Changing Times

Changing Times

Changing Times

ASIN: B00005RFH9

Track Listings
 
1. Changing Times
2. Big Mouth
3. Different Worlds
4. Capetown
5. Julia
6. Circular Scene
7. Invocation
8. Rhythm Method

Changing Times,Dave Stryker Quintet,Steeplechase,Hard Bop,Jazz,Jazz-Rock,Pop,Post-Bop
The Changing of Times
Average customer rating: 4.5 out of 5 stars
  • Great album by Underoath, better than Define the Great Line.
  • This CD IS GREAT!
  • Awesome!
  • crazy
  • The Dallas Taylor, Octavio era...
 The Changing of Times
Underoath
Manufacturer: Solid State Records
ProductGroup: Music
Binding: Audio CD

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Pop RockPop Rock | Pop | Styles | Music
Similar Items:
  1. They're Only Chasing Safety
  2. They're Only Chasing Safety
  3. Define the Great Line (CD & DVD)
  4. Bless the Martyr and Kiss the Child
  5. The Weak's End

ASIN: B000060NV6
Release Date: 2002-02-26

Tracks:

  1. When The Sun Sleeps
  2. Letting Go Of Tonight
  3. A Message For Adrienne
  4. Never Meant To Break Your Heart
  5. The Changing Of Times
  6. Angel Below
  7. The Best Of Me
  8. Short Of Daybreak
  9. Alone In December
  10. 814 Stops Today

Customer Reviews:

5 out of 5 stars Great album by Underoath, better than Define the Great Line........2007-06-10

This album is the third album released by Underoath, and it is quite different from "Cries of the Past" and "Act of Depression" as it has more melodic touches and the overall sound is not as hard as those two albums. However, the album itself is composed very nicely; the guitar riffs go along very nicely with each song, and the melodic synthesizer adds a unique catchy rhythm to certain songs.

This album may be hard to get used to for those who started listening to Underoath through "They're Only Chasing Safety" or "Define the Great Line", as the vocalist is completely different. Dallas Taylor's voice in this album is raw and high-pitched, it takes getting used to--but after you do, the voice fits with the songs.

Some flaws that people may see in this album is that it sounds too poppy, but I felt that the poppiness and hardcore sound of the album is very well balanced--the hardcore sound exerts the energy of the album while the poppy sounds add to the emotional touch of the album. There are some amazing breakdowns in this album, such as near the end of the songs "Angel Below" and "Short of Daybreak". I feel that each song was given equal attention to when created.

The album starts off with a great single "When the Sun Sleeps", which is actually the only song with a chorus inside the album. It may leave the listener longing for more chorus-type songs, but once again, this album takes getting used to.

Some of the best songs in this album are:

Angel Below, When the Sun Sleeps, Short of Daybreak, The Changing of Times, Letting Go of Tonight, The Best of Me.

Another thing that I enjoyed about this album is that it flowed quite nicely from beginning to end--each song showed purpose and ended in a good manner. The album ends with the song "Alone In December" which adds the cherry on top of the cake.

I really loved this album, and I highly recommend it for old Underoath listeners and new Underoath listeners alike--it may take some getting used to, but it's worth it.

My rating: 5/5, if it were out of 10 then I would rate this album a 9.5/10.

5 out of 5 stars This CD IS GREAT!.......2007-03-02

This is my opinion:
Out of the "The Changing of Times", "They're Only Chasing After Safety", and "Defining the Great Line", I think this album is the best out of all of them. Many people say this album sucks, but they are wrong. I actually at first feared buying this cd because the online reviews said this cd SUCKED. So I bought the most recent CD's of them and they did not leave me that satisfied then I decided to put myself into the challenge and bought the CD.

MY COMMENT:
Boy, were the comments wrong! This CD is there best cd out of all of them!
Their singing and screaming is good. If you like the old-school Underoath, there are some songs here that are going to satisfy your taste, but do not exceed your expectations to high. This cd is a singing/screaming emo genre, but I have to say it sounds good! A Message for adrienne is a good song, and The Sun Still Sleeps also is a good song. I really have to say though, the whole CD is great. It sounds nothing like Taking Back Sunday, which the two most recent cd's sound like. If you are into the screaming and singing rock, then this should be the CD for you!

5 out of 5 stars Awesome!.......2006-09-13

Just plainly...Dallas is the most amazing screamer ever. old underOATH rocks. Octavio is an awesome guitarist. and that Marissa girl below me has no idea what she's talking about underOATH wise

1 out of 5 stars crazy.......2006-07-28

i guess dallas and octavio leaving is the best thing that could ever happen to underoath, this was by far the worst underoath c.d. i've ever heard. i'm not sure if it's because it was back when they were younger or because of the difference in members but damn am i glad they've changed. their best c.d. so far is "they're only chasing safety" but "define the great line" is right behind it, not as great but still good. what that guy said about aaron was stupid, it may have upset you that he asked them to leave but he's smart for it. also, he's far from a fruit, he's an AMAZING drummer and great singer. he pretty much makes the band, sure spencer is good but aaron adds a special BAM to it. unlike other crappy christian bands. they have my complete respect.

5 out of 5 stars The Dallas Taylor, Octavio era..........2006-03-24

This is probably the best #1 album Underoath came out with, a top with Cries of the Past and Act of Depression. This album is a deffinite plus to buy, as well as their previous ep's Cries and Act of Depression. This album has a lot to do with Dallas' personal life, as well as his relationship with Jesus Christ. Before the Underoath members rid the band of Dallas and Octavio, both of them were the basic heart and soul of Underoath, in fact the founders. And the fact that these two very talented individuals was kicked out by that fruit Aaron Gilespie and that keyboardist dude kinda ticks me off. In my opinion, Dallas should've fought back against this when Aaron asked him to leave, and I'm guesing Octavio left because Dallas left.

I urge u buyers out there to search for this album, buy it, and keep it till u die. You won't regret it. Also look for their ep's as well. And keep this in mind, this band wasn't formed by Aaron (drummer/ singer), it was formed by Dallas Taylor in 1999 in Dallas' bedroom.

This album owns Chasing Safety.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Timeless Tales (For Changing Times)
Average customer rating: 4.5 out of 5 stars
  • Great interpretations of great songs.
  • Best of the Young Lions?
  • Best of the Young Lions?
  • Pretty Good but to Polished
  • Great C.D.! Immensely Satisfying!
 Timeless Tales (For Changing Times)
Joshua Redman
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
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  1. MoodSwing
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  4. Joshua Redman
  5. Wish

ASIN: B00000AG95
Release Date: 1998-09-22

Tracks:

  1. Summertime
  2. Interlude 1
  3. Visions
  4. Yesterdays
  5. Interlude 2
  6. I Had A King
  7. The Times They Are A-Changin'
  8. Interlude 3
  9. It Might As Well Be Spring
  10. Interlude 4
  11. How Deep Is The Ocean
  12. Interlude 5
  13. Love For Sale
  14. Interlude 6
  15. Elenor Rigby
  16. Interlude 7
  17. How Come U Don't Call Me Anymore

Amazon.com

On Timeless Tales, saxophone hero Joshua Redman examines ten popular standards from a variety of musical eras. Opening with a expansive version of "Summertime," Redman's tone is both hearty and buoyant. With the tasteful accompaniment of Brad Mehldau on piano, Larry Grenadier on bass, and Brian Blade on drums, he covers a range of once-contemporary pop and rock classics including "Eleanor Rigby," "The Times They Are A-Changin," and even a tune by Prince. Using the tenor, alto, and soprano saxophones in his instrumental arsenal, Redman reveals a vibrant imagination while staying solidly within the mainstream of jazz. Embracing beautiful ballads like "How Deep Is the Ocean" and jaunty old compositions like "Love for Sale," Joshua Redman exhibits discerning taste in his chosen selections and distinctive playing style. --Mitch Myers

Customer Reviews:

4 out of 5 stars Great interpretations of great songs........2002-11-23

Joshua Redman is one of the best of the jazz saxophonists active today. For a young guy he is steeped in tradition and has a rich musical heritage. This shows in the set list here. Redman moves from classic show tunes like "Summertime", "How Deep Is The Ocean", and "Love For Sale" to 'contemporary' songs by Prince, Stevie Wonder, The Beatles etc. with little or no effort. Some people complain that Redman is too polished. I don't know about that. Perhaps. Either way, this disc is a strong effort. The interpretations are enjoyable and evocative. The interludes run the gamut from haunting (Interlude 1) to forgettable, but most are only about 30 seconds long. In the end I'm left with a pretty satisfied feeling.

Recommended.

5 out of 5 stars Best of the Young Lions?.......2000-05-08

Where would modern jazz be without Joshua Redman? He stands as one of the few living sax players capable of actually making and original statement with his instrument, and doing so ina manner that will leave a lasting impression on the listener. "Timeless Tales" is without any original Redman compositions, so a first time listener will not be able to hear the full abilities of this young man. Still, for someone new to jazz or interested in strong improvs of well known standards this is an excellent selection. If there are any complaints to be made they are few. The group is perhaps too laid back at times (Times They Are a Changing) but they still provide timeless renditions of "TImeless Tales" none the less.

5 out of 5 stars Best of the Young Lions?.......2000-05-08

Where would modern jazz be without Joshua Redman? He stands as one of the few living sax players capable of actually making and original statement with his instrument, and doing so ina manner that will leave a lasting impression on the listener. "Timeless Tales" is without any original Redman compositions, so a first time listener will not be able to hear the full abilities of this young man. Still, for someone new to jazz or interested in strong improvs of well known standards this is an excellent selection. If there are any complaints to be made they are few. The group is perhaps too laid back at times (Times They Are a Changing) but they still provide timeless renditions of "TImeless Tales" none the less.

3 out of 5 stars Pretty Good but to Polished.......2000-04-05

Joshua Redman is a Solid Talent but His Choice of Material is Very Predictable.his Group is Alright.Redman is real Polished and that Hurts His Music as far as Overall Depth cuz some Meat in their would Give it a Raw feel.I saw a Live Video tape of His Stage stuff a Long time ago and he was Tight so he isn't all to Blame.The Biz can force a Talent to Water down his or her work.it's ashame.also way too many covers in his work.still you can't deny his Talent.

5 out of 5 stars Great C.D.! Immensely Satisfying!.......2000-02-25

Joshua Redman's openness to pop forms and his gifts for expressing its open emotions in language uncompromisingly that of Jazz's highest aspirations makes him a unique figure in contemporary improvising.On the tenor saxaphone he projects elements of the whole tradition of his instrument in Jazz-- Jump band, Soul, Bebop, Romatic Tenor Ballad, Free; his sound is his own, and his style is getting there.He understands how to construct drama in musical language.He has a centered tone,swings unerringly,creates elegant melodies within complex structures.Redman has expaned his horizons with each release, and his 1998 offering "Timeless Tales" is no exception. Joined by a brilliantly interactive peer group rhythm section (pianist Brad Mehldau,bassist Larry Grenadier and drummer Brian Blade),the saxophonist interprets five songbook classics and five "new standards" blending a sophisticated understanding of Pop codes with a comprehensive command of the Jazz vocabulary. Give it a listen.
Times Are Changing
Average customer rating: 5 out of 5 stars
  • This Project is Blues Magic
  • Great Act
  • Like father like son...
  • A must have Bernard Allison CD
  • great entry into blues guitar forum
 Times Are Changing
Bernard Allison
Manufacturer: Ruf (Idn)
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Blues | Styles | Music
Electric Blues GuitarElectric Blues Guitar | Blues | Styles | Music
Modern BluesModern Blues | Blues | Styles | Music
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  1. Storms of Life
  2. Higher Power
  3. Keepin' the Blues Alive
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ASIN: B00000DBWX
Release Date: 1998-10-06

Tracks:

  1. I Can't Get You Out Of My Mind
  2. Bad Love
  3. Check Yourself
  4. Midnight Creeper
  5. Don't Be Confused (Acoustic)
  6. Tell Me
  7. The Way Love Was Meant To Be
  8. In The Morning
  9. New Girl In Town
  10. If You Want Me To Stay
  11. Life Is A Bitch
  12. Real Mother 'Fa 'Ya
  13. Don't Be Confused

Customer Reviews:

5 out of 5 stars This Project is Blues Magic.......2001-03-24

Music, especially blues guitar does not come from the head. To make another person feel what you feel, see what you see, hear what you hear and know what you know, you must play with your heart. Bernard Allison is all heart. I had wondered if soul splitting blues had gone the way of 8 tracks and pet rocks. This project convinced me that I was wrong. After popping this baby into the player for the first time, I was moved before I even left the parking lot. And when the third track started "Check Yourself," I had to pull the car over to the side of the road. I just could'nt drive and experience this album both at the same time. This is blues 101 and blues graduate school in one neat package. Sit back enjoy and let Bernard Allison show you what he is made of. Like I said before, both Mr. Allison and this project are all heart

5 out of 5 stars Great Act.......2001-03-18

I saw Bernard Allison at Riverbend in Chattanooga, Tennessee. He was great. See him live if you get the chance. If you can't see him live buy his CD's. They are all great if you like the Blues. I would compare him to Stevie Ray Vaughn.

5 out of 5 stars Like father like son..........2000-02-18

Bernard more tha n lives up to the legacy of his dad, Luther with this brilliant recording. Every damn song on it is a keeper. I especially thought the track with "If you want me to stay", truly exceptional as an updated rendition of the Sly and the Family Stone version. He delivers in everyway, funky, soulfull, roots rockin vocals and guitar. His solo on the recording is watered down compared to a live show I caught in Madison, WI. This is probably one of the best cds released in the last 5-10 years. Where is the music press? Why isn't he being covered like Kenny Wayne Shepard, Jonny Lang, Shannon Curfman? I think it is an important question to ask. Remember, the music business creates markets to sell there products. This is sometimes what they mean by "artist development". Just look at the Backstreet Boys.

5 out of 5 stars A must have Bernard Allison CD.......1999-06-29

very enjoyable to listen to time and time again, Bernard is a contemporary blues master.

4 out of 5 stars great entry into blues guitar forum.......1999-06-23

Bernards entry into the competitive blues guitar venue is full of life and energy. I had recently seen him play a show and sought out this albulm afterwards. This recording pays tribute to his father, in a big way, and launches him into the arena of blues guitar virtuoso. His selection of some older tunes,at the end, suprisd me as well as his song writing. This albulm is solid from top to bottom. His touring experience with Koko taylor
Still Waters Run Deep/Changing Times
Average customer rating: 4.5 out of 5 stars
  • Well worth the price.
  • Two great albums from 1970
 Still Waters Run Deep/Changing Times
The Four Tops
Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | R&B | Styles | Music
MotownMotown | R&B | Styles | Music
GeneralGeneral | Soul | R&B | Styles | Music
R&BR&B | Imports | Stores | Music
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ASIN: B000055XXQ
Release Date: 2001-11-12

Tracks:

  1. Still Water (Love)
  2. Reflections
  3. It's All in the Game
  4. Everybody's Talkin'
  5. Love Is the Answer
  6. I Wish I Were Your Mirror
  7. Elusive Butterfly
  8. Bring Me Together
  9. L.A. (My Town)
  10. Still Water (Peace)
  11. In These Changing Times
  12. Just Seven Numbers (Can Straighten Out My Life)
  13. Raindrops Keep Falling on My Head
  14. Right Before My Eyes
  15. I Almost Had Her (But She Got Away)
  16. Try to Remember
  17. Something's Tearing at the Edges of Time
  18. Sing a Song of Yesterday
  19. Long and Winding Road/In These Changing Times

Album Description

UK reissue combines two out-of-print Motown classics together on one CD, 'Still Waters Run Deep' (1970) & 'Changing Times' (1970). Slipcase.

Customer Reviews:

4 out of 5 stars Well worth the price........2005-07-19

By the time these two albums were released, The Four Tops weren't very high on Motown's priority list. That's really a shame because these albums contained some of their strongest material. Frank Wilson was the appointed producer for both albums and the production is top notch, using many of Motown's highly talented musicians. Some of the recordings truly stand out. Although skimpy in the lyric department, "Still Water (Love)" is a true R&B classic. The Tops rendition of "Reflections" is better and tighter than the Supremes original version, in my opinion. "Love Is The Answer" brings back memories from when I was a child. (I owned a copy of the single.) It's a fun song with some really swinging horns.
I also owned the Changing Times album when I was very young and I played it to death. The track "In These Changing Times" with it's strange collage of street sounds and distorted voices taking up over two minutes before the song actually kicks in, is one of those songs that easily gets stuck in one's head.
Levi Stubbs lead vocal on "I Almost Had Her (But She Got Away)" is heartbreaking and the arrangement is brilliant. "Just Seven Numbers (Can Straighten Out My Life)" is a moderately paced gem about a fella whose male ego keeps him from calling his girl first to talk things through. My favourite track on the album has to be "Right Before My Eyes." The vocals and musicianship on this great track are stunning. The rhythm section alone is priceless.
I would have given this cd five stars if it weren't for the fact that I would have preferred more original tunes on the albums. Motown was notorious for putting a lot of remakes on their albums, even having several of their own artists record the same material.
Still, the pros definitely outweigh the cons. I highly recommend this cd.

5 out of 5 stars Two great albums from 1970.......2003-05-17

The first of the albums featured in this twofer - Still waters run deep - contains two major international hits. It's all in the game was a hit for various singers in the fifties. Originally a USA hit for Tommy Edwards in 1951, it became a much bigger USA hit for him in 1958, when it also became a massive UK hit. It was also a huge UK hit for Cliff Richard in the sixties, but all that didn't stop the Four tops having a top five UK hit and a top thirty USA hit. Still water (love) just missed the USA top ten but just made the UK top ten. There are some notable covers here, including Elusive butterfly (Bob Lind), Everybody's talking (Harry Nilsson), Reflections (Diana Ross and the Supremes).

The second album - Changing times - yielded Just seven numbers, a minor hit in the UK and the USA, plus another minor USA hit, In these changing times. On the album, this latter song is the second half of a medley with Long and winding road, the Beatles classic. Other covers on this album are Raindrops keep falling on my head and Try to remember.

Most, if not all, of the other songs on this collection are originals and definitely worth listening to. Perhaps the Four tops were past their absolute peak by the time these albums were recorded, but there is still plenty of interest here. So don't begin your Four tops collection here, but if you're really into Motown, this is well worth investing in.
Changing Times
Average customer rating: Not rated
    		Changing Times
    The Four Tops
    Manufacturer: Motown
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | R&B | Styles | Music
    MotownMotown | R&B | Styles | Music
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    ASIN: B000008FQP
    Release Date: 1992-04-13

    Tracks:

    1. In These Changing Times
    2. Just Seven Numbers (Can Straighten Out My Life)
    3. Raindrops Keep Falling on My Head
    4. Right Before My Eyes
    5. I Almost Had Her (But She Got Away)
    6. Try to Remember
    7. Something's Tearing at the Edges of Time
    8. Sing a Song of Yesterday
    9. Medley: The Long and Winding Road/In These Changing Times
    The Ultimate Lotte Lenya Collection
    Average customer rating: Not rated
      		The Ultimate Lotte Lenya Collection

      Manufacturer: Bear Family
      ProductGroup: Music
      Binding: Audio CD

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      EnglishEnglish | Languages | Opera & Vocal | Styles | Music
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      CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
      Musical TheaterMusical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
      GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
      GeneralGeneral | Easy Listening | Pop | Styles | Music
      GeneralGeneral | Vocal Pop | Pop | Styles | Music
      AustriaAustria | Continental Europe | Europe | International | Styles | Music
      Vocal JazzVocal Jazz | Jazz | Indie Music | Stores | Music
      ASIN: B0000251AF
      Release Date: 1999-03-22

      Tracks:

      1. 'Happy End': Surabaya-Johnny (1929)
      2. 'Happy End': Bilbao-Song (1929)
      3. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930) - Lotte Lenya/The Three Admirals
      4. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930) - Lotte Lenya/The Three Admirals
      5. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1930)
      6. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1930)
      7. 'Die Dreigoschenoper': Ouverture/Moritat/Ballade Vom Angenehmen Leben (1931) - Kurt Gerron/Willy Trenk-Trebitsch
      8. 'Die Dreigoschenoper': Liebeslied/Kanonensong (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
      9. 'Die Dreigoschenoper': Die Seerauberjenny (1931) - Kurt Gerron/Lotte Lenya
      10. 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke/Erich Ponto
      11. 'Die Dreigoschenoper': Barbarasong/Eifersuchtsduett (1931) - Kurt Gerron/Lotte Lenya/Erika Helmke
      12. 'Die Dreigoschenoper': Abschied/Zweites Dreigroschen-Finale (1931) - Kurt Gerron/Erika Helmke/Willy Trenk-Trebitsch/Chorus
      13. 'Die Dreigoschenoper': Zuhalter-Ballade/Lied Von Der Unzulanglichkeit Menschlichen Strebens (1931) - Kurt Gerron/Willy Trenk-Trebitsch/Lotte Lenya/Erich Ponto
      14. 'Die Dreigoschenoper': Moritat/Schlusschoral (1931) - Kurt Gerron/Lotte Lenya/Chorus
      15. Querschnitt, 1. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
      16. Querschnitt, 2. Tiel: 'Aufstieg Und Fall Der Stadt Mahagonny' (1932)
      17. 'Happy End': Surabaya-Johnny (1943) - Lotte Lenya/Kurt Weill
      18. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1943) - Lotte Lenya/Kurt Weill
      19. Complainte De La Seine (1943) - Lotte Lenya/Kurt Weill
      20. J'Attends Un Navire (1943) - Lotte Lenya/Kurt Weill
      21. 'Lost In The Stars': Lover Man (1943) - Lotte Lenya/Kurt Weill
      22. 'Lost In The Stars': Lost In The Stars (1943) - Lotte Lenya/Kurt Weill
      23. 'I've Got The Tune': And So The Last Thing, Too (1937 Interview) - Lotte Lenya/Marc Blitzstein/Shirley Booth

      Tracks:

      1. 'Die Dreigoschenoper': Moritat (1955)
      2. 'Die Dreigoschenoper': Barbara-Song (1955)
      3. 'Die Dreigoschenoper': Seerauberjenny (1955)
      4. 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Lied (1955)
      5. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1955)
      6. 'Aufstieg Und Fall Der Stadt Mahagonny': Denn Wie Man Sich Bettet (1955)
      7. 'Happy End': Bilbao-Song (1955)
      8. 'Happy End': Surabaya-Johnny (1955)
      9. 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1955)
      10. 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1955)
      11. 'Der Silbersee': Ich Bin Eine Arme Verwandte (1955)
      12. 'Der Silbersee': Casar-Ballade (1955)
      13. 'Die Sieben Todsunden': Prolog/Introduktion (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      14. 'Die Sieben Todsunden': Faulheit (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      15. 'Die Sieben Todsunden': Stolz (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      16. 'Die Sieben Todsunden': Zorn (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      17. 'Die Sieben Todsunden': Vollerei (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      18. 'Die Sieben Todsunden': Unzucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      19. 'Die Sieben Todsunden': Habsucht (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      20. 'Die Sieben Todsunden': Neid (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen
      21. 'Die Sieben Todsunden': Epilog (1956) - Lotte Lenya/Julius Kantona/Fritz Gollnitz/Sigmund Roth/Ernst Poettgen

      Tracks:

      1. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 1 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      2. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 2 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      3. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 3 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      4. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 4 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      5. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 5 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      6. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 6 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      7. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 7 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      8. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 8 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      9. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 9 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      10. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 10 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      11. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 1, Szene 11 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      12. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 12 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      13. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 13 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

      Tracks:

      1. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 14 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      2. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15a (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      3. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 15b (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      4. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 16 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      5. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 2, Szene 17 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      6. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 18 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      7. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Szene 19 (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn
      8. 'Aufstieg Und Fall Der Stadt Mahagonny': Akt 3, Finale (1957) - Lotte Lenya/Chorus Des NDR/Max Thurn

      Tracks:

      1. 'Knickerbocker Holiday': September Song (1957)
      2. 'Knickerbocker Holiday': It Never Was You (1957)
      3. 'Lady In The Dark': Saga Of Jenny (1957)
      4. 'One Touch Of Venus': Foolish Heart (1957)
      5. 'One Touch Of Venus': Speak Low (1957)
      6. 'The Firebrand Of Florence': Sing Me Not A Ballad (1957)
      7. 'The Eternal Road': Song Of Ruth (July Version) (1957)
      8. 'Street Scene': Lonely House (1957)
      9. 'Street Scene': A Boy Like You (1957) - Lotte Lenya/Darryl Richard
      10. 'Love Life': Green-Up Time (1957)
      11. 'Lost In The Stars': Trouble Man (1957)
      12. 'Lost In The Stars': Stay Well (1957)
      13. 'Lost In The Stars': Lost In The Stars (1957)
      14. 'The Eternal Road': Song Of Ruth (August Version) (1957)
      15. 'The Threepenny Opera': Pirate Jenny (1954)
      16. 'The Threepenny Opera': Solomon-Song (1954)
      17. 'The Threepenny Opera': Tango-Ballad (1954) - Lotte Lenya/Scott Merrill
      18. 'The Threepenny Opera': Lenya & Blitzstein TV Interview (1954) - Lotte Lenya/Marc Blitzstein
      19. 'Johnny Johnson': Mon Ami, My Friend (1956)
      20. Young Blood (1969)
      21. Welcome Home (1969)

      Tracks:

      1. 'Die Dreigoschenoper': Ouverture (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      2. 'Die Dreigoschenoper': Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      3. 'Die Dreigoschenoper': Morgenchoral Des Peachum (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      4. 'Die Dreigoschenoper': Anstatt-Dass-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      5. 'Die Dreigoschenoper': Hochzeitslied Fur Armere Leute (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      6. 'Die Dreigoschenoper': Kanonensong (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      7. 'Die Dreigoschenoper': Liebeslied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      8. 'Die Dreigoschenoper': Barbara-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      9. 'Die Dreigoschenoper': Erstes Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      10. 'Die Dreigoschenoper': Der Pferdestall (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      11. 'Die Dreigoschenoper': Abschiedslied Der Polly (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      12. 'Die Dreigoschenoper': Zwischenlied (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      13. 'Die Dreigoschenoper': Ballade Von Der Sexuellen Horigkeit (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      14. 'Die Dreigoschenoper': Die Seerauberjenny (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      15. 'Die Dreigoschenoper': Zuhalter-Ballade (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      16. 'Die Dreigoschenoper': Ballade Vom Angenehmen Leben (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      17. 'Die Dreigoschenoper': Eifersuchtsduett (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      18. 'Die Dreigoschenoper': Arie Der Lucy (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      19. 'Die Dreigoschenoper': Zweites Dreigroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      20. 'Die Dreigoschenoper': Lied Von Der Unzulanglichkeit Menschlichen Strebens (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      21. 'Die Dreigoschenoper': Solomon-Song (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      22. 'Die Dreigoschenoper': Ruf Aus Der Gruft (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      23. 'Die Dreigoschenoper': Ballade In Der MacHeath Jedermann Abbitte Leistet (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      24. 'Die Dreigoschenoper': Der Reitende Bote (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      25. 'Die Dreigoschenoper': Drittes Driegroschen-Finale (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...
      26. 'Die Dreigoschenoper': Schlusstrophen Der Moritat (1958) - Lotte Lenya/Erich Schellow/Willy Trenk-Trebitsch/Trude Hesterberg/Johanna Von Koczian...

      Tracks:

      1. 'Happy End': Introduktion (Hosiannah) (1960)
      2. 'Happy End': Bilbao-Song (1960)
      3. 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
      4. 'Happy End': Geht Hinein In Die Schlacht (Heilsarmee-Lied 1) (1960)
      5. 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
      6. 'Happy End': Bruder, Gib Dir Einen Stoss (Heilsarmee-Lied 2) (1960)
      7. 'Happy End': Das Lied Vom Branntweinhandler (1960)
      8. 'Happy End': Der Song Von Mandelay (1960)
      9. 'Happy End': Furchte Dich Nicht (Heilsarmee-Lied 3) (1960)
      10. 'Happy End': Surabaya-Johnny (1960)
      11. 'Happy End': Das Lied Von Der Harten Nuss (1960)
      12. 'Happy End': In Der Jugend Gold'Nem Schimmer (Heilsarmee-Lied 4) (1960)
      13. 'Happy End': Die Ballade Von Der Hollen-Lili (1960)
      14. 'Happy End': Der Kleine Leutnant Des Lieben Gottes (1960)
      15. 'Cabaret': So What? (1966)
      16. 'Cabaret': It Couldn't Please Me More (1966) - Lotte Lenya/Jack Gilford
      17. 'Cabaret': Married (1966) - Lotte Lenya/Jack Gilford
      18. 'Cabaret': What Would You Do (1966)
      19. 'Cabaret': Finale (1966) - Lotte Lenya/Bert Convy/Jill Haworth/Jack Gilford/Joel Grey

      Tracks:

      1. Unter Der Linde (1958)
      2. Menschlich Elende (1958)
      3. Das Rosenband (1958)
      4. Der Tod Und Das Madchen (1958)
      5. Abendlied (1958)
      6. Der Bauer (1958)
      7. Lebenspflichten (1958)
      8. Gesang Der Geister Uber Den Wassern (1958)
      9. Aus 'Romische Elegein' (1958)
      10. Gefunden (1958)
      11. Wo Bist Du Itzt (1958)
      12. Der Handschuh (1958)
      13. Hyperions Schicksalied/Aus 'Hymnen Der Nacht' (1958)
      14. Mondnacht (1958)
      15. Das Schloss Boncourt (1958)
      16. Kommen Und Scheiden (1958)
      17. Auf Geheimem Waldespfade (1958)
      18. Der Weiher (1958)
      19. Das Verlassene Magdlein (1958)
      20. Der Wirtin Tochterlein (1958)
      21. Mit Dummen Madchen (1958)
      22. Im Wunderschonen Monat Mai (1958)
      23. Ich Wollte Meine Lieder (1958)
      24. Nachtlich Am Busento (1958)
      25. Kehr Ein Bei Mir! (1958)
      26. Altassyrisch (1958)
      27. Die Musik Kommt (1958)
      28. Wer Weiss Wo (1958)
      29. Der Romische Brunnen (1958)
      30. Vereinsamt (1958)
      31. Der Werwolf (1958)
      32. Der Arbeitsmann (1958)
      33. Die Bieden (1958)
      34. Du Schlank Und Rein Wie Eine Flamme (1958)
      35. Spanische Tanzerin (1958)
      36. Ich Liebe Frauen (1958)
      37. An Den Leser (1958)
      38. Die Entwicklung Der Menschheit (1958)
      39. Der Vater (1958)
      40. Erinnerung An Die Marie A (1958)
      41. Von Der Freundlichkeit Der Welt (1958)
      42. Kinderkreuzzug (1958)

      Tracks:

      1. A Hunger Artist (1959)
      2. An Imperial Message (1959)
      3. A Fratricide (1959)
      4. The Care Of A Family Man (1959)
      5. Up In The Gallery (1959)
      6. A Dream (1959)
      7. The Bucket Rider (1959)
      8. Vergnugungen: What I Enjoy (Last Song) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      9. Inscription On A China Lion (The Lion) (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      10. 'Die Dreigroscheneroper': The Solomon Song (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      11. 'Buckower Elegien': Changing Wheels (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      12. Burning Books (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      13. Written On The Wall (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      14. Lied Der Courage (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      15. Song Of A German Mother (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      16. 'Buckower Elegien': The Dog (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      17. To The Next Generation (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      18. Bad Times For Poetry (1962) - Diane Clark/Anne Jackson/Lotte Lenya/Viveca Lindfors/George Voskovec/Michael Wager
      19. Und Was Bekam Des Soldaten Weib (1943) - Lotte Lenya/Kurt Weill
      20. Wie Lange Noch (1943) - Lotte Lenya/Kurt Weill
      21. Lied Einer Deutschen Mutter (1943) - Lotte Lenya/Kurt Weill

      Tracks:

      1. 'Die Dreigroscheneroper': Moritat Von Mackie Messer (1960)
      2. 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Leid (1960)
      3. 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1960)
      4. 'Happy End': Was Die Herren Matrosen Sagen (Matrosen-Tango) (1960)
      5. 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1960)
      6. 'Die Dreigroscheneroper': Die Seerauberjenny (1960)
      7. 'Happy End': Bilbao-Song (1960)
      8. Carnegie Hall Introduction (1965)
      9. 'Aufstieg Und Fall Der Stadt Mahagonny': Alabama-Song (1965)
      10. 'Aufstieg Und Fall Der Stadt Mahagonny': Havanna-Song (1965)
      11. 'Das Berliner Requiem': Ballade Vom Ertrunkenen Madchen (1965)
      12. 'Das Berliner Requiem': Zu Potsdam Unter Den Eichen (1965)
      13. 'One Touch Of Venus': Speak Low (1965)
      14. 'One Touch Of Venus': Foolish Heart (1965)
      15. 'One Touch Of Venus': Bilbao-Song (1965)
      16. 'One Touch Of Venus': Surabaya-Johnny (1965)
      17. 'Love Life': Love-Song (1965)
      18. 'Love Life': Susan's Dream (1965)
      19. 'Happy End': Was Die Matrosen Sagen (Matrosen-Tango) (1965)
      20. 'Happy End': Der Song Von Mandelay (1965)
      21. 'Happy End': Das Lied Von Der Harten Nuss (1965)
      22. 'Happy End': Lilli Of Hell (1965)
      23. 'Knickerbocker Holiday': September Song (1965)
      24. 'Die Dreigroscheneroper': Barbara Song (1965)

      Tracks:

      1. Moritat (1965)
      2. Moritat (German Version) (1965) - Lotte Lenya/Turk Murphy
      3. Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
      4. Mack The Knife (1965) - Lotte Lenya/Louis Armstrong
      5. Lied Der Courage I (1965) - Lotte Lenya/Harry Buckwitz
      6. Das Lied Vom Weib Und Soldaten (1965)
      7. Lied Von Der Grossen Kapitulation (1965)
      8. Lied Der Courage II (1965)
      9. Lied Der Courage III (1965)
      10. Eia Popeia, Was Ras Im Stroh (1965)
      11. Lied Der Courage IV (1965)
      12. The Dick Cavett Show (1975) - Lotte Lenya/Dick Cavett
      13. Start (1975) - Lotte Lenya/Dick Cavett
      14. American Films (1975) - Lotte Lenya/Dick Cavett
      15. The Opening Night Ot The Rise And Fall Of The City Of Mahagonny (1975) - Lotte Lenya/Dick Cavett
      16. 'One Touch Of Venus': I'm A Stranger Here Myself (1975) - Lotte Lenya/Dick Cavett
      17. Anita Berber (1975) - Lotte Lenya/Dick Cavett
      18. The Great Inflation (1975) - Lotte Lenya/Dick Cavett
      19. Thoughts On 'Oh, Calcutta' (1975) - Lotte Lenya/Dick Cavett
      20. Berlin Visit 1955 (1975) - Lotte Lenya/Dick Cavett
      21. Introduction To 'Bilbao-Song' (1975) - Lotte Lenya/Dick Cavett
      22. Bilbao-Song (1975) - Lotte Lenya/Dick Cavett
      23. Introduction (1966)
      24. 'Knickerbocker Holiday': How Can You Tell An American (1966)
      25. 'Knickerbocker Holiday': September Song (1966)
      Changing Times/A Place Called Love
      Average customer rating: Not rated
        		Changing Times/A Place Called Love
        The Heptones
        Manufacturer: M.I.L. Multimedia
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Reggae | International | Styles | Music
        RocksteadyRocksteady | Reggae | International | Styles | Music
        GeneralGeneral | Reggae | Compilations | International | Styles | Music
        Ska GeneralSka General | Ska | Alternative Rock | Styles | Music
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        ASIN: B000005X77
        Release Date: 1997-10-07

        Tracks:

        1. Medley
        2. An African Child
        3. Nah Lef Yard
        4. Gee Wee
        5. A Place Called Love
        6. Get Up Chant
        7. You Don't Know Me
        8. Three Coins In A Fountain
        9. In My Time
        10. Young Lover
        11. Do You Really Want To Hurt Me
        12. Some Day
        13. Round, Round Up And Down
        14. Giving Up On Love
        15. Thank You Lord

        Album Details

        Two LPs Digitally Remastered on One CD.
        Changing Times
        Average customer rating: Not rated
          		Changing Times
          Dave Stryker Quintet
          Manufacturer: Steeplechase
          ProductGroup: Music
          Binding: Audio CD

          Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
          Hard BopHard Bop | Bebop | Jazz | Styles | Music
          GeneralGeneral | Jazz | Styles | Music
          Modern PostbebopModern Postbebop | Jazz | Styles | Music
          GeneralGeneral | Jazz | Indie Music | Stores | Music
          JazzJazz | Imports | Stores | Music
          ASIN: B00005RFH9
          Release Date: 2001-09-25

          Tracks:

          1. Changing Times
          2. Big Mouth
          3. Different Worlds
          4. Capetown
          5. Julia
          6. Circular Scene
          7. Invocation
          8. Rhythm Method
          Times Are Changing
          Average customer rating: Not rated
            		Times Are Changing
            Freddie Hubbard
            Manufacturer: Capitol
            ProductGroup: Music
            Binding: Audio CD

            Bebop GeneralBebop General | Bebop | Jazz | Styles | Music
            Hard BopHard Bop | Bebop | Jazz | Styles | Music
            GeneralGeneral | Jazz | Styles | Music
            Modern PostbebopModern Postbebop | Jazz | Styles | Music
            Bebop & Post-BopBebop & Post-Bop | Compilations | Jazz | Styles | Music
            ASIN: B000008BB9
            Release Date: 1990-10-25

            Tracks:

            1. Spanish Rose
            2. Back To Lovin Again
            3. Was She Really There?
            4. Corazon Amplio (A Song For Bert)
            5. Times R Changin
            6. Sabrosa
            7. Fragile

            Jazz Music:

            1. Cole Porter Songs [Import]
            2. Complete Onyx Recordings [Import]
            3. Cooking the Blues [Import] [Limited Edition] [Original recording remastered]
            4. Definitely What!
            5. El Rojo: The Complete Keynote Recordings And More [Import]
            6. Escalator Over the Hill
            7. Explosions
            8. Fabric
            9. First Dance
            10. Forces and Feelings

            Jazz Music

            Jazz Music