Endgame Brilliance: Constellation & Tune-Up

Endgame Brilliance: Constellation & Tune-Up

ASIN: B000005BE8

Editorial Reviews
Amazon.com
Of all the saxophonists that would be touched deeply by the genius of Charlie Parker, Sonny Stitt came away from the experience indelibly marked. Endgame Brilliance finds Stitt decades removed from Parker, recording in 1972, fronting a ready-to-rumble quartet rounded out by pianist Barry Harris, bassist Sam Jones, and either Alan Dawson or Roy Brooks on drums. They play with palpable sizzle on both the sessions here (originally released on Muse Records as Constellation and Tune Up!), tackling an array of bop cornerstones and more. Stitt blazes through the title track to "Tune Up," alerting the ears that he's not one to pull punches. But he also plays with late-night romance in his heart on "(I Don't Stand) A Ghost of a Chance with You" and strutting soul in his hips on "By Accident." In all, the 15 tracks of Endgame Brilliance amount to a primer on bop, blues, and balladry at once. It's some of Stitt's finest playing on record, and all of it comes off as an extended simple, inspired, game-winning jump shot. --Andrew Bartlett

Endgame Brilliance: Constellation & Tune-Up,Sonny Stitt,32. Jazz Records,Bop,Jazz,Jazz Music,Pop

Average customer rating:

A Must Have

Hard to Beat

Potent Package

Stitt was never better than on these Cobbelstone dates.

Sonny Blows Up A Storm

Endgame Brilliance: Constellation & Tune-Up
Sonny Stitt
Manufacturer: 32. Jazz Records
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music
General | Jazz | Styles | Music
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ASIN: B000005BE8
Release Date: 1997-04-01

Tracks:

Constellation
(I Don't Stand) A Ghost Of A Chance With You
Webb City
By Accident
Ray's Idea
Casbah
It's Magic
Topsy
Tune Up
I Can't Get Started
Idaho
Just Friends
Blues For Prez And Bird
Groovin' High
I Got Rhythm

Amazon.com

Of all the saxophonists that would be touched deeply by the genius of Charlie Parker, Sonny Stitt came away from the experience indelibly marked. Endgame Brilliance finds Stitt decades removed from Parker, recording in 1972, fronting a ready-to-rumble quartet rounded out by pianist Barry Harris, bassist Sam Jones, and either Alan Dawson or Roy Brooks on drums. They play with palpable sizzle on both the sessions here (originally released on Muse Records as Constellation and Tune Up!), tackling an array of bop cornerstones and more. Stitt blazes through the title track to "Tune Up," alerting the ears that he's not one to pull punches. But he also plays with late-night romance in his heart on "(I Don't Stand) A Ghost of a Chance with You" and strutting soul in his hips on "By Accident." In all, the 15 tracks of Endgame Brilliance amount to a primer on bop, blues, and balladry at once. It's some of Stitt's finest playing on record, and all of it comes off as an extended simple, inspired, game-winning jump shot. --Andrew Bartlett

Customer Reviews:

A Must Have.......2007-01-14

This hard-to-find CD, containing the tracks from TWO even harder to find vinyls, is an absolute must-have. Sonny takes all other players to school on the tenor, and in passing shows himself to be a jazzman of the first rank. This recording, along with Boss Tenors, and Sonny Side Up, shows you what Sonny Stitt can do in a variety of settings. I never could see why being in the Bird tradition was like some kind of fault. Listen to Stitt then to Parker-- well it's a very near thing. Endgame Brilliance is the CD your friends will beg to borrow. I'm thrilled I was able to grab a copy! Beautiful beautiful stuff.

Hard to Beat.......2005-07-01

Out of the hundreds of jazz CDs that I own, this is one of my favorites.

Barry Harris on piano,
Sam Jones on bass,
Roy Brooks on drums.

This album is actually a compilation of 2 of Stitts previously released records. From the cover:

Tune-Up! and Constellation are among the best records Sonny Stitt ever made, and, without question, are the two finest examples of his late period work. Aside from their inherent musical brilliance, they go a long way to show just why Stitt was so respected by his peers and revered as one of the giants of modern jazz. Both records were originally released on the now defunct Muse label. Even though Constellation was nominated for a Grammy and Tune-Up! was as critically acclaimed, both records have been relatively hard to find. Now they're both on one disk.

Tune Up! and Constellation were originally released 1972

Potent Package.......2005-02-19

It's always bothered me that the world's most ubiquitous and prolifically recorded saxophonist, not to mention arguably the most "perfect" tenor and alto player in the history of jazz, was not "discovered" by many critics and listeners until two no-nonsense, straight-ahead, blistering sessions that he recorded for Cobblestone records in the mid-seventies: "Tune-Up" and "Constellation." Both of these stellar sessions are collected on this CD, but how frustrating that not only has the original label gone under but its successor, "32 Jazz," has folded as well. Fortunately, I've been able to locate a mint LP copy of "Constellation" to go along with the earlier session, but this music would admittedly receive far more playing time from me if it were on a single CD.

If you can locate "Endgame Brilliance" (and at a time when you're not too strapped financially), by all means grab it up. These may be Stitt's best recordings during the last ten years of his career; they're certainly among his most uncompromising. On "Tune-Up" Sonny turns in a tour-de-force on "I Got Rhythm" changes, using two tempos and both of his horns. On "Constellation" he uses the same changes, ups the tempo a notch, and sticks to alto, once again confirming my slight preference for his work on the smaller and lighter instrument.

[Addendum: The two sessions are not yet available domestically but can be ordered in a single-CD format from Spain (do a search for Fresh Sound Records). Listening to the disc now, I'm going to say that it's quintessential, not necessarily the "best," Stitt. In effect, these two 1972 dates represented Sonny stripping his horns of his Selmer Varitone device, announcing an aversion to the Hammond B3 organ, and moving beyond the '60s "funk/soul artist" tag. It was an inspirational moment to keepers of the flame at a time when country, fusion, and disco ruled the day.]

Stitt was never better than on these Cobbelstone dates........2001-11-14

After several years of indifferent recording sessions for a variety of labels, Sonny Stitt walked in and blew the house down on these two early 70's dates for Cobbelstone Records (NOT "Muse" as was stated above--"Muse" put out LP reissues in the 1980's!). I think Stitt was invigorated by the tour he had just done with the "Giants of Jazz" and was pushed harder by this swingin' combo than he had been in years. There was never a more fluid and melodic sax player than Sonny Stitt--and that INCLUDES Bird. I can't reccomend this reissue highly enough.

Sonny Blows Up A Storm.......2000-02-21

This disc is mistitled - it should have been called "Sonny Blows Up A Storm". This is 78 minutes of some of the best straight-ahead jazz I've ever heard. It rolls from one great song to the next without ever giving you a chance to catch your breath. I started listening to jazz about 6 months ago and this disc is easily my favorite. Every note is right on the money and there's none of the screeching and growling you get with Coltrane. If you like this CD I also recommend "The Champ" and "Sonny Side Up".

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