One Day, Forever
One Day, Forever
ASIN: B000059T22
Editorial Reviews
Amazon.com
The Philadelphia-born tenor saxophonist Benny Golson is one of the most accomplished jazz writers, and this recording celebrates his compositional genius, as well as his underrated tenor sax sound. Backed by the late trumpeter Art Farmer, a rhythm section featuring bassist Ron Carter, Jazz Messenger alumnus trombonist Curtis Fuller, and a string orchestra, Golson hosts special guest Shirley Horn on the wistful, honey-toned title track and tackles some of his ageless hits. The midtempo, modal-bridged "Killer Joe," "Along Came Betty," and the ballad "Are You Real?" still ring with their vintage hard-bop edge and yet sound entirely contemporary. Golson's early numbers, "Blue Walk" and "Out of the Past," likewise still swing, and his 10-minute classical piece, "On Gossamer Wings" (performed by pianist Lara Downes) reveals the full range of his eclectic musicality. He logged crucial time in the 1950s with Art Blakey's Jazz Messengers, cofounded the Jazztet with Farmer, and was a close friend of John Coltrane. --Eugene Holley Jr.
Product Description
For over 45 years, Benny Golson has been one of the architects of jazz. His compositions have contributed to the songbooks of many groups and leaders, from Miles Davis to Quincy Jones. Now, with some of the legends of jazz, Benny revisits some of his biggest hits, with some new ones as well, including the premiere of Benny's classical solo piano composition, "On Gossamer Wings", performed by Lara Downes. Featuring Ron Carter, Mulgrew Miller, Art Farmer, Curtis Fuller, and a rare guest appearance by Shirley Horn, performing the first songs for which Benny has composed lyrics, backed by a string orchestra.
One Day, Forever
One Day, Forever,Benny Golson,Arkadia Jazz,Hard Bop,Jazz,Jazz Music,Pop
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Very good CD
- One Day, Forever featuring Shirley Horn, Art Farmer
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One Day, Forever
Benny Golson
Manufacturer: Arkadia Jazz
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Terminal 1
- Benny Golson's New York Scene
- Gone with Golson
- Tenor Legacy
- I Remember Miles
ASIN: B000059T22
Release Date: 2001-02-27 |
Tracks:
- One Day, Forever (I Remember Miles)
- Blue Walk
- Killer Joe
- Are You Real?
- Sad to Say
- Out of the Past
- Blues Alley
- Along Came Betty
- Son Gossamer Wings
Amazon.com
The Philadelphia-born tenor saxophonist Benny Golson is one of the most accomplished jazz writers, and this recording celebrates his compositional genius, as well as his underrated tenor sax sound. Backed by the late trumpeter Art Farmer, a rhythm section featuring bassist Ron Carter, Jazz Messenger alumnus trombonist Curtis Fuller, and a string orchestra, Golson hosts special guest Shirley Horn on the wistful, honey-toned title track and tackles some of his ageless hits. The midtempo, modal-bridged "Killer Joe," "Along Came Betty," and the ballad "Are You Real?" still ring with their vintage hard-bop edge and yet sound entirely contemporary. Golson's early numbers, "Blue Walk" and "Out of the Past," likewise still swing, and his 10-minute classical piece, "On Gossamer Wings" (performed by pianist Lara Downes) reveals the full range of his eclectic musicality. He logged crucial time in the 1950s with Art Blakey's Jazz Messengers, cofounded the Jazztet with Farmer, and was a close friend of John Coltrane. --Eugene Holley Jr.
Album Description
For over 45 years, Benny Golson has been one of the architects of jazz. His compositions have contributed to the songbooks of many groups and leaders, from Miles Davis to Quincy Jones. Now, with some of the legends of jazz, Benny revisits some of his biggest hits, with some new ones as well, including the premiere of Benny's classical solo piano composition, "On Gossamer Wings", performed by Lara Downes. Featuring Ron Carter, Mulgrew Miller, Art Farmer, Curtis Fuller, and a rare guest appearance by Shirley Horn, performing the first songs for which Benny has composed lyrics, backed by a string orchestra.
Customer Reviews:
Very good CD.......2006-02-25
I've never heard Benny Golson and I discover him when I saw the movie The Terminal. One Day, forever is a very good work. Now I became a fan of Beny Golson.
One Day, Forever featuring Shirley Horn, Art Farmer.......2001-03-16
NEWS RELEASE
Arkadia Records releases One Day, Forever the 4th recording from saxophonist, composer and arranger Benny Golson CD FEATURES SHIRLEY HORN, ART FARMER, RON CARTER, MULGREW MILLER, AND THE PREMIERE RECORDING OF A CLASSICAL SOLO PIANO COMPOSITION
At an age when most artists are thinking of retiring, Benny Golson continues to be a prolific writer, consummate arranger and a masterful composer, which can be heard on his latest release, One Day, Forever. As his triad of accomplishments in the world of jazz is unparalleled, Benny's latest is also a tale of three stories: not only does the CD cover a vast array of his best known songs (in a reunion with the late Art Farmer-these sessions would be the final time that Golson and Farmer would record together), it includes several exquisite new compositions that feature no less than some of today's royalty of jazz: Shirley Horn, Ron Carter, Mulgrew Miller, Carl Allen and a string section of twelve cellos. And not to be contained even by the boundaries of jazz, Benny's new classical composition for solo piano is included, the Chopinesque "On Gossamer Wings" which has its world premiere on this recording and is a further example that Golson is one of the most important artists of the last forty years. Benny and his music, including the new pieces, will be featured in March of 2001 in a series of special concerts at New York's Lincoln Center.
Benny's career is well documented: From his days as a R&B saxophonist with Bull Moose Jackson in the early 50's, his two year tenure with the Dizzie Gillespie Big Band from `56 to `58, his legendary musical directorship of Art Blakey's Jazz Messengers in `58 and `59, the forming of the Jazztet with Art Farmer, his composing years in Hollywood for films and TV, his return to performance in the early 70's and the string of standards he has written in all those years amount to a massive, comprehensive body of music that is wide in scope and deep in value. But as stated before, Benny's music cannot be defined by a single genre, and since his association with Arkadia Records in 1996, Benny's has found a home for all of his projects that the world must hear. During that same time, Golson had reunited with former Jazztet members Art Farmer and Curtis Fuller for a tour of Europe, where they recorded the sextet portion of this CD. "But because of everyone's prior commitments, they could only record for one day," explains Arkadia CEO Bob Karcy, "which meant that we would not have enough material for a full album. I knew that we just had to use that material...and Benny had mentioned that he had written some songs that had never been recorded and some were the first for which he had ever written lyrics...he also told me that he had started working on a classical piano piece that was still unfinished." Beginning with those orphaned tracks, One Day, Forever is the result of the concept of a broad overview of Benny's career.
One Day, Forever is Golson's 4th CD for Arkadia and promises to be the most rewarding. The masterful Shirley Horn delivers the heartbreaking goods on two new compositions. The title track is described by Benny: "Whenever I write a ballad, which happens to be my favorite vehicle for music, I always think of Art Farmer instrumentally and Shirley Horn vocally...when I felt the urge to begin writing my own lyrics, I decided this piece would be the one..." Originally written as a tribute for Art Farmer's wife after her death, "the words seem to tell a story about love gone bad, it is, in fact, a very real account of Art and his wife..." Horn turns in an inspired performance that is destined to become the standard for this song.
Sad To Say is another impressionistic work that "grew out of the dark shadows of my imagination." Originally intended as an instrumental that portrayed an eccentric, haunted, tortured saxophonist crossed with the Phantom of the Opera and Quasimodo, "when I decided to write a lyric for it...it became a mournful, unhappy heavyhearted outpouring of unrequited love. You can hear the "tears" in Shirley's voice as she unfolds this sad scenario."
The romantic `fantasia' On Gossamer Wings was written over the course of several years, and was ultimately completed in the summer of 2000. Very few jazz musicians also compose or perform in the classical field, so the inclusion of this piece on a primarily jazz recording is somewhat of a first. "In On Gossamer Wings, I could hear the spirit of Rachmaninov, Chopin and other great composers of the Romantic piano literature," recalls Karcy. "With Arkadia's acquisition of the Postcards label, we expanded our musical horizons to include classical and world music. Our first release in the classical area was from the exceptionally gifted young pianist, Lara Downes, and Lara's idea for her next project was a musical journey through classical Americana entitled "American Ballads." I suggested that we record his composition with Lara to include it on her own new recording, and on Benny's CD as well. Who said that everything on an album has to be the same style?" Benny agrees. " I wondered how a classical artist would feel about recording something that was composed by a [jazz] musician...Bob and I wanted to include her recording of the piece on this CD. It's one of my compositions!" The CD culminates with the performance, whose motif is sculpted out of the classical language of Western Europe and explored through thematic development throughout the 10 minute work. It's only fitting that Lincoln Center will host the premiere of the opus in March of 2001, performed by Ms. Downes.
The six classics recorded in 1996 constitute a brief recap of Benny's output as writer of jazz hits. Blue Walk, Killer Joe, Are You Real, Out of the Past, Blues Alley and Along Came Betty all belong to the rare breed of song that refuse to be ignored over the course of time. Featuring Benny's core band of a younger generation that interpret standards in a way that belies their years, Dwayne Burno, Geoff Keezer and Joe Farnsworth meet the masters themselves: Benny, Art Farmer and Curtis Fuller. Together, they create-not recreate-new hard bop readings of the hits Benny penned over 40 years ago, to the more recent. The feeling of the group is that they are playing the music, not just the notes, as most groups are apt to do today. Such mastery can only be obtained through years of playing together-and it shows. It's no wonder that these musicians were of such importance and have contributed so much music to jazz, and their last session together is a testament of that. Even if the last 40 years may fall under the realm of "journalism and criticism" and not to the history books, as some factions may want you to believe, we all know the truth.
Three stories from one remarkable artist. Let the ears of your heart decide where to start first.
***************************************************
A full-service label started in 1997 by Bob Karcy, Arkadia Jazz has earned four Grammy nominations (the most of any independent label in the jazz category) and wide acclaim as "The Artists' Choice." "Arkadia is a new label whose recordings to date have been meticulous, high-quality productions with focus and purpose" Thomas Conrad, Stereophile. The label has released CD's by Billy Taylor, Benny Golson and Joanne Brackeen (both Grammy nominees on Arkadia Jazz), T.K. Blue, Mary Pearson, David Liebman (also nominated for a Grammy), Kenny Drew Jr. and David Lahm, among others. The twice Grammy nominated "Thank You" series includes tributes to John Coltrane, Gerry Mulligan, Duke Ellington and Joe Henderson. In June of 1999, Arkadia acquired the esteemed Postcards label, and is expanding its catalog into the world and classical music areas. Postcards new releases are classical pianist Lara Downes and bassist Joris Teepe with Don Braden and Chris Potter, and ethnomusicologist/percussionist Royal Hartigan.
Arkadia Jazz is a label of Arkadia Entertainment, a natural extension of V.I.E.W. Video founded by Karcy 17 years ago. V.I.E.W. is widely acknowledged to be the premiere home video producer and label in jazz, performing arts (opera, dance and classical music) and special interest (documentary, parenting, sports, health & fitness) with a catalog in excess of 200 titles that have been honored with over 100 prestigious international awards.
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One Day, Your Day
Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000ICOD
Release Date: 1999-04-27 |
Tracks:
- Prld: Air For The 'G' Str - Royal Philharmonic Orchestra
- Prld: Jesu, Joy Of Man's Desiring - St. Louis Brass Quinett
- Seating Of The Mothers: Schubert's Ave Maria - Nancy Enslin
- Seating Of The Mothers: Sheep May Safaly Graze - Philip Brunelle
- Processional: Bridal March From 'Lohengrin' ('Here Comes The Bride') - Ljubljana Radio Symphony Orchestra And Chorus
- Processional: Canon In D Major - Collegium Aureum
- Prayer (After The Exchange of Vows And Rings): The Lord's Prayer - Karyn List/Nancy Enslin
- Recessional: Wedding March From 'A Midsummer Night's Dream' - London Festival Orchestra
- Recessional: Alla Hornpipe From 'Water Music' Suite - London Festival Orchestra
- Prld: When I Fall In Love From 'Sleepless In Seattle' - Spectrum
- Prld: Endless Love - FLORIDA SYMPHONIC POPS
- Seating Of The Mothers: Save The Best For Last - Spectrum
- Seating Of The Mothers: Because You Loved Me - Spectrum
- Processional: Hymne - Nancy Enslin
- Processional: A Time For Us From 'Romeo And Juliet' - Nancy Enslin
- Lighting Of The Unity Candle: My Heart Will Go On (Love Theme From 'Titinic') - The American Film Orchestra
- Lighting Of The Unity Candle: I Love You Always Forever - Spectrum
- Lighting Of The Unity Candle: Whither Thou Goest - Karyn List/Nancy Enslin
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Love Songs, Vol. 2
Manufacturer: Fabulous
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Love Songs, Vol. 1
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ASIN: B0001W0THQ
Release Date: 2004-05-25 |
Tracks:
- Everything I Do, I Do It For You
- If You Leave Me Now
- Memory
- One Day In Your Life
- Somebody To Love
- Take My Breath Away
- When I Fall In Love
- Love Theme From Romeo & Juliet
- Forever In Blue Jeans
- She's Out Of My Life
- Imagine
- Blue Velvet
- Any Dream Will Do
- Stand By Me
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Pomp on Parade
Manufacturer: Intersound Records
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ASIN: B000000BKU
Release Date: 1995-03-14 |
Tracks:
- Pomp And Circumstance No.1
- March Militaire No.1
- The Ruins Of Athens: Turkish March
- Les Troyens: Marche Troyenne
- The Love Of 3 Oranges: March
- Coronation March
- Wedding Day At Troldhagen
- Le Coq D'or: Cortege De Noces
- Funeral March Of A Marionette
- A Midsummer Night's Dream: Wedding March
- Entry Of The Gladiators
- Le Prophete: Coronation March
- Tannhauser: Entry Of The Guests At Wartburg
- Stars And Stripes Forever
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Golden Age of Light Music
Manufacturer: Guild
ProductGroup: Music
Binding: Audio CD
General Modern
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Similar Items:
- The Golden Age of Light Music: The Hall of Fame, Vol. 1
ASIN: B0002Z9XBK
Release Date: 2005-01-17 |
Tracks:
- London Calling
- Morning at Bibury
- Frontier March
- Future
- Dancing on the Green
- Mirage
- Moon in the Sky
- Minuet in F
- Empir Jubilee March
- At the Court of Cleopatra
- Beachy Head Overture
- Lulworth Cove
- Virginia - A Southern Rhapsody
- Overture to an Irish Comedy
- Hillside Melody
- Naval Splendour
- Manx Rhapsody
- Forest Melody
- Seaford Head
- May Day at Helston
- Marianne
- Rhythm on Rails
- Witches' Ride
- Tom Tom the Piper's Son
- Always
- Summer Garden
- Mulberry
- Glass Slipper (Overture)
Average customer rating:
- Fighting Gravity (Fighting to Break-Through
- Fighting Gravity's evolution into new territory a success
- Good but definitely not their best
- A must have for any music lover!
- Fighting Gravity is destined for greatness!
|
Forever = 1 Day
Fighting Gravity
Manufacturer: Bob Records
ProductGroup: Music
Binding: Audio CD
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- Boy O Boy
- No Stopping, No Standing
- Bobsled
- Flood Zone: Live 11-25-94
ASIN: B0000037P5
Release Date: 1999-12-14 |
Tracks:
- One Day
- Lost In The Rain
- Bend The Light
- Ted's River Song
- Mission Bells
- Sparrow
- Fools And Kings
- Quiet Angel
- Spinning
- Shattered And Torn
Customer Reviews:
Fighting Gravity (Fighting to Break-Through.......2003-02-18
I've been listening to this band since I was 12 years old and I gotta tell ya they get better every time I listen to 'em. The blend of ska roots and a softer form of acoustice rock is simply sublime. I've seen them several times and recommend their concerts just as highly as I do their CD.
Fighting Gravity's evolution into new territory a success.......1999-07-07
If your musical taste includes Dave Matthews, this band is for you. Although they've played together, Fighting Gravity's ska-based tunes, laced with amazing horns, are quite different than Dave's - though equally as good. Fighting Gravity's longevity has translated into musical maturity: Dave P.'s bass is excellent, and Mike's percussion is superb. Lead singer Schiovannie is a blast to watch on stage, and just as wonderful to listen to on the CDs. If you're a first time buyer, Forever-1 Day (epecially songs #2 and #4) is a great starting point, and try to catch them as they tour up and down the eastern seaboard from VT, to MA, NY, and of course their home state of VA. You'll have a great time.
Good but definitely not their best.......1999-03-04
I've been a Fighting Gravity/Boy O Boy fan since I first saw them open for the Kinks at the boathouse in Norfolk, VA. Forever=1 Day is a good solid CD but it lacks the energy and sheer fun of some of their earlier releases such as Shiskabob and No Stopping No Standing. I especially wish the horns were more prominent on this album. This is a good CD but it's definitely not their best work
A must have for any music lover!.......1998-09-01
If you ever get the chance to see these guys perform live, TAKE IT!
Fighting Gravity is destined for greatness!.......1998-07-19
Fighting Gravity began as a local band at Virginia Tech, gained favorite-group status at many state venues, and has now become a national success!
New Mercury Recording artists Fighting Gravity, a formerly mostly ska group, maintains a unique pop style that fans here in Blacksburg can't get enough of.
I own every Fighting Gravity album, and I love the way their musical style has evolved. "Forever=1 Day" represented perhaps their most dramatic change from previous albums, and it really reflects a universal appeal with songs like "One Day" and "Mission Bells."
"Forever=1 day" is just a taste of great things to come.
Average customer rating:
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Stars & Stripes And Other Symphonic Marches
Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Berlioz
| Berlioz, Hector
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gounod
| Gounod, Charles
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Meyerbeer
| Meyerbeer, Giacomo
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Schubert
| Schubert, Franz
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Sousa
| Sousa, John Philip
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tchaikovsky
| Tchaikovsky, Peter Ilyich
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wagner
| Wagner, Richard
| ( W )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Prokofiev
| Prokofiev, Sergei
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Marches
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Overtures
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Theatrical, Incidental & Program Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
Romances
| Classical (c.1770-1830)
| Historical Periods
| Opera & Vocal
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
French
| Languages
| Opera & Vocal
| Styles
| Music
Marches
| Miscellaneous
| Styles
| Music
ASIN: B000000BOC
Release Date: 1997-03-18 |
Tracks:
- 'Pomp And Circumstance' March No.1
- March Militaire No.1
- Turkish March From 'The Ruins Of Athens'
- March Of The Trojans From 'The Trojans'
- March From 'The Love Of Three Oranges'
- Coronation March
- Wedding Day At Troldhaugen
- Wedding March From 'The Golden Cockerel'
- Funeral March Of A Marionette
- Wedding March From 'A Midsummer Night's Dream'
- Entry Of The Gladiators
- Coronation March From 'The Prophet'
- Entry Of The Guests At Wartburg From 'Tannhauser'
- The Stars And Stripes Forever
Average customer rating:
- buy and keep this forever :-)
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Forever & One Day
Mr. President
Manufacturer: Japanese Import
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
General
| Dance Pop
| Dance & DJ
| Styles
| Music
Dance & DJ
| Imports
| Stores
| Music
Similar Items:
- Night Club
- Everytime We Touch
ASIN: B00009WKVK
Release Date: 2003-08-04 |
Tracks:
- Constantly
- You're the One for Me
- Love, Sex & Sunshine
- Forever & One Day
- Every Little Move I Make
- Watch out for the Summer
- You Are the Sun
- Show Me Love
- All in the Game
- Jack in the Box
- Smile
- Jippijaeo
- Let's Get It On
- Miracle
- Got to Get It
- Scream
- Recover
- Love, Sex & Sunshine
- Love, Sex & Sunshine
Album Details
Japanese Version featuring a Bonus Track, and a Bonus Dvd
Customer Reviews:
buy and keep this forever :-).......2005-03-17
The latest cd from the group Mr. President... I haven't bought a cd from them since their first full length album Mr. President. After hearing the very happy uplifting song Love, Sex & Sunshine......I decided i wanted this album to see how they have changed throughout the years. This is a 2 disc set: The first disc contains 19 music tracks: 1. Constantly (intro) 2. You're The One For Me......a very good start 3. Love, Sex, & Sunshine...this is one awesome sounding song...very happy and makes u want to sing and dance 4. Forever & One Day...Very good song with this new happy beat 5. Every Little Move I Make..pretty good 6. Watch Out For The Summer...I like the beat...Very nice 7. You Are The Sun.......good 8. Show Me Love....slower sound but i am getting to like this new sound 9. All In The Game....ok 10. Jack In The Box...different 11. Smile....ok 12. Jippijaeo..this is probably the closest they get to their old sound ...very happy...i like it 13. Let's Get It On...good song 14. Miracle (bonus track) Glad to get this bonus song...very nice 15. Got To Get It (bonus track) ok 16. Scream...fills you with energy....very nice 17. Recover..(outro) 18. Love, Sex, & Sunshine (karaoke version).....cool 19. Love, Sex, & Sunshine (sweet beach club anthem bonus track).....after 3 versions they never mess this song up.....all are very good! This disc also contains a hidden data track...the video of Love, Sex, & Sunshine.....u may not like the little pip (picture in picture) of the group showing you how to dance to the song but i think its kind of fun) The 2nd disc is a dvd of the group helping u learn the dance moves to the song Love, Sex, & Sunshine...and then once again there video Love, Sex, & Sunshine with them in the pip displaying their dance moves. The 2nd disc is in Dvd Format #2 unplayable on most dvd players in the U.S. but i was able to play it on my computer after i changed my dvd drive to area 2.
I spent a long time pricing this cd....and you are quite lucky if you find it for less than $30.00 but with 19 music tracks and video clips and extras I am glad i bought it. It was well worth the price ....They have changed very much since their first album Mr. President...and sometimes change is a good thing and i think it was a great thing for Mr. President....I fell in love with this new sound in most of their songs. You wouldn't know it was them if it wasn't for the very distinct voices of the female vocalists.
Average customer rating:
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Forever & One Day (+1 Bonus Track)
Mr. President
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
Dance & DJ
| Imports
| Stores
| Music
ASIN: B00009WKVL
Release Date: 2003-08-04 |
Tracks:
- Constantly
- You're the One for Me
- Love, Sex & Sunshine
- Forever & One Day
- Every Little Move I Make
- Watch out for the Summer
- You Are the Sun
- Show Me Love
- All in the Game
- Jack in the Box
- Smile
- Jippijaeo
- Let's Get It On
- Miracle
- Got to Get It
- Scream
- Recover
- Love, Sex & Sunshine
- Love, Sex & Sunshine
Album Details
Japanese Version featuring a Bonus Track
Jazz Music:
- Peek-Ara-Boo
- Place Vendôme [Import]
- Poll Winners (Extended Resolution) [Original recording remastered]
- Presenting Frank Weir & His Saxophone
- Primal Magic
- Ray Brown Monty Alexander Russell Malone [Hybrid SACD]
- Roll Call
- Scenes
- Secondhand Jive
- Selected Broadcasts & Jam Sessions [Box set]
Jazz Music
Jazz Music