Tune It In
Tune It In
ASIN: B00004GP2J
Editorial Reviews
Amazon.com
Though he's more of a consistent purveyor of funky and melodic keyboard elegance than an artist labels try to push into the star category, contemporary jazz fans have been tuning in to Tom Grant for over 20 years--long before there was an official name for "smooth jazz." One of the ways Grant kept the music fresh on Tune It In involved dividing the production duties. He produced one tune himself and six with longtime coproducer and cowriter Phil Baker. Grant also called in popular smooth-jazz guitarist and producer Ray Obiedo to help produce the remaining tracks. Grant's very first recording, Mystified, came out in 1976, and he and Baker try their darnedest to capture the fusion vibe of that time on the title track of "Tune It In." Grant floats a joyous melody over a punchy, percussive groove, throbbing bass lines, and Baker's occasional wah-wah guitar spurts. Grant has long been one of smooth-jazz's most endearing balladeers, and the following three tracks feature his eloquence in this area. A cover of 98 Degrees' "Invisible Man" showcases the gently funky bass and seductive tenor sax of the Braxton Brothers, while the balmy, breezy "Generous Heart" finds Grant's melody dancing happily over the warm, tropical guitar cool of Obiedo. Obiedo also produced the swaying, irresistible cover of the Vanessa Williams hit "Save the Best for Last." --Jonathan Widran
From Jazziz
Veteran pianist and composer Tom Grant adds to his quarter-century catalog - and anoints his first CD for Windham Hill - with a title that winks at his weekly disc- jockey gig at a Portland, Oregon smooth-jazz station. His longevity and radio-honed musical instincts pay off with a state-of-the-art smooth-jazz project. The music is bursting with lush, romantic ballads, paced by pretty piano lines and up-tempo numbers, and infused with 21st-century hip-hop rhythms and R&B grooves. Grant is adept at choosing cover songs. He takes boy band "98 Degrees"' "Invisible Man" and gives it a sparkling touch, aided by the "Braxton Brothers" (Nelson on bass and Wayne on tenor sax) and guitarist Ray Obiedo (who also co-produces the song and several others). More magic is mined in Vanessa Williams' hit "Save the Best for Last," with Grant's unhurried playing setting a mellow mood, and in "Black Orpheus," where his jazz vocals are showcased. Grant is not a great singer - he'll be the first to admit it - but he knows his range and chooses songs accordingly. Grant is also adept at killer hooks, which he pulls out for "Mysterious Smile" and "Overnight Sensation," both given luster by percussion - the former with a touch of drum 'n' bass by Peter Michael Escovedo, the latter with a Latin feel supplied by Valerie Day.
--- Brian Soergel, JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.
Tune It In,Tom Grant,Windham Hill Records,Crossover Jazz,Jazz,Jazz Music,Pop
Average customer rating:
- It deserved better
- SEESAW (1973 ORIGINAL BROADWAY CAST)
- A Broadway nadir.
- Michele Lee sings Cy Coleman's most underrated score
- This Seesaw is merely quirky fun
|
Seesaw (1973 Original Broadway Cast)
Dorothy Fields
Manufacturer: Drg
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ASIN: B000000PG6
Release Date: 1990-10-25 |
Tracks:
- Seesaw - Orchestra & Company
- My City - Street Walkers & Company
- Nobody Does It Like Me - Michele Lee
- In Tune - Michele Lee/Ken Howard/Company
- Spanglish - Giancarlo Esposito/Michele Lee/Ken Howard/Company
- Welcome To Holiday Inn - Michele Lee
- You're A Lovable Lunatic - Ken Howard
- He's Good For Me - Michele Lee
- Ride Out The Storm - Lamonte Desfontaines/Cecelia Norfleet/Company
- Entr'acte - Orchestra
- We've Got It - Ken Howard
- Poor Everybody Else - Michele Lee
- Chapter 54, Number 1909 - Tommy Tune/Ken Howard/Michael Lee/Company
- Seesaw Ballet - Orchestra
- It's Not Where You Start - Tommy Tune/Company
- Finale: I'm Way Ahead & Seesaw - Michele Lee
- Bows: It's Not Where You Start - Entire Company
Customer Reviews:
It deserved better.......2007-07-05
I've often wondered if I'm the only person alive who saw "Seesaw!" It's been sadly neglected. Michele Lee was wonderful, and it was a great introduction to a guy named Tommy Tune.. The music is very enjoyable. Highly recommended for Broadway show lovers!
SEESAW (1973 ORIGINAL BROADWAY CAST).......2007-01-27
I SAW THIS SHOW AND LOVED EVERY MOMENT. I TILL REMEMBER HOW MUCH FUN I HAD. I WAS IN COLLEGE AT THE TIME AND HAD THE GREAT OPPORTUNITY TO SEE IT AGAIN. THE SCORE IS WONDERFUL, TUNEFUL AND MEMORABLE.
A Broadway nadir........2004-09-14
With all due respect to Cy Coleman and Dorothy Fields, both of whom made major contributions to the Broadway canon, this must be one of the weakest musical scores ever committed to vinyl. Worst of all, it bears no relation to the poignant two-character play on which it is based. Just who was it who wanted that tender little play to be enhanced by a big campy production number starring Tommy Tune?
Michele Lee sings Cy Coleman's most underrated score.......2004-01-28
SEESAW was a musical version of William Gibson's rueful comedy-drama TWO FOR THE SEESAW, which originally starred Anne Bancroft. For the musical version, the leading lady was the delightful Michele Lee (BRAVO GIOVANNI) who earned a Tony nomination for her performance.
The Cy Coleman-Dorothy Fields score includes great numbers like "Nobody Does It Like Me", "In Tune" and the 11 o'clock number "Poor Everybody Else".
The supporting cast includes the always-reliable Tommy Tune, as well as Ken Howard, Cecelia Norfleet and LaMonte DesFontaines.
Highly-recommended for fans of Broadway musicals as well as the incantory Miss Michele Lee. [DRG CDRG6108]
This Seesaw is merely quirky fun.......1999-08-22
Cy Coleman's Seesaw overture is a wonderful start to a wonderfully breezy CD. Most of the chorus numbers are very poor ( Spanglish, Ride Out the Storm), but the spotlighted Michele Lee, Ken Howard, and Tommy Tune are preserved fantastically. Michele Lee's husky voice is capable of making your heart soar and break at the same time. Her comedic timing is wonderful (Welcome to Holiday Inn), her down-on-her-luck song is perfection(Nobody Does It Like Me), and Poor Everybody Else will have you rooting for Michele instantly. Ken Howard is truly a Lovable Lunatic. And Tommy Tune's Tony Award winning performance is captured here with "It's Not Where You Start." It is typically Coleman music, but he is wonderfully aided with Dorothy Fields's lyrics. If you can find it for a discount, don't resist!
Average customer rating:
- Great sound and great song!
- Along with the Good Vibrations are my favorites
- My dad loves it
- Great Album!
- Beautiful singing; clever arrangements
|
The Kings Singers - New Day
John David , Peter Christie , Cy Coleman , Warren Casey , Bob Barratt , John Lennon , Lionel Richie , Don Schlitz , Hal David , George Harrison , Jim Jacobs , Benny Andersson , Paul McCartney , Michel Legrand , Barry Manilow , Ed Welch , Harry Robinson , Daryl Runswick , The King's Singers , Gordon Langford Quartet , and Cliff Hall
Manufacturer: EMI Classics
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ASIN: B000002RQO
Release Date: 1990-10-25 |
Tracks:
- You Are The New Day
- Nouveau Poor
- Three Times A Lady
- What's In A Tune?
- You'd Have To Be A Rosie
- Can't Buy Me Love
- Singapore Girl
- 'Sweet Charity': The Rhythm Of Life
- The Gambler
- It Was Almost Like A Song
- Here Comes The Sun
- Hush Little Baby, Don't Say A Word
- 'Grease': Money, Money, Money-Summer Nights
- The Summer Knows
- Could It Be Magic
Customer Reviews:
Great sound and great song!.......2007-05-19
I loved the song "A New Day" after hearing it on the radio. I tracked it down and ordered the CD. All the songs are terrific.
Along with the Good Vibrations are my favorites.......2007-05-15
Own it! It's all worth it!
"You are the new day" is my personal favorite song.
My dad loves it.......2007-02-13
If he likes it then I am happy. Not my cup of tea. I like the idea that there where some Beatles tunes. Dad is 57 I am 36 might be the difference in age. NOt sure. Just not my cup of tea
Great Album!.......2006-04-22
I was very amazed when I first heard this album. Their sound is like no other. They are so unique that you can't compare them to other acapella groups.
I can say that their sound is better than a mixed choir because even though the King's Singers is only composed of 6 members. Their sound volume can beat a 30 member choir due to the quality of their voice.
My favorite is "It Was Almost Like A Song" because of the countertenor's very light voice. The baritone part was also awesome as he dominated the scene when he took the melody.
Overall, great album. This has to be one of the King's Singers best albums released. All songs are great that you can't resist missing a moment on listening it.
Beautiful singing; clever arrangements.......2002-06-14
I have been a fan of The King's Singers since their debut recording thirty years ago. New Day is one of my favourite albums. It has the terrific optimistic song "New Day," but many other wonderful tracks.
"Can't Buy Me Love" is sung as if it had been written by one of the Renaissance madrigal writers when he was in a very good mood. There are other up tempo tracks like this one, including Abba's "Money, Money, Money" and "The Rhythm of Life," but the CD also includes some romantic, lush singing in songs such as "Three Times A Lady," "The Summer Knows" and "It Was Almost Like A Song."
The clever arrangement of Barry Manilow's "Could It Be Magic?" begins with an extract from a sombre Chopin Prelude in C minor.
Highly recommended.
Average customer rating:
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Land of My Fathers: 100 Great Welsh Choir Favourites
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ASIN: B0009SOFXG
Release Date: 2005-08-01 |
Tracks:
- Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
- Land of My Fathers - Caerphilly Make Voice Choir
- Dies Irae
- Men of Harlech
- You'll Never Walk Alone
- Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
- Old Folks at Home
- Il Liza Jane
- Faust/Soldier's Chorus - Caerphilly Make Voice Choir
- Vergine Degli Angeli
- Ballard of Rourke's Drift - Cwt-Y-Collen Choir
- My Hero
- God Bless the Prince of Wales - Caerphilly Make Voice Choir
- German Mass/Gloria
- German Mass/Sanctus
- Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
- All Through the Night - Caerphilly Make Voice Choir
- Arwelfa
- Invictus
- Softly as I Leave You
Tracks:
- Diolch l'R L
- Hine E Hine (Maori Lullaby)
- Pererin Wyf (Amazing Grace)
- Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
- Memories of Martha
- I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
- Myfanwy - Treorchy Male Choir
- Tales of Hoffman/Barcarolle
- Creation's Hymn
- In the Spirit!
- Shall We Gather at the River
- Nos a Bore
- Very Best Time of Year
- Soon Ah Will Be Done
- Thanks Be to God
- Flower That Shattered the Stone
- Rhys - Treorchy Male Choir
- Where Shall I Be?
- Bywyd y Bugail
- Lord's Prayer
Tracks:
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- She Was Beautiful (Cavatina) - Treorchy Male Choir
- Cymru Fach
- Nidaros
- Jacob's Ladder - Treorchy Male Choir
- Watching the Wheat
- Pan Ddaw y Saint (When the Saints Go Marching In)
- Misbles/Stars
- Rachie
- Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
- There Is a Balm in Gilead
- Rise Up Shepherd and Foller
- My Lord, What a Mornin'
- Bryn Myrddin
- Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
- Finnish Forest (Suomen Salossa)
- Nabucco/The Glory of Israel
- Ride the Chariot
- Tydi a Roddaist - Treorchy Male Choir
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- Phantom of the Opera/Think of Me
- Morte Christe (When I Survey the Wondrous Cross)
- By Babylon's Wave
- I'm Gonna Sing
- Where Could I Go But to the Lord?
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- Senzenina (Zulu Chant)
- That's All I Want from You
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- Give Me Jesus
- Just a Closer Walk with Thee
- My Wish for You
- Jeptha/Waft Her Angels
- Mose in Egitto/Prayer
- Be Still My Soul (Finlandia Hymn)
- God's Choir in the Sky
- Floral Dance - Treorchy Male Choir
- Smilin' Through
Tracks:
- Calon Lan
- True Love
- Mor Fawr Wyt Ti (How Great Thou Art)
- Aberystwyth
- Comrades in Arms
- Cats/Memory
- They Led My Lord Away
- State Fair/It's a Grand Night for Singing
- When I Fall in Love
- Let's Face the Music and Dance
- Windmills of Your Mind
- How Soon
- Non Nobis Domine
- Rhythm of Life
- Kalinka
- Sound an Alarm
- Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
- Turandot/Nessun Dorma
- Christus Redemptor
- Ann Evening's Pastorale
Album Details
Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
Average customer rating:
- The Price Club
- A living legend
- not your daddy's old timey spiritual
- Immaculate Vocals of Leontyne Price
- Great Gospel Stuff
|
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Manufacturer: RCA
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ASIN: B000003FWE
Release Date: 1997-01-14 |
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About The Mountain - Various Artists
- Swing Low , Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy - Leontyne Price
- Lead, Kindly Light - Leontyne Price
- Blessed Assurance - Leontyne Price
- Ave Maria - Leontyne Price
- What A Friend We Have In Jesus - Leontyne Price
- Amazing Grace - Leontyne Price
- The Lord's Prayer - Leontyne Price
- Pass Me Not, O Gentle Savior - Leontyne Price
- The Church's One Foundation - Leontyne Price
- Bless This House - Leontyne Price
- I Need Thee Every Hour - Leontyne Price
- Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
- I Wonder As I Wander - Leontyne Price
- Ave Maria - Leontyne Price
- Porgy And Bess: Summertime - Leontyne Price
- America The Beautiful - Leontyne Price
- Lift Ev'ry Voice And Sing - Leontyne Price
- A Mighty Fortress Is Our God - Leontyne Price
- Battle Hymn Of The Republic - Leontyne Price
Customer Reviews:
The Price Club.......2005-04-28
"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.
"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.
A living legend.......2005-03-10
Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "
not your daddy's old timey spiritual.......2004-06-23
Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.
Immaculate Vocals of Leontyne Price.......2003-12-31
IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**
Great Gospel Stuff.......2001-04-12
This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.
Average customer rating:
- Irresistible
- "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
- Excellent!
- Great Arrangments
|
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Waltzes
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Rodgers, Richard
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Similar Items:
- Lerner & Loewe Songbook for Orchestra
- Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
- Puttin' on the Ritz: The Great Hollywood Musicals
- The Sound Of Music (1987 Studio Cast)
- Classics of the Silver Screen
ASIN: B000003CXQ
Release Date: 1992-01-28 |
Tracks:
- Oklahoma!
- Carousel
- State Fair
- South Pacific
- The King And I
- Cinderella Waltz
- Flower Drum Song
- The Sound Of Music
Customer Reviews:
Irresistible.......2005-07-29
From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.
Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.
This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).
In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.
"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26
Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.
This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.
After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.
Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.
By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.
Excellent!.......2003-04-08
This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.
Great Arrangments.......2001-09-02
This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Average customer rating:
- For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):
- The songs that didn't get away
- Songs that showcase Sarah's theatrical gifts
- Good, for Sarah Brightman
- Pleasant, but not up to standard
|
The Songs That Got Away
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Dive
- Surrender
- The Trees They Grow So High
- Fly
- As I Came of Age
ASIN: B000005S0R
Release Date: 1999-11-16 |
Tracks:
- Meadowlark
- I Am Going To Like It Here
- I Remember
- Mr. Monotony
- Dreamers
- Silent Heart
- Lud's Wedding
- Three-Cornered Tune
- If I Ever Fall In Love Again - Sarah Brightman Sarah Brightman
- What Makes Me Love Him?
- Chi Il Bel Sogno Di Doretta
- Away From You
- If Love Were All
- Half A Moment - Sarah Brightman Sarah Brightman
Amazon.com
For those Sarah Brightman fans who didn't spring for The Songs That Got Away when it was a pricey import, this domestic release will be a must-buy. Originally recorded in 1989 shortly after she achieved international fame in The Phantom of the Opera, the album spotlights obscure American and British musical theater songs that either were removed from shows or were "lost" when the shows themselves slipped out of the repertoire. (Of course, some of the songs aren't nearly as obscure as they were in 1989--the opening track, Stephen Schwartz's soaring "Meadowlark," has since been claimed by Liz Callaway, Patti LuPone, and Betty Buckley, while Stephen Sondheim's "I Remember"--well suited to Brightman's glasslike tones--is now recognized as one of his most gorgeous and haunting compositions.) Brightman performs well on this diverse collection of entertaining and often lovely songs, including an early draft of Frank Loesser's "Fugue for Tinhorns," here sung as a triple-tracked, lilting waltz, and the Puccini aria "Chi il bel sogno di doretta," which foreshadows her later, more ambitious crossover projects. There's also a tune from Jeeves by then-husband Andrew Lloyd Webber, who produced this album not long before he and Brightman divorced in 1990. --David Horiuchi
Customer Reviews:
For Fans of Broadway (Sondheim, Hamlisch & Bernstein e.g.):.......2007-02-24
This is an interesting and surprising production that showcases the vocal prowess of Sara Brightman. It is not however, representative of the new and highly overproduced vocal productions that constitute her newer recordings. Although this production really allows the listener to hear a very melodic and unencumbered vocal performance, as it is pleasing in it's simplicity, yet meant for the more discriminating listener. Fans of Irving Berlin, Andrew Lloyd Weber, and Richard Rodgers will feel right at home here. For those seeking another major sonic production as in Eden, La Luna, Dive, or The Harem Tour this is not it! My criticism is not of her vocal prowess or production values but the apparently endless array of previously released material offered as a new and different recording. But I suppose that this is rather due to the greedy objectives of of A&M Records just trying to go to the bank, often and laden heavy with dollars. Nothing that any label wouldn't try to do. My advice with Sara Brightman is "caveat emptor" (buyer beware) check the disc carefully for redundancy of tracks within her discography. If you're a fan of this genre of music, you will probably respond quite well to this recording.
The songs that didn't get away.......2004-02-12
This is one of my favorite albums by Sarah. She surprised me with her ability to go from light opera to jazz. Here we don't find the over-produced albums such as Harem, just a superbly trained voice. No little girl breathy tunes here, just solid performances. This is the Sarah Brightman that I like to remember and enjoy. If you see this album and you're a Sarah Brightman fan, pick it up and treasure it. I'd like to see her do more of thisgenre, where she showcases her voice. Who ever thinks that Sarah has a small voice will be convinced otherwise by this album.
Songs that showcase Sarah's theatrical gifts.......2003-12-11
Before experimental albums like Dive and Fly, as well as the ones where her classically-trained voice enchanted millions, Sarah Brightman did a collection of musical and theatrical songs originally released in 1989, but reissued when she made it big with Time To Say Goodbye. Her vocal style leans towards the theatrical Broadway side, but more mellowed. But on songs like the strings-laden mid-tempo "Meadowlark" from Stephen Schwartz's The Baker's Wife, the way she would later do splendidly interpret Lloyd Webber's songs is in the making. Here are other highlights, including those that were reissued on Sarah's Encore album (2002).
Stephen Sondheim's "I Remember" is a sad ballad told from the POV of a window mannequin remembering the sights it has experienced throughout the seasons, but the memories are now hazy and at the end, it sings, "At times I think/I would gladly die/for a day of sky."
Some songs like "Lud's Wedding" from Bernstein's failed bicentennial musical, only seem to work due to Sarah's voice. Ditto for the simple "Three-Cornered Tune." Consisting of three verses, each repeated twice. However, Irving Berlin's "Mr. Monotony", a tune understandably cut from Easter Parade, is not a particularly inspiring song.
Marvin Hamlisch's "Dreamers" is one of my favourites here, as I have affinity to it, and I'm sure Sarah is one at heart as well. "Only dreamers have wings with which to fly far away", as in their own fantasies, but unfortunately, "sometimes dreamers are forced to leave their dreams far away", i.e. the harshness of reality. However, it paints them in a positive light and states that everyone needs to have some sort of dream "to take time to find treasures and mountains we can climb."
"Silent Heart" really showcases Sarah's voices, on how some things the heart is best left silent, as in things that really thrill it. "If I Ever Fall In Love Again" is taken from The Crooked Mile and is a nice love song Sarah really wraps herself in.
"Chi Il Bel Sogno Di Doretta" from Puccini's La Rondine is a great showcase of the operatic voice that would come into full bloom on Time To Say Goodbye. This song would be reissued on Encore.
"Away From You" by Richard Rodgers, and taken from a musical biog of Henry VIII (!!!). "The clocks are frozen and time's a traveler who's lost his way" is one of the sentiments Sarah conveys effectively. Also reissued on Encore.
"If love were all, I should be lonely" sings Sarah from Noel Coward's Bittersweet, "If Love Were All" was the one song that stood out for me when I first heard this CD. The ability of a talent to amuse is seen as a solid standing for mental security. A definite standout here.
From Lloyd Webber's Jeeves, the lush strings of "Half A Moment" features the vocal stylings familiar enough to those who have Sarah's Andrew Lloyd Webber Collection. It focuses on how important the capture of a moment to bright up a future rainy day is. Also reissued on Encore.
Initially, I dismissed this as the songs that should've stayed away. Although they lack the magical punch of Time To Say Goodbye or La Luna, it's still a worthwhile collection, because Sarah's clear birdlike theatrical/musicals voice makes it all worthwhile.
Good, for Sarah Brightman.......2003-08-25
Some people just love Sarah's voice, but I don't see what's so special about it. She sings in two sorts of ways, the first one is lovely, simple, forgetable, and the other sounds like Stitch with a high voice. This CD does her justice, though. A lot of the tunes are catchy and nice (how she sings them could be better) but the one I really like is "Three cornered tune." Now that's a good song! She does not have a particularly bad voice, but nothing interesting - that's for sure. And when she tries to act in her music she sounds even worse! But that's alright. After all, everyone has a different style. A highlight of this CD includes "Mr. Monotony," which, unfortunatly, did not come with lyrics in the CD case. Too bad, because its a great song. At the end of this record, though, she writes about these songs and - wow! It is amazing how many shows that song was taken out of! At one point it said it had Judy Garland singing it, and when I try to imagine her doing it I know that must have been awesome. I really want to hear Judy Garland singing this song sometime. Maybe I'll find it here on Amazon... But anyway, back to Sarah Brightman. The only other thing I can think of to say at the moment is that from what I've heard of her records, this is as good as it gets. And also, the track titled "Dreamers" is nice. I like the tune and she doesn't sing it too bad, either. It would be a good song to be played at a graduation. Only after a while the sound of it gets a little creepy and annoying. And its sticky, too. "Silent heart" is a classic, though she shouldn't sing it twice. For you see, she sings it, and then you think, "Ah, that's a sweet song. Wonderful words, soft tune," and the music gets at a great stoping point and then comes back for an encore (as one of Sarah's other records is titled). And then we have to listen to it all over again - and its not as good the second time. So overall is it good? Yes, it is. Though perhaps not good enough.
Pleasant, but not up to standard.......2003-06-22
I love Sarah Brightman's singing and her musical style as presented on Eden and La Luna. This CD is completely different in style from those two. I find it enjoyable, but it is not my favorite. Her singing is nothing special on this CD, it doesn't display her vocal range or talent in the way that her other CDs do, especially her CD "Surrender", her vocals are absolutely stunning on that CD.
Average customer rating:
- Your search for good Burns songs has ended
|
The Songs Of Robert Burns, Volumes 1 & 2
Manufacturer: Philo Records
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Songs of Robert Burns, Vol 3 & 4
- Songs of Robert Burns, Vol. 5 & 6
- The Songs of Robert Burns, Vol. 7
- The Complete Songs of Robert Burns: Volume 1
- The Songs of Robert Burns / Songs of the Hebrides
ASIN: B0000003VY
Release Date: 1996-02-20 |
Tracks:
- Could Kail In Aberdeen
- To The Weaver's Gin Ye Go
- Wantonness
- My Tocher's The Jewel
- Charlie He's My Darling
- Landy Mary Ann
- Amang The Trees
- Country Lassie
- The De'il's Awa Wi' Th' Exciseman
- Johnie Blunt
- The Winter It Is Past
- A Red, Red Rose
- Logan Water
- Corn Rigs
- Had I The Wyte
- Nine Inch Will Please A Lady
- Beware O'Bonie Ann
- The Cooper O'Cuddy
- Sweetest May
- A Parcel Of Rouges In A Nation
- Auld Lang Syne
- Hey How Johnie Lad
- Mary Morison
- The Dusty Miller
- It Was A' For Our Rightfu' King
- Sae Flaxen Were Her Ringlets
Customer Reviews:
Your search for good Burns songs has ended.......2000-01-29
Jean Redpath sings the "inimitable songs of Burns" as if Rabbie himself is hovering over her shoulder. You're not likely to find too many singers more suited to her material than Redpath. Also, I needs must mention the first-rate musical accompaniments by Serge Hovey. All in all, the seven volume Redpath-Burns series is indispensible for lovers of song everywhere. Way to go, folks.
Average customer rating:
- We Three Kings
- 3 Tenors Christmas
- Beautiful and Amazing
- These Three Kings Rule!
- Another Winner
|
We Three Kings
Anthony Kearns , Ronan Tynan , and Finbar Wright
Manufacturer: Razor & Tie
ProductGroup: Music
Binding: Audio CD
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ASIN: B0000D9PST
Release Date: 2003-10-21 |
Tracks:
- We Three Kings
- It Came Upon A Midnight Clear
- Santa Claus Is Coming To Town
- Fairytale Of New York
- I'll Be Home For Christmas
- Mille Cherubini In Coro
- O Holy Night
- Silent Night
- Little Drummer Boy/Peace On Earth
- Winter Wonderland Medley
- Mary's Boy Child
- Panis Angelicus
- Pie Jesu
- How Great Thou Art
- The Lord's Prayer
- Battle Hymn Of The Republic
- America The Beautiful
Amazon.com
There's a commercial inevitability to holiday song collections that can tempt music fans to mutter "humbug" under their breath. Yet while this collection (released in conjunction with the Tenors' Christmas Spectacular tour of 2003) is no less market savvy, in the end the trio's earnest, energetic performances earn their fair shair of respect. The trio's Celtic shadings impart considerable warmth to "Fairytale of New York" and other performances, but it's the range of influences they (also in solo and duet turns, all solidly backed by the Czech National Chamber Orchestra) bring to bear elsewhere that adds compelling new dimensions to these holiday favorites. Anthony Kearns' "It Came Upon a Midnight Clear" may be solidly traditional, but Ronan Tynan imparts "I'll Be Home For Christmas" with some deft, jazzy drama while Finbar Wright gives "Mary's Boy Child" an unexpected Carribean spin. Elsewhere, the folk-classical influences behind "We Three Kings," "O Holy Night," and the gospel traditional "How Great Thou Art" span renaissance, baroque, and modern with a grace missing from the on-the-sleeve sentiments of the closing duo of patriotic warhorses--what would the Prince of Peace make of "The Battle Hymn of the Republic," anyway? --Jerry McCulley
Customer Reviews:
We Three Kings.......2007-01-16
The 3 Irish Tenors are a joy to listen to in the Christmas season. I thoroughly enjoyed all of it.
3 Tenors Christmas.......2007-01-12
This was VERY disappointing - too noisy & just the wrong type of music for these guys. I played it once & will try to get someone to take it off my hands - I love listening the them, usually, but this album is just a dud.
Beautiful and Amazing.......2004-12-18
When I fist listened to the clips from this CD on Amazon I wondered why on earth they put the patriotic songs at the end, and also wondered a little at the other non christmas songs. After listening to it several times however I realized why. They don't leave Jesus in the manger, but take him all the way up to today! Wow. To me that is totally amazing. There arn't many christmas CD's that do that, but I think it really balances things out. I really enjoyed the Drummer Boy, and all of the rest of the songs. I would definantly say that this was a good buy.
These Three Kings Rule!.......2004-04-24
This recording is a wonderful addition to any Christmas collection. It has power, charm and just enough reverence! Anthony Kearn's "Lord's Prayer" is magnificent! Finbar Wright's "How Great Thou Art" is awe-inspiring! After four years with the "Irish Tenors" poor Mr. Wright still must endure the ignorance of a few "fans", being constantly compared to John McDermott. Finbar took the "Irish Tenors" to a new level, as acknowledged by both Kearns and Tynan. I wonder how long "Ringo" had to endure being compared to Peter Best? Get over it people!
Another Winner.......2003-12-22
In their second Christmas album, the three Irish tenors have another very lovely collection of Christmas favorites and a few not so well known. The duets are particularly beautiful and, while I, like other reviewers, would have preferred an all-Christmas album, the American anthems are stirring and well done. My only caveat is the absence of John McDermott, whom I miss. His voice added something less homogenized to the mix and although Finbar Wright has a more operatic tenor voice, I would prefer McDermott if I had my druthers. Nonetheless, this a a grand Christmas album and I recommend it enthusiastically.
Average customer rating:
- Superb Christmas Album
- Love Mario Lanza
- Mario Lanza - fantastic
- Christmas Hymns & Carols: You Do Something to Me
- Pure hymnal power.
|
Christmas with Mario Lanza
Manufacturer: RCA
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Similar Items:
- Lanza: Greatest Hits
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ASIN: B000003EP6
Release Date: 1990-10-25 |
Tracks:
- Deck The Halls
- Hark! The Herald Angels Sing
- God Rest You Merry Gentlemen
- Joy To The World
- O Christmas Tree
- I Saw Three Ships
- It Came Upon The Midnight Clear
- Ave Maria
- O Holy Night
- The Virgin's Slumber Song
- Pieta Signore
- The First Nowell
- O Come All Ye Faithful
- Away In A Manger
- We Three Kings
- O Little Town Of Bethlehem
- Silent Night
- Guardian Angels
- I'll Walk With God
- The Lord's Prayer
Customer Reviews:
Superb Christmas Album.......2007-02-19
Mario Lanza infuses his characteristic beautiful vocal intensity into this collection of carols and Christmas songs.
The result is an outstanding album which will bring a lump to your throat and tears to your eye.
The recordings are old, but the Lanza magic makes this album a must-buy
Love Mario Lanza.......2007-01-28
I love Mario Lanza. He is in my top favs. I have wanted this album for ages and it is just as great as I knew it would be. I'll be back to buy more of Mario Lanza.
Mario Lanza - fantastic.......2007-01-15
Fantastic voice, wonderful classic Christmas songs. My all-time favourite version of O Holy Night - spine tingling.
Christmas Hymns & Carols: You Do Something to Me.......2007-01-12
Wonderful songs, great selections of songs sung by the greatest singer, Mario Lanza.
Pure hymnal power........2006-12-20
I have just spent the past six hours listening to snippets of every Christmas CD that I can find on Amazon, and this is the best by far. It's the purest rendition of the best Christmas hymns that are sung in church on Christmas Eve. No inane flourishes, no ignorant alterations, no arrogant amendments, just pure hymnal power. Don't agree? Type "christmas" in the Amazon music search box, listen to all the renditions of all the classic hymns such as "O Come All Ye Faithful" and when you are done you cannot but agree that Mario Lanza is not surpassed.
Update: I am now listening to the full CD and it is better even than I had hoped for. The beauty of Lanza's voice brings tears to my eyes and joy to my heart.
Average customer rating:
- A Mormon Tabernacle Christmas CD
- Is this the best Christmas album ever recorded?
- A Perfect Traditional Christmas Album
- Stunningly beautiful
- Beautiful...Intriguing...This is Christmas
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A Mormon Tabernacle Choir Christmas
George Frideric Handel , Mykola Dmytrovich Leontovych , John Jacob Niles , Christmas Traditional , Barlow Bradford , Felix Mendelssohn , Franz Xaver Gruber , Craig D. Jessop , John Longhurst , Robert Breault , Mormon Tabernacle Choir , and Orchestra at Temple Square
Manufacturer: Telarc
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Similar Items:
- Silent Night: The Greatest Hits of Christmas
- Sing, Choirs of Angels!
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- The Joy of Christmas
- Rock of Ages: 30 Favorite Hymns
ASIN: B00004WKD2
Release Date: 2001-09-25 |
Tracks:
- Joy To The World
- Carol Of The Bells
- I Wonder As I Wander
- Whence Is That Goodly Fragrance?
- Masters In This Hall
- The First Noel
- How Far Is It To Bethlehem?
- Pat-A-pan
- What Shall We Give To The Babe In The Manger?
- One December Bright And Clear
- Fantasy On 'What Child Is This?'
- Hark! The Herald Angel Sing
- Jesus, Jesus, Rest Your Head
- Angels From The Realms Of Glory
- Silent Night
Amazon.com
The Mormon Tabernacle Choir has made more than 20 seasonal recordings since its first one (for broadcast to U.S. servicemen in Europe and the Pacific on Christmas Day, 1945), but none finer than this one, led by the group's newly appointed music director, Craig Jessop. Featuring lush arrangements by Mack Wilberg and Barlow Bradford, it emphasizes the gentler, more rapturous moods of the holiday, especially in such beautiful settings as Wilberg's of "Whence Is That Goodly Fragrance?" and "How Far Is It to Bethlehem?" and Bradford's fantasy on "What Child Is This?" Balancing these are several selections in which the choir's blazing, full-voiced splendor shines forth, including Wilberg's festive arrangements of "Joy to the World" and "Hark! The Herald Angels Sing," as well as Bradford's colorful take on "Pat-a-pan." The choir's singing is magnificent. Listen to the way the men lead off "The First Noel" and to how the full chorus builds the piece to a gorgeous climax, or to the virtuosic job the singers do in the "Carol of the Bells" (with its echoes of Rachmaninoff's The Bells). Impressively backed by the Orchestra at Temple Square, this is a disc to treasure, and a tribute to the admirable work being done in Salt Lake City by maestro Jessop--who now seems poised to inherit the mantle of Robert Shaw. It couldn't happen to a nicer guy or a worthier musician. --Ted Libbey
Customer Reviews:
A Mormon Tabernacle Christmas CD.......2007-01-19
CD arrived in perfect condition; however, the front of the jewel case was cracked.
Is this the best Christmas album ever recorded?.......2005-12-29
There have been so many Christmas albums over the years, when I saw this I thought 'Oh no, not another one?' Then I looked at the track titles and saw that this was something different. Among the traditional carols there were many unfamiliar titles (I say this as a foreigner - some may be better known in the USA than in Australia). I decided to buy the SACD version of this release. What a revelation! Where do I start?
The Mormon Tabernacle Choir is famous for producing very enjoyable choral recordings, usually with a religious theme, but frankly, on an international scale, they do not rate with the best (compare them with some of the better UK symphonic choirs, which is how the Tabernacle choir must be categorized, to see what I mean). But on this album, they have placed themselves well and truly in the international arena. Every aspect of their singing is, to me, perfect - diction, phrasing, musical expression, ensemble, and of greatest importance, a total involvement with and perfect expression of the words and the music. They don't sing about Santa Claus; they sing about the true meaning of Christmas, and mean it. And you really hear how well they sing in the few 'a capella' sections - musical moments that are unsurpassed.
Then there are the arrangements. These express everything from the implicit grandeur of God coming down to earth, through to the greatest tenderness of the simplicity of his birth as Jesus. All the orchestrations and choral arrangements are completely fresh and unhackneyed, ranging from the most exquisite harmonies through to extraordinarily bold key changes - the people who did these arrangements are amongst the best in the business.
Then there is the program. This ranges from fresh arrangements of old favourites (sample the fantasy on 'What Child is This?'), to an exploration of the most beautiful unfamiliar songs and carols you will ever hear.
Finally the engineering. Telarc are famous for the audiophile standards of their recordings, and this is one of their best. The SACD fully utilizes the multiple channels, without resorting to gimmickry. If ever there was a 'you-are-there' recording, this is it.
In summation: no matter how many Christmas CDs you own; buy this one too. The CD version works well (and remember, if you buy the SACD version - Telarc SACD-60552 - it will play on an ordinary CD player as well), but if you have the equipment to play the multi-channel SACD, you will get an even more rewarding experience.
All the above may sound over the top, but, as you may have gathered, this release has had a massive impact on me at every level. It is a prize in my collection. The greatest Christmas album ever? Quite possibly.
A Perfect Traditional Christmas Album.......2005-12-28
What Shall We Give to the Babe in the Manger. What an incredible piece, and how well- conducted it is. The music brings tears to my eyes, to be sure. The album is a classic example of how holiday choral music should be performed. This is done with spirit and tenderness.
If only other orchestras, choirs, and arrangements could be performed as well. Some are, but how often do we purchase an album just to find it not what we like? Fortunately, one can listen to clips of each of the pieces, before purchasing.
"What Shall We Bring" is becoming now my fondest Christmas song. The performance by the Mormon Choir and orchestra is incredible, to me. I've found other versions of the song, but this version is the finest, by far.
For those interested about my favorite piece: It is from a traditional Catalonian Carol, translated from Spanish, called, "The Son of Mary."
Stunningly beautiful.......2005-12-14
I have heard and enjoyed many recordings from the Mormon Tabernacle Choir over the years. Then, it happened. I heard Joy to the World from this album on the radio and it sent chills up my spine. That never happened. A thrilling arrangement. The other music equally excellent as described. If you have never been big fan of Christmas music, get this album and surprise yourself.
Beautiful...Intriguing...This is Christmas.......2004-12-09
The Mormon Tabernacle choir is already known for their beautiful voices of praise. When you add the orchestra of temple square and the spirit of christmas, you receive even more. This CD portrays the birth of Christ. It is beautiful!
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