times it sounds like a painful effort.... But I digress. On to Daniel Taylor's voice. Exquisite. Haunting. Ethereal. A creamy, lush, pure sound, more feminine than Scholl's tone, reminiscent of brilliant Japanese countertenor Yoshikazu Mera. As with Scholl, the effect sounds effortless and angelic. His vibrato is carefully controlled, his coloratura impeccable, his diction is perfect. My only disappointment with this CD was track 9, Saget, Saget, which, as reviewer Warwick Thompson stated, is rushed and careless. It sounds like Taylor and the orchestra are racing and they don't match pace frequently. But that didn't spoil my enjoyment of what is undoubtedly a remarkable album at a giveaway price. I hope that someday Daniel Taylor will receive the worldwide recognition he deserves and become better known outside of Canada. He has recorded Bach arias, Dowland, a fascinating Christmas album called "L'étoile d'orient" which includes the song "Ding dong merrily on high," and Rinaldo with Cecilia Bartoli. He also had a cameo in the recent Canadian film "Five Senses." "Daniel Taylor: Portrait" is an excellent introduction to an amazing talent. Ten stars.

Average customer rating:

A.E. Housman: A Shropshire Lad, Complete in verse and song Alan Bates , Anthony Rolfe Johnson , and Graham Johnson Manufacturer: Hyperion UK ProductGroup: Music Binding: Audio CD Baroque Dance Suites | Ballets & Dances | Classical | Styles | Music | Allemandes | Courantes | Gigue | Sarabande All Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music Chamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Chamber Music | Classical | Styles | Music Compilations | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical | Imports | Stores | Music ASIN: B00005S85Q Release Date: 2001-12-11

Average customer rating: Too Rushed, Low on Feeling Beyond mediocre Pretty voice sings pretty songs, but it's pretty mediocre... HEAVEN!!! HEAVEN!!!!!!!!!!!!!!!

Brian Asawa - The Dark Is My Delight And Other 16th Century Lute Songs / Tayler Manufacturer: RCA ProductGroup: Music Binding: Audio CD All Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music General | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music Asawa, Brian | ( A ) | Featured Performers, A-Z | Classical | Styles | Music General | Sacred & Religious | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music Similar Items: Brian Asawa - more than a day ~ music of Ned Rorem Brian Asawa - Vocalise / Marriner, Academy of St. Martin in the Fields ASIN: B000003G9X Release Date: 1997-10-14

Tracks:

1. Come Again, Sweet Love Doth Now Invite
2. His Golden Locks Time Hath To Silver Turn'd
3. Flow My Tears
4. It Was A Time When Silly Bees Could Speak
5. Sorrow, Stay!
6. Can She Excuse My Wrongs
7. A Shepherd In A Shade His Plaining Made
8. Time Stands Still
9. Go, Crystal Tears
10. I Saw My Lady Weep
11. Away With These Self-Loving Lads
12. Now Hath Flora Robb'd Her Bow'rs
13. Author Of Light, Revive My Dying Sprite
14. Come Let Us Sound With Melody The Praises
15. Oft Have I Sigh'd For Him That Hears Me Not
16. Turn Back, You Wanton Flyer
17. This Merry Pleasant Spring
18. There Were Three Ravens
19. The Dark Is My Delight
20. Willow Song
21. Miserere My Maker
22. Where The Bee Sucks
23. O Death, Rock Me Asleep

Amazon.com

Customer Reviews:

Too Rushed, Low on Feeling.......2006-03-04

Beyond mediocre.......1999-08-26

Pretty voice sings pretty songs, but it's pretty mediocre..........1999-07-04

HEAVEN!!!.......1998-10-01

If you have not heard anything from Brian, you are in for an extraordinary treat. Brian's voice is an incredible gift that every person should be exposed to. "The Dark is My Delight" is a wonderful display of Brian's range and vocal gifts. A collection of mostly 14th Century lute songs, it is a perfect subject for Brian's unique voice. "Come Again, Sweet Love" is a perfect opening song as it gives you his full range and style. In the beginning you cannot believe that this sweet, melodious voice can be coming from a human, muchless a male. You'll be thinking that throughout this wonderful CD.

There are few CDs that are so extraordinary but then again this is Brian's first CD. EVERYONE should listen and expose themselves to Brian Asawa's talents. He can only be looked upon as a rising countertenor star soon to be at the same level as the "great tenors!" I am not exaggerating. FIVE STARS and TWO THUMBS UP!!! There is nothing more I can say!

HEAVEN!!!!!!!!!!!!!!!.......1998-09-30

The compilation of songs here are an excellent line-up for Brian. It allows him to, in a sense, tell you stories with excellent lute accompaniment. "Come Again, Sweet Love" was an excellent choice to lead off the CD as it showcases the extraordinary abilities of Brian. His sweet and melodic voice almost transports you back to the late 1500s when this song was written. In fact, you will probably get that feeling with every song on this CD but it is to Brian's abilities that we credit this.

There are very few CDs that I can/do recommend so highly. Brian Asawa is a rising star of countertenors to the same level as the "great tenors." I do not exaggerate when I say this. He has a vocal gift that must be shared with the world and the more people that hear him the better THEY are for it. FIVE STARS and TWO THUMBS UP!!! What more can I say!!!

Jazz Music:

1. This Perfect Day
2. Thompson Plays Jelly Roll Morton Solos
3. Time After Time [Import]
4. Tommy Turrentine [Import]
5. Two for the Road: The Music of Henry Mancini [Enhanced]
6. Unseen Universe
7. Warm and Wonderful/Swingin' South
8. Watkins at Large [Import] [Limited Edition] [Original recording remastered]
9. 15 Year Reunion: Live at the Frankfurt Book Fair [Live]
10. American Patrol

Jazz Music

Jazz Music