Some Other Time
Some Other Time
ASIN: B00004YMX5
Track Listings
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1. Always and Forever - Pat Methany
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2. Groove Merchant - Jerome Richardson
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3. I Loves You Porgy - George Gershwin, Ira Gershwin, DuBose Heywood
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4. Samba Caribe - Attila Zoller
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5. Motion - Jimmy Raney
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6. Some Other Time - Comden-Green- Bernstein
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7. Night Song - Strouse- Adams
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8. Tear It Down - John L. (Wes) Montgomery
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9. Maniac - Shorty Rogers
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10. Sail Away - Tom Harrell
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11. S.O.S. - John L. (Wes) Montgomery
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12. Moonlight In Vermont - John Blackburn, Karl Suessdorf
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13. Heat Wave - Irving Berlin
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14. Impromptu #1 - Jeff Sherman
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Editorial Reviews
About the Artist
Jeff Sherman partial Bio:
Jeff Sherman, jazz guitarist, has spent his entire professional life in music. He has held many academic positions. Currently he is Director of Jazz Studies, and teaches jazz and classical guitar at Bellarmine College in Louisville. He also has a long and varied performance career including a tour with Marvin Gaye, and the Saints. He has many previous recordings. He has many solo and ensemble performances with the Louisville Symphony Orchestra, and many concerts with headliners such as Ella Fitzgerald, Liz Menial, Bob Hope, Boots Randolph, Jamey Abersold, the Letterman, Gene Bertoncini, Kenny Poole, and the list goes on and on as you can see below. In short, if can be done on a guitar, Jeff has probably done it!
Product Description
Excerpt from CD liner notes by Howard Alden:
Yes, this is a guitar, bass and drums album and there have been many albums with this instrumentation made. But it's unlike the average guitar trio album, something quite different and can't be grouped with the run-of-the-mill product in this field. Many guitarists are perfectly happy glibly playing yet another variation of I've Got Rhythm changes, blues, I'll Remember April and a handful of overplayed vehicles with which to exhibit their chops and dexterity. Then there are the rare players like Jeff Sherman who pick interesting and unhackneyed tunes, interesting ways of playing them and base their improvisation and variations on the spirit of the tune.
Some Other Time
Some Other Time,Jeff Sherman,Stork Music,an amazing jazz guitarist has picked some interesting and unhackneyed tunes on this traditional yet creative CD
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Disappointing
- The Feel of New York
- The next stop once you've heard the originals
- Bernstein's New York, it's a wonderful town!
- Great CD BUT...
|
Leonard Bernstein's New York
Leonard Bernstein , Dawn Upshaw , Judy Blazer , Mandy Patinkin , Audra McDonald , Donna Murphy , Richard Muenz , Eric Stern , and Orchestra Of St. Luke's
Manufacturer: Nonesuch
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Similar Items:
- How Glory Goes
- Leonard Bernstein's New York / Mandy Patinkin, Dawn Upshaw, Donna Murphy
- Experiment
- Happy Songs
- Oscar & Steve
ASIN: B000005J40
Release Date: 1996-08-20 |
Tracks:
- Lonely Town
- Come Up To My Place
- What A Waste
- A Little Bit In Love
- Fancy Free: Danzon Variation
- Ain't Got No Tears Left
- Ballet At The Village Vortex
- Wrong Note Rag
- Story Of My Life
- Cab And Bedroom
- One Hand, One Heart
- Ya Got Me
- A Quiet Girl
- Balcony Scene (Tonight)
- Lonely Town Pas De Deux
- Somewhere
- West Side Story: Ballet Sequence From West Side Story
- Some Other Time
- New York, New York (Finale, Act II)
Amazon.com
Leonard Bernstein's New York is a cornucopia of tongue-in-cheek wit, unabashed romanticism, big-city loneliness, and intellectual irony. His well-known orchestral brilliance is beautifully represented under the stellar conducting of Eric Stern, but his underappreciated talents as a songwriter are what shine, elevating this recording to magic. The cast of American theater's best includes Mandy Patinkin wonderfully indulging his comic side; Judy Blazer and Donna Murphy, the shiniest lights on Broadway, demonstrating their extensive range as singing actresses; Audra McDonald making the difficult sound easy; and Richard Muenz and Dawn Upshaw singing elegantly. Most unforgettably pleasing are the trios "Ya Got Me" and "What A Waste." A great tribute to Bernstein's theater works. --Barbara Eisner Bayer
Customer Reviews:
Disappointing.......2007-03-13
I agree that this is a great collection. But I have to wonder: Am I the only one who got a bum copy of the CD? The songs are all mixed up on my copy, as in, most of the tracks are mislabeled: "A Quiet Girl" is really "Tonight", The Balcony Scene, printed as "Tonight" is really "Somewhere". The list goes on.
So, who do I kvetch to? I'd like a copy that isn't a complete mishmash.
The Feel of New York.......2007-01-09
Having spent most of my working years in NYC, I felt this CD brought the city to me. Bernstein has allways been a favorite.
The next stop once you've heard the originals.......2007-01-09
As a tribute to Bernstein on Broadway, this CD is hard to beat. All the singers are stars but of a generation, ro two, beyond the originals. Naturally here's been a change of style, and these renditions are more knowing, sophisticated, and at times ironic than the originals. On their own, Donna Murphy, Dawn Upshaw, and Mandy Patinkin, among others, are masters of their craft, but I hope anyone who loves LB will also seek out the original cast albums for all of his musicals, or the clesest one can get (On the Town was remade in the Fifties). Those recordings cast a unique spel, but the next stop is this marvelous CD.
Bernstein's New York, it's a wonderful town!.......2002-01-15
And speaking of "Wonderful Town," it's so nice to hear music from this least appreciated of Bernstein's musicals. "What a Waste," "A Quiet Girl" and Audra McDonald's enchanting "A Little Bit in Love" have never sounded better. Donna Murphy burns the house down with the torchy "Ain't Got No Tears Left," and has fun with Patinkin and Blazer on the raucous "Ya Got Me." "One Hand, One Heart" sung by Dawn Upshaw and Richard Muenz is movingly rendered, as is Patinkin's wonderful delivery of an all-time Bernstein favorite, "Some Other Time." My only comlaint? Where is "I Can Cook Too?" A terrific recording.
Great CD BUT..........2000-07-02
I loved this CD, but there was some things that kept it fromgetting four stars. First Mandy Patkin, I loved him in Sunday in The Park With George, also I have a CD of him singing yiddish songs all good, but in this CD I just don't like him. Like in the song "Come Up To My Place" I didn't like his voice and I never could quite see him as the character for that song. Also I would have liked to see (well actually "hear") some more of the dance numbers or overtures, I realize the main point of the CD was all the singers they put together, but the real highlight of the CD for me was the sections from Fancy Free, and Ballet At The Village Vortex from Wonderful Town. Also I liked "One Hand One Heart" a lot. Overall I would get this CD if you like Bernstein or any of these musicals, it is good listen, just not outstanding.
Average customer rating:
- The Real Thing
- Fantastic Collection of Favorites!!!
|
The Mantovani Orchestra
Manufacturer: St. Clair Records
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Similar Items:
- The Best Ever Mantovani Collection
- At the Movies
- Janine Jansen: Concertos & Romance
- Whipped Cream & Other Delights (40th Anniversary Edition)
ASIN: B00005YC5F
Release Date: 2000-04-18 |
Customer Reviews:
The Real Thing.......2007-01-27
I'm a HUGE Mantovani fan and have had mixed results trying to upgrade my collection to CDs. This collection is the original orchestra arrangements of all the classics. This is the one to buy.
Fantastic Collection of Favorites!!!.......2003-07-02
The Mantovanti Orchestra shows off their "marvelous versatility" in this "wonderful" collection of "8 CDs", with titles that tell you "just what to expect", such as: "The Love Songs", "Memorable Classics", "Itallian Favorites", "On Broadway", etc. You can set the MOOD for practically ANY occassion! There are even some "popular" selections that we all know and treasure like: "Moon River", "Over the Rainbow" and "Autum Leaves"!
You will NOT want to remove these GREAT CDs from your CD Player, once you have listened to them! They make "nice" background music for small get-togethers or "lovely" background music for those "ROMANTIC DINNERS", for you and your "SPECIAL SOMEONE"!!! I HIGHLY RECOMMEND THIS SET!!! It is a GREAT DEAL for the money, even at the full price!!!
Average customer rating:
- Superb Bernstein collection
- I hope you like crazyness......
|
Leonard Berstein Arias & Barcarolles ¿ Songs & Duets
Leonard Bernstein , Michael Barrett , Steven Blier , Judy Kaye , and William Sharp
Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Peter Pan (2005 Studio Cast) - Leonard Bernstein
- Songs from the Silver Screen
ASIN: B000001SCZ
Release Date: 1994-04-20 |
Tracks:
- Some Other Time
- A Little Bit In Love
- Lonely Town
- Storyette, H.M.
- To What You Said
- Carried Away
- I Can Cook
- Dream With Me
- Prelude
- Love Duet
- Little Smary
- The Love Of My Life
- Greeting
- Oif Mayn Khas'neh (At My Wedding)
- Mr. And Mrs. Webb Say Goodnight
- Nachspiel (In Memoriam)
Customer Reviews:
Superb Bernstein collection.......2003-12-22
The song cycle "Arias and Barcarolles" was Leonard Bernstein's last completed work. This recording documents the interpretations of the performers from the New York premiere: soprano Judy Kaye, baritone William Sharp, with Michael Barrett and Steven Blier on piano.
The piece is one of Bernstein's most successful concert works. All but one of the texts are in English and are by Bernstein (well, one is attributed to his mother, recreating a bedtime story she used to tell him when he was a child). The exception is "Oif Mayn Khas'neh" ("At My Wedding") for the baritone, from a Yiddish text by the poet Yakov Yitzkhok Segal, which Bernstein set in a way that creates a rather nightmarish atmosphere that you might not expect from reading the poem. Some of the pieces are for just one singer, while others are duets. There is no particularly obvious throughline holding the individual numbers together.
The music is in Bernstein's standard, eclectic concert-music style, with some twelve-tone sections but with other parts in a style not very diffferent from that of his musicals.
The performances are excellent. Judy Kaye has the ability, not often encountered, to sing this kind of music strongly while skillfully and clearly conveying both the words of the text and the feelings behind them. William Sharp matches her with powerful and disciplined performances, their voices blending well when necessary, and there is a palpable sense of communication between them in the duets.
The CD is filled out with songs and duets from musicals, as well as two selections from "Songfest," another Bernstein song cycle. Kaye really shines here, especially in the duet "Storyette H.M." from "Songfest," an exquisite "Dream With Me," and a swinging "I Can Cook Too." Sharp is also very good, if occasionally a little stiff in the musical-theatre songs, but particularly strong in the two selections from "Songfest."
This CD is a winner.
I hope you like crazyness.............2000-05-29
The Arias & Barcarolles were a little wierd. It really has no plot and the music follows up on the wierdness. Now this isn't funny obsurdity as you might think of in such shows as Monty Python. The awkwardness is more of a seriousness. As far as I can tell it appears to be about a couple and thier life; there strange awkward life with music. Be aware too that this entire CD has a piano opposed to an orchestra. This isn't bad. It's just another way to view these songs. The first 8 selections were good selections. Many of these songs will not be found on other highlights, and in then case of Dream with Me, won't even be found in a full length recording of the piece. Dream of Me is a wonderful song. The passion and intense emotion thrown into this work is almost overwhelming. It tops my favorite love song list. I Can Cook is quite jumpy and comical; very broadway-like. The two Songfest songs are deserving of their title. Very catchy tunes. The other On the Town songs are amongst the popular ones you've probaly heard before. A Little Bit in Love displays the mood and emotion of a simple childhood crush. Overall, I must say I do enjoy the first half of this CD more then the Arias & Barcarolles. There are a couple of songs I do enjoy from them like the lovely song about a new born baby.
Average customer rating:
|
American Portraits-The American Music Sampler
Gian Carlo Menotti , Paul Creston , Bernard Herrmann , Quincy Porter , Franz Waxman , Howard Hanson , Miklos Rozsa , William Schuman , James Sinclair , James Sedares , Andrew Schenck , Donald Teeters , Jordania, Vakhtang , Clark, Richard Auldon , and Falletta, Joann
Manufacturer: Koch Int'l Classics
ProductGroup: Music
Binding: Audio CD
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| Barber, Samuel
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| Bernstein, Leonard
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| Still, William Grant
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| Thompson, Randall
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| Waxman, Franz
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ASIN: B000001SH2
Release Date: 1994-08-23 |
Tracks:
- Country Band March - J. Sinclair/Orch New England
- Fall River Legend Movt III-Church Social - J. Sedares/New Zealand SO
- Sym No.3 in a Movt III-Allegro vivace - A. Schenck/New Zealand SO
- Christmas Cantata Movt III-Allegro - B. Cecilia/D. Teeters
- To the Green Mountains Movt I-Prelude - V. Jordania/KBS SO
- Adagio for Strs - J. Sedares/New Zealand SO
- Persian Set Movt IV-Presto - R.A. Clark/Manhatten CO
- I Sometimes I Feel Like a Motherless Child - Alexa Still/Susan DeWitt Smith
- The Last Judgement Movt I-The Resurrection of Eve - J. Falletta/London SO
- Three Latin American Sketches Third Sketch-Danza de Jalisco - J. Sedares/Pheonix SO
- Some Other Time - New York Festival of Song
- Apocalypse Movt III-Gli Angel Militanti - J. DePreist/Oregon Sym
- Fanfare for Paratroopers - J. Mester/London PO
- The Lovers-Close Your Eyes - A. Schenck/Chicago SO & Chorus
- Sym Movt II-Scherzo - J. Sedares/Pheonix SO
- Blue Lontains - Alexa Still/Susan DeWitt Smith
- Sin for Str Orch & Timp Movt II-Lento - I. Jackson/Berliner Sym
- Serenade, Op.35 - N. Braithwaite/A. Still/New Zealand CO
- The Vintner's Daughter Variation 7-Alla marcia ongarese - J. Sedares/New Zealand SO
- New England Tryptich Movt III-Chester - J. Sedares/Pheonix SO
Customer Reviews:
A Must-Have CD.......2000-11-14
This is a must-have album. Why is this not available? You have Copland, Ives, Gould, Herrmann, Moross and others. These are great American composers. I have never seen such a well rounded and representive body of works from so many great Americans. Go out and find a copy of this one. It's great!
Average customer rating:
|
Panorama: Leonard Bernstein
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
All Works by Bernstein
| Bernstein, Leonard
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Deutsche Grammophon: Music
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ASIN: B00004YMTJ
Release Date: 2001-01-23 |
Tracks:
- On The Town (Hlts): New York, New York - David Garrison/Kurt Ollmann/Thomas Hampson
- On The Town (Hlts): Taxi Number: Come Up To My Place - Kurt Ollmann/Tyne Daly
- On The Town (Hlts): Carried Away - Frederica Von Stade/David Garrison
- On The Town (Hlts): Lucky To Be Me - Thomas Hampson/London Voices
- On The Town (Hlts): Ain't Got No Tears Left - Cleo Laine
- On The Town (Hlts): Pitkin's Song - Samuel Ramey
- On The Town (Hlts): Some Other Time - Frederica Von Stade/Tyne Daly/David Garrison/Kurt Ollmann
- Candide (Hlts): The Best Of All Possible Worlds - Adolph Green/Jerry Hadley/June Anderson/Kurt Ollmann/Della Jones
- Candide (Hlts): Oh, Happy We - Jerry Hadley/June Anderson
- Candide (Hlts): Glitter And Be Gay - June Anderson
- Candide (Hlts): Old Lady's Tango: I Am Easily Assimilated - Christa Ludwig/London Sym Chor
- Candide (Hlts): Finale: Make Our Garden Grow - Jerry Hadley/June Anderson/Christa Ludwig/Della Jones/Nicolai Gedda/Kurt Ollmann/Adolph Green...
- West Side Story (Hlts): Jet Song - Kurt Ollmann/David Livingston/Stephen Bogardus/Peter Thom/Chorus
- West Side Story (Hlts): Maria - Jose Carreras
- West Side Story (Hlts): Balcony Scene: Tonight - Jose Carreras/Kiri Te Kanawa
- West Side Story (Hlts): America - Tatiana Troyanos/Louise Edeiken/Stella Zambalis/Angelina Reaux/Chorus
- West Side Story (Hlts): One Hand, One Heart - Jose Carreras/Kiri Te Kanawa
- West Side Story (Hlts): I Feel Pretty - Kiri Te Kanawa/Louise Edeiken/Stella Zambalis/Angelina Reaux
- West Side Story (Hlts): Gee, Officer Krupke - David Livingston/Marty Nelson/Stephen Bogardus/Peter Thom/Todd Lester/Chorus
Tracks:
- Candide: Ov - Israel PO/Leonard Bernstein
- Ser: 1. Phaedrus - Pausanias. Lento - Allegro Marcato - Gidon Kremer
- Ser: 2. Aristophanes. Allegretto - Gidon Kremer
- Ser: 3. Eryximachus. Presto - Gidon Kremer
- Ser: 4. Agathon. Adagio - Gidon Kremer
- Ser: 5. Socrates - Alcibiades. Molto Tenuto - Allegro Molto Vivace - Gidon Kremer
- Chichester Psalms: 1. Psalm 108 (Verse 2); Psalm 100 (Comp): Maestoso Ma Energico - Allegro Molto - Wiener Jeunesse-Chor/Wiener Sangerknaben
- Chichester Psalms: 2. Psalm 23 (Comp); Psalm 2 (Verses 1-4): Andante Con Moto, Ma Tranquillo... - Wiener Jeunesse-Chor/Wiener Sangerknaben
- Chichester Psalms: 3. Psalm 131 (Comp); Psalm 133 (Verse 1): Prld - Sostenuto Molto - Peacefully... - Wiener Jeunesse-Chor/Wiener Sangerknaben
- Symphonic Ste from the Film 'On The Waterfront': Andante (With Dignity) - Israel PO/Leonard Bernstein
- Symphonic Ste from the Film 'On The Waterfront': Ste: Adagio - Israel PO/Leonard Bernstein
- Symphonic Ste from the Film 'On The Waterfront': Andante Largamente - Israel PO/Leonard Bernstein
- Symphonic Ste from the Film 'On The Waterfront': Moving Forward, With Warmth - Israel PO/Leonard Bernstein
- Symphonic Ste from the Film 'On The Waterfront': Allegro Non Troppo, Molto Marcato - Israel PO/Leonard Bernstein
- Symphonic Ste from the Film 'On The Waterfront': A Tempo (Poco Piu Sostenuto) - Israel PO/Leonard Bernstein
Average customer rating:
- A great "first step" to the magic of "The Great White Way"
|
The Bernstein Songbook
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
All Works by Bernstein
| Bernstein, Leonard
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Similar Items:
- Peter Pan (2005 Studio Cast) - Leonard Bernstein
- Kurt Weill: The Centennial
- Bernstein Century - Bernstein: Trouble In Tahiti, Facsimile / Bernstein, New York Philharmonic
ASIN: B0000026OU
Release Date: 1990-10-25 |
Tracks:
- On The Town: New York, New York
- On The Town: Lonely Town
- On The Town: Carried Away
- PETER PAN: Build My House
- PETER PAN: Plank Song
- Trouble In Tahiti: I Was Standing In A Garden
- Trouble In Tahiti: What A Movie!
- Wonderful Town: Conga
- Wonderful Town: Ohio
- Wonderful Town: Wrong Note Rag
- Candide: Best Of All Possible Worlds
- Candide: Oh, Happy We
- Candide: Glitter And Be Gay
- Candide: Make Our Garden Grow
- West Side Story: America
- West Side Story: Maria
- West Side Story: Tonight Quintet
- West Side Story: Somewhere
- Mass: Hymn And Psalm: A Simple Song
- FINALE: ON THE TOWN: Some Other Time
- ENCORE: 1600 HUNDRED PENNSYLVANIA AVENUE: Take Care Of This House
Customer Reviews:
A great "first step" to the magic of "The Great White Way".......2006-11-26
With the Thanksgiving passing of songwriter Betty Comden, I recalled that I had, in my album collection, this album, not just featuring her songs but Comden singing on "Carried Away" and "Some Other Time" from the Tony-award-winning "New York." Two other songs from the play are featured, culled from a 1960 recording.
This compilation has some of the best of Broadway, not just the songs but the performers as well. Familiar names like Boris Karloff, the legendary Rosalind Russell, Nancy Walker, Chita Rivera, and Carol Lawrence are showcased in various selections from the likes of "Peter Pan," "Trouble in Tahiti," "Wonderful Town," "Candide," "1600 Pennsylvania Avenue," and, in this writer's opinion, the best musical in the history of the stage, "West Side Story."
The liner notes provide brief but insightful descriptions of the various plays, including an introduction from Comden and her longtime collaborator Adolph Green, also heard on the album.
The music is definitely Bernstein with his uniquely American style, coupled with Old World influences.
Average customer rating:
|
Some Other Place Some Other Time
Heaven's Edge
Manufacturer: Heaven's Edge
ProductGroup: Music
Binding: Audio CD
General
| Rock
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General
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Hard Rock
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Rock
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ASIN: B0000248BO
Release Date: 1999-09-07 |
Tracks:
- Rock Steady
- Some Other Place, Some Other Time
- Jacky
- Jump on It
- Just Another Fire
- Back Seat Driver
- Cuts Both Ways
- Call My Name
- Just Can't Cry Anymore
- Roller Coaster
- Take Me by the Hand
- Rhythm
- Please Baby Please
- Every Inch a Woman
- Say What You Will
- Nice and Easy
Average customer rating:
- HARD HITTING / HIGH ENERGY
|
Some Other Time, Some Other Pl
Heavens Edge
ProductGroup: Music
Binding: Audio CD
ASIN: B000056495 |
Customer Reviews:
HARD HITTING / HIGH ENERGY.......2004-09-24
For those late 80's early 90's people that like hard hitting glam rock metal,this is your album.Strong vocals,great gutar,quick pounding drums and some great ballads.This album is a must for your collection.
Average customer rating:
- Refreshingly simple, bitter-sweet, beautiful.
|
Some Other Time
June Tabor
Manufacturer: Hannibal
ProductGroup: Music
Binding: Audio CD
British Folk
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Hannibal Records
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Similar Items:
- Apples
- Singing the Storm
- Definitive Collection
- Freedom and Rain
- Rosa Mundi
ASIN: B00000061P
Release Date: 1991-07-01 |
Tracks:
- Some Other Time
- Night And Day
- You Don't Know What Love Is
- Body And Soul
- This Is Always
- Perk Pie Hat
- Solitude
- I've Got You Under My Skin
- The Man I Love
- Meditation
- Sophiscsted Lady
- Round Midnight
Customer Reviews:
Refreshingly simple, bitter-sweet, beautiful........1998-06-19
This is one of my favorite June Tabor albums. It shows off her voice without undue distraction. The mood is quiet, meditative, and almost hypnotic in places. It tends to provoke deep thought and feeling. If you like to be constantly stimulated by noise and jangle, avoid this album. However, it is perfect for a quiet evening when you are lost in melancholic reverie.
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