The Music Master [Box set]

The Music Master [Box set]

ASIN: B0001ZXOL6

Track Listings
Disc: 1

1. Goodbye Blues - The Chocolate Dandies

2. Cloudy Skies - The Chocolate Dandies

3. Got Another Sweetie Now - The Chocolate Dandies

4. Bugle Call Rag - The Chocolate Dandies

5. Dee Blues - The Chocolate Dandies

See all 23 tracks on this disc

Disc: 2

1. When Lights Are Low - Benny Carter

2. Blue Interlude - Benny Carter,

3. Gin and Jive

4. Nagasaki

5. There's a Small Hotel

See all 25 tracks on this disc

Disc: 3

1. O. K. For Baby

2. Smack - The Chocolate Dandies

3. I Can't Believe That You're in Love With Me - The Chocolate Dandies

4. Boogie Woogie Sugar Blues - Benny Carter

5. All of Me

See all 25 tracks on this disc

Disc: 4

1. Moonglow

2. Give Me Something to Remember You By

3. Lady Be Good

4. Deep Purple

5. Sweet Georgia Brown - Benny Carter

See all 15 tracks on this disc

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

I'm in the Mood for Love
You Are My Lucky Star
Cucaracha
Got a Bran' New Suit
I've Got My Fingers Crossed
Old Man Mose
I'm Shooting High
Falling in Love With You
Red Sails in the Sunset
On Treasure Island
Thanks a Million
Shoe Shine Boy
Solitude
I Hope Gabriel Likes My Music
Music Goes 'Round and Around
Rhythm Saved the World
I'm Putting All My Eggs in One Basket
Yes! Yes! My! My!
Somebody Stole My Break
I Come from a Musical Family
If We Never Meet Again
Lyin' to Myself
Ev'ntide
Swing That Music
Thankful
Red Nose
Mahogany Hall Stomp

Tracks:

Skeleton in the Closet
When the Red, Red Robin Comes Bob, Bob, Bobbin' Along
Hurdy Gurdy Man
Dippermouth Blues
Swing That Music
Pennies from Heaven Medley: Let's Call a Heart a Heart/So Do ...
Pennies from Heaven
To You Sweetheart, Aloha
On a Coconut Island
On a Little Bamboo Bridge
Hawaiian Hospitality
Carry Me Back to Old Virginny
My Darling Nellie Gray
In the Shade of the Old Apple Tree
Old Folks at Home (Swanee River)
Public Melody Number One
Yours and Mine
Red Cap
She's the Daughter of a Planter from Havana
Alexander's Ragtime Band
Cuban Pete
I've Got a Heart Full of Rhythm
Sun Showers

Tracks:

Once in a While
On the Sunny Side of the Street
Satchel Mouth Swing
Jubilee
Struttin' With Some Barbecue
Trumpet Player's Lament
I Double Dare You
True Confession
Let That Be a Lesson to You
Sweet as a Song
So Little Time (So Much to Do)
Mexican Swing
As Long as You Live
When the Saints Go Marching In
On the Sentimental Side
It's Wonderful
Something Tells Me
Love Walked In
Flat Foot Floogie
Song Is Ended
My Walking Stick
Shadrack
Going to Shout All over God's Heaven
Nobody Knows the Trouble I've Seen
Jonah and the Whale

Tracks:

Naturally
I've Got a Pocketful of Dreams
I Can't Give You Anything But Love
Ain't Misbehavin'
Jeepers Creepers
What Is This Thing Called Swing?
Rockin' Chair
Lazy Bones
Hear Me Talkin' to Ya?
Save It, Pretty Mama
West End Blues
Savoy Blues
I'm Confessin' (That I Love You)
Our Monday Date
If It's Good (Then I Want It)
Me and Brother Bill
Baby Won't You Please Come Home?
Poor Old Joe
Shanty Boat on the Mississippi
Poor Old Joe
You're a Lucky Guy
You're Just a No Account
Bye and Bye
Elder Eatmore's Sermon on Throwing Stones
Elder Eatmore's Sermon on Generosity

Fritz Reiner Conducts Richard Strauss [Box Set]

Average customer rating:

Reiner's Chicago Richard Strauss: A Touchstone
Reiner's Strauss
NOBODY conducted Richard Strauss better!
Simply the Best

Fritz Reiner Conducts Richard Strauss [Box Set]

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Classical Instrumental Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000003G5X
Release Date: 1997-04-15

Tracks:

Also Sprach Zarathustra, Op. 30 Sunrise
Also Sprach Zarathustra, Op. 30 Of The People Of The Unseen World
Also Sprach Zarathustra, Op. 30 Of The Great Longing
Also Sprach Zarathustra, Op. 30 Of Joys And Passions
Also Sprach Zarathustra, Op. 30 Dirge
Also Sprach Zarathustra, Op. 30 Of Science
Also Sprach Zarathustra, Op. 30 The Convalescent
Also Sprach Zarathustra, Op. 30 Dance Song And Night Song
Also Sprach Zarathustra, Op. 30 Night Wanderer's Song
Ein Heldenleben, Op. 40 The Hero
Ein Heldenleben, Op. 40 The Hero's Adversaries
Ein Heldenleben, Op. 40 The Hero's Companion
Ein Heldenleben, Op. 40 The Hero's Battlefield
Ein Heldenleben, Op. 40 The Hero's Works Of Peace
Ein Heldenleben, Op. 40 The Hero's Retreat From The World And Fulfillment

Tracks:

Don Quixote, Op. 35 Introduction
Don Quixote, Op. 35 Theme: Don Quixote, The Knight Of The Sorrowful Countenance
Don Quixote, Op. 35 Sancho Panza
Don Quixote, Op. 35 Variation I: (The Adventure With The Windmills)
Don Quixote, Op. 35 Variation II: (The Battle With The Sheep)
Don Quixote, Op. 35 Variation III: (Dialogue Of Knight And Squire)
Don Quixote, Op. 35 Variation IV: (The Adventure With the Penitents)
Don Quixote, Op. 35 Variation V: (The Knight's Vigil)
Don Quixote, Op. 35 Variation VI: (The False Dulcinea)
Don Quixote, Op. 35 Variation VII: (The Ride Through The Air)
Don Quixote, Op. 35 Variation VIII: (The Adventure With The Enchanted Boat)
Don Quixote, Op. 35 Variation IX: (The Combat With The Two Magicians)
Don Quixote, Op. 35 Variation X: (The Defeat Of Don Quixote By The Knight Of The White Moon)
Don Quixote, Op. 35 Finale: (The Death Of Don Quixote)
Don Juan, Op. 20

Tracks:

Elektra Elektra's Soliloquy: Allein! Weh, Ganz Allein
Elektra Recognition Scene: Was Willst Du, Fremder Mensche?
Elektra Finale: Elektra! Schwester! Komm Mit Uns!
Salome Dance Of The Seven Veils
Salome Final Scene: Ah! Du Wolltest Mich Nicht Deinen Mund

Tracks:

Symphonia Domestica, Op. 53 Bewegt
Symphonia Domestica, Op. 53 Scherzo
Symphonia Domestica, Op. 53 Wiegenlied/Cradle Song
Symphonia Domestica, Op. 53 Adagio
Symphonia Domestica, Op. 53 Finale
Le Bourgeois Gentilhomme: Suite, Op. 60 Overture
Le Bourgeois Gentilhomme: Suite, Op. 60 Minuet
Le Bourgeois Gentilhomme: Suite, Op. 60 The Fencing Master
Le Bourgeois Gentilhomme: Suite, Op. 60 Entrance And Dance Of the Tailors
Le Bourgeois Gentilhomme: Suite, Op. 60 Entrance Of Cleonte
Le Bourgeois Gentilhomme: Suite, Op. 60 Prelude To Act II (Intermezzo)
Le Bourgeois Gentilhomme: Suite, Op. 60 The Dinner

Tracks:

Burleske
Der Rosenkavalier: Waltzes
Also Sprach Zarathustra, Op. 30 Introduction
Also Sprach Zarathustra, Op. 30 Of The Inhabitants Of The Unseen World
Also Sprach Zarathustra, Op. 30 Of The Great Longing
Also Sprach Zarathustra, Op. 30 Of Joys And Passions
Also Sprach Zarathustra, Op. 30 Dirge
Also Sprach Zarathustra, Op. 30 Of Science
Also Sprach Zarathustra, Op. 30 The Convalescent
Also Sprach Zarathustra, Op. 30 Dance Song And Night Song
Also Sprach Zarathustra, Op. 30 Night Wanderer's Song

Customer Reviews:

Reiner's Chicago Richard Strauss: A Touchstone.......2004-10-09

Fritz Reiner was more than a fanatical, perfectionistic musical technocrat...His greatest recordings are stamped with undeniable
humanity, humor, flexibility, even charm- apart from their
bedrock interpretative honesty and (I choose these words carefully) sheer lust for quality. All these things are represented by Reiner's fabled Living Stereo Chicago recordings of Richard Strauss.

Of course, there are gaps : no AUS ITALIEN or MACBETH, and no ALPENSINFONIE; you must turn to Rudolf Kempe's Dresden box for definitive stereo versions of these. And Reiner's only stereo versions of TOD & TILL (Vienna, 1956) are on a Decca Legends disc. Now, John Culshaw waxed enthusiastic about these sessions, because, no doubt, Reiner got the Vienna to play more accurately than Culshaw & Co. were used to hearing them play. But, overall, these versions lack the focus and sheer characterization of the 1950 RCA mono versions. (The mono TILL is finally available in the Reiner volume of GREAT CONDUCTORS OF THE 20th CENTURY. The TOD UND VERKLARUNG was available on a 1990 BMG CD, coupled with an earlier transfer of the SYMPHONIA DOMESTICA than the one in this present box. This TOD is currently available on a German BMG 2-fer ( # 74321846082), along with Reiner's '54 ZARATHUSTRA & HELDENLEBEN, and Eugen Jochum's ( ! ) TILL.)

With those details out of the way, what a LIVING STEREO treasure chest, here! And all 20-bit remastered, in that famous warm, sweet, tube-electronicish sound from the master tapes...Let's take them on, in order of recording:

The March 1954 HELDENLEBEN (just LISTEN to it, I won't waste space trying to describe it), starts off a journey into a lost world of disciplined melos and relative historical proximity to the composer himself. The '54 ZARATHUSTRA (admittedly with an orchestra-and-organ pitch clash, at the end of the Sunrise) and the SALOME DANCE OF THE SEVEN VEILS are still "demo" recordings...The December '54 DON JUAN is even more urgently passionate than the 1941 Pittsburgh version or the 1960 remake (which IS available, coupled with all of Reiner's Living Stereo Wagner).

The SALOME & ELEKTRA scenes, with Inge Borkh, are stupendous;
too bad RCA Victor didn't spring for one more singer and include Klytaemnestra's dream sequence- the most bone-chilling part of the score. (Search out Reiner's 1952 Met broadcast of ELEKTRA, with Astrid Varnay.)

The BURGER ALS EDELMANN Suite of April 1956 (minus the 5th & 6th movements) is one of the greatest Strauss recordings of all time: awash in tonal beauty, yet acerbic in its ruthless satire of Monsieur Jourdain. A wiseass-ness coupled with extremely disciplined culture. Which shows why he was Fritz Reiner, and we're not.

As if all that weren't enough, six months later Reiner achieves the impossible: he miraculously holds together the sprawly,
nearly-out-of-control structure of the SYMPHONIA DOMESTICA,
and brings out the humor and high spirits which this piece
MUST have if is is not to either fall apart, or come off as hopelessly trivial.

The BURLESKE of March 1957, with Byron Janis, is not without its poetic structure, and the sparks fly without ceasing- in a way almost identical with (and perhaps more fitting in) their '59 recording of Liszt's TOTENTANZ (which is available on THE REINER SOUND.) For a recording that captures more of this work's subtle wit and beauty, go to Kempe's Dresden version, with pianist Malcolm Frager.

The ROSENKAVALIER WALTZES, in an arrangement by Reiner himself, are good enough to be frustrating, because one finds one self wanting to hear ALL of this opera, with Reiner and his Chicago. (No such luck, but you CAN get Reiner's fabled 1949 MET production on imported Naxos.)

The April 1959 DON QUIOXTE, with Antonio Janigro on cello, is a spell of autumnal regret and incisive musical characterization, never tippping over into the cartoon-like.

Finally, there's the 1962 remake of ZARTHUSTRA, Reiner's very last Strauss recording...The orchestra-organ pitch clash is MUCH less severe, but, overall, it must be admitted that, both sonically and musically, the '54 version has far more electricity and characterization (i.e., "higher highs, and lower lows"). Still, the '62 version is worth having for the greater contemplative warmth which Reiner brings to the last five minutes of the score. As if Der Fritzl were contemplating his own not-too-distant end. This is so affecting that it almost makes one cease to regret that the energy/time/money put into this not-entirely-necessary remake COULD have gone into, say, a Reiner/Living Stereo ALPENSINFONIE, Beethoven's FOURTH & EIGHTH, a LE SACRE, a FIREBIRD, or a Brahms FIRST- to name some of the glaring omissions in the Reiner studio discography.

Still, these recordings opened the commercial way for other eventual treasures, such as Kempe's Dresden set and some of Szell's Cleveland Strauss.

Sadly, this set may "go," soon. Snap it up ASAP and be intrigued, enraptured, and instructed.

Reiner's Strauss.......2003-10-22

Probably no one conducted the music of Richard Strass better than Fritz Reiner. I've heard most of these recordings in other packages, including the original RCA Victor "Living Stereo" LPs. The digitally-reprocessed versions are even more astounding. The earliest of the recordings was made in March 1954 and it doesn't seem possible because the sound is every bit as good as today's digital recordings. It's a real tribute to the RCA engineers, who were experimenting with stereophonic sound using a triple track tape recorder. The 1954 "Also sprach Zarathustra" remains a milestone for intensity, drive, and excitement; the waltz sections are particularly haunting and relentless. The 1962 recording of the same piece is not as sensational as the 1954 version, perhaps because Reiner's health was failing (he died the following year), but it's still quite good. I especially like his "Dance of the Seven Veils" from "Salome"; it is one of the more intense performances of the works, perhaps only matched by Antal Dorati's 1963 recording with the Royal Philharmonic of London for a special Reader's Digest boxed set. Overall, Reiner's performances with the Chicago Symphony were only matched by Strauss' own 1944 recordings with the Vienna Philharmonic, recorded with a Magnetophon tape recorder in the Vienna State Opera House. What a shame that all those recordings are not currently available; they last appeared in a special box set of LPs issued by Vanguard.

NOBODY conducted Richard Strauss better!.......1999-03-24

Fritz Reiner was the greatest authority on the music of Richard Strauss, with the likely exception being the composer himself. RCA knew that they had the "cream of the crop" with Reiner in these works, and had the foresight to accord Reiner cutting-edge 1950's technology (early high-quality 3-track stereo), and the best available recording technicians in this country (Jack Pfeiffer, Leslie Chase, Richard Mohr, and Lewis Layton). You absolutely CANNOT go wrong with purchasing this set, for as the years go by, the pennies spent will continue to return musical dividends that will reinvest themselves with each hearing, as you learn over time just how good Reiner was with this music in comparison to others. Indicative of this was when I attended a banquet featuring National Symphony Orchestra superstar conductor Leonard Slatkin, when someone asked him what recordings he planned to make with that orchestra. He answered that he didn't plan to make recordings of the "warhorses," for why should he make a recording of Richard Strauss' "Ein Heldenleben," when Reiner said all that there is to say about it? Enough said!

The only disappointments (and they are small) are the omission of Reiner's later 1960 recording of "Don Juan" and the recordings of "Till Eulenspiegel" and "Death and Transfiguration" he made with the Vienna Philharmonic, which initially appeared on RCA Living Stereo LPs. The likely reason for the omission of the Vienna recordings is that these are currently under license to Polygram (Decca/London). Buy this set and enjoy/cherish!

Simply the Best.......1998-09-11

Except for the openings of Zarathustra, these are the absolute best recordings of these Strauss tone poems available. Even though they were recorded in the 50's and 60's the recorded sound is extremely good, sometimes better than newer recorded sound. The Chicago Brass section was born to play this music

Average customer rating:

Handel Master of Chamber Music

Manufacturer: Master Tone Multimedia Ltd
ProductGroup: Music
Binding: Audio CD
ASIN: B000216R54

Product Description

4 CD Box Set, rerelease of titles from the Vienna Masters Series by Kannon. Includes: Watermusic Suites 1 & 2, Fireworks Music,Concerto Grossi Opus 3 Nos 1-6, Opus 6 Nos 1-7

Average customer rating:

Absolutely Terrible!
I like it!
I'd rather listen to Jeb play the spoons!
I know nothing about these guys....

The Best of Andrew Lloyd Webber
Andrew Lloyd Webber
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music

Broadway & Musicals | Broadway & Vocalists | Box Sets | Stores | Music

Easy Listening & Lounge | Box Sets | Stores | Music
ASIN: B000000KGD
Release Date: 1996-12-03

Tracks:

The Phantom Of The Opera: The Phantom Of The Opera
The Phantom Of The Opera: Music Of The Night
The Phantom Of The Opera: All I Ask You
The Phantom Of The Opera: Angel Of Music
The Phantom Of The Opera: Wishing You Were Somehow Here Again
Jesus Christ Superstar: Overture
Jesus Christ Superstar: What's The Buzz
Jesus Christ Superstar: Everything's All Right
Jesus Christ Superstar: I Don't Know how To Love Him
Jesus Christ Superstar: King Herod's Song

Tracks:

Barcelona 1992 Olympic Theme: Amigos Para Siempre
Evita: Don't Cry For Me Argentina
Evita: Another Suitcase In Another Hall
Evita: On This Night Of A Thousand Stars
Evita: High Flying Adored
Evita: She's A Diamond
Evita: Oh! What A Circus
Starlight Express: Starlight Express
Starlight Express: Pumping Iron
Starlight Express: Only You

Tracks:

Cats: Memory
Cats: Mr. Mistoffelees
Cats: Old Dueteronomy
Cats: Gus The Theater Cat
Cats: Macavity The Mystery Cat
Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do
Joseph And The Amazing Technicolor Dreamcoat: One More Angel in Heaven
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Dreams
Joseph And The Amazing Technicolor Dreamcoat: Song Of The King

Product Description

Johann Sebastian Bach Beruhmte Orgelwerke Vol. 2 Famous Organ Works Vol. 2 Otto Winter (Silbermann Orgel/ Silbermann Organ)

Customer Reviews:

Absolutely Terrible!.......2005-05-24

This collection of Webber numbers is an absolute disgrace to each and every song presented here. All of the songs sound like they were recorded using an electric keyboard, and most singing numbers have been reduced to purely 'orchestral' affairs. The song that sealed my hatred of this product was their rendition of "Music of the Night" from Phantom of the Opera. This was one of the few numbers that retained the choral parts, but the man they chose for it made my ears bleed, and the song- the formerly lovely duet between the phantom and a soft piano- has been changed into a synthesized, pop-like monstrosity. Skip this collection and buy the original recordings of your favorite Webber musicals; it's well worth the extra money, especially the original cast recording of Phantom of the Opera.

I like it!.......2001-09-18

This is a good CD, with excellent music tuned for the mass.
If you like pop music and opera, you'll see this is a combination of the two.

I'd rather listen to Jeb play the spoons!.......2001-08-19

This is one of the worst renditions of Webbers' music that I have ever opened my ears to. While no music deserves one star, this collection nears that mark at a lowly three, narrowly missing two, only because the melodies are still in tact. However the resemblance to a Casio's song bank is uncanny, thus making these works hardly worth listening to mush less purchasable.

I know nothing about these guys...........2000-07-11

....and therefore should be avoided at all costs.

Average customer rating:

Jazz Master Files
Various Artists
Manufacturer: United Multi Consign
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Vocal Jazz General | Vocal Jazz | Jazz | Styles | Music

General | Compilations | Jazz | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Jazz | Indie Music | Stores | Music
ASIN: B000066ROA
Release Date: 2002-06-25

Average customer rating:

Famous Organ Works (Box Set)

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Fugues | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

Voluntaries | Sacred & Religious | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Te Deum | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
ASIN: B0000013I4
Release Date: 1996-06-18

Tracks:

Prelude - Wolfgang Ruebsam
Fugue - Wolfgang Ruebsam
Pastorale In F Major BWV 590 - Wolfgang Ruebsam
Toccata In D Minor BWV 565 - Wolfgang Ruebsam
Prelude - Wolfgang Ruebsam
Fugue - Wolfgang Ruebsam
Prelude - Wolfgang Ruebsam
Fugue - Wolfgang Ruebsam

Tracks:

Grand Choeur - Simon Lindley
Berceuse - Simon Lindley
Te Deum - Simon Lindley
1. Pater Noster - Simon Lindley
2. Noel Nouvelet - Simon Lindley
3. Veni, Creator Spiritus - Simon Lindley
Epitaph - Simon Lindley
Romance - Simon Lindley
Paraphrase 1 - Simon Lindley
Paraphrase 2 - Simon Lindley
Paraphrase 3 - Simon Lindley
Paraphrase 4 - Simon Lindley
Suite Gothique - Simon Lindley
Stele Pour Un Enfant Defunt - Simon Lindley
Cantilene-Pastorale, Op. 19 - Simon Lindley
Toccata - Simon Lindley

Tracks:

Galliard - Joseph Payne
A Fancye - Joseph Payne
La Bounette: La Doune Cella - Joseph Payne
O Lux With A Meane - Joseph Payne
Exultet Cellum Laudibus With A Meane - Joseph Payne
Christe Qui Lux - Joseph Payne
Lucem Tuam - Joseph Payne
Christe Qui Lux With A Meane - Joseph Payne
Sermone Blando Angelus - Joseph Payne
Eterne Rerum Conditor - Joseph Payne
Iam Lucis Orto Sidere - Joseph Payne
Te Deum - Joseph Payne
A Pavan - Joseph Payne
Fantasy - Joseph Payne
Bony Sweet Robin - Joseph Payne
The Old Spagnoletta - Joseph Payne
Trumpet Voluntary In D Major - Joseph Payne
Voluntary In G Major - Joseph Payne
Verse In G Major - Joseph Payne
Voluntary In D Major - Joseph Payne
Voluntary In A Minor - Joseph Payne
Voluntary In D Minor - Joseph Payne
Greensleeves And Yellow Lace - Joseph Payne
The Constant Lover - Joseph Payne
The British Toper - Joseph Payne
The Happy Clown - Joseph Payne
Salley's Fancy - Joseph Payne
The Maiden's Blush - Joseph Payne
London's Glory - Joseph Payne
Introduction And Voluntary In G Major - Joseph Payne
Prelude - Joseph Payne
Courante - Joseph Payne
Fugue - Joseph Payne
Voluntary In D Minor - Joseph Payne

Tracks:

Carillon - Andrew Lucas
Toccata In D Minor Op. 59, No. 5 - Andrew Lucas
Fugue In D Major, Op. 59, No. 6 - Andrew Lucas
Aria, Op. 51 - Andrew Lucas
Toccata - Andrew Lucas
Benedictus, Op. 59, No. 9 - Andrew Lucas
Choral No. 3 In A Minor - Andrew Lucas
La Nativite - Andrew Lucas
Scherzo - Andrew Lucas
Hymne D'action De Grace 'Te Deum' - Andrew Lucas
Carillon De Westminster - Andrew Lucas

Average customer rating:

Master Serie Vol 1 & 2 2cd,S Box Set
Nana Mouskouri
Manufacturer: Musicrama/Koch
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music
ASIN: B00000DXTD
Release Date: 1993-04-01

Jazz Music:

Jazz Music

Jazz Music