![That's Nice [Import]](http://images.amazon.com/images/P/B00005QG1X.01.MZZZZZZZ.jpg)
That's Nice [Import]
ASIN: B00005QG1X
Track Listings
| 1. Will You Still Be Mine |
| 2. Too Marvellous For Words |
| 3. Things Ain't What They Used To Be |
| 4. Tain't What You Do |
| 5. Satin Doll |
| 6. Three Bears |
| 7. Flat Foot Floogie |
| 8. That's My Girl |
| 9. Fats Waller Medley: My Very Good Friend The Milkman/It's A Sin To Tell A Lie |
| 10. Merry Go Round |
| 11. Never Let You Go |
| 12. Boom |
| 13. Lady Mac |
| 14. Teddy Bears Picnic |
| 15. Swingin Sheperd Blues |
| 16. I've Got A Girl In Kalamazoo |
| 17. Ol Man River |
| 18. Prelude To A Kiss |
| 19. Te Torro |
| 20. From This Moment On |
That's Nice,Ray (Quartet) Ellington,Castle/Pulse,Jazz
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An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant Manufacturer: Rhino / Wea ProductGroup: Music Binding: Audio CD  All Works by Gershwin
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ASIN: B0000033JE Release Date: 1996-07-16 |
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Amazon.com essential recording
This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph LanzaCustomer Reviews:
Magic of love.......2007-03-10
Filled with musical gems.......2004-02-17
TOO LONG !!!!!!!!!!!.......2002-06-17
GERSHWIN'S TALENT.......2001-08-12
Ga Ga for Gershwin.......2000-12-13
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Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Manufacturer: Telarc ProductGroup: Music Binding: Audio CD Waltzes
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ASIN: B000003CXQ Release Date: 1992-01-28 |
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Irresistible.......2005-07-29
"Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26
This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.
After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.
Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.
By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.
Excellent!.......2003-04-08
Great Arrangments.......2001-09-02
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Gilbert & Sullivan - Highlights from The Mikado, The Pirates of Penzance, H.M.S. Pinafore, The Yeomen of the Guard, Trial of Jury
Nicholas Folwell , Arthur Sullivan , Marie McLaughlin , Rebecca Evans , Anthony Rolfe Johnson , John Mark Ainsley , Alwyn Mellor , Anne Howells , Barry Banks , Eric Garrett , Felicity Palmer , Gareth Rhys Davies , Janice Watson , Julie Gossage , Neill Archer , Pamela Helen Stephen , Peter Savidge , Richard Stuart , Richard Suart , Richard Van Allan , Sir Thomas Allen [baritone] , Sir Charles Mackerras , and Welsh National Opera Manufacturer: Telarc ProductGroup: Music Binding: Audio CD All Works by Sullivan
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ASIN: B000003D1Y Release Date: 1996-01-23 |
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The Best Of Gilbert And Sullivan.......2004-03-15
But these are fine excerpts. Especially appealing is the famous and cheerful "Three Little Maids From School Are We", a trio that imitates Japanese style melody. Most of the Mikado does this, for it was inspired by Japanisme or the new fashion in Victorian England- everything Japanese, from prints to paintings to poetry. Gilbert and Sullivan simply "Japanized" their English operettas. The Finale "For He's Gone To Marry Yum Yum" is an ebullient and pleasant finale. Not featured here is the domineering and powerful Katisha, a figure who stands out in the Mikado.
The H.M.S. Pinafore is Gilbert and Sullivan's most popular work. The sea chanty "We Sail The Ocean Blue" opens the opera with appropriate atmosphere and it seems to fit perfectly with the other scene in which the Captain greets his crew and they sing his praises "My Gallant Crew..I am the Captain Of The Pinafore". A beautiful melody that seems to come out of a romantic Offenbach tune is "I"m Called Little Buttercup". The finale, not featured here, is also very engaging "For He Is An Englishman" which can almost resemble a British national anthem. The Yeomen Of The Guard was Gilbert and Sullivan's "serious opera" eventhough it remains very Savoyard. The plot deals with Tudor England and takes place at the London Tower. "I have a song to sing" makes use of what can be taken for an English ballad of the Renaissance. Trial By Jury, about the eccentric and hilarious activity of a court trial, has a sextet that although different in composition, has the sextet "Che Mi Frena" from Donizetti's Lucia Di Lammermoor in mind. All in all, an excellent recording sure to delight young and old.
Pure delight.......2003-08-02
--The Music--
This collection includes highlights from five of the most popular Gilbert & Sullivan operettas: The Mikado, HMS Pinafore, The Pirates of Penzance, The Yeoman of the Guard, and Trial by Jury. The arrangements and orchestrations are delightfully energetic and clear; the characterisation and vocal qualities of the leads are perfect for their roles. The haughty if misplaced Lord of the Admiralty has the perfect combination of insecurity and pompous officiousness. The Plaintiff and the Defendant in the Trial are perfectly cast. This is a collection of highlights - at least three but no more than seven songs each, but this gives a good flavour of the music. The recordings on this collection come from complete performances by Mackerras and the WNO.
--Sir Charles Mackerras--
Mackerras is one of the geniuses of the twentieth century musical scene. Having a conducting career that includes the Hamburg Opera, the English National Opera (formerly Sadlers Wells Opera), and the Welsh National Opera (the performers for this piece), he has also conducted major orchestras on the continent of Europe and in the United States. The holder of many major awards and honourary doctorates, he has devoted much time and energy to the preservation and performance of eighteenth and nineteenth century music, as well the restoration of historical musical venues, such as the Estates Theatre in Prague, scene of the original production of Don Giovanni (Mackerras conducted the opera there to commemorate the bicentenary of the death of Mozart).
--Welsh National Opera Orchestra and Chorus--
The seeds of the WNO were planted in Cardiff during World War II by music lovers; the first performances occurred a year after the war's end, with Cavalleria rusticana and Pagliacci on the bill, with Faust the next night. Popular appeal was so great that the WNO was established, later adding choruses in both Cardiff and Swansea. The professional chorus was established in 1973, with a strength that matches the orchestra. They continue an ambitious performance schedule for recording and live events; Mackerras remains the Conductor Emeritus, as the WNO continues under the direction of Carlo Rizzi. The list of awards the WNO has won over the years is staggering - they are a world class institution by any measure.
--Other performers--
Notable singers such as Richard Stuart, Rebecca Evans, Felicity Palmer, John Mark Ainsley and Anne Howells lead the chorus with stunning vocals and clever characterisations of the parts they play. Many (such as Stuart and Evans) play the leading roles across several of the pieces of the disc.
--Liner Notes--
The liner notes give a good introduction and biographical information about Gilbert and Sullivan, as well as synopses of the five pieces presented here. It does not, unfortunately, include any information about Mackerras, the WNO Orchestra and Chorus, or the other special performers. It also does not include the lyrics to the songs. Were the quality of the CD not so great, this might cost it a star in rating.
--Overall Impressions--
I play this CD in my car, in my home and in my office frequently. It is a great sing-along work and a great comedic relief from the stresses of the day. The music is bubbly and clear; the recording quality is excellent and crisp. I recommend this to any Gilbert & Sullivan lover, any fan of musical comedy, opera and operettas, and anyone who delights in good music.
Delicious G&S samplings abound here........2003-05-06
Fine Intro to G&S.......2000-12-30
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The Michael Feinstein Anthology
Manufacturer: Elektra / Wea ProductGroup: Music Binding: Audio CD All Works by Gershwin
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ASIN: B000065DVH Release Date: 2002-05-21 |
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Amazon.com
The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."
Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley
Album Description
The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.Customer Reviews:
Mixed feelings.......2005-10-05
Your love for this superb collection will be here to stay..........2002-07-18
He's done it again.......2002-07-15
This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.
Way to go Michael, you've done it again!
Absolutely 'S WONDERFUL!.......2002-06-10
This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.
This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!
A beautiful 2 disc CD-another hit for Michael.......2002-06-09
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More George Wright At The Mighty Wurlitzer Organ Volume 3
Manufacturer: Legacy ProductGroup: Music Binding: Audio CD Ballets
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ASIN: B00002DDON Release Date: 1999-11-09 |
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Outstanding Organ Music.......2004-01-11
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Oh, That's Nice! (Ay, Que Bueno!)
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ASIN: B000050K0I Release Date: 2006-08-15 |
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Tip-Toes/Tell Me More
Manufacturer: New World Records ProductGroup: Music Binding: Audio CD All Works by Gershwin
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ASIN: B00005RGM8 Release Date: 2001-10-30 |
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Amazon.com
This two-CD set collects a couple of shows by George and Ira Gershwin. Both produced in 1925, the two musicals--Tip-Toes and Tell Me More--are fairly obscure and don't boast as many famous songs as contemporary Gershwin offerings such as Oh, Kay! and Lady Be Good. Still, they are bursting with wit, invention, and joie de vivre. Based on a 1998 concert production, Tip-Toes is delicious, and several songs deserve a place in the Gershwin pantheon: the ballad "Looking for a Boy," the love duet "That Certain Feeling," and the rousing dance number "Sweet and Low-Down." The score is also notable for its spectacular writing for duo pianos. Tell Me More is not as immediately accessible (indeed, it had the shortest run of any Gershwin musical, with 32 performances), but it's delivered with élan by its topnotch cast, which includes Sally Mayes, Christine Ebersole, Diane Fratantoni, and David Garrison. Under the expert musical direction of Rob Fisher (from New York's famed Encores! series), this double set is, of course, essential for Gershwin completists. In fact, just about any fan of zany Jazz Age artifacts should relish it. --Elisabeth VincentelliAlbum Description
Tip-Toes, which made its Broadway debut on December 28, 1925, was produced by Alex A. Aarons and Vinton Freedley, who had been the producers of the Gershwins' smash hit Lady, Be Good! the year before. Attempting to repeat that success, they once again combined the same book writers, Guy Bolton and Fred Thompson, with the Gershwin brothers. Tip-Toes was well received by audiences and the press, and ran for 194 performances. It was given a subsequent production at the Winter Garden Theatre in London, opening August 31, 1926, running for 181 performances.One of the most overlooked Gershwin shows, Tell Me More was also the most unlikely of Jazz Age musicals. In an era marked by lavish extravaganzas and brash star vehicles, Tell Me More, which opened on April 13, 1925, relied on charm, modesty, and an impish sense of humor. Because it failed to recoup its investment on Broadway, it was relegated to the list of Gershwin flops; because its score was largely forgotten, it has been widely regarded as a minor effort. In truth, it's a key show. As the only full-length collaboration between George and Ira Gershwin and B.G. DeSylva, it combines the delicacy and grace of the scores George had written earlier in the decade with DeSylva and the bold wit he had pioneered in partnership with his brother Ira four months earlier in Lady, Be Good! The best of both worlds, Tell Me More was a one-of-a-kind achievement.
Customer Reviews:
Gifts from musical theater heaven!.......2005-07-24
Tell Me More and more and more.......2001-12-07
Two restored little Gershwin gems.......2001-11-10
Both "Tell Me More" and "Tip-Toes" were part of the discovery of many Gershwin manuscripts buried in a New Jersey warehouse; and we can be most thankful to New World Records for restoring the scores and bits of the dialogue in a two-CD boxed set (80598-2). The music is what you would expect from Gershwin: 1920s jazzy with that special core of Gershwin genius. Yes, a good deal of it sounds like Berlin and Kern--as did just about every other contemporary composer except Romberg (who sounded like Herbert). On the other hand, "Kickin' the Clouds Away" from the earlier show seems to be the inspiration for Berlin's "Shakin' the Blues Away" written two years later! "Tell Me More" also does not shy away from ethnic jokes (i.e., mistaking a request to disguise oneself as British for doing so as Yiddish) that do not offend at all. And if we moderns grow impatient with the rich bubbleheads of the F. Scott Fitzgerald crowd, they are still a breath of fresh air after the population of "Miss Saigon" and plays of that sort.
The game casts have voices just right for this sort of characterization and delivery. The "Tip-Toes" production is taken from the Carnegie Hall Concert version and is outstanding.
This New World set deserves a place of honor among the other Gershwin Brothers restorations on other labels. And do not forget the New World complete recording of Kern's "Sitting Pretty," which (like these two Gershwin shows) did not produce any hits but is delightful from overture to Finale Ultimo.
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'S Wonderful
Manufacturer: Avid Records UK ProductGroup: Music Binding: Audio CD All Works by Gershwin
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ASIN: B00002MRH1 Release Date: 1998-12-15 |
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Instrumental Favorites
Manufacturer: Showtunes ProductGroup: Music Binding: Audio CD All Works by Gershwin
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ASIN: B00005YJ30 Release Date: 1996-01-11 |
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The Ultimate George Gershwin, Vol. 2
Manufacturer: Pearl ProductGroup: Music Binding: Audio CD All Works by Gershwin
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ASIN: B00008KCMO Release Date: 2003-04-08 |
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