The Modern World

The Modern World

ASIN: B00000JQIE

Editorial Reviews
Amazon.com
This San Francisco-based guitarist has a special skill in adding world-beat touches to a smooth-jazz mix, and Modern World percolates to a heady blend of funk and Latin beats. Obiedo has added several percussionists--Pete Escovedo and Michael Spiro among them--to his programmed drumbeats to create a novel blend of techno and authentic Caribbean vibes. It provides a terrific backdrop for his own guitar improvisations, as well as fueling some fine work by saxophonists Bob Mintzer and Norbert Stachel. There's passion aplenty here, whether the music is warm and languid, as on "Slow Hot Wind" or heated, as on "Sunset." --Adam Rains

Product Description
Demonstrating an exceptional talent for mystically melding urban jazz with Brazilian funk and dynamic Carribbean rhythms, Ray has developed a very unique and distinctive guitar signature. His reputation for musical excellence, versatility and raw rhythmic creativity has earned him countless studio sessions.

Modern World serves up a delightfully uplifting homage to his rhythm and blues roots with generous portions of his trademark Latin-jazz grooves that will satisfy virtually every jazz palate.

The Modern World

Tracks:

Jump the Blues For You
Everything Is Broken
Treat Me So Lowdown
Slam Hammer
You're Killin' Me Baby
Slim Jenkins Joint
Sweet Thing
You Won't Let Me Down
Six Inch Heels
World Of Blues
Look Out
Stoned

Tracks:

Gonna's Get You Told
Monkey Arms
Who Do You Love
Low Side Of the Road
Too Much Stuff
Blues Nightmare
Bounce For Billy
Bright Lights, Big City
Steppin' Out
Anything It Takes
Stretchin'

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If there's such a thing as narrow-focus versatility, this set's a prime example. Duke Robillard has cut jazz, swing, rock, and instrumental albums, and he was Tom Waits's 2006 tour guitarist. Now the virtuoso returns to his true love--the music that first brought him acclaim as founder of Roomful of Blues--with two CDs that explore all aspects of the style. Dirty Chicago grinds like "You're Killin' Me Baby" tumble into gentle swingers like Robillard's take on T-Bone Walker's "Treat Me So Lowdown" and the hushed Wes Montgomery-influenced "Stoned." He conjures a raw Mississippi-juke-joint sound to interpret "Everything Is Broken," a tune penned by another former employer, Bob Dylan. And electric and acoustic guitars, plus some lute-like sax, are used to magnify the hoodoo vibe of Waits's "Low Side of the Road." Robillard also experiments with his voice, dropping to his lowest register to echo Bo Diddley's brawny growl as he covers the rock godfather's "Who Do You Love." These 23 numbers culminate with "Stretchin'," a nine-minute guitar-and-organ showcase that evokes the soul-jazz style invented by Jimmy Smith, concluding a "World" tour that'll please blues guitar lovers. --Ted Drozdowski

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Putumayo Presents: Latin Lounge
Various Artists
Manufacturer: Putumayo World Music
ProductGroup: Music
Binding: Audio CD

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Putumayo Presents: Brazilian Lounge
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Putumayo Presents: Baila - A Latin Dance Party

ASIN: B000A8AWVO
Release Date: 2005-09-06

Tracks:

Reflejo De Luna - Alacran
Sueno Mama - Roberto Poveda
Siempre Me Quedara - Bebe
Dame Tu Querer - Sidestepper
Mariposa (En Havana) - Si Se
Caminhos De Cuba - Luiz De Aquino
Don't Leave Me Now - Amparanoia
Folia - Wagner Pa
Carmela - Charanga Cakewalk
Esta Noche - Federico Aubele
In Love With You - Deepak Chopra
Sentimientos - Andres Linetzky

Product Description

Tango, cumbia and son meet electronica in this contemporary collection of chill-out grooves. Alacran Reflejo de Luna Roberto Poveda Sueño Mamá Bebe Siempre Me Quedará Sidestepper Dame Tu Querer Si*Sé Mariposa (en Havana) Luiz de Aq

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Wander This World
Jonny Lang
Manufacturer: A&M
ProductGroup: Music
Binding: Audio CD

Chicago Blues | Blues | Styles | Music

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Lie to Me
Long Time Coming
Turn Around
Smokin
Ledbetter Heights

ASIN: B00000DBXX
Release Date: 1998-10-20

Tracks:

Still Rainin'
Second Guessing
I Am
Breakin' Me
Wander This World
Walking Away
The Levee
Angel Of Mercy
Right Back
Leaving To Stay
Before You Hit The Ground
Cherry Red Wine

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One would think that jumping into the pop-rock marketplace after being branded a blues player might confuse a 17-year-old guitar whiz. No way. Jonny Lang, with the lucid advice of ace producer David Z, understands the role of the blues as solid ground for someone who wants to take flight with intelligent, well-crafted music that has a wide audience. His second album's strengths lie with his gruffly appealing singing voice and his lean, razor-edged guitar phrases. The material is solid, with songs that range stylistically from the ingratiating funk number "I Am" (a hitherto unrecorded David Z and Prince composition), to the it-sure-sounds-like-a-rock-hit "Still Rainin'" (complete with thunderous chords and soulful female backup singers), to a griddle-hot take on the late Chicago blues guitarist Luther Allison's "Cherry Red Wine." All 12 songs are of a piece, tied together by Lang's unassailable musical integrity and his freshness of vision. And R&B master guitarist Steve Cropper is on hand in the Minneapolis recording studio to insure the soulful vibe. --Frank- John Hadley

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Zucchero,Italian for "sugar"--and sappy
A Touch of Class
Zucchero is a genius!!
Awesome!
Fabulous Duets and Some Great Foot Tapping

Zucchero & Co.
Zucchero
Manufacturer: Concord Records
ProductGroup: Music
Binding: Audio CD

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The Best of Zucchero Sugar Fornaciari's Greatest Hits
Live at the Royal Albert Hall London: 6th May 2004
Overdose d'Amore (The Ballads)
Shake
The Best of Zucchero Sugar Fornaciari's Greatest Hits

ASIN: B0009K7R4S
Release Date: 2005-07-12

Tracks:

I Lay Down
Blue
Pure Love
Baila Morena
Dune Mosse
Muoio Per Te
Everybody's Got To Learn Sometime
Like The Sun (From Out Of Nowhere)
A Wonderful World
Hey Man (Sing A Song)
Cosi Celeste
Senza Una Donna (Without A Woman)
Diavolo In Me (A Devil In Me)
Miserere

Amazon.com

Adelmo Fornaciari, aka Zuccero (Sugar), was born in 1955 near Reggio, Italy and grew up fascinated by American blues and R&B. Like so many of his countrymen and women, he exhibits a rare knack for fortunate and widely diverse collaborations. He has worked with Randy Jackson, Narada Michael Walden, Eric Clapton, Brian Auger, Luciano Pavarotti, the New Orleans Gospel Choir, Johnnie Johnson, Pat MacDonald of Timbuk 3, Jeff Beck, Stewart Copeland and Sting, among others. Given this background, it is thus not surprising that the present album, an international multi-million seller, is a star-studded affair guided by the motto "United in diversity, in blues we trust." More comfortable in English than most European singers, the headliner easily holds his own with a roster that includes Sheryl Crow, Macy Gray, Miles Davis, Vanessa Carlton, B.B. King, plus Sting-sponsored Algerian Rai idol Cheb Mami and Dolores O'Riordan of the Cranberries. From the opening, fate-haunted duet with blues legend John Lee Hooker to the closing classically-influenced, heavily orchestrated flight of fantasy sung with both Pavarotti and Andrea Bocelli, Zucchero keeps the hits coming. --Christina Roden

Customer Reviews:

Zucchero,Italian for "sugar"--and sappy.......2007-04-15

One of the typical coffee shop questions goes "Would you like sugar in your coffee?" Considering this album was sold-and played-at Starbucks shops,it's an aural experience of sugar for your coffee.A teeth-decaying amount.It calls for mouthwash,dental floss,and an electric toothbrush.

"Zucchero&Co" has the sappy faux blues singing of Zucchero "Sugar" Fornaci,and his collaborations on this album show his talent-the little he has-being eclipsed by his partners."As I lay down" is haunting because of John Lee Hooker's vocals. "Blue",a sappy song composed by U2's Bono,Zucchero sings with Sheryl Crow,whose talent outshines his.I like Sheryl Crow's music-but this song does her no justice.There are great instrumentals with Miles Davis&Eric Clapton on "Dunne Mosse" and "Wonderful World",leaving the listener to wonder why they're on this album.They've done so much better."Mad about you" is a typical sappy Sting song-luckily he's a better singer than Zucchero. "Pure Love" with Dolores O'Riordan of the Cranberries (well,this track IS a turkey)has a great Celtic sound,but BOTH O'Riordan&Zucchero are annoying singers,with O'Riordan's vocals particularly grating."Pure Love" is a musical depiction of codependence,or the merging of two who lack talent.Finally,there's Zucchero's collaboration with Cheb Mami in "Cosi Celeste." Cheb Mami had a great duet with reggae star Ziggy Marley,an electrifying combination of Algerian rai with reggae.Their talents were as one.Here,on "Cosi Celeste",Cheb Mami's talent outruns Zucchero's by a country mile-yet his part is on the sidelines.

"Zucchero&Co" is sappy adult contemporary easy listening.It's definitely sugary chocolate syrup for the double mocha latte at Starbucks.

A Touch of Class.......2007-04-01

We were introduced to this CD by a friend and were hooked. This was our signature stocking stuffer for the holidays. Whatever your taste of music this CD will certainly have it. From jazz to pop to opera you'll be amazed at this incredible singer and want to tell your friends as well.

Zucchero is a genius!!.......2007-01-12

Is it Joe Cocker? No. Is it Ray Charles? No. It's....Zucchero!! And Zucchero is a genius. Pure and simple. This album is amazing. SO many favorites.... Blue, with Sheryl Crow is beautiful. Cosi Celeste with Cheb Mami is unforgettable. I Lay Down with John Lee Hooker, haunting. Muoio Per Te with Sting, fabulous. Buy this album and enjoy the immense talent and versatility of Zucchero. Ah, so sweet!

Awesome!.......2007-01-09

This is the first time I have heard about Zucchero. I loved this album given that he has sung some marvellous duets with all famous different singers. The songs are great but my favorite is Cosi Celeste with Cheb Mami.

Fabulous Duets and Some Great Foot Tapping.......2007-01-08

I bought this CD solely for the song Bailar Morena, but I am pleased that I found such a rich collection of music in the offering on this compilation. His other songs like Senza Ua Donna and his duet with Sting are brilliant. Zuccheros music is versatile and very interesting to listen too. For all moods and occasions

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Putumayo Presents: Afro-Latin Party
Various Artists
Manufacturer: Putumayo World Music
ProductGroup: Music
Binding: Audio CD

General | Africa | International | Styles | Music

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Afro-Cuban | Caribbean & Cuba | International | Styles | Music

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Salsa | Latin Music | Styles | Music

Son | Latin Music | Styles | Music

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Cuba

ASIN: B0007LPMCS
Release Date: 2005-03-22

Tracks:

Betece - Africando
Ritmo Con Ache - Jose Mangual Jr.
Cuentame Que Te Paso - Pepe & The Bottle Blondes
Babalu - Ska Cubano
Mandali - Africando
Morenita - Cubismo
Demal - Africando
Cogele El Gusto - Chico Alvarez
La Grev' Bare Mwen - Ronald Rubinel's Salsa Kolor
Samba Luku Samba - Ricardo Lemvo

Amazon.com

There's plenty of food for thought in Putumayo's delicious new Afro-Latin Party. Like the previous Putumayo compilations Afro-Latino and From Congo to Cuba, the 10 tracks here document the fascinating musical marriage between Africa and Cuba that has seen the original African rhythms brought to Cuba by slaves evolve and migrate back east across the ocean to influence a new generation of African music (and in the process produce offspring everywhere from Croatia to Portland, Oregon). But that almost implies that the disc is of interest to musicologists only, when quite the opposite is true. Afro-Latin Party is anchored by three tracks from Africando, the Cuban supergroup that records with different African lead singers, and their seamless blend of African and Carribbean spices nicely sets the tone for the disc. With Pepe and the Bottle Blondes' wry take on classic cha-cha, "Cuentame Que Te Paso" (featuring a former lead singer for Pink Martini) rubbing shoulders with classic-style salsa from Croatia's Cubismo ("Morenita") and Puerto Rico's Jose Mangual Jr. (the white-hot "Ritmo Con Ache"), the disc is an excellent primer on the global reach of salsa music, but more importantly one that sounds best blasting out of speakers that aren't too far from the dance floor. --Ezra Gale

Album Description

Croatian salsa, Cuban ska, and Oregonian mambo!?!? These are three of the unlikely gems listeners will find on Afro-Latin Party. What started out as an effort to provide the perfect soundtrack to a Latin dance party became a tribute to the global appreciation and realization of the musical ricochet between Cuba and Africa.

Central to the Afro-Latin phenomenon is Africando, who provide three songs on Afro-Latin Party, each with a different African lead singer. In the 1960s and 1970s, the biggest names in African music—including such heavyweights as Youssou N'Dour and Salif Keita—were performing Latin music, thanks to recordings that came over from abroad. Cultural exchange between Cuba and the socialist governments in Mali and other parts of West Africa was a regular phenomenon. Performers like the Fania All Stars and Celia Cruz toured Africa and became musical icons.

In 1992, legendary Africando founders Ibrahim Sylla and Boncana Maïga traveled to New York to record with top local salsa musicians, many who were taken by surprise by these Africans performing and their phonetically learned Spanish lyrics. Interestingly, many of the band members on the three Africando tracks here, also play on other tracks on Afro-Latin Party.

Buena Vista Social Club Presents: Manuel Guajiro Mirabal
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Buena Vista Social Club Presents: Manuel Guajiro Mirabal
Manuel "El Guajiro" Mirabal
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD

Cuba | Caribbean & Cuba | International | Styles | Music
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Introducing...Rubén González

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A Toda Cuba Le Gusta

ASIN: B0006SSNCI
Release Date: 2005-01-04

Tracks:

El rincon caliente
Para bailar el montuno
Deuda
El roloj de Pastora
Me bote de guano
Mi Corazon no tiene quien lo llore
Tengo que olvidarte
Canta montero
Chicarronero
No vuelvo a Monon/Las tres Marias/Apurrunenme mujeres Medley
Dombe Dombe

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For his first solo album, 71-year-old trumpeter Mirabal has created a tribute to the seminal bandleader Arsenio Rodriguez. The latter was a tres-wielding maverick who reveled in Cuba's African heritage and gave new opportunities to the piano and brass. With three trumpeters on board, it is not surprising that the tracks often explode into blaring, festive, sloppy--precise fanfares, but Papi Oviedo on tres and pianist Roberto Fonseca more than hold their own. The singers also get a workout, notably on Me Bote De Guano, with its humming opening chorus and robust tenor lead vocal. The late Rubén González, who was Rodriguez's original keyboard man, is heard on Dombe Dombe, a tune he suggested for the set list. The sessions were recorded in Havana at legendary Egrem Studios with a minimum of technical bells-and-whistles and if the sonic texture is somewhat rough and remote, it only adds to the studio-live atmosphere. --Christina Roden

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Album Description

Cuban trumpeter Manuel "Guajiro" Mirabel was among the first musicians recruited by British producer Nick Gold for the now legendary sessions at Havana's Egrem Studio that yielded the multi-platinum Buena Vista Social Club album and Wim Wenders' groundbreaking concert documentary. But the veteran player already had enjoyed a rich musical history, having performed for more than 40 years in some of the most celebrated Cuban nightclub orchestras. With this lively set of '40s-era conjunto classics, he pays tribute to pioneering Cuban composer-bandleader Arsenio Rodriguez, whose trumpet arrangements inspired Mirabel as a boy.

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Delta Hardware
Charlie Musselwhite
Manufacturer: Real World
ProductGroup: Music
Binding: Audio CD

Delta Blues | Blues | Styles | Music

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ASIN: B000EMG6VG
Release Date: 2006-05-16

Tracks:

Church Is Out
One Of These Mornings
Sundown
Black Water
Clarksdale Boogie
Just A Feeling
Gone Too Long
Invisible Ones
Town To Town
Blues For Yesterday

Amazon.com

As authentic as the lines on his forehead and his droopy eyes, veteran bluesman Charlie Musselwhite gets better with age. (At 62, he's a respected survivor with dozens of albums to his credit.) On Delta Hardware the journeyman musician pays tribute to, and revels in, his Mississippi roots. Although he's spent time in Chicago and on the West Coast, for this album of churning swamp and deep Southern blues he taps his formative years in the town of Kosciusko. Musselwhite's poignant voice and crying harmonica convey loss and sadness on the tense, swirling "Black Water," one of two tracks dealing with Hurricane Katrina. His full-bodied, amplified harp cuts like Paul Butterfield and especially Little Walter, two of whose songs he covers here. Give Musselwhite's backing group credit too, especially guitarist Chris "Kid" Anderson, who slices into the slow, riff-based, Walter-penned "Just a Feeling" with Ronnie Earl-styled precision. Even on the straight-ahead shuffle of "Blues for Yesterday," the band nails a sweaty, edgy groove that's as genuine as it is driving. Producer Chris Goldsmith keeps the sound lean, mean, and just muddy enough to conjure images of the band churning out these dark, dusky Delta blues on a porch in the midst of a sweltering summer's night. The no-frills approach is perfect for Musselwhite's otherworldly harp playing to express his years and miles on the endless blues highway. --Hal Horowitz

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Fire & Grace
Alasdair Fraser , and Natalie Haas
Manufacturer: Culburnie Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0001HAIZO
Release Date: 2004-04-20

Tracks:

Calliope Meets Frank
Stirling Castle Set
Josefin's Waltz
St Kilda Wedding - Brose & Buttler
The Scandinavian
Archibald MacDonald Of Keppoch
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Prince Charles' Last View Of Scotland
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The Best of Zucchero Sugar Fornaciari's Greatest Hits

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The Best of Zucchero Sugar Fornaciari's Greatest Hits
Zucchero Sugar Fornaciari
Manufacturer: Polygram Int'l
ProductGroup: Music
Binding: Audio CD

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Blue Sugar
Live at the Royal Albert Hall London: 6th May 2004

ASIN: B0000087LC
Release Date: 1998-02-20

Tracks:

Menta E Rosmarino
Eppure Non T'amo
Niente Da Perdere
Donne (Remix)
Rispetto (Remix)
Senza Una Donna
Con Le Mani
Madre Dolcissima
Overdose (D'amore)
Diavolo In Me
Diamante
A Wonderful World
Il Volo
Cosi Celeste
X Colpa Di Chi?
Va, Pensiero

Album Details

Adelmo Fornaciari is better known to fans as Zucchero, which is Italian for sugar. The artist's sweet career is encapsulated on this 1997 item, which features his biggest smashes ('Senza Una Donna', 'Diamante' & 'Diavolo in Me') plus three previously unavailable tracks ('Menta E Rosmarino', 'EPPURE Non T'amo' & 'Niente Da Perdere') & a remake of Giuseppi Verdi's classical piece 'Va, Pensiero'.

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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Life and Works of Ludwig van Beethoven
What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Jazz Music:

Jazz Music

Jazz Music

Buena Vista Social Club	BVSC Presents Omara Portuondo	BVSC Presents Ibrahim Ferrer
Introducing Ruben Gonzalez	Mambo Sinuendo	Cachaito