All Mornin' Long (20 Bit Mastering) [Original recording remastered]
All Mornin' Long (20 Bit Mastering) [Original recording remastered]
ASIN: B00005A8AH
Track Listings
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1. All Mornin' Long
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2. They Can't Take That Away from Me
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3. Our Delight
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All Mornin' Long (20 Bit Mastering),Red Garland Quintet,Prestige,Hard Bop,Jazz,Jazz Music,Pop
Average customer rating:
- Fabulous for any Broadway-lover
- Top Shelf
- TERRIFIC CD'S
- Great Collection of Broadways greatest Songs
- Great Compilation!
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Broadway - The American Musical (PBS Series)
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Best of Broadway - The American Musical (PBS Series)
- Broadway: The American Musical
- Broadway: The American Musical
- Broadway - The American Musical (PBS Series)
- Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
ASIN: B00064ADMK
Release Date: 2004-10-19 |
Tracks:
- Give My Regards To Broadway- Joel Grey
- Swanee- Al Jolson
- When The Moon Shines On The Moonshine- Bert Williams
- A Pretty Girl Is Like A Melody- John Steel
- My Man- Fanny Brice
- Fascinating Rhythm- Fred Astaire, Adele Astaire
- If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
- Someone To Watch Over Me- Gertrude Lawrence
- Bill- 78 rpm Version Helen Morgan
- Ol' Man River- Paul Robeson
- Ain't Misbehavin'- Louis Armstrong & His Orchestra
- Ten Cents A Dance- Ruth Etting
- Body And Soul- Libby Holman
- Brother, Can You Spare A Dime- Bing Crosby
- Night And Day- Fred Astaire
- Heat Wave- Ethel Waters
- Smoke Gets in Your Eyes- Tamara
- You're The Top- Ethel Merman
- Summertime- Anne Brown
- September Song- Walter Huston
- My Heart Belongs To Daddy- Mary Martin
- It Never Entered My Mind- Shirley Ross
- Bewitched, Bothered, Bewildered- Vivienne Segal
- Oh, How I Hate To Get Up In The Morning- Irving Berlin
- Oh, What a Beautiful Mornin'- Alfred Drake
Tracks:
- New York, New York- Cris Alexander,Adolph Green,John Reardon
- If I Loved You- John Raitt,Jan Clayton
- Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
- There's No Business Like Show Business- Ensemble
- How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
- Once In Love With Amy- Ray Bolger
- Wunderbar- Alfred Drake,Patricia Morison
- Some Enchanted Evening- Ezio Pinza
- Lost In The Stars- Todd Duncan
- Diamonds Are A Girl's Best Friend- Carol Channing
- Luck Be A Lady- Robert Alda,Guys
- Getting To Know You- Gertrude Lawrence
- Who Cares?- Jack Carson,Betty Oakes
- Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
- Ballad Of Mack The Knife- Gerald Price
- Hey There- from "The Pajama Game" John Raitt
- Whatever Lola Wants- Gwen Verdon
- I Could Have Danced All Night- Julie Andrews
- Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
- The Party's Over- Judy Holliday
- Glitter And Be Gay- Barbara Cook
- Tonight- Larry Kert, Carol Lawrence
Tracks:
- Seventy-Six Trombones- Robert Preston
- I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
- Everything's Coming Up Roses- Ethel Merman
- My Favorite Things- from "The Sound Of Music" Mary Martin
- Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
- Try To Remember- Jerry Orbach
- Camelot- from "Camelot" Richard Burton
- Love Makes The World Go 'Round- Anna Maria Alberghetti
- I Believe In You- Robert Morse And Co.
- The Sweetest Sounds- Diahann Carroll,Richard Kiley
- Comedy Tonight- Zero Mostel
- What Kind Of Fool Am I?- Anthony Newley
- As Long As He Needs Me- Georgia Brown
- Hello, Dolly!- Carol Channing,Cast
- People- Barbra Streisand
- Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
- If I Were A Rich Man- Zero Mostel
- Night Song- Sammy Davis, Jr.
- The Impossible Dream- Richard Kiley
- If My Friends Could See Me Now- Gwen Verdon
- Open a New Window- from Mame Voice
Tracks:
- Willkommen- from "Cabaret" Joel Grey
- Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
- I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
- The Ladies Who Lunch- from "Company" Elaine Stritch
- Tea For Two- Roger Rathburn,Susan Watson
- I'm Still Here- Yvonne De Carlo
- I Don't Know How To Love Him- Yvonne Elliman
- We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
- Corner Of The Sky- John Rubinstein
- Send In The Clowns- Glynis Johns
- Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
- One- from "A Chorus Line" Cast
- All That Jazz- Chita Rivera,Ensemble
- Tomorrow- Andrea Mcardle
- Don't Cry For Me Argentina- Patti Lupone
- Come Follow The Band
- Lullaby Of Broadway- Jerry Orbach
- And I'm Telling You I'm Not Going- Jennifer Holliday
- The Bells Of St. Sebastian- Raul Julia
Tracks:
- Memory- Betty Buckley
- I Am What I Am- George Hearn
- Move On- Bernadette Peters,Mandy Patinkin
- Do You Hear The People Sing?- Michael Maguire,Cast
- The Music Of The Night- Michael Crawford
- You're Nothing Without Me- James Naughton,Gregg Edelman
- The American Dream- Jonathan Pryce,Cast
- Doctor Jazz- Gregory Hines,Company
- With One Look- Glenn Close
- On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
- Le Jazz Hot- Julie Andrews,Ensemble
- Seasons Of Love-
- Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
- I Wanna Be A Producer- Matthew Broderick,Ensemble
- Dancing Queen- Louise Plowright,Jenny Galloway
- Good Morning Baltimore- Marissa Jaret Winokur
- Movin' Out- Michael Cavanaugh,Band
- I Go To Rio- Hugh Jackman,Company
- Defying Gravity- Kristin Chenoweth,Idina Menzel
Customer Reviews:
Fabulous for any Broadway-lover.......2007-01-30
Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.
Top Shelf.......2007-01-04
This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.
TERRIFIC CD'S.......2006-03-23
THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.
Great Collection of Broadways greatest Songs .......2005-06-14
This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway
Great Compilation!.......2005-01-17
If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway
Average customer rating:
- Irresistible
- "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
- Excellent!
- Great Arrangments
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Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Waltzes
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Rodgers, Richard
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Similar Items:
- Lerner & Loewe Songbook for Orchestra
- Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
- Puttin' on the Ritz: The Great Hollywood Musicals
- The Sound Of Music (1987 Studio Cast)
- Classics of the Silver Screen
ASIN: B000003CXQ
Release Date: 1992-01-28 |
Tracks:
- Oklahoma!
- Carousel
- State Fair
- South Pacific
- The King And I
- Cinderella Waltz
- Flower Drum Song
- The Sound Of Music
Customer Reviews:
Irresistible.......2005-07-29
From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.
Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.
This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).
In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.
"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26
Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.
This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.
After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.
Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.
By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.
Excellent!.......2003-04-08
This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.
Great Arrangments.......2001-09-02
This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Average customer rating:
- Great-but only part of a landmark session
- For the Jazz Novice or the Long Time Fan
- Another jam session that's not just another jam session
- THE PERFECT BREAKFAST MUSIC
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All Mornin' Long (20 Bit Mastering)
Red Garland Quintet
Manufacturer: Prestige
ProductGroup: Music
Binding: Audio CD
Bebop General
| Bebop
| Jazz
| Styles
| Music
Hard Bop
| Bebop
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
Similar Items:
- Soul Junction
- High Pressure
- Red in Bluesville
- The P.C. Blues
- All Kinds of Weather
ASIN: B00005A8AH
Release Date: 2001-03-13 |
Tracks:
- All Mornin' Long
- They Can't Take That Away from Me
- Our Delight
Customer Reviews:
Great-but only part of a landmark session.......2006-11-22
If you are reading these reviews, congratulations. You've discovered the many joys of listening to Red Garland-the anytime pianist.
You are probably aware of Red's charter membership in the first great Miles Davis quintet. It's probably how you came to delve further into his oeuvre.
Maybe you are aware that the Miles Davis group went into the Prestige Studios (actually Rudy Van Gelder's living room-where so many great Prestige and Blue Note albums were recorded) on May 11, 1956 & October 26, 1956 and, in two marathon sessions, whipped out 4 albums worth of material to complete his contractual obligations to Prestige that allowed him to go over to Columbia. Those are landmark sessions in the history of Jazz and all are peppered with the work of Red Garland and John Coltrane.
What you may not know is that on November 15, 1957, Red Garland had a marathon session of his own at those same Prestige studios, culminating in 2 1/2 albums worth of insanely quality material featuring his confrere, John Coltrane, a young, inspired (who wouldn't be...in the company of these two giants) Donald Byrd on trumpet and another superb rhythm section of George Joiner and Art Taylor.
This album is one. The other is Soul Junction. And the remaining tracks can be found on High Pressure. It is your duty to seek these out. You won't be disappointed.
For the Jazz Novice or the Long Time Fan.......2005-10-24
I can't add much to the stylistic notes from the always- knowledgeable Mr. Chell in his review. I will say, however, that this is an extremely good introductory album for anyone interested in great, not-watered-down (read, "contemporary" or "mellow") jazz. Coltrane and Garland mesh extremely well together, and even Donald Byrd, not my favorite trumpet player for the reasons stated by Mr. Chell, sounds strong, confident, and in synch with the other musicians. All three songs are masterpieces highlighted by immensely satisfying solos (what else would you expect from musicians of this caliber), especially the title cut and the slightly boppish take on "They Can't Take That Away From Me."
This was one of the first jazz albums I owned; I purchased a used vinyl with a notation on the cover that read something like "scratchy but excellent!" I listened to it many times, and the supremacy of the musicians rose like cream through the worn record. Fortunately, I found it again at Amazon.com in CD form, and am enjoying it just as much as when the jazz genre was so new to me. Yes, it's a personal favorite with some history behind it, but its excellence may make it one of your favorites as well.
With George Joyner on bass and Arthur Taylor on drums(who are also featured on "The Best of the Red Garland Quintets," another CD worth checking out.) Engineered by the great Rudy Van Gelder, this 1957 studio date was remastered for its 2001 re-release.
Another jam session that's not just another jam session.......2005-09-30
How easy it is to dismiss, ignore, take for granted the brilliance of Red Garland. On the other hand, maybe Coltrane deserves the credit for bringing out the best in these "merely" frontline musicians. "All Mornin' Long" is a Bb blues running over 20 minutes. Coltrane has the first solo--probing, passionate, daring. Time for the ensuing players to run for cover or stand up like real men. Donald Byrd, always a tasteful and melodic if "safe" player, practically goes for broke for a change. He employs some half-valve effects (rare for Byrd) and aims for some upper-register notes that aren't there (no matter--it's one of the few recorded moments when Byrd really reaches). Then it's Red's turn.
Red not only holds his own but makes you forget about what's preceded--not through blazing technique or adventurous innovation but ceaseless invention and an incorporation of every possible style. He alternates "trite" rhythm and blues riffs with breathtakingly lithe, Powell-like single-note lines; he moves to his "stretched" block chord style for two, not just one, extended stretches; he makes the blocked-chord style work at a tempo that would discourage its use by any other pianist. His solo, however harmonically and melodically "conservative," is a tour de force.
Dozens of pianists have borrowed from the Garland vocabulary--Gene Harris, Wynton Kelly, Monty Alexander, Ahmad Jamal. This recording is just another reminder that there was only one pianist who mastered that language.
THE PERFECT BREAKFAST MUSIC.......2005-03-30
coltrane is on this one.so is donald byrd....nothing more to say
Average customer rating:
- Great-but only part of a landmark session
- For the Jazz Novice or the Long Time Fan
- Another jam session that's not just another jam session
- THE PERFECT BREAKFAST MUSIC
|
All Mornin' Long
Red Garland Quintet
Manufacturer: Ojc
ProductGroup: Music
Binding: Audio CD
Bebop General
| Bebop
| Jazz
| Styles
| Music
Hard Bop
| Bebop
| Jazz
| Styles
| Music
General
| Jazz
| Styles
| Music
Similar Items:
- Soul Junction
- High Pressure
- Red in Bluesville
- The P.C. Blues
- All Kinds of Weather
ASIN: B000000YGB
Release Date: 1991-07-01 |
Tracks:
- All Mornin' Long
- They Can't Take That Avvay From Me
- Our Delight
Customer Reviews:
Great-but only part of a landmark session.......2006-11-22
If you are reading these reviews, congratulations. You've discovered the many joys of listening to Red Garland-the anytime pianist.
You are probably aware of Red's charter membership in the first great Miles Davis quintet. It's probably how you came to delve further into his oeuvre.
Maybe you are aware that the Miles Davis group went into the Prestige Studios (actually Rudy Van Gelder's living room-where so many great Prestige and Blue Note albums were recorded) on May 11, 1956 & October 26, 1956 and, in two marathon sessions, whipped out 4 albums worth of material to complete his contractual obligations to Prestige that allowed him to go over to Columbia. Those are landmark sessions in the history of Jazz and all are peppered with the work of Red Garland and John Coltrane.
What you may not know is that on November 15, 1957, Red Garland had a marathon session of his own at those same Prestige studios, culminating in 2 1/2 albums worth of insanely quality material featuring his confrere, John Coltrane, a young, inspired (who wouldn't be...in the company of these two giants) Donald Byrd on trumpet and another superb rhythm section of George Joiner and Art Taylor.
This album is one. The other is Soul Junction. And the remaining tracks can be found on High Pressure. It is your duty to seek these out. You won't be disappointed.
For the Jazz Novice or the Long Time Fan.......2005-10-24
I can't add much to the stylistic notes from the always- knowledgeable Mr. Chell in his review. I will say, however, that this is an extremely good introductory album for anyone interested in great, not-watered-down (read, "contemporary" or "mellow") jazz. Coltrane and Garland mesh extremely well together, and even Donald Byrd, not my favorite trumpet player for the reasons stated by Mr. Chell, sounds strong, confident, and in synch with the other musicians. All three songs are masterpieces highlighted by immensely satisfying solos (what else would you expect from musicians of this caliber), especially the title cut and the slightly boppish take on "They Can't Take That Away From Me."
This was one of the first jazz albums I owned; I purchased a used vinyl with a notation on the cover that read something like "scratchy but excellent!" I listened to it many times, and the supremacy of the musicians rose like cream through the worn record. Fortunately, I found it again at Amazon.com in CD form, and am enjoying it just as much as when the jazz genre was so new to me. Yes, it's a personal favorite with some history behind it, but its excellence may make it one of your favorites as well.
With George Joyner on bass and Arthur Taylor on drums(who are also featured on "The Best of the Red Garland Quintets," another CD worth checking out.) Engineered by the great Rudy Van Gelder, this 1957 studio date was remastered for its 2001 re-release.
Another jam session that's not just another jam session.......2005-09-30
How easy it is to dismiss, ignore, take for granted the brilliance of Red Garland. On the other hand, maybe Coltrane deserves the credit for bringing out the best in these "merely" frontline musicians. "All Mornin' Long" is a Bb blues running over 20 minutes. Coltrane has the first solo--probing, passionate, daring. Time for the ensuing players to run for cover or stand up like real men. Donald Byrd, always a tasteful and melodic if "safe" player, practically goes for broke for a change. He employs some half-valve effects (rare for Byrd) and aims for some upper-register notes that aren't there (no matter--it's one of the few recorded moments when Byrd really reaches). Then it's Red's turn.
Red not only holds his own but makes you forget about what's preceded--not through blazing technique or adventurous innovation but ceaseless invention and an incorporation of every possible style. He alternates "trite" rhythm and blues riffs with breathtakingly lithe, Powell-like single-note lines; he moves to his "stretched" block chord style for two, not just one, extended stretches; he makes the blocked-chord style work at a tempo that would discourage its use by any other pianist. His solo, however harmonically and melodically "conservative," is a tour de force.
Dozens of pianists have borrowed from the Garland vocabulary--Gene Harris, Wynton Kelly, Monty Alexander, Ahmad Jamal. This recording is just another reminder that there was only one pianist who mastered that language.
THE PERFECT BREAKFAST MUSIC.......2005-03-30
coltrane is on this one.so is donald byrd....nothing more to say
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Simply Musicals
Manufacturer: Simply
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Simply Jazz
- Greatest Songs from the Musicals
ASIN: B0002S303Y
Release Date: 2004-09-07 |
Tracks:
- Comedy Tonight [From a Funny Thing Happened on the Way to the Foru] - National Symphony Orchestra, Martin Yates
- Circle of Life [From The Lion King] - National Symphony Orchestra, David Shannon, Martin Yates
- Elaborate Lives [From Aida] - Vanessa A. Jones, Sean McDermott, National Symphony Orchestra Ensemble, Patrick Vaccariello
- All That Jazz [From Chicago] - Jan Horvath, Julian Kelly, National Symphony Orchestra
- If I Were a Rich Man [From Fiddler on the Roof] - John Owen Edwards, Jerry Lanning, National Symphony Orchestra
- On the Street Where You Live [From My Fair Lady] - John Owen Edwards, Gary Mauer, National Symphony Orchestra
- Luck Be a Lady [From Guys and Dolls] - Gregg Edelman, John Owen Edwards, National Symphony Orchestra
- Younger Than Springtime [From South Pacific] - Graham Bickley, John Owen Edwards, National Symphony Orchestra
- What I Did for Love [from a Chorus Line] - National Symphony Orchestra, Catherine Porter, Martin Yates
- Anything You Can Do [From Annie Get Your Gun] - Mark Adam, John Owen Edwards, National Symphony Orchestra, Caroline O'Connor
- Impossible Dream [From Man of La Mancha] - John Owen Edwards, , National Symphony Orchestra
- Try to Remember [From the Fantasticks] - Graham Bickley, National Symphony Orchestra, Martin Yates
- Oklahoma! [From Oklahoma!] - John Owen Edwards, National Symphony Orchestra
Tracks:
- Chitty Chitty Bang Bang [From Chitty Chitty Bang Bang] - Simon Bowman, , National Symphony Orchestra, Sally Ann Triplett, , Martin Yates
- What Kind of Fool [From Saturday Night Fever] - Julian Kelly, National Symphony Orchestra Ensemble, Caroline O'Connor
- Memory [From Cats] - John Owen Edwards, National Symphony Orchestra,
- Anthem [From Chess] - Andrew Halliday, National Symphony Orchestra, Martin Yates
- Phantom of the Opera [From The Phantom of the Opera] - Graham Bickley, Claire Moore, National Symphony Orchestra, Martin Yates
- What Kind of Fool Am I? [From Stop the World I Want to Get Off] - Holloway/Gold/Yates, National Symphony Orchestra, Martin Yates
- Dancing Queen [From Mamma Mia] - Julian Kelly, National Symphony Orchestra Ensemble, Caroline O'Connor
- Sun and Moon [From Miss Saigon] - Graham Bickley, Katrina Murphy, National Symphony Orchestra, Martin Yates
- Anything Goes [From Anything Goes] - John Owen Edwards, Louise Gold, National Symphony Orchestra
- As Long as He Needs Me [From Oliver!] - John Owen Edwards, National Symphony Orchestra, Sally Ann Triplett
- People's Song [From Les Miserables] - National Symphony Orchestra, Martin Yates
- Time Warp [From the Rocky Horror Show] - National Symphony Orchestra Ensemble, Martin Yates
- We Are the Champions [From We Will Rock You] - Dean Collinson, , Jim Graeme, Paulette Ivory, Sally Ann Triplett, Martin Yates
Tracks:
- Tonight (Quintet) [From West Side Story] - John Owen Edwards, Paul Manuel, National Symphony Orchestra, Caroline O'Connor, Tinuke Olafimihan
- Good Mornin' [From Singin' in the Rain] - Craig Barna, Michael Gruber, National Symphony Orchestra, Randy Rogel,
- Summer Nights [From Grease] - John Barrowman, Shona Lindsay, National Symphony Orchestra Ensemble, Martin Yates
- Supercalifragilisticexpialidocious [From Mary Poppins] - Jim Graeme, , National Symphony Orchestra, Martin Yates
- Make Believe [From Show Boat] - John Owen Edwards, Teri Hansen, Doug LaBrecque, National Symphony Orchestra
- You'll Never Walk Alone [From Carousel] - Muriel Dickinson, John Owen Edwards, National Symphony Orchestra
- Woman in Love [From Guys and Dolls] - Gregg Edelman, John Owen Edwards, Emily Loesser, National Symphony Orchestra
- Deadwood Stage [From Calamity Jane] - John Owen Edwards, Debbie Gravitte, National Symphony Orchestra
- Maybe This Time [From Cabaret] - National Symphony Orchestra, Sally Ann Triplett, Martin Yates
- New York New York [from New York New York] - Craig Barna, Sean McDermott, National Symphony Orchestra
- If Ever I Would Leave You [From Camelot] - Gerry Anderson, Robert Meadmore
- Nowadays [From Chicago] - Julian Kelly, National Symphony Orchestra, Caroline O'Connor
- 76 Trombones [From The Music Man] - National Symphony Orchestra, Martin Yates
Tracks:
- Macavity [From Cats] - National Symphony Orchestra, Jacqui Scott, Martin Yates
- With One Look [From Sunset Boulevard] - Kim Criswell, National Symphony Orchestra, Martin Yates
- Whistle Down the Wind [From Whistle Down the Wind] - Jim Graeme, National Symphony Orchestra Ensemble, Martin Yates
- All I Ask of You [From The Phantom of the Opera] - Andrew Halliday, Katrina Murphy, National Symphony Orchestra, Martin Yates
- Only You [From Starlight Express] - John Owen Edwards, National Symphony Orchestra Ensemble, Grania Renihan
- Another Suitcase in Another Hall [From Evita] - John Owen Edwards, National Symphony Orchestra, Grania Renihan
- King Herod's Song [From Jesus Christ Superstar] - Christopher Biggins, National Symphony Orchestra, Martin Yates
- Music of the Night [From The Phantom of the Opera] - John Owen Edwards, Jim Graeme, National Symphony Orchestra
- Buenos Aires [From Evita] - Julian Kelly, National Symphony Orchestra, Caroline O'Connor
- As If We Never Said Goodbye [From Sunset Boulevard] - National Symphony Orchestra, Jacqui Scott, Martin Yates
- Unexpected Song [From Song and Dance] - Clare Burt, National Symphony Orchestra, Martin Yates
- Close Every Door [From Joseph & the Amazing Technicolor Dreamcoat] - John Barrowman, John Owen Edwards, National Symphony Orchestra
- Our Kind of Love [From the Beautiful Game] - National Symphony Orchestra, Sally Ann Triplett, Martin Yates
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All Mornin' Long
Red Garland Quintet
Manufacturer: Prestige
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Hard Bop
| Bebop
| Jazz
| Styles
| Music
ASIN: B000007YHP
Release Date: 1958-01-01 |
Tracks:
- All Mornin' Long
- They Can't Take That Away from Me
- Our Delight
Jazz Music:
- An Evening at the Embers [Import] [Original recording remastered]
- Angel Town
- At His Very Best
- At the Garden Party
- Big Fun
- Billie's Bounce [Live]
- Blues Farm [Import]
- Brand New World
- Carolina Shout
- Complete Jazz at Storyville [Import]
Jazz Music
Jazz Music