Take Ten

Take Ten

ASIN: B00004ZD5O

Editorial Reviews
Product Description
French reissue of the definitive 'cool' alto saxophonist's 1963 album for Bluebird packaged in a digipak. Includes 3 bonus tracks, 'Out Of Nowhere' (previously unreleased) and alternate versions of 'Embarcadero' and 'El Prince'. 2000 release.

Take Ten,Paul Desmond,RCA Fs Imports,Cool,Jazz,Jazz Music,Pop,Rock

Average customer rating:

Dry Martini Music

Fan of Desmond and Getz

A Sophisticated Album

Pure Listening Enjoyment

Coolý

Take Ten
Paul Desmond
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Cool Jazz | Jazz | Styles | Music
General | Jazz | Styles | Music
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The Best of Paul Desmond

ASIN: B00000I71A
Release Date: 1999-03-09

Tracks:

Take Ten
El Prince
Alone Together
Embarcadero
The Theme From Black Orpheus
Nancy
Samba De Orpheu
The One I Love Belongs To Somebody Else
Out Of Nowhere
Embarcadero (Alternate Take)
El Prince (Alternate Take)

Amazon.com

Despite the times in which he lived, Paul Desmond was never one to succumb to either exoticism or the purely funky, so rarefied was his butterfly tone and his delicate phrasing. Still, here, with Connie Kay's drums prodding him, and a recent trip to Brazil heightening his bossa nova senses, Desmond goes as musically far afield as he would ever travel with "Take Ten," "El Prince," "Embarcadero," and bossas such as "Samba de Orpheu" and "The Theme from Black Orpheus." He negotiates the Brazilian material as gracefully as a Stan Getz, but as always with Desmond it's the ballads that stay in the memory, and here "Nancy," "Out of Nowhere," and "Alone Together" are as sweetly played as is imaginable within the jazz tradition. Jim Hall's guitar is as fine as it has ever been, his chorded melody lines always surprising, his single-string work pure Charlie Christian revisionism, all of it in service of creating a swing setting for Desmond. The occasional fade and the unreleased longer takes of "El Prince" and "Embarcadero" suggest that RCA was thinking of Desmond in pop terms, and probably correctly so, for his solos--gemlike miniatures as they are--do not need development to make their point. --John F. Szwed

Customer Reviews:

Dry Martini Music.......2004-08-22

I first owned this music on LP and then paid an exorbitant amount of money to buy it on CD as a Japanese import. I just couldn't gamble that it would ever appear in the States at a more reasonable price. That's how much I love this music! I am pleased to see that it is now available at that more reasonable price! Buy it! I hope that this reissue includes Desmond's original liner notes. Lucky for me his liner notes in my import are included in English as well as Japanese! Like the music contained on the disc Desmond's written words are wry, witty, urbane, and cool. He was a very funny man and, of course, a great saxophone player. His soft light tone is always instantly recognizable and he seems to swing effortlessly. I believe I read somewhere that he had a deal with Dave Brubeck that if he recorded under his own name it wouldn't be with a piano in a quartet setting. If this is true music lovers can be grateful because Desmond and the sublime guitarist Jim Hall are totally simpatico. They recorded together a number of times; all of their collaborations are worth having. I also seem to remember that Desmond once compared his own playing to a dry martini. As a lover of dry martinis I couldn't agree more.....and if Paul didn't say that it is the kind of thing he would have said!

Fan of Desmond and Getz.......2004-05-09

This is a response to the Sept., 2003 review by wsmorrell from Boise,
Idaho. While I agree that this is a great record and that Desmond is one
among the pantheon of jazz immortals, I strongly disagree with Morrell's
opinion of Stan Getz. Getz's creativity, sense of melody and smooth tone
made him the ideal American ambassador for Brazilian Bossa Nova.
Getz was a versatile genius and Bossa Nova was only one among many
jazz styles that he mastered. While Desmond and other jazz giants did
a wonderful job interpreting Bossa Nova, Getz remains unsurpassed in
my opinion. In conclusion, how could any real jazz fan say that Getz's
playing is clunky and heavy handed? I have never seen those words
used to describe his playing anywhere else. That ought to tell you
something.

A Sophisticated Album.......2003-09-30

Though Stan Getz always is credited for being Americas great interpreter of Brazilian bossa, there was always a clunky, heavy handedness to his playing that was at odds with the quiet, understated cool of the original Brazilian material and artists. After a listen to this great recording, there is no question that Paul Desmonds' style, techique and taste are much more appropriate to the genre and leaves one to wonder how much better things would have been, had Paul been teamed up with Jao & Astrud Gilberto instead of Mr. Getz on those early "American" bossa albums. This CD covers some great material and showcases the incredible, subtle finesse and talent of arguably one of the greatest sax players of American jazz. This CD is a steal at this price and is highly recommended.

Pure Listening Enjoyment.......2003-06-08

Being a musician and buying jazz records for study purposes often, very rarely has a record moved me so to just put down my saxaphone and listen for the pure thrill of listening to great music. Each song here has that loose, casual, joyful feel that can only be attained by musicians of this caliber. They are not playing for other listeners on this album, they are playing for themselves,and that is what captivates you and draws you in to this album on such a personal level. Paul Desmond and Jim Hall are two of the most unique and original to ever play their particular instrument, but you can infer that from listening to any record with Jim Hall or Paul Desmond. This album is not about that but about how those two combine their ingenious melodic ideas to form something so incredibly unique and brilliant it can't be can't be put into words in this short review. The idea of solos that are both textbook in fundamentals and beautiful to listen to is something signature of both these musicians, but it is especially present on this album. The softness of these tunes is so intense that you must close your eyes and tune out everything around you when you put on this record. The best tracks are 'Theme for Black Orpheus', 'Embarcedaro', and all the rest. 'Nuff said. Buy the record!

Coolý.......2000-06-18

I guess everybody knows Paul Desmond from "Time out" and from his composition Take Five. On this recording, it doesn't take much time to recognize his beautiful floating tone, his wonderful solos which are new melodies by themselves, his "cool jazz" signature. On this repertoire -- mostly bossa nova tunes, plus a few standards -- Paul Desmond and Jim Hall (on the guitar) rival of grace: their solos are full of twists and turns, they never hurry and they both contribute to create a very relaxed atmosphere. Connie Kay's drums add some sun to this session. Everything sounds so clean and sweet! Though, they escape the tentation of playing "too easy", thanks to their always surprising lines. The result is very even and this is an extremely pleasant recording overall.

Average customer rating:

Mixed feelings
Your love for this superb collection will be here to stay...
He's done it again
Absolutely 'S WONDERFUL!
A beautiful 2 disc CD-another hit for Michael

The Michael Feinstein Anthology

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000065DVH
Release Date: 2002-05-21

Tracks:

Nice Work If You Can Get It
Isn't It Romantic
Swinging On A Star
Ask Me Again
Rhode Island Is Famous For You
'S Wonderful
Wonder Why
Too Marvelous For Words
Where Do You Start
Theme From The Bad And The Beautiful
Easy To Love
Alexander's Ragtime Band
Who Are You Now?
You're An Education
You Are There
Sophisticated Swing
Love Can Change The Stars
Come Out, Come Out Wherever You Are
Half Of April (Most Of May)
Marianne
They Can't Take That Away From Me
I Love A Piano

Tracks:

That's Entertainment
My Favorite Year
Ten Feet Off The Ground (With Rosemary Clooney)
I Never Felt Better
Someone To Watch Over Me
Kiss Her Now
The Ugly Bug Ball
For You, For Me, Forever More
The Mole People
And So To Bed
You're All The World To Me
Old Friend
Isn't It A Pity (with Rosemary Clooney)
Pattisserie
Open Your Eyes
For Love Alone
I Won't Send Roses/Time Heals Everything
Get Out And Get Under The Moon (with Page Cavanaugh)
My Romance
Love Is Here To Stay
Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00062FLI8
Release Date: 2004-11-30

Average customer rating:

Good bargain.

56 Favorites

Manufacturer: Prism Leisure
ProductGroup: Music
Binding: Audio CD

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Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Gilbert & Sullivan - The Mikado / WNO · Mackerras

ASIN: B000068ZTB
Release Date: 2002-05-31

Tracks:

Hark the Hour of Ten Is Sounding [From Trial by Jury]
Judge's Song [From Trial by Jury]
We Sail the Ocean Blue..... Buttercup's Song [From H. M. S. Pinafore]
My Gallant Crew... I Am the Captin of the Pinafore [From H. M. S. ...]
When I Was a Lad [From H. M. S. Pinafore]
Never Mind the Why and Wherefore [From H. M. S. Pinafore]
He Is an Englishman [From H. M. S. Pinafore]
Pirate King's Song [From the Pirates of Penzance]
Oh Is There Not One Maiden Breast? ...Poor Wandering One [From the ...]
How Beautifully Blue the Sky [From the Pirates of Penzance]
I Am the Very Model of a Modern Major General [From the Pirates of ...]
When the Foeman Bears His Steel [From the Pirates of Penzance]
When You Had Left Our Pirate Fold [From the Pirates of Penzance]
Ah! Leave Me Not to Pine Alone [From the Pirates of Penzance]
Policeman's Lot Is Not a Happy One [From the Pirates of Penzance]
With Catlike Tread [From the Pirates of Penzance]
March and Entry of the Peers [From Iolanthe]
Law Is the True Embodiment [From Iolanthe]
When I Went to the Bar [From Iolanthe]
When All Night Long [From Iolanthe]
When Britain Really Ruled the Waves [From Iolanthe]
Oh Foolish Fay [From "Iolanthe"]
Nightmare Song [From Iolanthe]
If You Go In [From Iolanthe]
Finale: Soon as We May [From Iolanthe]

Tracks:

If You Want to Know Who We Are.... a Wandering Minstrel I [From ...]
Our Great Mikado [From the Mikado]
Behold the Lord High Executioner [From the Mikado]
I've Got a Little List [From the Mikado]
Three Little Maids from School [From the Mikado]
Braid the Raven Hair [From the Mikado]
Sun Whose Rays [From the Mikado]
Here's a How-De-Do [From the Mikado]
More Humane Mikado [From the Mikado]
Flowers That Bloom in the Spring [From the Mikado]
Tit Willow [From the Mikado]
There Is Beauty in the Bellow of the Blast [From the Mikado]
Is Life a Boon? [From the Yeomen of the Guard]
Where I Thy Bride [From the Yeomen of the Guard]
Hereupon We're Both Agreed [From the Yeomen of the Guard]
Strange Adventure [From the Yeomen of the Guard]
Man Who Would Woo a Fair Maid [From the Yeomen of the Guard]
When a Wooer Goes a Wooing [From the Yeomen of the Guard]
For the Merriest Fellows Are We [From the Gondoliers]
We're Called Gondolieri [From the Gondoliers]
From the Sunny Spanish Shore [From the Gondoliers]
In Enterprise of Martial Kind [From the Gondoliers]
I Stole the Prince [From the Gondoliers]
When a Merry Maiden Marries [From the Gondoliers]
Regular, Royal Queen [From the Gondoliers]
Take a Pair of Sparkling Eyes [From the Gondoliers]
There Lived a King [From the Gondoliers]
In a Contemplative Fashion [From the Gondoliers]
Small Titles and Orders [From the Gondoliers]
I Am a Courtier Grave and Serious [From the Gondoliers]
Finale: Once More Gondolieri [From the Gondoliers]

Customer Reviews:

Good bargain........2004-08-25

The performances are good--this is the D'Oyly Carte Opera Company, after all--and you get 2 full CDs, with 2 selections from "Trial by Jury", 5 from "HMS Pinafore", 9 from "The Pirates of Penzance", 9 from "Iolanthe", 12 from "The Mikado", 6 from "The Yeomen of the Guard", and 13 from "The Gondoliers". The booklet is a bit skimpy, and only lists recording dates for the first CD (1929-1949). But the sound is good, and the music is great, and at this price it's a great "greatest hits" collection.

Leos Janácek: The Cunning Little Vixen - Lucia Popp / Eva Randová / Dalibor Jedlicka / Vienna Philharmonic / Vienna State Opera Chorus / Sir Charles Mackerras

Average customer rating:

Mackerras champions Janacek brilliantly!
Cunning Little Recording
A wonderful animal opera

Leos Janácek: The Cunning Little Vixen - Lucia Popp / Eva Randová / Dalibor Jedlicka / Vienna Philharmonic / Vienna State Opera Chorus / Sir Charles Mackerras
Leos Janacek , Sir Charles Mackerras , Lucia Popp (Vixen) , and Vienna Philharmonic
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Janacek: The Diary of One Who Disappeared
The Bartered Bride

ASIN: B0000041RA
Release Date: 1990-10-25

Tracks:

Prelude - Vienna PO/Sir Charles Mackerras
Act One: 'Donstaneme bourku' - Dalibor Jedlicka
Act One: 'Kmotrenka zakoncertovala si take?' - Miriam Ondraskova
Act One: 'Mami!' - Lucia Popp
Act One: Pantomime - Dalibor Jedlicka
Act One: Na dvore jezerske - Dalibor Jedlicka
Act One: 'To cucis Lapaku' - Dalibor Jedlicka
Act One: Ze nevis, co mame?' - Zuzana Hudecova
Act One: Pantomime - Vienna PO/Sir Charles Mackerras
Act One: 'Melas delat podliva mne!' - Libuse Marova
Act One: 'Hled'te sestry jakeho mate vudce!' - Lucia Popp
Act Two: 'Ach!' - Lucia Popp
Act Two: 'Ano, ve Strani bude daleko lepe' - Richard Novak
Act Two: 'Domu? Pro ten snupec tveho spani? - Dalibor Jedlicka
Act Two: 'Bud'to mam teziste pohyblive' - Vladimir Krejcik
Act Two: 'Pomni, abys byl dobrym muzem!' - Richard Novak
Act Two: 'Bozinku, ten je hezke!' - Lucia Popp
Act Two: 'Kradla jsem!' - Lucia Popp
Act Two: 'Zlatohrbitek, lisaks krouzkovymi pesky' - Eva Randova
Act Two: 'Kdybyste vedeli, co ja videla' - Eva Zigmundova

Tracks:

Act Three: 'Dez sem vandroval, mozeka hrala' - Vaclav Zitek
Act Three: 'Bezi liska k Taboru' - Bratislava Children's Chor/Elena Sarajova
Act Three: 'Kolik jsme uz meli deti?' - Eva Randova
Act Three: 'Nusu dule!' - Vaclav Zitek
Act Three: 'A kde otec Pasek?' - Dalibor Jedlicka
Act Three: 'To uz ne!' - Vladimir Krejcik
Act Three: 'Nerikal jsem to?' - Dalibor Jedlicka
Act Three: 'Hoj! Ale neni to Bystrousky!' - Dalibor Jedlicka
Act Three: 'Totok nejesem ja' - Peter Saray
Orch Suite: I. Andante - Vienna PO/Sir Charles Mackerras
Orch Suite: II. Andante - Vienna PO/Sir Charles Mackerras

Customer Reviews:

Mackerras champions Janacek brilliantly!.......2003-04-07

What a combo Amazon offers Janacek fans. "Jenufa" and "The Cunning little Vixen" are absolute masterpieces and in the hands of the composer's greatest interprepter, Mackerras, these recordings are non-pareil. The singing of Soderstrom and Lucia Popp make any other recordings a redundancy and an act of futility. Ravishingly beautiful is the only way to describe their performances. These superb recrodings are in the case of "Vixen" , a momument to the healing power of the act of creation. and in the case of "Jenufa" a monument to the victory of human compassion and its power of heallng.. All singers bring glory to the music and the Vienna Philarmonic plays as one born to perform this music as no other orchestra. These cds belong in your collection: deeply moving experiences that only improve upon contnued listering. Bravo to Mackerras for his one man renaissance of Janacek's masterpieces. Let us not forget "Katya Kabanova" a third member of this holy trio. As in "Jeunfa" Sodertsrom triumphs in this work as well.

Cunning Little Recording.......2003-01-19

Excellent recording of an intruguing work. I bought this particular recording because of the strong lineup of musicians: Sir Charles Mackerras conducts- he seems to be one of the reigning Janacek experts these days, and Lucia Popp is a very highly charged Vixen. Of course, the orchestra (Vienna Philharmonic) deserves recognition, too- they did a fine job on this recording. I don't know many different interpretations of this opera, having mainly just listened to this CD set countless times, but it's definitely worth owning.

If you don't feel like spending the money for CD's of the entire opera, the condensed [orchestral] version is also well-written, but it does leave out some fine musical moments. The orchestral version has been recorded many times by different people, and it's relatively easy to find.

A wonderful animal opera.......2002-05-29

Czech composer Leos Janacek wrote a series of operas late in his life: Kat'ia Kabanova, Cunning Little Vixen, The Makropoulos Affair, and From the House of the Dead, in that order. All are magnificent, standing with the very best work of the Czech masters Smetana and Dvorak. Even among those late operas, though, Vixen stands out because of its vibrant orchestration and easy approachability. It is quite popular, and it has even been featured in an animated version for TV by Geoff Dunbar of Peter Rabbit fame.

The story revolves around the Vixen, who is a real fireball, always gracefully foxing her way in and out of tough situations with the force of her personality. This character is played by a soprano in a fox costume, in this case Lucia Popp. I'm not sure if she wore the costume in the studio, but she may well have, because she gives her part a wonderful vivaciousness and gusto - you can almost imagine glistening fangs as she heatedly preaches to the hens about oppression. Her spirited tone adds immeasurably to the recording as a whole.

The adult male leads, who play human parts (the Schoolmaster, the Forester, and the poacher Harasta), also do a very fine job. In particular, their Czech diction is exemplary, though with the sound of the Vixen resonating in the ears they sometimes sound Germanic by comparison.

And the children! The dance at the beginning of Act III, which depicts the Vixen with her cubs recognizing and defusing a trap, is one of the greatest examples of synthesized folk music I've ever encountered. The children's choir hired for this recording sing the melody, built on the Lydian mode and the whole-tone scale, flawlessly, vigorously and rhythmically.

Through all this, Mackerras shows the utmost sympathy to the bright colors and poignant orchestrational details. And the Vienna Philharmonic, often among the most conservative of ensembles, play brightly and faithfully, with solo passages that sound exotic and brilliantly evoke animal sounds.

This is simply a great recording. Not to be missed.

Diana Montague Sings Great Operatic Arias, Vol. 2

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Diana Montague Sings Great Operatic Arias, Vol. 2
George Frideric Handel , Richard Heuberger , Franz Lehar , Wolfgang Amadeus Mozart , Gottfried Heinrich Stolzel , Johann II Strauss , David Parry , Walter Weller , Alistair Young , London Philharmonic Orchestra , Philharmonia Orchestra of London , Helen Williams , Orla Boylan , and Bruce Ford
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Great Operatic Arias

ASIN: B00008NRJG
Release Date: 2003-04-22

Tracks:

Is It Pain, Is It Pleasure That Fills Me
Send Me, But, My Beloved
No Hope Remains In My Affliction
I Implore Thee And Tremble
Verdant Pastures, Leafy Woodlands
Noble Forests, Sombre And Shady
Blow Gently, You Breezes
Torture And Agony
I Will Take The Handsome, Dark One
Banished, Rejected, God Save Me!
Who Knows What Feeling
My Heart I Give You
In A Cosy Chambre Separee
Tender Flower, Starved Of Water
Three Score And Ten
When Happy Days
Just As The Sun Awakens
If You Are Near

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Symphony 9: Introduction to Dvorak
Dvorak
Manufacturer: Naxos
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Lost in Boston - The Ultimate Collection

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Lost in Boston - The Ultimate Collection
Leroy Anderson , Burt Bacharach , Irving Berlin , Leonard Bernstein , Jerry Bock , Jule Charlap Mark / Styne , Cy Coleman , Stephen Flaherty , Robert Forrest George / Wright , Billy Goldenberg , John Harold Kander , Harvey Schmidt , Stephen Schwartz , Charles Strouse , Jule Styne , Bradford Ellis , Alet Oury , Debbie Gravitte , Debbie Pavelka , Glory Crampton , Guy Haines , Harry Groener , Jane Krakowski , Judy Malloy , Karen Morrow , Lillias White , Lindsay Ridgeway , Lisa Mayer , Liz Callaway , Liz Larsen , Lynne Wintersteller , Lynnette Perry , Michael Rupert , Michele Pawk , Michelle Nicastro , Richard Roland , Sal Viviano , Sally Mayes , and Sarah Chapman
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

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General | Vocal Pop | Pop | Styles | Music
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Lost in Boston, Vol. 4

ASIN: B00005K9S5
Release Date: 2001-06-05

Tracks:

Mama's Talkin' Soft (from "Gypsy") (Styne-Sondheim) - Lindsay Ridgeway and Sarah Chapman
Come Down from the Tree (from "Once on This Island") (Flaherty-Ahrens) - Lillias White
Sweet River (from "110 in the Shade") (Jones-Schmidt) - Sally Mayes
Like Everybody Else (from "West Side Story") (Bernstein-Sondheim) - Judy Malloy, Richard Roland, Sal Viviano
What Am I Doing Here? (from "Promises, Promises") (Bacharach-David) - Liz Callaway
Tick Tock Goes the Clock (from "Promises, Promises") (Bacharach-David) - Lisa Mayer, Judy Malloy, Debbie Pavelka
The Job Application (from "Ballroom") (Bergman-Bergman-Goldenberg) - Karen Morrow
Big Fat Heart (from "Seesaw") (Coleman-Fields) - Debbie Gravitte
Where Do I Go From Here? (from "Fiorello") (Bock-Harnick) - Liz Callaway
Ten Percent (from "Chicago") (Kander-Ebb) - Harry Groener
Marking Time (from "Pippin") (Schwartz) - Michael Rupert
Older and Wiser (from "Bye Bye Birdie") (Strouse-Adams) - Michele Pawk and Tammy Minoff
Flaemmchen (The Flame Girl) (from "Grand Hotel") (Wright-Forrest) - Lynnette Perry
When I Went Home (from "Peter Pan") (Charlap-Leigh) - Michelle Nicastro
Guess We May as Well Stay Married Now (from "I Do! I Do!") (Jones-Schmidt) - Glory Crampton and Guy Haines
I'm Naive (from "Sugar") (Styne-Merrill) - Jane Krakowski and Sal Viviano
Take It in Your Stride (from "Annie Get Your Gun") (Berlin) - Liz Larsen
Pink Taffeta Sample Size Ten (from "Sweet Charity") (Coleman-Fields) - Lynne Wintersteller
If I Can't Take It with Me (from "Goldilocks") (Anderson-Ford-Kerr-Kerr) - Alet Oury

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Ten
Brian McKnight
Manufacturer: Warner Bros.
ProductGroup: Music
Binding: Audio CD

Contemporary R&B | R&B | Styles | Music

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General | Adult Contemporary | Pop | Styles | Music
ASIN: B000NHTDPI
Release Date: 2007-02-13

Tracks:

Used to Be My Girl
Comfortable
Find Myself in You
What's My Name
Unhappy Without You
Little Too Late
Holdin' On (Missin' You)
Shoulda Been Lovin' You
Again
More and More
Can't Leave You Alone
I Do
Rest of My Life
Red, White, And Blue - Brian McKnight, Rascal Flatts
Don't Take Your Love Away
How [#][*]

Product Description

Limited Edition includes the previously unreleased Bonus Song "How". TRACK LISTING: (1) Used to Be My Girl, (2) Comfortable, (3) Find Myself in You, (4) What's My Name, (5) Unhappy Without You, (6) A Little Too Late, (7) Holdin' On (Missin' You) (8) Shoulda Been Lovin' You, (9) Again, (10) More and More, (11) Can't Leave You Alone, (12) I Do, (13) The Rest of My Life, (14) Red, White, and Blue - with Rascal Flatts, (15) Don't Take Your Love Away BONUS TRACK: (16) How

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Love Story
Dee Daniels
Manufacturer: Three X.D. Music
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Traditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music
ASIN: B00004YNIK
Release Date: 2000-01-01

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Jazz Music

Jazz Music