Time We Have [Import]
Time We Have [Import]
ASIN: B00000B8RU
Track Listings
|
|
|
1. Heritage
|
|
2. Lightmap
|
|
3. Sonare
|
|
4. Long Ago And Far Away
|
|
5. The Time We Have
|
|
6. Something To Eat
|
|
7. Suite
|
|
8. Eyes
|
|
9. The Free Rose
|
|
10. Lila
|
|
11. Lacrimosa
|
|
12. Autumn Leaves
|
|
13. Rembering Issa
|
Time We Have,Lars (Trio) Jansson,Imogena,Jazz
Average customer rating:
- The City of Prague Philharmonic Orchestra needs a guitar player!
- Persuaders Theme!
- A Variety Of Classics!
- Incredible Barry Collection
- " one of cinema's greatest composers...John Barry"
|
John Barry: The Collection
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Soundtracks
| Box Sets
| Stores
| Music
General
| Soundtracks
| Indie Music
| Stores
| Music
Movie Soundtracks
| Soundtracks
| Indie Music
| Stores
| Music
Similar Items:
- The Music of John Williams: 40 Years of Film Music
- Jerry Goldsmith: 40 Years of Film Music
- Beyondness of Things
- The Essential Elmer Bernstein Film Music Collection
- Eternal Echoes
ASIN: B00005BADD
Release Date: 2001-05-22 |
Tracks:
- Zulu
- From Russia With Love
- From Russia With Love - 007
- Goldfinger
- The Ipcress File
- The Knack
- Mister Moses
- Thunderball
- The Wrong Box
- Born Free
- The Quiller Memorandum
- You Only Live Twice
- The Girl With The Sun In Her Hair
- Deadfall
Tracks:
- The Lion In Winter
- On Her Majesty's Secret Service
- On Her Majesty's Secret Service
- Midnight Cowboy
- Midnight Cowboy
- The Appointment
- The Last Valley
- Walkabout
- Monte Walsh
- Diamonds Are Forever
- The Persuaders
- Mary Queen Of Scots
- The Man With The Golden Gun
- The Dove
Tracks:
- The Tamarind Seed
- King Kong
- Eleanor And Franklin
- Robin And Marian
- The Deep
- Hanover Street
- The Black Hole
- Moonraker
- Somewhere In Time
- Raise The Titanic
- Body Heat
- Frances
- Octopussy
- The Cotton Club
Tracks:
- High Road To China
- A View To A Kill
- Out Of Africa
- The Living Daylights
- Dances With Wolves
- Dances With Wolves
- Chaplin
- Moviola
- Indecent Proposal
- The Specialist
- The Scarlet Letter
- Cry The Beloved Country
- Mercury Rising
- The James Bond Theme
Customer Reviews:
The City of Prague Philharmonic Orchestra needs a guitar player!.......2006-11-09
Granted, they only need it for one composition (the last one, "The James Bond Theme") but still, without the guitar it's just not the same. Barry didn't compose this one so I suppose it was a bonus and I shouldn't complain, really. The rest of the music on all the CDs is fantastic. Some of the stuff I had heard before without realizing who had composed it. Very enjoyable, to say the least.
Persuaders Theme!.......2006-03-02
Buy it for the Persuaders theme, probably the best TV theme song ever written.
A Variety Of Classics!.......2005-12-06
John Barry has been composing film scores for over forty years and this is only scratching the surface of his productions. Never mind that the entire set is recorded by the Prague Philharmonic; it's pure to Barry's themes. While John Williams compositions ("Star Wars", etc.) are wild and flamboyant and Jerry Goldsmith's (Hoosier's, etc.) are mood pieces, John Barry crosses over all barriers and is amazingly diverse. Barry has recorded most of the exciting James Bond themes, melodramatic classics like "The Lion In Winter' and moody theme hits like "Midnight Cowboy". He also tugs at the heartstrings with compositions from, "Somewhere In Time", "Frances" and "Out Of Africa". He varies his themes for all types of films and few composers capture it so well.
There is over four hours of music in this set with a colorful and informative booklet.
Incredible Barry Collection.......2004-03-11
Any fan of movies will absolutley love this collection. Being a movie buff I couldn't wait to get this boxed set. Knowing Barry from all the James Bond movies, I did not realize his involvement with so many others. The orchestra is magnificent in all these themes. I'm listening to "High Road to China" right now and I'm drifting in the clouds in a Tiger Moth with Tom Selleck and Bess Armstrong. If you are familiar with a movie it will definitely have you seeing it again, if not the scores are still beautiful. Any fan of classical music will be pleased as well. Travellers will defintitely enjoy it for a long drive. I know from when I use to travel that music like this made the miles float by faster. I highly recommend these four CDs even if you just know a handful of the songs.
" one of cinema's greatest composers...John Barry".......2001-07-06
This collection of four compact discs...are worth their weight in GOLD! Barry creates visual moods for each film he scores...romantic, sentimental, action, adventure, suspense and mystery...the list could go on. Strings, brass and lush-velvet arrangements overlay each cue in his distinctive style of legendary scoring...we have ~ "John Barry:The Collection", Silva Screen's release traces 40 years of film music, featuring "The City Of Prague Philarmonic Orchestra" ~ conducted by Mr. Nic Raine (outstanding)..."Crouch End Festival Chorus" ~ David Temple, Choir Master...perform 56 selections, over four hours of symphonic suites with a full orchestra sound...all individually wrapped-up into one neat package...just the way "film-score-buffs" like 'em!
Must ask the following to take a bow ~ James Fitzpatrick (compilation producer), always in their pitching, Reynold da Silva (executive producer), Nic Raine (conductor, arranger, orchestrator & associate producer), a tremen!dous asset to every project he undertakes...and the man who made it all possible...a legendary icon always leading the way in film scoring ~ JOHN BARRY!
Total Time: 258:76 on 56 Tracks ~ SSD-1128 ~ (2001)
You might try other albums from Silva Screen, all worthy of a good listen ~ "The Essential James Bond" (SSD-1034)..."Bond:Back In Action" (SSD-1100)..."Bond:Back In Action 2" (SSD-1119)..."Zulu" (SSD-1095)..."Raise The Titanic" (SSD-1102)..."Walkabout" (SSD-1120)...check out my reviews on amazon.com/music.
Average customer rating:
- Very Best of Broadway Music
|
Very Best Of Broadway Musicals
Various Artists
Manufacturer: Metro Music
ProductGroup: Music
Binding: Audio CD
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Broadway & Vocalists
| Indie Music
| Stores
| Music
Similar Items:
- Greatest Songs from the Musicals
- The Best of Broadway - The American Musical (PBS Series)
- Only Broadway CD You'll Ever Need
- The Best Of Broadway (Cast Recording Anthology)
- Ultimate Broadway
ASIN: B000068CC4
Release Date: 2002-06-25 |
Tracks:
- All That Jazz
- If I Can't Love Her
- Maybe This Time
- People Will Say We're In Love
- The Impossible Dream
- Seventy Six Trombones
- Can You Feel The Love Tonight?
- Still
- Send In The Clowns
- One
- Younger Than Springtime
- This Is The Moment
- Good Morning Starshine
- Your Getting To Be A Habit With Me
- Wunderbar
- Maria
- I Could Have Danced All Night
- Singin' In The Rain
- Written In The Stars
- One Song Glory
Customer Reviews:
Very Best of Broadway Music.......2007-05-08
I really like Broadway music so this is the BEST!!!!!!
I let someone else borrow this to listen at her house--She liked it also
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Hungarian National Philharmonic Orchestra
| ( H )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Moscow Philharmonic Orchestra
| ( M )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Rap & Hip-Hop
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Instructional
| Miscellaneous
| Styles
| Music
Blowout Box Sets
| Classical Music Blowout
| Stores
| Music
More Titles at Least 20% Off
| Classical Music Blowout
| Stores
| Music
All Classical Music Blowout
| Classical Music Blowout
| Stores
| Music
Hungarian National Philharmonic Orchestra
| ( H )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
London Philharmonic Orchestra
| ( L )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Moscow Philharmonic Orchestra
| ( M )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
National Philharmonic Orchestra London
| ( N )
| Performers, A-Z
| Classical Music Blowout
| Stores
| Music
Instrumental
| Classical Music Blowout
| Stores
| Music
Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- The Price Club
- A living legend
- not your daddy's old timey spiritual
- Immaculate Vocals of Leontyne Price
- Great Gospel Stuff
|
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Price, Leontyne
| ( P )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Folk
| Styles
| Music
Gershwin, George
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Gounod, Charles
| C to G
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Schubert, Franz
| Q to T
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
Anonymous
| A to B
| Featured Composers, A-Z
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Folk Songs
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Songs & Lieder
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Noels
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Price, Leontyne
| Divas
| Opera & Vocal
| Styles
| Music
General Christmas
| Holiday
| Miscellaneous
| Styles
| Music
General Christmas
| Holiday Music
| Special Features
| Music
Classical Music
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Opera & Vocal
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
| Stores
| Music
Similar Items:
- Leontyne Price: The Ultimate Collection
- Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan
- Spirituals in Concert
- Amazing Grace: Jessye Norman
- Spirituals
ASIN: B000003FWE
Release Date: 1997-01-14 |
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About The Mountain - Various Artists
- Swing Low , Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy - Leontyne Price
- Lead, Kindly Light - Leontyne Price
- Blessed Assurance - Leontyne Price
- Ave Maria - Leontyne Price
- What A Friend We Have In Jesus - Leontyne Price
- Amazing Grace - Leontyne Price
- The Lord's Prayer - Leontyne Price
- Pass Me Not, O Gentle Savior - Leontyne Price
- The Church's One Foundation - Leontyne Price
- Bless This House - Leontyne Price
- I Need Thee Every Hour - Leontyne Price
- Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
- I Wonder As I Wander - Leontyne Price
- Ave Maria - Leontyne Price
- Porgy And Bess: Summertime - Leontyne Price
- America The Beautiful - Leontyne Price
- Lift Ev'ry Voice And Sing - Leontyne Price
- A Mighty Fortress Is Our God - Leontyne Price
- Battle Hymn Of The Republic - Leontyne Price
Customer Reviews:
The Price Club.......2005-04-28
"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.
"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.
A living legend.......2005-03-10
Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "
not your daddy's old timey spiritual.......2004-06-23
Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.
Immaculate Vocals of Leontyne Price.......2003-12-31
IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**
Great Gospel Stuff.......2001-04-12
This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.
Average customer rating:
- If You Love Classical Music, This CD Is For You
- Probably Decca's best "Adagios" set
- One of the best CDs you'll ever own
- Sublime!
- GREAT MUSIC
|
Movie Adagios
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
| Classical
| Styles
| Music
Quartets
| Chamber Music
| Classical
| Styles
| Music
Quintets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mahler
| Mahler, Gustav
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Morricone, Ennio
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Nyman
| Nyman, Michael
| ( N )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Offenbach
| Offenbach, Jacques
| ( O )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Pachelbel
| Pachelbel, Johann
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Shostakovich
| Shostakovich, Dmitri
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Debussy
| Debussy, Claude
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concertinos
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Preludes
| Forms & Genres
| Classical
| Styles
| Music
Divertimentos
| Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Ballets & Dances
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Piano
| Keyboard
| Instruments
| Classical
| Styles
| Music
Clarinet
| Reeds & Winds
| Instruments
| Classical
| Styles
| Music
Cello
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Strings
| Instruments
| Classical
| Styles
| Music
Cleveland Orchestra
| ( C )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Baltimore Symphony Orchestra
| ( B )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Hollywood Bowl Symphony Orchestra
| ( H )
| Featured Performers, A-Z
| Classical
| Styles
| Music
London Philharmonic Orchestra
| ( L )
| Featured Performers, A-Z
| Classical
| Styles
| Music
National Philharmonic Orchestra London
| ( N )
| Featured Performers, A-Z
| Classical
| Styles
| Music
Vienna Philharmonic Orchestra
| ( V )
| Featured Performers, A-Z
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Compilations
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Baroque (c.1600-1750)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
German
| Languages
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Requiems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Movie Scores
| Soundtracks
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
The Decca Records Store
| Specialty Stores
| Music
Similar Items:
- Romantic Adagios
- Evening Adagios
- Violin Adagios
- Cello Adagios
- Guitar Adagios
ASIN: B00005OC0D
Release Date: 2001-10-09 |
Tracks:
- Platoon: Adagio For Strings - Baltimore Symphony Orchestra/David Zinman
- Elvira Madigan: Piano Concerto No.21 In C Major, K.467 - Radu Lupu/English Chamber Orchestra/Uri Segal
- A Room With A View: O Mio Babbino Caro (Gianni Schicchi) - Renata Tebaldi/Orch Del Maggio Musicale Fiorentino/Lamberto Gardelli
- Dangerous Moonlight: Warsaw Concerto - Cristina Ortiz/Royal Philharmonic Orchestra/Moshe Atzmon
- Dances With Wolves: John Dunbar Theme - Hollywood Bowl Orchestra/John Mauceri
- Raging Bull/Godfather III: Intermezzo (Cavalleria Rusticana) - National Philharmonic Orchestra/Gianandrea Gavazzeni
- Brief Encounter: Piano Concerto No.2 In C Minor: Adagio Sostenuto (Excerpt) - Jean-Yves Thibaudet/The Cleveland Orchestra/Vladimir Ashkenazy
- The Mission: Gabriel's Oboe - Prague Philharmonia/Nick Ingman
- The Piano: The Heart Asks Pleasure First - Jean-Yves Thibaudet
- The Gadfly: Romance - Alexander Kerr/Royal Concertgebouw Orchestra/Riccardo Chailly
- Amadeus: Serenade In B Flat Major, K.361 'Gran Partita': Adagio - Members Of The Academy Of St. Martin In The Fields/Neville Marriner
- Sunday, Bloody Sunday: Soave Sia Il Vento (Trio) (Cosi Fan Tutte) - Lucia Popp/Brgitte Fassbaender/Tom Krause/Vienna Haydn Orchestra/Istvan Kertesz
- Diva: Ebben?...Ne Andro Lontana (La Wally) - Renee Fleming/London Philharmonic Orchestra/Charles Mackerras
- Hannah And Her Sisters: Keyboard Concerto No.5 In F Minor, BWV 1056: Largo - Andras Schiff/Chamber Orchestra Of Europe
- Immortal Beloved: Piano Sonata No.14 In C Sharp Minor 'Moonlight': Adagio Sostenuto - Vladimir Ashkenazy
- Carrington: String Quintet In C Major, D956: Adagio (Excerpt) - Weller Quartet
- Amadeus: Lacrimosa (Requiem) - John Alldis Choir/BBC Symphony Orchestra/Colin Davis
Tracks:
- Billy Elliot: Scene (Opening Of Act 2) (Swan Lake) - Orchestre Symphonique De Montreal/Charles Dutoit
- Life Is Beautiful (La Vita E Bella): Barcarolle (The Tales Of Hoffmann) - L'Orchestra De La Suisse Romande/Richard Bonynge
- Dead Poets Society/Picnic At Hanging Rock: Piano Concerto No.5 In E Flat Major, Op.73 'Emperor'... - Vladimir Ashkenazy/The Cleveland Orchestra
- Hilary And Jackie: Cello Concerto, Op.85: Adagio - Moderato (Excerpt) - Julian Lloyd Webber/Royal Philharmonic Orchestra/Yehudi Menuhin
- Out Of Africa: Clarinet Concerto In A Major, K.622: Adagio - Jack Brymer/London Symphony Orchestra/Colin Davis
- Children Of A Lesser God: Concerto In D Minor For 2 Violins, BWV 1043: Largo, Ma Non Tanto - Henryk Szeryng/Maurice Hasson/Academy Of St. Martin In The Fields/Neville Marriner
- Frankie And Johnny: Clair De Lune - Eastman-Rochester Pops Orchestra/Frederick Fennell
- Cinema Paradiso: Nuovo Cinema Paradiso - Prague Philharmonia/Nick Ingman
- Death In Venice: Symphony No.5: Adagietto - Chicago Symphony Orchestra/Sir Georg Solti
- Seven: Suite No.3 In D Major, BWV 1068: Air - Stuttgarter Kammerorchestra/Karl Munchinger
- The Shawshank Redemption: Che Soave Seffiretto (Letter Duet) (The Marriage Of Figaro) - Kiri Te Kanawa/Lucia Popp/London Philharmonic Orchestra/Sir Georg Solti
- Fatal Attraction: Un Bel Di (Madama Butterfly) - Renee Fleming/London Philharmonic Orchestra/Charles Mackerras
- Ordinary People: Canon In D Major - Stuttgarter Kammerorchester/Karl Munchinger
- Truly, Madly, Deeply: Cello Sonata In G Minor, BWV 1029: Adagio (Excerpt) - Janos Starker/Gyorgy Sebok
- Shine: Prelude In C Sharp Minor, Op.3 No.2 - Vladimir Ashkenazy
- On Her Majesty's Secret Service: We Have All The Time In The World - Prague Philharmonia/Nick Ingman
Customer Reviews:
If You Love Classical Music, This CD Is For You .......2007-01-10
This compilation of movie themes is one of the most pleasurable CD's you'll ever own.
Probably Decca's best "Adagios" set.......2006-07-26
I say "probably," since it's hard to outdo its "Beethoven Adagios" set. I've only bought a few of these "Adagios" sets because, looking over the track listings of so many, there's just so much overlap. Here, you get the best single collection of the bunch. Here, I was introduced to Addinsell's "Warsaw Concerto," and for that alone it was worth the price. But let's not forget a significant number of other gorgeous classic adagios: Beethoven's "Emperor" concerto (used in a gorgeous film, "Picnic at Hanging Rock"), Bach's "Air on a G String," Mahler's Adaghietto from Symphony no. 5, some obligatory Mozart, the Barber adagio, Debussy's Claire de lune, and - oh lovely! - Schubert's String Quintet in C. Then there are much-appreciated entries (Cinema Paradiso, Gabriel's Oboe) from a personal favorite composer, Ennio Morricone, one of the actual official film composers (as distinct from long-dead composers whose music was used in film) used for this collection, along with a couple from another personal favorite, John Barry. (You'd really need to get Barry's own set of "adagios," titled "Moviola," to get his best, e.g., the title theme to "Out of Africa" and to "Somewhere in Time." For Morricone, the master of the romantic adagio in the past century, go with "Itinerary of a Genius" or individual soundtracks like "Legend of 1900," "Lolita," "Once Upon a Time in America," "Once Upon a Time in the West," and others.)
A couple drawbacks to this set: (1) The adagio from Rachmaninov's 2nd is truncated to a mere 4 minutes. For this, one is well advised to purchase a CD with the entire concerto, or get a full version of just the adagio elsewhere (Decca does include a full version on its "Romantic Adagios" collection). (2) So much from so many composers is included, that there is too little room for more Beethoven. I'd prefer the adagio from the "Pathetique" sonata to the "Moonlight" one which was included here. For Beethoven adagios, you need the "Beethoven Adagios" set as an accompaniment (where you get, among other things, adagios for the op. 130 string quartet, the 6th symphony, the violin concerto, piano concerto no. 3, the 7th symphony, and the romance for violin no. 2, op. 50). If you're a fan of Mozart music often used in the movies, there's the "Mozart Adagios" set and/or the "Amadeus" soundtrack.
I'm a "purist" as to a few works; I'd rather hear the entirety of the "Emperor" concerto than merely the adagio, for instance. In plenty of other cases, an adagio movement is heard just fine as a stand-alone work; plenty of the most beautiful music is used for adagio movements, as these sets make clear enough.
One of the best CDs you'll ever own.......2003-03-23
This is an excellent selection of music. I listen to it every chance I get. It is great just to put in your CD player on "repeat" and allow it to soothe and inspire you for a few hours, for an evening, or an for entire day.
One reason I chose it was that I was looking for music that could simply be a nice background noise for when I'm working on things that require reading and concentration. I wanted music that would not be a distraction, and this does a good job. It is also great to listen to when doing almost anything, like even cleaning the house or doing laundry. I will admit though, that listening to the selection from Swan Lake might make you want to dance around the living room.
Also, besides the obvious ones that everybody knows (Beethoven's 5th, or Canon in D, etc.) I do not know enough to distinguish specific songs from their composers, which is why I was hesitant to buy a classical CD soley of one artist because once I got it I may not have liked it or been familiar with any of the songs. That is why I picked Movie Adagios because I knew it would be a selection of some of the best classical music from the movies, which it is.
Sublime!.......2002-09-08
Of course, I'm nuts for classical music and classic movies, so this compilation of music featured in some of the most famous movies ever made is an absolutely ideal CD.
Filmmakers have been raiding the classical music files since the days of the silents in order to heighten the mood of a scene and provide a greater emotional impact. Barber's Adagio for Strings has been used not only in "Platoon", as this CD lists, but also in "The Elephant Man". While there's only a small snippet of Rachmininoff's Piano Concerto No. 2 here, it's worth remembering that the entire piece is used throughout the magnificent "Brief Encounter" to heighten the impact of the romance. Mozart's Trio (Cosi fan tutte) was brilliantly used in "Sunday, Bloody Sunday" to comment on a complex romantic triangle.
There are also 5 pieces written directly for the screen, two by Ennio Morricone (the haunting Gabriel's Oboe from "The Mission" and the exquisite Nuovo Cinema Paradiso from "Cinema Paradiso"), two by John Barry (a lovely version of We Have All the Time in the World from the James Bond classic "On Her Majesty's Secret Service" and the elegiac John Dunbar Theme from "Dances With Wolves") and one by Michael Nyman (The heart asks pleasure first from "The Piano").
I love this CD, to relax with, to read with, and just immerse myself in the spectacular sounds of genius.
GREAT MUSIC.......2001-12-03
This is a great classical piece for the lovers of classical, as well as the ones who may hate it. These Adagios CDs get beter and better each time there is a new release. I must warn you there some good as well as some bad ones. There is a certain Adagio flavor for everyones. At the present I have others, but the ones I truly enjoy are Violin Adagios, The Piano Adagios and this one. This compilation is great for reading. Furthermore this CD can be great evening music... for sleeping.
Those of you who have not got on board with the ADAGIOS, please get on board the next time you go to your favorite music store. You may be surprised at how you have enriched yourselves with great music for your listening pleasure.
You may want to check other reviews here at Amazon under my section in the customers reviews.
Thanks
TRIPP
Average customer rating:
- You'll be disappointed
- Pretty good musical mix
|
Greatest Songs from the Musicals
Various Artists
Manufacturer: Soho
ProductGroup: Music
Binding: Audio CD
General
| International
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| International
| Indie Music
| Stores
| Music
International
| Imports
| Stores
| Music
Similar Items:
- Very Best Of Broadway Musicals
- Only Broadway CD You'll Ever Need
- Ultimate Broadway
- Greatest Hits: Broadway
- Ultimate Broadway II: The Very Best of Broadway Now
ASIN: B000077JS0
Release Date: 2002-10-21 |
Tracks:
- Aquarius [From Hair] - Steve Brooker, NSO Ensemble, , Caroline O'Connor
- If I Can't Love Her [From Beauty and the Beast] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- I Could Have Danced All Night [From My Fair Lady] - Katrina Murphy, National Symphony Orchestra
- Can You Feel the Love Tonight? [From The Lion King] - John Barrowman, National Symphony Orchestra, Martin Yates
- What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
- This Is the Moment [From Jekyll and Hyde] - Gary Mauer, National Symphony Orchestra, Martin Yates
- All That Jazz [From Chicago] - Paulette Ivory, Julian Kelly, Katrina Murphy, National Symphony Orchestra, Sally Ann Triplett
- Impossible Dream [From Man of La Mancha] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- America [From West Side Story] - National Symphony Orchestra
- Written in the Stars [From Aida] - Simon Bowman, NSO Ensemble, Sally Ann Triplett, Martin Yates
- Mame [From Mame] - Jerry Lanning, National Symphony Orchestra, Martin Yates
- Some Enchanted Evening [From South Pacific] - Thomas Allen, John Owen Edwards, Philharmonic Orchestra
- I Am What I Am [From LA Cage aux Follies] - Janet Glazener, Leslie Uggams
- One Song Glory [From Rent] - Sean McDermott, Martin Yates
Tracks:
- Phantom of the Opera [From The Phantom of the Opera] - Ethan Freeman, Claire Moore, National Symphony Orchestra, Martin Yates
- I Dreamed a Dream [From Les Miserables] - National Symphony Orchestra, Jacqui Scott, Martin Yates
- Bui Doi [From Miss Saigon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- As Long as He Needs Me [From Oliver!] - National Symphony Orchestra,
- Time Warp [From the Rocky Horror Picture Show] - Anita Dobson, NSO Ensemble, Martin Yates,
- Memory [From Cats] - Kim Criswell, National Symphony Orchestra, Martin Yates
- Why God Why [From Miss Saigon] - Graham Bickley, National Symphony Orchestra, Martin Yates
- I Know Him So Well [From Chess] - Katrina Murphy, NSO Ensemble, Sally Ann Triplett, Martin Yates
- One Day More [From Les Miserables] - National Symphony Orchestra, Martin Yates
- Peggy Sue [From Buddy Holly Story] - Dominic Curtis
- Empty Charis at Empty Tables [From Les Miserables] - Graham Bickley, National Symphony Orchestra, Martin Yates
- Dancing Queen [From Mamma Mia!] - Julian Kelly, NSO Ensemble, , Caroline O'Connor
- All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, , National Symphony Orchestra, Martin Yates
- We Will Rock You [From We Will Rock You] - Martin Yates
Tracks:
- It's a Grand Night for Singing [From State Fair] - National Symphony Orchestra
- If I Were a Rich Man [From Fiddler on the Roof] - Jerry Lanning, National Symphony Orchestra
- I Talk to the Trees [From Paint Your Wagon] - Ethan Freeman, National Symphony Orchestra, Martin Yates
- Over the Rainbow [From The Wizard of Oz] - Gillian Bevan, , John Owen Edwards, , Royal Shakespeare Company
- Bless Yore Beautiful Hide [From Seven Brides for Seven Brothers] - Hal Fowler, National Symphony Orchestra, Martin Yates
- Grease [From Grease] - John Barrowman, NSO Ensemble, Martin Yates
- Woman in Love [From Guys and Dolls] - Gregg Edelman, , Emily Loesser, National Symphony Orchestra
- Secret Love [From Calamity Jane] - Debbie Gravitte, National Symphony Orchestra
- Quintet [From West Side Story] - National Symphony Orchestra
- I Will Always Love You [From the Best Little Whorehouse in Texas] - Salena Jones, John Pearce
- Money, Money [From "Caberet"] - Maria Friedman, National Symphony Orchestra, Jonathan Pryce
- If My Friends Could See Me Now (Sweet Charity) - Jacqueline Dankworth, National Symphony Orchestra, Martin Yates
- Thank Heaven for Little Girls [From Gigi] - Ron Moody, National Symphony Orchestra, Martin Yates
- Singin' in the Rain [From Singin' in the Rain] - Craig Barna, National Symphony Orchestra, Paul Robinson
Customer Reviews:
You'll be disappointed.......2006-09-02
Not the original artists. Very weak versions of beloved songs by marginal to downright bad vocalists.
Pretty good musical mix.......2006-03-10
Lots of great and clear vocals. I was looking for a musical mix and this has a nice sampling of many major songs but also some more recent stuff. I haven't purchased an import before but I would do it again if the opportunity presented itself. It is somewhat annoying to have three cds when I think it could have fit onto two. Still, more than I have complaints, I have compliments about it.
Average customer rating:
- Lerner & Loewe Songbook
- Wouldn't it be lovely?
- A Successful Sequel
- Delightful Listening
|
Lerner & Loewe Songbook for Orchestra
Frederick Loewe , and Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Orchestral Pop
| Easy Listening
| Pop
| Styles
| Music
Similar Items:
- Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
- Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
- Puttin' on the Ritz: The Great Hollywood Musicals
- Classics of the Silver Screen
- Beautiful Hollywood
ASIN: B000003D0E
Release Date: 1994-01-25 |
Tracks:
- I Wonder What The King Is Doing Tonight - The March To Welcome Guenevere - Et Al.
- Wouldn't It Be Loverly - With A Little Bit Of Luck - Et Al.
- The Night They Invented Champagne - Waltz At Maxim's - Et Al.
- They Call The Wind Mariah - I Still See Elisa - Et Al.
- Sword Dance - Down On MacConnachy Square - Et Al.
Customer Reviews:
Lerner & Loewe Songbook.......2006-02-24
If you like Percy Faith's music, you'll like this one. He quit recording and died much too young. But while he lived, he recorded some great music.
Wouldn't it be lovely?.......2005-09-26
This CD represents some of the best of Broadway done in a great pops style. There are five orchestral suites, one each for the following: 'Camelot', 'My Fair Lady', 'Gigi', 'Paint Your Wagon', and 'Bridgadoon'. They are all arranged for orchestra by Robert Russell Bennett, save that for 'Paint Your Wagon', which was arranged by Cincinnati Pops Orchestra director Erich Kunzel.
The works of Lerner and Loewe were a mainstay of Broadway for decades in the 1950s, 60s, and 70s, but it was during the late 50s and early 60s that their true glory days took hold. The presidential term of John F. Kennedy gained the nickname 'Camelot' in part because of the influence of the Lerner and Loewe production going on at the start. The songs contained in these suites are instantly recognisable by many, as the Lerner and Loewe songs have become so well known that many know the songs better than the musicals or the composers from which they come. 'I Could Have Danced All Night' and 'Wouldn't It Be Lovely' come from 'My Fair Lady', 'Thank Heaven for Little Girls' from 'Gigi' - these are but the most of famous of the familiar tunes.
There are a lot of pieces here that the listener will appreciate, both in remembering old pieces or in learning new nuances to the tunes.
This particular disc by Telarc has a feature called 'Spatializer', which gives a three-dimensional quality to the sterophonic sound, enhancing regular players and working well with surround-sound systems, too. The Cincinnati Pops are expert at this kind of music, having produced dozens of CDs of popular music and modern composers of musicals, film music, and pops-oriented major compositions.
This is a fun disc to have.
A Successful Sequel.......2005-08-03
This CD is a follow-up to the Rodgers & Hammerstein Songbook for Orchestra (1991) from the same team. It is a thoroughly successful sequel: I believe anyone who enjoyed the R&H will enjoy this one as well. If I am very slightly less enthusiastic about this one than the R&H, it's not because of any shortcoming of Kunzel, the Cincinnati Pops, or Telarc, all of whom are at the top of their form. Rather it's because Frederick Loewe, for all his undoubted expertise, is not quite in the same class as a composer with Richard Rodgers. But that's asking a lot, since Rodgers was the American musical theater's leading light. Lerner & Loewe's musicals were second only to R&H's during the golden age of the American musical, and their My Fair Lady is by any standard one of the best musicals ever staged. If Loewe did not create as many unforgettable numbers as Rodgers, he nevertheless wrote many delightful songs and much enjoyable music. This CD features five orchestral suites, ranging in length from 9 to 18 minutes (total playing time 68:06), from Brigadoon (1947), Paint Your Wagon (1951), My Fair Lady (1956), Gigi (film 1958; staged 1973), and Camelot (1960). The arrangements (all but one by Robert Russell Bennett) are expert. The performances are masterly (if perhaps lacking in just a tad of the infectious brio that the same team brought to R&H). And Telarc's robust sound (recorded 1993) would be hard to improve on. Warmly recommended.
Delightful Listening.......1998-12-05
Some of the nicest and nearly forgotten music (Paint your Wagon & Brigadoon) is nicely compiled here. It will make you want to listen to the full soundtracks again, but for a quick tour of Lerner & Lowe, it is very nice.
Average customer rating:
- Music from Humphrey Bogar Movies
- Simply the original
- not the stuff dreams are made of
|
Music from Humphrey Bogart Movies
Manufacturer: The Sound Track Facto
ProductGroup: Music
Binding: Audio CD
All Works by Takemitsu
| Takemitsu, Toru
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Waxman
| Waxman, Franz
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Soundtracks
| Imports
| Stores
| Music
Similar Items:
- Sings Stardust and His Other Great Compositions
- Casablanca: Original Motion Picture Soundtrack
- Stardust Melody
- Hoagy Sings Carmichael
- A Portrait of Hoagy Carmichael
ASIN: B00006CFHZ
Release Date: 2002-08-08 |
Tracks:
- As Time Goes By [From Casablanca] - Elliot Carpenter, Dooley Wilson
- Am I Blue/Hong Kong Blues/The Rhumba Jumps/How Little We Know [from To - Hoagy Carmichael, , Andy Williams
- And Her Tears Flowed Like Wine [From the Big Sleep] - Lauren Bacall
- Petrified Forest
- My Melancholy Baby/I'm Just Wild About Harry/It Had to Be You/In a ...
- High Sierra
- Maltese Falcon - Jo Stafford
- Baila Bailando/Too Marvelous for Words [From Dark Passage]
- Treasure of the Sierra Madre
- Moanin' Low - Claire Trevor
- African Queen
- Oh, Give Me Time for Tenderness [From Dark Victory] - Vera Van
Album Description
Full title - Music From Humphrey Bogart Movies. Includes music from the classics, 'Casablanca' (1942), 'The Big Sleep' (1946), 'Key Largo' (1948), 'To Have & Have Not' (1944), 'The Petrified Forest' (1936), 'The Roaring Twenties' (1939), 'High Sierra' (1941), 'The Maltese Falcon' (1941), 'Dark Passage' (1947) & 'The African Queen' (1951). Highlights include, Dooley Wilson & Elliot Carpenter Trio 'As Time Goes By', Andy Williams 'Little We Know' & Lauren Bacall 'And Her Tears Flowed Like Wine'. Slipcase. 2002.
Customer Reviews:
Music from Humphrey Bogar Movies.......2007-06-27
I was disappointed. I thought I would be getting a CD of full length themes from his movies but the CD is exactly what it says. It is from the actual films, in sections and pieces. I can't say it was misrepresented so I guess I was at fault. But I am sorry I bought it.
Simply the original.......2007-06-19
As the previous reviewer rightly pointed out, these are the original recordings from the era the films were made. And yes, the sound is completely different from what we are used to hear when we are turning the CD player on: it's mono, it's partially unsteady and some of the pieces suddenly fade. BUT, it's the REAL thing and it transports the charms and the charisma, inherent to the original ONLY.
Those who prefer the flawless technical perfection of a re-recording better should save their money. But for those who love the movies and their genuine sound, should be perfectly pleased with this release.
not the stuff dreams are made of.......2007-01-03
most of the tracks on this cd are available elsewhere, but what prompts me to give this a low review is the quality of the recording. some of them sound like they were taped off of a tv set showing a warbly print. you can do better elsewhere.
Average customer rating:
- I waited for this for five years
- Excellent collection but BIG PUBLISHING MISTAKE!
- ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS
- SUCH MAGICAL MUSIC OF THE NIGHT!
- A Must Have for Sir Andrew fans
|
Andrew Lloyd Webber: Now & Forever
Various Artists
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Noels
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Requiems
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Contemporary Musicals
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
General Christmas
| Holiday
| Miscellaneous
| Styles
| Music
Broadway & Musicals
| Broadway & Vocalists
| Box Sets
| Stores
| Music
The Decca Records Store
| Specialty Stores
| Music
General Christmas
| Holiday Music
| Special Features
| Music
Similar Items:
- Gold: The Definitive Hits Collection
- The Very Best Of Andrew Lloyd Webber: The Broadway Collection
- Evita (Original London Cast)
- Andrew Lloyd Webber - The Royal Albert Hall Celebration
- Andrew Lloyd Webber - Masterpiece (Collector's Edition) (Bonus CD)
ASIN: B00005R5UJ
Release Date: 2001-11-20 |
Tracks:
- Jesus Christ Superstar: Overture - Andrew Lloyd Webber
- Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
- Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
- Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
- Jesus Christ Superstar: Superstar - Murray Head
- Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
- Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
- Evita: Another Suitcase In Another Hall - Barbara Dickson
- Evita: Don't Cry For Me Argentina - Julie Covington
- Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
- Cats: The Jellicle Ball - Andrew Lloyd Weber
- Cats: Memory - Elaine Paige
- Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
- Cats: Mr Mistoffelees - Paul Nicholas
- Song And Dance: Take That Look Off Your Face - Marti Webb
- Song And Dance: Tell Me On A Sunday - Marti Webb
- Song And Dance: Unexpected Song - Sarah Brightman
- Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
- Song And Dance: Introduction - Andrew Lloyd Webber
- Song And Dance: Variations 1 -4 - Andrew Lloyd Webber
Tracks:
- Starlight Express: Starlight Express - El Debarge
- Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
- Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
- Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
- Starlight Express: Light At The End Of The Tunnel - The Company
- Requiem: Hosanna - Placido Domingo
- Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
- The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
- The Phantom Of The Opera: The Music Of The Night - Michael Crawford
- The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
- The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
- The Phantom Of The Opera: Masquerade - The Company
- The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
- Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
- Aspects Of Love: Love Changes Everything - Michael Ball
- Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
- Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
- Aspects Of Love: Anything But Lonely - Sarah Brightman
- Aspects Of Love: Chanson D'Enfance - Sarah Brightman
Tracks:
- Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
- Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
- Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
- By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
- By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
- By Jeeves: Half A Moment - Sarah Brightman
- Sunset Boulevard: With One Look - Glenn Close
- Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
- Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
- Sunset Boulevard: Sunser Boulevard - Alan Campbell
- Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
- Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
- Whistle Down The Wind: Cold - Everly Brothers
- Whistle Down The Wind: No Matter What - Children/Adult Chorus
- Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
- The Beautiful Game: Overture - Andrew Lloyd Webber
- The Beautiful Game: The Beautiful Game - The Company
- The Beautiful Game: Our Kind Of Love - Hannah Waddingham
- The Beautiful Game: Dont Like You - Josie Walker/David Shannon
- The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir
Tracks:
- Oh What A Circus - David Essex
- Memory - Betty Buckley
- The Phantom Of The Opera - Sarah Brightman/Steve Harley
- All I Ask Of You - Sarah Brightman/Cliff Richard
- Love Changes Everything - Michael Ball
- Any Dream Will Do - Donny Osmond
- Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
- As If We Never Said Goodbye - Barbra Streisand
- The Perfect Year - Dina Carroll
- With One Look - Petula Clark
- You Must Love Me - Madonna
- The Heart Is Slow To Learn - Kiri Te Kanawa
- A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
- Whistle Down The Wind - Tina Arena
- No Matter What - Boyzone
- The Vaults Of Heaven - Tom Jones
- Try Not To Be Afraid - Boy George
- Pie Jesu - Charlotte Church
Tracks:
- Make Believe Love - Wes Sands
- Down Thru' Summer - Ross Hannaman
- I'll Give All My Love To Southend - Ross Hannaman
- Believe Me I Will - Sacha Distel
- Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
- Try It And See - Rita Pavone
- Come Back Richard Your Country Needs You - Time Rice And The Webber Group
- Goodbye Seattle - Paul Raven
- John 19:41 - The Andrew Lloyd Webber Orchestra
- What A Line To Go Out On - Yvonne Elliman
- Disillusion Me - Gary Band
- The Ballad Of Robert And Peter - Tim Rice
- Christmas Dream - Maynard Williams
- It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
- It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
- Magdalena - Tony Christie
- Buenos Aires - The Roja Rockers
- Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
- Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
- I Could Have Given You More - Petula Clark
- I've Been In Love Too Long - Marti Webb
- Benedicite - The Stephen Hill Singers
Album Description
Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance
Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love
Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game
CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church
Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers
Customer Reviews:
I waited for this for five years.......2006-06-30
Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.
The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.
I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.
There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."
But the selections on CDs 1-3 don't make sense.
First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.
Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?
On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?
The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).
There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.
With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?
Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.
In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.
Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10
Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.
ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21
Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.
Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.
Here are my basic impressions and comments regarding the material on the discs:
* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.
* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.
* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.
* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.
* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.
Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.
SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19
"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.
A Must Have for Sir Andrew fans.......2002-05-21
This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!
Average customer rating:
- "cinema's main stay themes prevail ~ City of Prague"
|
Reel Chill: The Cinematic Chillout Album
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
All Works by Albinoni
| Albinoni, Tomaso
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mahler
| Mahler, Gustav
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Morricone, Ennio
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Nyman
| Nyman, Michael
| ( N )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Rota, Nino
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Sakamoto, Ryuichi
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vangelis
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Strings
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Romantic (c.1820-1910)
| Historical Periods
| Opera & Vocal
| Styles
| Music
Italian
| Languages
| Opera & Vocal
| Styles
| Music
Masses
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Similar Items:
- Reel Love: The Cinematic Romance Album
- Classical Chillout
- Classic Chillout, Vol. 2
- Ultimate Movie Album
- Cinema Choral Classics
ASIN: B0002IQGT4
Release Date: 2004-08-10 |
Tracks:
- Sarabande [From Barry Lyndon]
- Main Theme [From Midnight Cowboy]
- Promenade Sentimentale [From Dive] - Mark Ayres
- May It Be [From the Lord of the Rings: The Fellowship of the]
- Women of Ireland [From Barry Lyndon]
- Adagio for Strings & Organ [From Gallipoli [
- Romeo/Love Theme [From Romeo & Juliet)
- Balcony Scene [From Romeo + Juliet]
- Main Theme [From Chariots of Fire] - Mark Ayres
- Main Theme [From Bilitis] - Mark Ayres
- Main Theme [From Merry Christmas Mr. Lawrence] - Mark Ayres
- Main Theme [From Cinema Paradiso]
- Main Theme [From Once Upon A Time in the West]
- Deborah's Theme [From Once Upon A Time in America]
- Suite: The Mission/Gabriel's Oboe/On Earth as It Is in Heaven ... - City of Prague Philharmonic Orchestra, Crouch End Festival Chorus
Tracks:
- Suite: Mountains and Sunsets/The Wedding/You Only Live Twice [From You
- Heart Asks Pleasure First [From The Piano]
- Agnus Dei [From Platoon] - Crouch End Festival Chorus
- Vide Cor Meum [From Hannibal]
- Adagietto from Symphony No. 5 [From DeAth in Venice]
- Any Other Name/Dead Already [from American Beauty] - Rick Clark,
- Into the West [From the Lord of the Rings: Return of the King]
- Where Dreams Are Made [From Artificial Intelligence]
- Main Theme [From Somewhere in Time]
- We Have All the Time in the World [From on Her Majesty's Secret ...]
- Electronic Battlefield [From Patriot Games]
- Now We Are Free [From Gladiator]
- Intermezzo from Cavalleria Rusticana [From Raging Bull]
- Cavatina [From the DeErhunter]
- Main Theme [From Out of Africa]
Customer Reviews:
"cinema's main stay themes prevail ~ City of Prague".......2004-08-15
What a crowning achievement to bring "Reel Chill:Cinematic Chillout Album", released by Silva America and featuring The City of Prague Philharmonic Orchestra and the Crouch End Festival Chorus ~ conductors are Mark Ayres, Paul Bateman, Rick Clark, James Fitzpatrick, Nic Raine and David Temple director of the chorus ~ one can only expect the highest quality of performances and quench the thirst of all "film-score-buffs".
Sit back and unleash the first disc with composers ~ Albinoni, Craig Armstrong, John Barry, Vladimir Cosma, Enya & Nicky Ryan, Handel, Francis Lai, Ennio Morricone, Sean O'Riorda, Nino Rota, Ryvichi Sakamoto and Vangelis ~ taking each film score cue "BILITIS", "CHARIOTS OF FIRE", "CINEMA PARADISO", "DIVA", "GALLIPOLI", "THE LORD OF THE RINGS:THE FELLOWSHIP OF THE RING", "BARRY LYNDON", "MERRY CHRISTMAS MR. LAWRENCE", "MIDNIGHT COWBOY", "THE MISSION", "ONCE UPON A TIME IN AMERICA", "ONCE UPON A TIME IN THE WEST", "ROMEO & JULIET" and "ROMEO + JULIET", with arrangements that soar and then simmer into pure meditation of grandeur ~ classic film music prevails, as orchestration comes to the surface with pure originality ~ one masterpiece after another is long last presented as it should have been, is cause for celebration ~ each cue is a distinctive gift for striking modernism, touching on the transition of the period in this planets history.
Second disc is waiting in the wings are composers ~ Samuel Barber, John Barry, Patrick Cassidy, James Horner, Mahler, Mascagni, Stanley Myers, Thomas Newman, Michael Nyman, Howard Shore, John Williams and Hans Zimmer/Lisa Gerrard ~ take a musical ride with "AMERICAN BEAUTY", "A.I. ARTIFICAL INTELLIGENCE", "DEATH IN VENICE", "DEER HUNTER", "GLADIATOR", "HANNIBAL", "THE LORD OF THE RINGS:RETURN OF THE KING", "ON HER MAJESTY'S SECRET SERVICE", "OUT OF AFRICA", "PATRIOT GAMES", "THE PIANO", "PLATOON", "RAGING BULL", "SOMEWHERE IN TIME" and "YOU ONLY LIVE TWICE" ~ our composers with passion and skill for exploring human emotions, coupled with a unique gift for striking exotic orchestral colors, make this with all it's splendor unforgettable ~ themes that ring with familiarity as each film comes to mind through music.
Silva America gives the collector a treasure of thirty film cues that any "film-score-buff" would die for ~ in the past James Fitzpatrick (producer), Reynold da Silva (executive producer), mastered by Rick Clark and David Stoner (release co-ordinator) have given us compilation with such expertise and this one is no exception ~ keep up the outstanding limited editions and deluxe package releases, with your signature tidbits for all film music fans that's in all of us...gotta love it!
Total Time: 2-CD-Set ~ Silva America 1161 ~ (8/10/2004)
Jazz Music:
- Tribute to Benny Goodman with the BBC Big Band
- Tudo de Bom
- Tunnel Vision
- Very Tall Band [Hybrid SACD] [Hybrid SACD]
- Vientos Flamencos [Import]
- Window Up Window Down [Live]
- 1945-1953
- A Bout de Souffle [Soundtrack]
- A Farewell to Maria (Original Soundtrack)
- Angles of Repose
Jazz Music
Jazz Music