Taking a Turn

Taking a Turn

ASIN: B0000UJC4K

Track Listings

1. Liquid Blue

2. Outbound

3. Emily's Song

4. Taking a Turn

5. November Unfolding

6. Tryst

7. A Flower From Budapest (Virag)

8. The Road Calls

9. Missouri Stars

10. Whisper/Listen

Editorial Reviews
Scottthejazzmaster
Smooth and elegant. Soulful and moving. Glad I was turned onto this CD. Will it get radio time? It should.

Product Description
Steve Greenbaum, a newcomer to the jazz scene, has quickly made his mark with the release of his debut CD, 'Taking a Turn'. What started out as a solo acoustic guitar project inspired by Pat Metheny and the ECM Records sound, evolved into one of the most interesting modern jazz releases of the year.

The music is beautiful acoustic jazz. Steve's compositions are tasteful, warm and inviting and are characterized by their strong imagery and delicate passion. His unorthodox acoustic guitar playing is at the heart of these songs. Unrushed tempos and subtle melodies leave ample space for inspired improvisation by his jazz sidemen on trumpet, sax, piano, and harmonica.

Greenbaum's musical influences are evident throughout the disk. The album's liner notes salute the Grammy Award winning album, 'Beyond the Missouri Sky', by Pat Metheny and Charlie Haden. The influence of that recording is most evident on November Unfolding, which is a poignant acoustic guitar piece with an acoustic bass accompaniment.

Outbound blends jazz and a western tinged motif to provide a Frisell/Haden-like, Americana feel to the song. Reportedly, seeing Toots Thielman in concert during the project sparked the use of a harmonica on this song. Tryst, one of the most upbeat and melodic tracks on the disk highlights the musicianship of the group and provides a nice contrast to the slower tracks. Other highpoints include the sweet electric guitar tone on The Road Calls and the soulful trumpet on the opening track, Liquid Blue.

Taking a Turn

Taking a Turn,Steve Greenbaum,Sixfive,Beautiful acoustic jazz inspired by Pat Metheny and the ECM Records sound. Received a "Best Jazz Recording" Wammie award nomination.

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra Various Artists Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Symphonies | Classical | Styles | Music General | Classical | Styles | Music Hungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music London Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music Moscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music National Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music General | Rap & Hip-Hop | Styles | Music General | Soundtracks | Styles | Music General | Instructional | Miscellaneous | Styles | Music Blowout Box Sets | Classical Music Blowout | Stores | Music More Titles at Least 20% Off | Classical Music Blowout | Stores | Music All Classical Music Blowout | Classical Music Blowout | Stores | Music Hungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music London Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music Moscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music National Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music Instrumental | Classical Music Blowout | Stores | Music Similar Items: Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4 The Life and Works of Ludwig van Beethoven What to Listen for in Music Study of Orchestration, Third Edition The Life and Works of Frédéric Chopin ASIN: B00006O0NT Release Date: 2002-12-03

Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Great compilation A disappointment

DRG 25th Anniversary Show Stopping Performances Manufacturer: Drg ProductGroup: Music Binding: Audio CD All Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music General | Previn, André | ( P ) | Featured Composers, A-Z | Classical | Styles | Music Rodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Keyboard | Instruments | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music General | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Broadway & Vocalists | Indie Music | Stores | Music General | Soundtracks | Indie Music | Stores | Music Similar Items: Barbara Cook at the Met with Special Guests Curtains (2007 Original Broadway Cast) 110 in the Shade (2007 Broadway Revival Cast) ABC (Adler, Bock, Coleman) The Drowsy Chaperone (2006 Original Broadway Cast) ASIN: B00005Q6IN Release Date: 2001-10-23

Tracks:

1. A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
2. Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
3. Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
4. Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
5. Nunsense: I Just Want To Be A Star - Christine Anderson
6. Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
7. Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
8. Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
9. Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
10. The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
11. Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
12. Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
13. A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
14. The Madwoman Of Central Park: Better - Phyllis Newman
15. Greenwillow: Never Will I Marry - Anthony Perkins
16. Song Of Singapore: I Can't Remember - Loretta Swit & Company
17. Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
18. I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
19. The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
20. Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
21. Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

Tracks:

1. 4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
2. Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
3. Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
4. High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
5. Tenderloin: Artificial Flowers - Patrick Wilson
6. State Fair: Driving At Night/Our State Fair - Company
7. Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
8. Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
9. The Green Bird: O Foolish Heart - Company
10. Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
11. The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
12. Snoopy!!!: Poor Sweet Baby - Pamela Myers
13. SeesawNobody Does It Like Me - Michele Lee
14. March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
15. Lunch: Perfectly Alone - Carol Burnett
16. 3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
17. Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
18. Godspell: All Good Gifts - Sal Sabella & Company
19. The Act: Walking Papers - Liza Minnelli & Company

Customer Reviews:

Great compilation.......2002-05-10

A disappointment.......2001-12-15

Average customer rating: Just another sabbath tribute in my book, I just don't think its that spectacular Melissa ROCKS!!! Does Ozzy better than Ozzy!!! Good performances, but too much of a carbon copy. Melissa Auf der Maur Rules! Awesome

Live in Los Angeles Hand of Doom Manufacturer: Idaho Music ProductGroup: Music Binding: Audio CD General | Rock | Styles | Music General | Live Albums | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Pop Rock | Pop | Styles | Music Metal | Hard Rock & Metal | Rock | Indie Music | Stores | Music Similar Items: Auf der Maur Era Vulgaris United Abominations WKRP in Cincinnati - The Complete First Season Icky Thump ASIN: B00006FSUI Release Date: 2002-09-03

Album Description

Hand of Doom gives their own high-energy spin to such Sabbath milestones as "Paranoid" and "War Pigs," while adding contemporary touches like turntables, a DJ and - in the role of Ronnie James Dio - guest lead vocals by Nick Oliveri of Queens of the Stone Age!

Customer Reviews:

Just another sabbath tribute in my book, I just don't think its that spectacular.......2006-10-20

Melissa ROCKS!!! Does Ozzy better than Ozzy!!!.......2004-11-08

Good performances, but too much of a carbon copy........2004-05-01

So what's the problem? Like so many others (even the ever-inventive Faith No More) who have covered Black Sabbath songs, Hand of Doom has stayed entirely too true to the original arrangements and sounds. Black Sabbath is the kind of band that holds a mystical power over its acolytes and it's not surprising that musicians who love the band have a preconceived notion of how these songs should sound. But the tracks on Hand of Doom, though I enjoyed them, sound so close to the originals that I wondered why I didn't just put on the original band. Auf der Maur's female vocals make them minutely different, but I definitely wish Hand of Doom would have been more inventive and done different things with these iconic songs.

And another thing: Do we need to hear yet more renditions of "War Pigs", "Iron Man" and "Paranoid", three of the most legendary (and therefore most tired) songs in the metal canon? The track selection on this EP shows a lack of adventurousness, something Black Sabbath never lost sight of. I would have loved to hear less obvious cover choices such as "Megalomania", "Killing Yourself to Live", "Am I Going Insane (Radio)", "Supernaut", "Zero the Hero", "Trashed", "The Wizard", and "Cornucopia". Instead, we get the three staples from the Paranoid album, songs I wouldn't mind never hearing covered ever again.

Hand of Doom is not bad as music; it's just at a loss for something to say. Hearing a completely faithful cover band may be enjoyable as a live experience, but a record demands more. Why perform and record songs in exactly the same way as they've been done, and done quite well, 30 years ago? I'd definitely recommend Melissa Auf der Maur's idiosyncratic solo record in lieu of Hand of Doom.

Melissa Auf der Maur Rules!.......2004-02-17

Awesome.......2002-09-29

Average customer rating:

Taking My Turn (1983 Off-Broadway Cast) Gary William Friedman , and Will Holt Manufacturer: Drg ProductGroup: Music Binding: Audio CD Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Musicals | Broadway & Vocalists | Styles | Music Traditional Vocal Pop | Broadway & Vocalists | Styles | Music General | Vocal Pop | Pop | Styles | Music Similar Items: Salvation (1969 Off-Broadway Cast) High Fidelity (2006 Original Broadway Cast) Three Wishes for Jamie (1952 Original Broadway Cast) Curtains (2007 Original Broadway Cast) George C. Wolfe's Harlem Song (Original Apollo Theater Cast Recording) ASIN: B00004TUU6 Release Date: 2000-08-22

Tracks:

1. This Is My Song
2. Somebody Else
3. Fine For The Shape I'm In
4. Two Of Me
5. Janet Get Up
6. I Like It
7. I Never Made Money From Music
8. Vivaldi
9. In April
10. Do You Remember?
11. Pick More Daisies
12. Taking Our Turn
13. Sweet Longings
14. I Am Not Old
15. Do You Remember? (Reprise)
16. The Kite
17. Good Luck To You
18. In The House
19. It Still Isn't Over
20. This Is My Song

Average customer rating: Great stuff for all jazz lovers!

Harry Potter Jazz Mark Kramer Manufacturer: Turn on Records ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music ASIN: B000BOH90E Release Date: 2005-10-25

Tracks:

1. Hedwig's Theme
2. Diagon Alley
3. Voldemort
4. Hogwart's Forever
5. Family Portrait (Prologue)
6. Nimbus 2000 [Quidditch]
7. Fluffy's Harp
8. Harry's Wondrous World, Pt. 1
9. Harry's Wondrous World, Pt. 2
10. Harry's Wondrous World [Quidditch Theme]

Customer Reviews:

Great stuff for all jazz lovers!.......2005-12-02

Average customer rating: nice mellow soft jazz

Taking a Turn Steve Greenbaum Manufacturer: Sixfive ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music General | Jazz | Indie Music | Stores | Music ASIN: B0000UJC4K Release Date: 2003-05-16

Tracks:

1. Liquid Blue
2. Outbound
3. Emily's Song
4. Taking a Turn
5. November Unfolding
6. Tryst
7. A Flower From Budapest (Virag)
8. The Road Calls
9. Missouri Stars
10. Whisper/Listen

Album Description

The music is beautiful acoustic jazz. Steve's compositions are tasteful, warm and inviting and are characterized by their strong imagery and delicate passion. His unorthodox acoustic guitar playing is at the heart of these songs. Unrushed tempos and subtle melodies leave ample space for inspired improvisation by his jazz sidemen on trumpet, sax, piano, and harmonica.

Greenbaum's musical influences are evident throughout the disk. The album's liner notes salute the Grammy Award winning album, 'Beyond the Missouri Sky', by Pat Metheny and Charlie Haden. The influence of that recording is most evident on November Unfolding, which is a poignant acoustic guitar piece with an acoustic bass accompaniment.

Outbound blends jazz and a western tinged motif to provide a Frisell/Haden-like, Americana feel to the song. Reportedly, seeing Toots Thielman in concert during the project sparked the use of a harmonica on this song. Tryst, one of the most upbeat and melodic tracks on the disk highlights the musicianship of the group and provides a nice contrast to the slower tracks. Other highpoints include the sweet electric guitar tone on The Road Calls and the soulful trumpet on the opening track, Liquid Blue.

Customer Reviews:

nice mellow soft jazz.......2004-12-31

Jazz Music:

1. The Best of the Concord Years
2. The Complications of Glitter
3. The Future Sound of Jazz, Vol. 3
4. The Path To Delphi
5. The Rarest Recordings Of Irving Fazola
6. The World We Know/Finian's Rainbow
7. Touch the Earth - Break the Shells [Live] [Import]
8. Unfinished Memories
9. Upward & Onward
10. Vanity of Venus

Jazz Music

Jazz Music