If You Live
If You Live
ASIN: B00006JCHB
Editorial Reviews
Product Description
Formed in 1970, Affinity broke the British jazz-rock mold by combining the hauntingly powerful vocals of Linda Hoyle & the Hammond wizardry of Lynton Naiff with convincing elements of psych & blues. This remastered full length album is comprised of eight tracks not found on their rare single ('Eli's Coming' & 'United States of Mind') & two of the three tracks ('I Am The Walrus' & 'You Met Your Match') that originally appeared in 1969 on a 10'' EMI disc acetate. Akarma. 2002.
If You Live,Affinity,Akarma,Jazz,Pop,Rock/Pop
Average customer rating:
- Great to Hear All those great Voices from the Past
- A Good One!
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Greatest Hits: Broadway
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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- The Best Of Broadway (Cast Recording Anthology)
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ASIN: B0000029PM
Release Date: 1996-10-29 |
Tracks:
- Oklahoma!: Oh, What A Beautiful Mornin' - John Raitt/Franz Allers
- On The Town: New York, New York - Michael Kermoyan/Adolph Green/John Reardon/Cris Alexander & Chorus/Leonard Bernstein
- Annie Get Your Gun: I Got The Sun In The Morning - Doris Day/Franz Allers
- Fiddler On The Roof: If I Were A Rich Man - Topol/Gareth Davies
- West Side Story: Tonight - Larry Kert/Carol Lawrence/Max Goberman
- The Sound Of Music: The Sound Of Music - Mary Martin/Frederick Dvonch
- My Fair Lady: On The Street Where You Live - Jerry Lanning/Theodore Saidenberg
- Annie: Tomorrow - Andrea McArdle/Peter Howard
- The Music Man: Seventy-Six Trombones - The Boston Pops Orchestra/John Williams
- Anything Goes: You're The Top - Eileen Rodgers/Hal Linden/Julian Stein
- Bye Bye Birdie: Put On A Happy Face - Dick Van Dyke/Elliot Lawrence
- Mame: Open A New Window - Angela Lansbury & Cast/Don Pippin
- Strike Up The Band: Strike Up The Band - The Chestnut Brass Co.
- Sweet Charity: Hey, Big Spender - Helen Gallagher/Thelma Oliver/Fan-Dango Girls/Fred Werner
- Bells Are Ringing: Just In Time - Judy Holliday/Sydney Chaplin/Milton Rosenstock
- Gypst: Together, Wherever We Go - Ethel Merman/Jack Klugman/Sandra Church/Milton Rosenstock
- Cabaret: Cabaret - Jill Haworth/Harold Hastings
- Phantom Of The Opera: The Music Of The Night - The Boston Pops Orchestra/John Williams
- Show Boat: Ol' Man River - William Warfield/Franz Allers
- A Chorus Line: What I Did For Love - Priscilla Lopez & Cast/Don Pippin
- A Little Night Music: Send In The Clowns - Glynis Johns/Harold Hastings
Customer Reviews:
Great to Hear All those great Voices from the Past.......2007-07-05
I just wanted to confirm what the first reviewer had to say about this CD. To hear Ethyl Merman, Mary Martin, Andrea McCardle etc. singing their trademark songs brought a lot of memories from the mid-centry musical theater back again. The last song by Glynis Johns is especially poignant.
You certainly can't beat the price!
A Good One!.......2006-11-10
This is a very good CD, mostly because it's the original artists. I've had some that were re-recorded by no name artists that were ghastly. This one is a really good one--including the sound quality. If I had one wish, I would wish it were longer!
Average customer rating:
- What a rush!
- why do people hate this album?
- Yeah, I Want it Live
- When it was all new, and there were no rules.....
- High Octane !
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Got Live If You Want It
The Rolling Stones , and Rolling Stones
Manufacturer: Abkco
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006AW2Q
Release Date: 2002-09-03 |
Tracks:
- Under My Thumb
- Get off of My Cloud
- Lady Jane
- Not Fade Away
- I've Been Loving You Too Long
- Fortune Teller
- The Last Time
- 19th Nervous Breakdown
- Time Is on My Side
- I'm Alright
- Have You Seen Your Mother, Baby Standing in the Shadow?
- (I Can't Get No) Satisfaction
Album Description
This Super Audio Compact Disc (SACD) recording offers high-resolution sound and is playable on both standard CD players and SACD-compatible devices.
Album Description
Remastered reissue of 1966 album, suitable for standard & 'Super Audio' CD players. Digipak.
Customer Reviews:
What a rush!.......2006-08-09
This was one of the first Rolling Stones albums I ever heard back in the early Seventies, and I loved it from the start. I didn't have much to compare it to at the time, but what I enjoyed about it - and still do - is the sheer adrenalin rush. From the first adolescent scream to the last it doesn't let up. When I listen to it today - and it still gets as much play as Get Yer Ya-Yas Out or Stripped - its precisely because that's what I'm looking for. The youthful exuberance of loud, fast music. It gets me excited, as opposed to aesthetically satisfied, and why else listen to live albums?
I've come to prefer live albums in recent years - I used to detest them. Most of them aren't for intensive listening, I find, with interminable guitar solos, but for background music while I work. But this album, I keep for when I'm driving and need to get somewhere fast!
why do people hate this album? .......2006-08-01
this is a good album by the Stones. Admittedly, the sound quality is not so great, and at times, you can't hear the band playing so well over all of the screaming of teenage girls. But this is the Stones when when they were the Rolling Stones! Before Mick Jagger morphed into Tina Turner and when Brian Jones was still alive and with the band. They were still playing rock and roll and R&B music at this point, before they got into playing a lot of "world music". I like this CD and have liked it for years..........
Yeah, I Want it Live.......2006-06-13
This is an absolute stunner of a record. The bad boys of Rock and Roll really go to town with Chuck Berry's "Talkin' About You," and Bobby Troup's "Route 66." The latter being one of the two live songs on the record. The timeless "As Tears Go By," written by Mick and Keith along with group manage Andrew Oldham," has got to be one of the signature songs of a generation. According to my folks, it was the Boomer's big make out song. Hey, I've made out to it too, the song really is timeless. The other Mick and Keith songs that I really like are "Blue Turns to Grey" and "Get off My Cloud." Brian's slide guitar on the live version of "I'm Moving On" is stupendous, in fact the whole record is stupendously fantastic.
When it was all new, and there were no rules............2006-05-06
(Note: This review based on the 2002 Hybrid SACD version/enhanced stereo layer only. Don't have an SACD player.)
Admittedly, this album doesn't exactly rate 5 stars, but it's been so maligned I thought it needed a few props because it's not that bad either.
The sound quality & mix aren't that great compared to todays standards (or even 1970's standards...the golden era of live albums) but hey, this was recorded in 1966. I'll be the first to admit I'm not an expert on 1960's recordings, but I can't think of any other live rock concert album pre-66 that sounds much better. Those I can think of sound a lot muddier (a Johnny Hallyday disc I have comes to mind.) If you listen to this album with that in mind I think you'll get along with it fine.
I do take exception to dubbing audience cheering overtop the 2 studio recordings (per reports), but again that's a bit of hindsight opinion. In '66 there weren't any "rules" on what a live album should or shouldn't be. To my ears though this aspect wasn't as obvious when listening as some have indicated. I had read about this, but listened to the CD without knowing which songs were involved, and had a hard time telling which ones they were. The other songs have overdubs too (more below) so these didn't stand out much more to me. And even then these were apparently recorded "live" just without an audience. Neither song sounds like a real multi-tracked multi-takes studio album quality recording, more like the band set up their gear on an empty stage and recorded a live version in one take, and then added crowd noise. "Fortune Teller" in particular has a very rushed & loosely imprecise feel to it. So maybe they're "semi-live". At any rate, I doubt many average listeners in '66 realized the difference until it was "declassified" sometime later.
Regarding the vocal overdubs, my general preference on a live recording is no overdubs at all, but again that's assuming decent recording equipment is being used that's capable of capturing all the vocals & instruments reasonably well, and can be properly mixed later on to make the album. In 1966 that wasn't the case. Even the best studios at that time were only using 3-5 track recording machines (what would be considered an entry-level amateur home recording system today) and getting a good mix & levels on all the tracks was difficult, even with the luxury of time to record multiple takes. And in reality, multi-tracking & stereo really didn't start to take off until 1967. Live recording is only more difficult, so it's not surprising if some vocal overdubs were added to the original live masters so you could hear them. And quite likely, if they hadn't overdubbed then fans would've been complaining that "the vocals are so buried in the mix you can't make out the words. Why didn't they fix that?" And again, whatever overdubs exist were recorded in a very live, loose sounding fashion.
To sum it up, to me this is a fun & listenable recording, that makes for an interesting historical peek at some of the more peculiar aspects of '60's British rock. The sound is rough, but the tonal quality & feel are consistent throughout the recording. (Descriptions of it being a collection of live songs, studio cuts & demos is misleading, implying it sounds like a compilation album...it doesn't and plays out like a single live show.) And in my current opinion, this CD has more energy & drive than "Ya-Ya's", though that one definitely sounds better.
High Octane !.......2005-08-22
Recorded at The Royal Albert Hall, this is where the girls flung themselves and clung to Keith and Mick and Brian is seen laughing after the cops push the fans off stage and escort the band offstage.It's very amphetamine Mick and the band at it's best.
Average customer rating:
- Great compilation
- A disappointment
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DRG 25th Anniversary Show Stopping Performances
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005Q6IN
Release Date: 2001-10-23 |
Tracks:
- A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
- Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
- Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
- Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
- Nunsense: I Just Want To Be A Star - Christine Anderson
- Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
- Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
- Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
- Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
- The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
- Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
- Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
- A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
- The Madwoman Of Central Park: Better - Phyllis Newman
- Greenwillow: Never Will I Marry - Anthony Perkins
- Song Of Singapore: I Can't Remember - Loretta Swit & Company
- Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
- I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
- The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
- Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
- Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble
Tracks:
- 4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
- Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
- Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
- High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
- Tenderloin: Artificial Flowers - Patrick Wilson
- State Fair: Driving At Night/Our State Fair - Company
- Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
- Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
- The Green Bird: O Foolish Heart - Company
- Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
- The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
- Snoopy!!!: Poor Sweet Baby - Pamela Myers
- SeesawNobody Does It Like Me - Michele Lee
- March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
- Lunch: Perfectly Alone - Carol Burnett
- 3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
- Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
- Godspell: All Good Gifts - Sal Sabella & Company
- The Act: Walking Papers - Liza Minnelli & Company
Customer Reviews:
Great compilation.......2002-05-10
I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.
A disappointment.......2001-12-15
There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.
Average customer rating:
- Lerner & Loewe Songbook
- Wouldn't it be lovely?
- A Successful Sequel
- Delightful Listening
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Lerner & Loewe Songbook for Orchestra
Frederick Loewe , and Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003D0E
Release Date: 1994-01-25 |
Tracks:
- I Wonder What The King Is Doing Tonight - The March To Welcome Guenevere - Et Al.
- Wouldn't It Be Loverly - With A Little Bit Of Luck - Et Al.
- The Night They Invented Champagne - Waltz At Maxim's - Et Al.
- They Call The Wind Mariah - I Still See Elisa - Et Al.
- Sword Dance - Down On MacConnachy Square - Et Al.
Customer Reviews:
Lerner & Loewe Songbook.......2006-02-24
If you like Percy Faith's music, you'll like this one. He quit recording and died much too young. But while he lived, he recorded some great music.
Wouldn't it be lovely?.......2005-09-26
This CD represents some of the best of Broadway done in a great pops style. There are five orchestral suites, one each for the following: 'Camelot', 'My Fair Lady', 'Gigi', 'Paint Your Wagon', and 'Bridgadoon'. They are all arranged for orchestra by Robert Russell Bennett, save that for 'Paint Your Wagon', which was arranged by Cincinnati Pops Orchestra director Erich Kunzel.
The works of Lerner and Loewe were a mainstay of Broadway for decades in the 1950s, 60s, and 70s, but it was during the late 50s and early 60s that their true glory days took hold. The presidential term of John F. Kennedy gained the nickname 'Camelot' in part because of the influence of the Lerner and Loewe production going on at the start. The songs contained in these suites are instantly recognisable by many, as the Lerner and Loewe songs have become so well known that many know the songs better than the musicals or the composers from which they come. 'I Could Have Danced All Night' and 'Wouldn't It Be Lovely' come from 'My Fair Lady', 'Thank Heaven for Little Girls' from 'Gigi' - these are but the most of famous of the familiar tunes.
There are a lot of pieces here that the listener will appreciate, both in remembering old pieces or in learning new nuances to the tunes.
This particular disc by Telarc has a feature called 'Spatializer', which gives a three-dimensional quality to the sterophonic sound, enhancing regular players and working well with surround-sound systems, too. The Cincinnati Pops are expert at this kind of music, having produced dozens of CDs of popular music and modern composers of musicals, film music, and pops-oriented major compositions.
This is a fun disc to have.
A Successful Sequel.......2005-08-03
This CD is a follow-up to the Rodgers & Hammerstein Songbook for Orchestra (1991) from the same team. It is a thoroughly successful sequel: I believe anyone who enjoyed the R&H will enjoy this one as well. If I am very slightly less enthusiastic about this one than the R&H, it's not because of any shortcoming of Kunzel, the Cincinnati Pops, or Telarc, all of whom are at the top of their form. Rather it's because Frederick Loewe, for all his undoubted expertise, is not quite in the same class as a composer with Richard Rodgers. But that's asking a lot, since Rodgers was the American musical theater's leading light. Lerner & Loewe's musicals were second only to R&H's during the golden age of the American musical, and their My Fair Lady is by any standard one of the best musicals ever staged. If Loewe did not create as many unforgettable numbers as Rodgers, he nevertheless wrote many delightful songs and much enjoyable music. This CD features five orchestral suites, ranging in length from 9 to 18 minutes (total playing time 68:06), from Brigadoon (1947), Paint Your Wagon (1951), My Fair Lady (1956), Gigi (film 1958; staged 1973), and Camelot (1960). The arrangements (all but one by Robert Russell Bennett) are expert. The performances are masterly (if perhaps lacking in just a tad of the infectious brio that the same team brought to R&H). And Telarc's robust sound (recorded 1993) would be hard to improve on. Warmly recommended.
Delightful Listening.......1998-12-05
Some of the nicest and nearly forgotten music (Paint your Wagon & Brigadoon) is nicely compiled here. It will make you want to listen to the full soundtracks again, but for a quick tour of Lerner & Lowe, it is very nice.
Average customer rating:
- Time Capsule
- Unexpected
- An album to treasure
- A classic recording of American songs
- The sessions of sweet silent thought stirred
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Songs by Stephen Foster, Vol. 1-2
Manufacturer: Nonesuch
ProductGroup: Music
Binding: Audio CD
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ASIN: B000005IYE
Release Date: 1992-05-28 |
Tracks:
- Songs By Stephen Foster: Jeanie With The Light Brown Hair
- Songs By Stephen Foster: There's A Good Time Coming
- Songs By Stephen Foster: Was My Brother In The Battle?
- Songs By Stephen Foster: Sweetly She Sleeps, My Alice Fair
- Songs By Stephen Foster: If You've Only Got A Moustache
- Songs By Stephen Foster: Gentle Annie
- Songs By Stephen Foster: Wilt Thou Be Gone, Love?
- Songs By Stephen Foster: That's What's The Matter
- Songs By Stephen Foster: Ah! May The Red Rose Live Alway
- Songs By Stephen Foster: I'm Nothing But A Plain Old Soldier
- Songs By Stephen Foster: Beautiful Dreamer
- Songs By Stephen Foster: Mr. & Mrs. Brown
- Songs By Stephen Foster: Slumber My Darling
- Songs By Stephen Foster: Some Folks
- Songs By Stephen Foster: We Are Coming, Father Abraam, 300,000 More
- Songs By Stephen Foster: Linger In Blissful Repose
- Songs By Stephen Foster: There Are Plenty Of Fish In The Sea
- Songs By Stephen Foster: Come Where My Love Lies Dreaming
- Songs By Stephen Foster: The Soiree Polka
- Songs By Stephen Foster: Better Times Are Coming
- Songs By Stephen Foster: Katy Bell
- Songs By Stephen Foster: The Hour For Thee And Me
- Songs By Stephen Foster: Summer Longings
Customer Reviews:
Time Capsule.......2006-11-30
The voices and instruments, like the songs, are straight from the mid-19th century. If you want to be transported back in time 150 years to a wonderful parlor performance of Foster's songs, this is the album to do it. The voices are marvelous and trained, and one must imagine that the strict phrasing and style are what one would have expected at the time. The cheap upright piano is perfect.
But the one perfect moment for me is the ONLY good extant rendition of "Was My Brother in the Battle?". Accompanied on a harmonium or pump reed organ, if this song doesn't tempt a tear, you simply aren't a romantic.
Very highly recommended.
Unexpected.......2005-11-26
Quality of this recording is fantastic! Performances are superb! However, they don't fit being an example of Foster's music and times. I was expecting banjos and a Mississippi Sound - therfore, very, very disappointed in this CD and consider and a waste of money. Be sure to LISTEN to a few examples to match what you are looking for and what the CD offers. I, unfortunately did not listen before I bought. I rate this low only because my expectations were shattered. This IS a fine CD if opera styles are ok for an example of this southern, 1800's composer's work.
An album to treasure.......2004-09-23
The landmark Library of Congress album, now on enhanced CD. Years
ago, I went on a six-months field assignment to a remote area of
Africa, where I could take only what music I could carry in a vest
pocket. I chose a tape player and two albums: a recital by Perlman
and this album on tape, and was content. If you love American
music, sung poetry, beautiful singing and deeply moving musicality,
this is an album you will treasure for a lifetime.
A classic recording of American songs.......2004-08-22
What can I say that hasn't already been said below? I only wanted to reiterate how wonderful this album is and assure the reader the sound is spectacular on CD. This is a live recording, and intentionally so, as the idea was to create a "parlor" experience as these were parlor songs to be sung by family and friends around the old upright piano. I especially liked the comment about the upright piano which, indeed, does croak and clank throughout the performance adding a note of "authenticity" without becoming obtrusive.
If only Ms. DeGaetani had graced my parlor...
The sessions of sweet silent thought stirred.......2003-11-22
I have never heard such unadulterated extraworldy sound emanate from two human voices and what would otherwise be firewood (the period instruments played by Gilbert Kalish). It stirs profound patriotism and a deep sentimentality for our early days when a civilized people pined to find virtue by examining its own body-- the north and the south, the small town, the simple flag, and the beauty of gentile manly and womanly love expressed through equisite song. There is no other music I would rather hear 'when summoning up the remembrance of things past.' The ghost of the early American parlor will prick your skin through these simple hymns and you may escape for a moment our troubled and busy times.
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Handel: The Masterworks (Box Set)
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
Average customer rating:
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Oscar Hammerstein Legacy: Musicals
Manufacturer: Pearl
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ASIN: B0000520X7
Release Date: 2001-02-27 |
Tracks:
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- Show Boat: Can't Help Lovin' Dat Man - Ella Fitzgerald And Her Famous Orchestra
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- Show Boat: Make Believe - Tony Martin
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- Very Warm For May: All The Things You Are - Tony Martin
- Carousel: You'll Never Walk Alone - Judy Garland
Average customer rating:
- Nathan Granner Fan
- Chubby tenors
- Worth listening to, but look for it in the library or used
- Good Overall
- money better spent
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The American Tenors
Manufacturer: Sony
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ASIN: B000089J0H
Release Date: 2003-03-04 |
Tracks:
- With a Song in My Heart
- Jeannie with the Light Brown Hair
- The House I Live In
- When Johnny Comes Marching Home
- Climb Ev'ry Mountain
- Shenandoah
- You'll Never Walk Alone
- Amazing Grace
- Torna a Surrineto
- O sole mio/It's Now or Never Medley
- Be M Love (Daniel Montenegro solo)
- Granada (Mauricio O'Reilly solo)
- West Side Story Medley
- America the Beautiful
- If I Loved You (Nathan Granner solo) (Bonus Track)
- Funiculi, Fuinicula (Bonus Track)
Amazon.com
Driven by equal amounts marketing savvy and American pride, the rousing efforts of these three young winners of a national talent search were introduced to the world via a well-received PBS television special. Its companion CD release variously showcases the young voices of Nathan Granner, Daniel Montenegro, and Mauricio O'Reilly (and has there ever been a more quintessentially American name than Mauricio O'Reilly?) in solo turns and bracing harmony, meets the challenge of its more renowned Neopolitan elder statesman with aplomb and offers up a concise argument for the nation's own neo-operatic vocal traditions. While many of the Broadway standards and hoary traditionals break little ground, the trio's energized "West Side Story" medley argues that Broadway can offer up music as bracing as La Scala. Their takes on "Torna a Surriento," "Granada," the medley "O Sole Mio"/"It's Now or Never," and "Funiculi, Funicula" range from savory to playful, offering both a tip of the hat to that other trio and a welcome reminder of how these Italian and Latin rooted songs have become an essential ingredient of America's musical melting pot. --Jerry McCulley
Customer Reviews:
Nathan Granner Fan.......2006-08-04
No offense to the other two great singers on this album, but I'd like to talk about my best friend Nathan who is one of "The American Tenors" and continues to tour and promote this show.
I remember the buzz in the air when they filmed this at the Kodak Theater in Los Angeles and the place was standing room only. Critics who were there loved it. Just a few weeks after recording the dvd SONY CLASSICAL (their label) was getting huge marketing projects under way to make "The American Tenors" popular in the States. Unfortunately, all the gigs that were lined up-Jay Leno, The Today Show, and many others got scrapped because the US went to war with Iraq - literally THAT week. Ouch.
That was really too bad because there were some great songs here. The show was buried before it even got a chance because of the war. You might argue that it was buried because the singers were "no names", but let me tell you something, that's crap. There are some songs here that are REALLY GREAT, and the musical arrangments are extraordinary. Nathan's version of "If I Loved YOU" is the best recording of that song you will ever find. I challenge you to find one better.
Whether it be singing on stage at Carnegie Hall, performing on an aircraft carrier in New York Harbor, opening NASDAQ, or a Kareoke Bar in Kansas City, Nathan is a star. He may not be the guy in the headlines today in America, but he has fans in the thousands, and has enormous talent and he can sing any song...ANY SONG and make it sound amazing.
Do yourself a favor and spend the [..] to get this DVD. Or better yet, the [..] for a new copy. Then go visit Nathan Granner's website and find out what he's up to next. If you are lucky someday you may get to hear him sing in person, and you'll know exactly what I'm talking about.
Chubby tenors.......2006-02-23
Chubby American Tenors. Nothing exceptional in the album, but a certain standart does exist -as is the case with most American products.
The album is little above mediocre when compared to its counterparts (IL DIVO, Mario Frangoulis, Celtic Tenors, etc.)
Worth listening to, but look for it in the library or used.......2005-07-07
OK, I know, these are young, up and coming singers. It's probably not fair to compare them to the likes of Domingo, Pavarotti, etc. yet. But, If you are a fan of "The Three Tenors", and you get this CD expecting a similar listening experience, you will probably be disappointed. The American Tenors are all talented, Nathan Granner particularly so, but they are not yet on the same level as *The* Three Tenors. Of course, they are also probably a few of decades younger; it will be interesting to hear them after they have gained some experience.
Still, even allowing for the singers' relative inexperience, the main reason I didn't rate the CD higher is that it suffers seriously from over-orchestration. Often the instruments were way too loud - sometimes overpowering all but the most powerful of the three voices and forcing me lower the overall volume. At first I thought I was just being picky until I listened to some tracks from "The Three Tenors" again. The difference is obvious; understated, balanced orchestration supports the performers and lets the voices shine through.
Good Overall.......2005-06-21
I enjoyed the presentation, and I enjoyed Natan Granner the most. He has a strong clear voice that deals with this material well. Daniel Montenegro is also strong, but Mauricio O'Reilly's voice comes across as thin and not very powerful. He would do better with softer, more intimate songs, with fewer instruments as accompanyment.
Nevertheless, I enjoyed this DVD and would recommend it.
money better spent.......2004-05-12
I really applaud Frank McNamara for attempting this, since I think he is one of our best composers/conductors. However, if you want to spend your hard earned cash, I would use it on the Frank's former colleagues, the Irish Tenors. In particular, I think Anthony Kearns has emerged as possibly the finest tenor voice in the world today. As a big fan of American Musical theater as well as a regular at the opera, I think he could emerge as a superstar.
Time (and his interests) will tell.
Average customer rating:
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The Musicals: The Best Of
Manufacturer: Solid Gold
ProductGroup: Music
Binding: Audio CD
All Works by Bernstein
| Bernstein, Leonard
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ASIN: B000BFH4OO
Release Date: 2005-11-01 |
Tracks:
- Lion King/The Circle of Life
- Fiddler on the Roof/Sunrise Sunset
- Man of la Mancha/The Impossible Dream
- Sweet Charity/Big Spender
- Aida/Elaborate Lives
- Joseph and the Amazing Technicolor Dreamcoat/Any Dream Will Do
- Chicago/Mr. Cellophane
- Beauty and the Beast/If I Can't Love Her
- South Pacific/Some Enchanted Evening
- West Side Story/Something's Coming
- Annie Get Your Gun/Anything You Can Do
- Camelot/How to Handle a Woman
- Thoroughly Modern Millie/Thoroughly Modern Millie
- Cats/Memory
- Cabaret/Maybe This Time
- Rent/One Song Glory
- Ragtime/Back to Before
- Mame [From Mame]
Tracks:
- Chicago/All That Jazz
- Chitty Chitty Bang Bang/Chitty Chitty Bang Bang
- Mamma Mia/Dancing Queen
- My Fair Lady/On the Street Where You Live
- Chess/Anthem
- Jubilee/Begin the Beguine
- Phantom of the Opera/Masquerade
- Staurday Night Fever/What Kind of Fool
- Miss Saigon/Why God Why?
- Bombay Dreams/Shakalaka Baby
- Guys and Dolls/Luck Be a Lady
- Lion King
- Miserables/I Dreamed a Dream
- Mary Poppins/Supercalifragilisticexpialidocious
- Phantom of the Opera/All I Ask of You
- Oliver!/As Long as He Needs Me
- Anything Goes/Anything Goes
- We Will Rock You/We Are the Champions
Average customer rating:
- Arguably "The Best" English "Merry Widow "
|
Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)
Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD
General
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ASIN: B00009KHY2
Release Date: 2003-09-02 |
Customer Reviews:
Arguably "The Best" English "Merry Widow ".......2006-09-12
This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!
The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.
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