Evolution II [Live]
ASIN: B000056C5X
Editorial Reviews
Amazon.com
When vibraphonist Milt Jackson passed away in 1999, the Modern Jazz Quartet's nearly half-century career ended. Pianist-composer John Lewis, the MJQ's co-founder and musical director, released a sublime solo piano CD, Evolution, just before Jackson died. And Evolution II is Lewis's first post-MJQ project, the second of the three-CD series in which he revisits several of his classic compositions. Lewis performs in a Kansas City-style quartet setting with the articulate drummer Lewis Nash, guitarists Howard Collins and Howard Alden, and bassists George Mraz and Marc Johnson. Lewis's timeless elegy "Django" starts here with a new intro, which segues into a streamlined piano solo, which melds into its trademarked melody. The bouncy beat of "The Festivals" is a dancing retake of Lewis's "In a Crowd," and "December, Remember" recalls the sacred sonorities of "In Memoriam." With "Come Rain or Come Shine," Lewis's spare, lyrical pianism comes to the fore, and his wonderful "One of Parker's Moods" elaborates on his magnificent 1948 piano solo on a classic piece of Bird's blues, "Parker's Mood." This spontaneous, crystalline collection leaves us anticipating John Lewis's next stage of evolution, just as it reminds us why the MJQ had such lasting power. --Eugene Holley Jr.
Evolution II,John Lewis,Atlantic / Wea,Bop,Cool,Jazz,Jazz Music,Pop,Third Stream
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Music from the Once Festival 1961-1966
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD ASIN: B0000C7PVT Release Date: 2003-09-23 |
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Album Description
Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America's heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformist West Coast. Yet during the 1960s Ann Arbor played host to one of the most extraordinary adventures in American music history: the annual ONCE Festival and its nexus of related activities.The primary aim of ONCE's founders--Robert Ashley, Gordon Mumma, George Cacioppo, Roger Reynolds, and Donald Scavarda--was to create a forum for the presentation of cutting-edge music. To this end they were phenomenally successful. Performers and composers--whether little-known or renowned--embraced the endeavor, demanding almost nothing in return. Perhaps most important, however, ONCE acted as a creative stimulus for its organizers. Scavarda describes the adventure as an explosion of pent-up energy: "Suddenly we could write anything we wanted and have it heard." And they did. The ONCE composers--and many guest artists--wrote a host of new works, some experimental, others more traditional.
What united the ONCE composers was their exploration of sound, whether through the medium of extended techniques on traditional instruments, electronic (or electronically modified) timbres, or the intersection of musical sounds with those of the environment.
A major slice of ONCE's rich musical legacy--35 works constituting six hours of music--is presented here, almost all for the first time. These pieces are as diverse in style as they are compelling in expression. This landmark set, the most comprehensive document ever released of this legendary event, is an opportunity for anyone interested in contemporary music to hear history in the making. Included in the set is a 140-page booklet with a lengthy scholarly essay by musicologist and biographer Leta Miller and numerous rare photos of ONCE personages and performances.
Jazz Music: