The Unexpected

The Unexpected

ASIN: B0001Z4PJQ

Editorial Reviews
Product Description
Raymond Scott's "Secret 7" was recorded in 1960 for Scott's own Top Rank label. The featured artists, who are never supposed to be named, are all jazz legends. This well-kept secret from the '60s shows off yet another side of the musical genius of Raymond Scott.

Tracks:

The Phantom Of The Opera: The Phantom Of The Opera
Song & Dance: Unexpected Song
Aspects Of Love: Chanson D'enfance
The Phantom Of The Opera: All I Ask Of You
Evita: Don't Cry For Me Argentina
Evita: Another Suitcase In Another Hall
Aspects Of Love: Love Changes Everything
Friends For Life
Cats: Memory
Cats: Gus: The Theatre Cat
Aspects Of Love: Anything But Lonely
Cats: Macavity: The Mystery Cat
Tell Me On A Sunday/Song & Dance: Tell Me On A Sunday
The Phantom Of The Opera: Wishing You Were Somehow Here Again
Requiem: Pie Jesu
The Phantom Of The Opera: The Music Of The Night

Amazon.com essential recording

Sarah Brightman's career was launched by her success in Andrew Lloyd Webber's Phantom of the Opera, so it's no surprise to hear the soprano paying homage to the composer on this disc. Really a Brightman best-of, the album includes the Phantom theme (a duet with Michael Crawford), the light-opera fare of "Chanson D'enfance" from Aspects of Love, "Don't Cry for Me, Argentina" from Evita, and numerous other Lloyd Webber classics. Throughout, Brightman's diminutive voice lends a fragility to these musical theater tunes that you'll either love or despise. On Evita's "Another Suitcase, Another Hall" and Cats' "Memory," she literally chirps through the vocal lines. No matter. The growing legion of Brightman fans wouldn't have it any other way. --Jason Verlinde

Album Details

Another Compilation of Stage Favourites - Some Tracks Are Hard to Find Elsewhere.

Customer Reviews:

The Andrew Lloyd Weber Collection.......2007-05-12

Sarah Brightman sings in good form classic songs and does a great job!!

Andrew Lloyd Webber .......2007-02-12

Excellent Broadway music--a true master. Sing along or just listen. First heard her on PBS.

The Andrew Lloyd Webber Collection.......2007-01-05

Sarah Brightman has always been a favorite of mine, and this CD is outstanding. The duet with Jose Carreras (Friends for Life) is especially good--worth buying the CD for that song alone.

The Best You'll See from Sarah.......2006-09-09

This CD is - wow! I have so much to say about it and so little time! This album features three pieces from "The Phantom of the Opera" - Wishing You Were Somehow Here Again, The Music of the Night, and The Phantom of the Opera theme. They're all beautiful. The second piece on the album is "Unexpected Song". It has beautiful octaves and orchastrations. Chanson d'Efance is an amazing French piece with vibrato - and then some. I forgot to mention that there is another piece from The Phantom of the Opera - All I Ask of You - except that the song is not sung by the original cast from the musical. The next few pieces are fairly decent, until you get to Memory from Cats. WOW - is it spectacular! Then we get to two other pieces from Cats - Gus: The Theater Cat and Macavity: The Mystery Cat. Gus is a song that just tells about a cat and his history. A man speaks the lines that Gus would say in the actual musical - and it makes the song interesting. Macavity is AWESOME! I know that I said that I didn't prefer this song for Brightman on her album "Surrender". I finally listened to it more carefully, and found that it's really interesting to listen to! My favorite song on the whole entire album - however - has to be "Tell Me on a Sunday". Beautiful lyrics, orchestrations, and overall spectacular voice talent ties the whole song together. Pie Jesu is a fairly nice piece from both Brightman and Paul Miles-Kingston - the 16 year old boy soprano. His voice is pure and straight with minimal vibrato. However, Brightman's voice shows a little bit TOO much vibrato! Overally, it's a good piece from Andrew Lloyd Webber's Requium. THIS CD IS AMAZING! If you love Sarah from the Phantom of the Opera, then this collection of Lloyd Webber's work is just for you.

I also recommend Charlotte Church - (in her earlier career) - including Voice of an Angel and her self-titled album. I also recommend Love Changes Everything - The Andrew Lloyd Webber Collection Vol.2 - just another grouping of Webber's classics. I also recommend Andrea Boucelli - he's awesome!

The Angel of Music.......2006-03-13

This is the third copy of this I've purchased. I wear them out listening to them. Awesome, Awesome music. Sarah's range and depth is so powerful!

Average customer rating:

Unexpected indeed.
Not so unexpected
I like this album
As expected
HOT!!!!! Track by Track Review

Unexpected
Lumidee
Manufacturer: Tvt
ProductGroup: Music
Binding: Audio CD

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ASIN: B000MV8ZRC
Release Date: 2007-04-17

Tracks:

Intro
So Cool...Hollywood
In It For The Money featuring Snoop Dogg
Cute Boy
She's Like The Wind featuring Tony Sunshine
Feel Like Makin Love featuring Shaggy
Stuck On You
Caught Up
Crazy featuring Pitbull
Could Be Anything
You Got Me featuring N.O.R.E.
The Whistle Song
I'm Up featuring Jim Jones
He Told Me
Did You Imagine
Passin Thru
She's Like The Wind featuring Tony Sunshine Spanglish version

Album Description

Lumidee, the Puerto Rican beauty from NYC's Spanish Harlem, first shot to fame in 2003 with the infectious Top 5 Billboard hit, "Never Leave You (Uh Oh)", off her debut album, "Almost Famous." Now, she's back, with a bold new sound & fresh lyrics on her sophomore set, UNEXPECTED, due out April 17 on TVT.

"Unexpected"'s heavy hitting first single, "She's Like The Wind," features Tony Sunshine and hears Lumidee rapping in her distinctive Caribbean lilt. A fresh remake of Patrick Swayze's hit from "Dirty Dancing", "She's Like The Wind," is already a massive radio hit from coast to coast. With her second album release, Lumidee is already proving to her fans that she is here to stay! "Unexpected" features Lumidee hooking up with the likes of Snoop Dogg ("In It For The Money"), Pitbull ("Crazy"), Jim Jones ("I'm Up"), Shaggy (on a remake of Roberta Flack's classic r&b hit "Feel Like Making Love"), even N.O.R.E. and super producer Scott Storch (Beyonce, 50 Cent) reportedly checked into the studio to work on a track apiece.

Customer Reviews:

Unexpected indeed........2007-07-09

I didn't expect to hear from this one again after her short lived career and hit single ruled the airwaves and clubs for a good minute years back. But I must say I am glad she came back. This is a good mature and newer Lumidee...

Not so unexpected.......2007-06-11

Lumidee came out back in 2003 with a song called "Never Leave You". Although she really couldn't sing, the song became a hit anyway, possibly due to the fact that all songs featuring that beat were getting enormous airplay (Sean Paul's "Get Busy"; Wayne Wonder's "No Letting Go"). After her follow-up single "Crashin' a Party" went absolutely nowhere, she disappeared. But now she re-emerges with Unexpected.

Lumidee's singing is a tad better, but she still isn't quite there. But much of the time she RAPS on here, and she's not that great at THAT either. Actually, she doesn't sound terrible, but, well, she doesn't sound any different from any other female MC. This is especially shown on the disposable "So Cool...Hollywood".

The only song that really stands out to me is "Stuck On You" (except for in the chorus where she says: "It's true/I can't get past it too"; did we not get As in English class?). Most of the rest of the songs are forgettable, like "Passin' Thru", "He Told Me" and "Caught Up"; and "Cute Boy" is a song I wish I COULD forget. Guest rappers also fail to add life to the songs, like N.O.R.E. ("You Got Me"), Snoop Dogg ("In It For the Money"), and Jim Jones ("I'm Up"). There are also some badly done clubbish makeovers to classic songs, like Roberta Flack's "Feel Like Makin' Love" and Patrick Swayze's "She's Like the Wind" (featuring Shaggy and Tony Sunshine, respectively).

Speaking of that, there is an obligatory end-of-album Spanglish-version-of-the-first-single on here. I can't really call this sophomore album from Lumidee unexpected because that would suggest that I was anticipating it to be good. Yeah, it's better than Almost Famous, but that really ain't saying much.

Anthony Rupert

I like this album.......2007-05-29

I found this album while searching related artists, and I really like this album. It has catchy beats, songs I want to keep playing on repeat, and the Spanglish version of "She's like the Wind" is better than the English, I beleive. I don't know why people are speaking so mean about her and her talents. Everyone has a right to their own opinion, but if you don't like it, you don't have to say it's the worst thing ever. Just simply say you don't like it. But I definitely like Lumidee.

As expected.......2007-05-06

This former one-hit wonder from Connecticut can now amend and extend her resume by one more hit with the first single from her second album. The single "She's Like the Wind" was originally performed by Patrick Swayze, and was also covered by David "The Hoff" Hasselhoff, but this version coverts a part of the song to rap and features vocals by Tony Sunshine.

Another song that I found interesting was the duet with Shaggy, covering the Roberta Flack hit "Feel Like Making Love", but with a reggae spin. Lumidee's vocals match well with Shaggy on this one, which I actually prefer to the first single. A good dance track is "Crazy" featuring Pitbull, and you might also like "The Whistle Song" featuring Wyclef Jean. Other fairly good tracks are "Cute Boy" and "Did You Imagine".

This album is okay, largely due to the guest artistes, but not exactly outstanding, which is precisely what we expected. Rated: 3.5 stars

Amanda Richards, May 5, 2007

HOT!!!!! Track by Track Review.......2007-04-23

Here is my track by track review:

1. Intro
Can't really rate the intro LoL

2. So Cool...Hollywood 10/10
Wow. This song is so good the beginning has such a strong impact. Very strong and very good flow. Her voice is really good on it and I just love it.

3. In It For The Money (F/ Snoop Dogg) 10/10
Hot flo. Perfect match. The beat is just sick one of them summer ridahs. Amazing.

4. Cute Boy 10/10
So smooth. Aww i wanna be under a palm tree. Smooth reggae track. Lyrics are nice. Just one of those songs you have to enjoy.

5. She's Like The Wind (F/ Tony Sunshine) 10/10
Lumidee has some really good flow on this song. The remake is the best one yet. This song is classic. Tony's voice is perfect and this is the first single from the album.

6. Feel Like Making Love (F/ Shaggy) 10/10
Another enjoyable reggae track. But this one has something special about it. I believe its the tone Lumidee has in her voice. It perfect and Shaggy just adds to the reggae effect. AMAZING.

7. Stuck On You 9/10
Lumidee takes it down a notch with this slow R&B joint. Very good track smooth and good meaning.

8. Caught Up 8/10
Fairly different. Beat is good but there is something missing. Still hot.

9. Crazy (F/ Pitbull) 10/10
Damn just get up and dance. With this fast dancehall riddim this joint will get you on your feet in no time. Then Pitbull comes in with his funny rhymes. Very hot.

10. Could Be Anything 9/10
I love her flow on this track. Lumidee gives us some of her rap on it but you get the same sense you get from her song thats on this c.d. "Caught Up".

11. You Got Me (F/ N.O.R.E.) 10/10
One of my favorites on this track. It has "ABC, 123" flow. Love it. This whole song is amazing down till the last second. N.O.R.E. actually does really good on this one.

12. The Whistle Song (8/10)
Ya ok. Um the title kinda of gives us the effect of a really good track but its ok. Wyclef helps on this one. Its good but it just doesnt catch to me. If you like Wyclefs stuff you will definitly like this.

13. I'm Up (F/ Jim Jones) 10/10
Love the little kid-chipmunk voice. Love this gangsta joint. Jim Jones adds his "BALLIN" flow to this one and it works out. HOT

14. He Told Me 10/10
Yeah some more reggae. Lumidee is rapping on this one alot. Its so good, her flow is good and the chorus is perfect.

15. Did You Imagine 10/10
Now this is the song of the album. Reggaeton with a touch of smooth reggae. Perfect mix. Lumidee does such a good job singing this track. Anyone will like this track with its latin tinged guitar strings.

16. Passin' Thru 10/10
Love the feeling this song gives you. Lumidee sends a message across about people she has lost and how she is coaping with it. Just an uplifting song with a sweet beat.

Bonus: She's Like The Wind (F/ Tony Sunshine) (Spanglish Version) 10/10
Just like the original its so hot but with the spanish it gives it another awsome effect.

Over all Rating: 96/100
Defintily recommended. Go out and buy it its worth it.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

The Carl Stalling Project, Volume 2: More Music From Warner Bros. Cartoons 1939-1957
Average customer rating:

The Carl Stalling Project Vols 1 & 2

Better Stalling's CD

The Carl Stalling Project Volume 2

A nice follow up

Now, every time I watch cartoons, I listen to the music!

The Carl Stalling Project, Volume 2: More Music From Warner Bros. Cartoons 1939-1957

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
General | Classical | Styles | Music
Movie Soundtracks | Soundtracks | Styles | Music
Television Soundtracks | Soundtracks | Styles | Music
General | Soundtracks | Styles | Music
1990s | By Decade | Soundtracks | Styles | Music
Cartoon Music | Children's Music | Styles | Music
Similar Items:

The Carl Stalling Project: Music From Warner Bros. Cartoons, 1936-1958

Reckless Nights & Turkish Twilights

Bugs Bunny on Broadway

That's All Folks! Cartoon Songs from Merrie Melodies & Looney Tunes

Tunes from the Toons: The Best of Hanna-Barbera

ASIN: B000002MN3
Release Date: 1995-02-28

Tracks:

Zoom And Bored
Stage Fright
The High And The Flighty
Bad Swiss Band
Marching Pink Elephants
The Slap Hoppy Mouse
Orchestra Gag
Variation On Grandfather's Clock
Variation On Chinatown My Chinatown
Variation On Lucky Day
Wind-Up Doll
Guided Muscle
Fall And Splat-SFX
Ghost Wanted (1940)
The Unexpected Pest
Drunk La Cucaracha
Flea-Ridden Sheep Dog
Golf Cue
Barbary Coast Bunny
Satan's Waitin' (Excerpt)
Rubber Dog
Pappy's Puppy
Variations On La Danza
Variations On Johann Strauss
Kangaroo-SFX
Mouse-taken Identity
Variations On Mexican Hat Dance
Frazzled Coyote

Amazon.com

The second volume of the master Warner Bros. cartoon composer's work downplays the head-spinning montage of the first in favor of just-as-head-spinning complete scores. They aren't from the studio's best-known cartoons but from some of Stalling's most impressive tempo-warping, all-systems-go pieces, augmented by a few mini-pieces that illustrate the way he could transform barely familiar show tunes and classical themes into wild, rubbery jokes. Even without images, Stalling could make an orchestra suggest a "Flea-Ridden Sheep Dog" in 24 seconds flat and run enough changes on Stephen Foster's "Camptown Races" to match every mood in a Foghorn Leghorn cartoon. The head-snapping reversals of his scores anticipate much later avant-garde music. --Douglas Wolk

Customer Reviews:

The Carl Stalling Project Vols 1 & 2.......2007-01-11

Are the names Mel Blanc, I. Freleng or Chuck Jones familiar to you? Then you will get a charge out of these albums as they remind you of Warner Brothers cartoons you saw. I even used these albums instead of "spooky music" for the trick-or-treaters at Halloween, and got appreciative comments from the parents who recognized the music. Definitely worth the price of admission.

Better Stalling's CD.......2006-05-09

As well as Stalling Project Part I, These recordings are more modern fidelity, less classic and more musical techniques. The improvisations appreciate me more than Part I. I like all tracks especially one from "Zoom and Bored" Salute Maestro!!!!
jlipipun

The Carl Stalling Project Volume 2.......2005-09-12

More music from Warner Brother Cartoons 1936 to 1958.
Carl Stalling was one of the foremost composers of music for cartoons and wrote virtually all of the scores for Warner Brothers cartoons from 1936 to 1958. This is a compilation of some complete soundtracks and other snippets. In my opinion, this disk is not quite as well done as "The Carl Stalling Project Volume I."

A nice follow up.......2003-03-09

I really did like the slice-and-dice format of the first disc : I think it helped keep that cartoon zaniness without the visuals. I would recommend both volumes - I listen to them alot while I'm programming!

Now, every time I watch cartoons, I listen to the music!.......2001-08-07

Carl Stalling. We all know who he is, but we don't know that we know. Who is he? The guy who did cartoon background music for Looney Tunes and Merrie Melodies for more than 20 years, that's who. Maybe you're thinking, "Oh, come on! Cartoon background music??! How good could something so trivial be?!" The answer to that question is.. VERY. Very entertaining. I just love Carl Stalling's great "scores". When you take away the context of it's being CARTOON music and just sit and listen to the damn thing, it's WONDERFUL music in and of itself! He goes from violins and a piano playing "agitato" simultaneously to a single oboe note and back again in five seconds. Not only that. He does that and, as random as it may sound, he mannages to segue it together beautifully. Now, every time I watch cartoons, the thing I pay most attention to is what aural miracles Mr. Stalling sneaked in. Maybe, after listening to this, you will too. If anything will change after you listen to this, it would be that you'll never think of cartoon music as trivial again........That's a GOOD thing.

Average customer rating:

GOOD SMOOTH BLUES GUITAR/BASS/DRUMS/BAND
Mahogany Rush's Finest!
BEST OF BOTH WORLDS
FULL FORCE TRIP OF ROCK
Guitar To The Max!

Tales of the Unexpected
Frank Marino , and Mahogany Rush
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music

General | Hard Rock & Metal | Styles | Music

Pop Rock | Pop | Styles | Music

4-for-3 Hard Rock & Metal | 4-for-3 Music | Stores | Music

4-for-3 Pop | 4-for-3 Music | Stores | Music

4-for-3 Rock | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Frank Marino & Mahogany Rush Live
Real Live
Eye of the Storm
Child of the Novelty/Maxoom/Strange Universe
Juggernaut

ASIN: B0000025FC
Release Date: 1990-05-29

Tracks:

Sister Change
All Along The Watchtoewer
Norwegian Wood (This Bird Has Flown)
Tales Of The Unexpected
Down, Down, Down
Door Of Illusion
Woman
Bottom Of The Barrel

Customer Reviews:

GOOD SMOOTH BLUES GUITAR/BASS/DRUMS/BAND.......2007-03-11

FRANK AND THE BAND ARE ALWAYS COMPLIMENTING EACH OTHERS MUSICAL TALENTS.

Mahogany Rush's Finest!.......2006-08-04

"Tales of the Unexpected," one part studio, one part live, is my favorite Mahogany Rush album. The studio section includes two originals & two covers. The originals "Sister Change" & "Tales of the Unexpected" has Marino stretching out his farthest. Both songs almost bordering on heavy fusion. Marino just cuts out solid magnificent mountains of jazzy guitar runs at the speed of light, he is at once heavy, ethereal, concise & commanding, & his rhythm section cuts it through out following Frank like a car chase down a winding mountain road. "Norwegian Wood" & "All Along the Watchtower" add even more of an ethereal twist than was on the originals. Honestly, Marino made these songs his own with his unique approch, making these songs float on a bed of sweetly scented dream like airwaves carressing my ears & entering my brain like billowing tufts of opium smoke. I was addicted to their dreamy embrace.

The live section features heavy, heavy, gut wrenching blues/metal originals with "Down, Down, Down" & "Door of Illusion" hitting that blues, funk, metal path that was only trodden down by fellow contemporaries Robin Trower & Pat Travers this convincingly in the 70's... hell, at anytime. The live work here on par with Mahogany Rush's excellent "Live" album, leaving one battered & bruised & begging for more!

"Tales of the Unexpected" is Marino's crowning achievement, never to be topped in my opinion. Frank put out numerous albums afterward, but each album just seemed to lose focus to the point Frank was parodying himself. Funny enough, is was not until 2000 with the excellent "Eye of the Strom" that Marino captured past glories.

Marino has always been an artist that was hit & miss, his failures just that, but his success's, oh so sweet! Frank & his band Mahogany Rush can now be looked at as a band that was definitely born of Hendrix, but also pushed the grand man's ideas, & eventually came on to their own being, one of low valleys, but also soaring peaks that beg to be climbed.

BEST OF BOTH WORLDS.......2006-04-19

I OWN THIS LP ON VINYL AND NOW CD-THIS IS PURELY A DOUBLE BLESSING- ONE SIDE IS LIVE MATERIAL AND THE OTHER STUDIO MATERIAL .YOU CAN TELL THAT FRANK MARINO AND MAHOGANY RUSH ARE EQUALLY TALENTED IN BOTH ARENA'S ALL ALONG THE WATCHTOWER IS NOTE FOR NOTE THE SAME SONG HENDRIX WROTE WITH FEW DISCREPENCIES BETWEEN THEM-HONESTLY I THINK HIS VERSION OF NORWEGIAN WOOD IS BETTER THAN THE BEATLES COVER.THEN YOU HEAR SISTER CHANGE AND REALIZE HE HAS HIS OWN TALENTED SONG WRITING ABILITIES AND THE TITLE CUT ONLY SHOWCASES HIS IN STUDIO ABILITY WITH THE INSTRUMENT OF WONDER THE 69 GIBSON SG- THEN YOU FLIP THE LP OVER-DON'T TRY THAT WITH THE CD- LIVE ROCK AND ROLL TO THE CORE-DOOR OF ILLUSION-BOTTOM OF THE BARREL - WOMAN -ALL ORIGINAL TUNES THAT KEEP ON ROCKING EVEN WHEN YOU STOP LISTENING -GO FIGURE-THE LYRICS TO WOMAN ARE GOING THROUGH MY HEAD NOW- BUT I LOVE HER JUST THE SAME- YOU ACTUALLY NEED THIS ALBUM IF YOU DON'T HAVE IT YET -I CAN ONLY THINK OF MAYBE 1 OR 2 OTHER ALBUMS THAT IS ONE HALF LIVE AND ONE HALF STUDIO BUT ONE TOTAL EXPERIENCE - ONE OF THE SHOWS I SAW IN ATLANTA WAS AFTER THIS ALBUM AND I REMENBER SEEING A GUY WITH A T-SHIRT THAT HAD THIS ARTWORK ON IT AND STILL WONDER TODAY WHY DID I NOT BUY ONE THEN --------IN THE UNIVERSE OF GUTIAR PLAYERS THEY ALL BOW DOWN TO THE KING-

FULL FORCE TRIP OF ROCK .......2004-12-15

IN EUROPE THEY DIDN``T UNDERSTAND THAT HE IS NOT HENDRIX!! THE TITLE TRACK IS DAMN GOOD! FRANK WILL RISE LATE HE WILL MAY BE THE BEST PLAYER IN THE WORLD!! ATOMIC TOM GOLOGNE WESTERN GERMANY

Guitar To The Max!.......2001-08-27

I was one of the lucky ones to see Frank do his thing live, shortly after this title was released. All I can say is get this, and get it quick. All Along The Watchtower is alone worth the cost. If you haven't heard Frank's version, you haven't heard the song. There's great guitar work throughout, and this will definitely challenge anyone who might try to learn his riffs. Do yourself a favor and buy this one!

Average customer rating:

Where Are You My Brothers
songs of courage, loneliness, patriotism
The most beautiful male voice there is

Where Are You, My Brothers?

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music
Similar Items:

Moscow Nights
Kalinka: Russian Folk Songs
Dmitri Hvorostovsky - Russian Songs of the War Years
I Met You, My Love
Dmitri Hvorostovsky - Passione di Napoli

ASIN: B0000C3I8K
Release Date: 2003-09-09

Tracks:

Somewhere Far Away (Gde-To Daleko (Pesnya O Dalekoy Rodine))
Dark Is the Night (Tiomnaia Noch)
Unexpected Waltz (Slutchaynyy Val's)
Where Are You, My Brothers? (Gde Zhe Vy Teper', Druz'ya-Odnopolchane)
On a Nameless Hill (Na Bezymiannoy Vysote)
Roads (Dorogi)
Soldiers Are Coming (Vot Soldaty Idut)
Cranes (Zhuravli)
In the Trenches (V Zemlianke)
Sacred Stone (Zavetnyy Kamen)
Katyusha (Katyusha)
Cossacks in Berlin (Kazaki V Berline)
My Moscow (Moia Moskva)
Road to the Front (Dorozhka Frontovaia (Pesenka Frontovogo Shofiora))
Hills of Manchuria [Na Sopkakh Mandzhurii]
Lonely Accordion (Odinokaia Garmon)
Last Battle (Posledniy Boi)

Customer Reviews:

Where Are You My Brothers.......2005-08-04

Dmitri Hvorostovsky's voice is at its amazing, beautiful, passionate best. He seamlessly moves from silken pianissimo to forte, conveying all the tragedy and futility of life lost through war, the false hope and despair of soldiers who have trudged too far and seen too much death, destruction and experienced too much pain, fear and hunger.

songs of courage, loneliness, patriotism.......2004-08-02

Of my nearly 20 Dmitri Hvorostovsky albums, this one is in the Top 3, which has Dmitri singing in quite a different style than what he is most famous for, as one of the great operatic singers of our era, and this CD is far from the "opera singer does crossover CD" type of recording, which can sometimes be quite awful, but sings softly and with intense passion and sincerity, his dark honey toned baritone perfect for these melodious, gorgeous songs.
Though the focus of the songs is WWII, some were written as early as 1905 ("The Hills of Manchuria"), to the wonderful "Cranes" from 1969, and "Somewhere Far Away" was the title for a TV series ("17 Moments of Spring"), about a Russian spy in Nazi Germany, that was shown in 1973.

Some songs are more sublime than others, like "Unexpected Waltz" and "On a Nameless Hill", but there isn't a single composition that isn't filled with beauty and performed to perfection. Hvorostovsky has a voice that is a gift of God, with the technique of a master, and the soul of a true artist.
He is backed brilliantly by Constantine Orbelian and the Moscow Chamber Orchestra, the folk group Style of Five, and the rousing sound of the Spiritual Revival Choir of Russia.
The booklet insert is excellent, with liner notes, bios, lyrics in English and transliterated Russian; the sound is good and total playing time is 57'28.

The most beautiful male voice there is.......2003-12-26

The sound of very beginning phrase of it's first song "Somewhere Far Away" grabbed me. This title song for TV series was sung in his natural voice rather than operatic singing. I found it absolutely beautiful. Have you ever heard Dmitri's speaking voice? Renee Fleming quoted "Dmitri has the most beautiful male voice I've ever heard". Well I must say many of us have to agree with her. This album is a good collection of war time songs that indicate harsh reality of soldier's life and emotional state. He expressed them very eloquently. Text has translations but you can feel the depth without it. These songs are melodious and tuneful, I liked his flexible singing of forte to exquisite pianissimo. This is not just sell out for Russians but to everyone. As a Japanese, we grew up in Russian folk songs were heard everywhere. It's nice he introduced us to further extension of Russian materials. Evidently his colaboration with his father and Orbelian worked well. I also appreciate the lightness of "Katyusha" is a nice bonus. I thoroughly enjoyed this and I recomend it to everyone. I hope I get to hear these in his recital someday.

Tracks:

Jesus Christ Superstar: Overture - Andrew Lloyd Webber
Jesus Christ Superstar: Everything's Alright - Yvonne Elliman/Murray Head/Ian Gilllan
Jesus Christ Superstar: I Don't Know How To Love Him - Yvonne Elliman
Jesus Christ Superstar: Gethsemane (I Only Want To Say) - Steve Balsamo
Jesus Christ Superstar: Superstar - Murray Head
Evita: Oh What A Circus/Sing You Fools - Antonio Banderas
Evita: I'd Be Surprisingly Good For You - Elaine Paige/Joss Ackland
Evita: Another Suitcase In Another Hall - Barbara Dickson
Evita: Don't Cry For Me Argentina - Julie Covington
Evita: High Flying, Adored - Mandy Patinkin/Patti LuPone
Cats: The Jellicle Ball - Andrew Lloyd Weber
Cats: Memory - Elaine Paige
Cats: Gus: The Theatre Cat - Susan Jane Tanner/John Mills
Cats: Mr Mistoffelees - Paul Nicholas
Song And Dance: Take That Look Off Your Face - Marti Webb
Song And Dance: Tell Me On A Sunday - Marti Webb
Song And Dance: Unexpected Song - Sarah Brightman
Song And Dance: Nothing Like You've Ever Known - Sarah Brightman
Song And Dance: Introduction - Andrew Lloyd Webber
Song And Dance: Variations 1 -4 - Andrew Lloyd Webber

Tracks:

Starlight Express: Starlight Express - El Debarge
Starlight Express: Crazy - Greg Ellis/Reva Rice/Caron Cardelle/Samantha Lane/Voyd
Starlight Express: Next Time You Fall In Love - Reva Rice/Greg Ellis
Starlight Express: I Am The Starlight - Lon Satton/Ray Shell
Starlight Express: Light At The End Of The Tunnel - The Company
Requiem: Hosanna - Placido Domingo
Requiem: Pie jesu - Sarah Brightman/Paul Miles-Kingston
The Phantom Of The Opera: The Phantom Of The Opera - Michael Crawford/Sarah Brightman
The Phantom Of The Opera: The Music Of The Night - Michael Crawford
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman/Steve Barton
The Phantom Of The Opera: Entr'acte - Andrew Lloyd Webber
The Phantom Of The Opera: Masquerade - The Company
The Phantom Of The Opera: Wishing You Were Somehow Here Again - Sarah Brightman
Aspects Of Love: Aspects Of Aspects - Orchester Der Vereinigten Buehnen Wien
Aspects Of Love: Love Changes Everything - Michael Ball
Aspects Of Love: Seeing Is Believing - Michael Ball/Ann Crumb
Aspects Of Love: The First Man You Remember - Kevin Colson/Diana Morrison
Aspects Of Love: Anything But Lonely - Sarah Brightman
Aspects Of Love: Chanson D'Enfance - Sarah Brightman

Tracks:

Joseph And The Amazing Technicolor Dreamcoat: Any Dream Will Do - Jason Donovan
Joseph And The Amazing Technicolor Dreamcoat: Joseph's Coat - Maria Friedman/Richard Attenborough/Donny Osmond
Joseph And The Amazing Technicolor Dreamcoat: Close Every Door - Donny Osmond
By Jeeves: Travel Hopefully - John Scherer/Martin Jarvis/Don Stephenson
By Jeeves: When Love Arrives - Steven Pacey/Diana Morrison
By Jeeves: Half A Moment - Sarah Brightman
Sunset Boulevard: With One Look - Glenn Close
Sunset Boulevard: New Ways To Dream - Glenn Close/Alan Campbell
Sunset Boulevard: The Perfect Year - Glenn Close/Alan Campbell
Sunset Boulevard: Sunser Boulevard - Alan Campbell
Sunset Boulevard: As If We Never Said Goodbye - Glenn Close
Whistle Down The Wind: Whistle Down The Wind - James Graeme/Lottie Mayor
Whistle Down The Wind: Cold - Everly Brothers
Whistle Down The Wind: No Matter What - Children/Adult Chorus
Whistle Down The Wind: The Nature Of The Beast - Marcus Lovett/Lottie Mayor
The Beautiful Game: Overture - Andrew Lloyd Webber
The Beautiful Game: The Beautiful Game - The Company
The Beautiful Game: Our Kind Of Love - Hannah Waddingham
The Beautiful Game: Dont Like You - Josie Walker/David Shannon
The Beautiful Game: Let Us Love In Peace - Josie Walker/Omagh Youth Community Choir

Tracks:

Oh What A Circus - David Essex
Memory - Betty Buckley
The Phantom Of The Opera - Sarah Brightman/Steve Harley
All I Ask Of You - Sarah Brightman/Cliff Richard
Love Changes Everything - Michael Ball
Any Dream Will Do - Donny Osmond
Amigos Para Siempre (Friends For Life) - Sarah Brightman/Jose Carreras
As If We Never Said Goodbye - Barbra Streisand
The Perfect Year - Dina Carroll
With One Look - Petula Clark
You Must Love Me - Madonna
The Heart Is Slow To Learn - Kiri Te Kanawa
A Kiss Is A Terrible Thing To Waste - The Metal Philharmonic Orchestra
Whistle Down The Wind - Tina Arena
No Matter What - Boyzone
The Vaults Of Heaven - Tom Jones
Try Not To Be Afraid - Boy George
Pie Jesu - Charlotte Church

Tracks:

Make Believe Love - Wes Sands
Down Thru' Summer - Ross Hannaman
I'll Give All My Love To Southend - Ross Hannaman
Believe Me I Will - Sacha Distel
Joseph And The Amazing Technicolor Dreamcoat (1969 Radio Luxembourg Commercial) - Joseph Consortium/Pete Murray
Try It And See - Rita Pavone
Come Back Richard Your Country Needs You - Time Rice And The Webber Group
Goodbye Seattle - Paul Raven
John 19:41 - The Andrew Lloyd Webber Orchestra
What A Line To Go Out On - Yvonne Elliman
Disillusion Me - Gary Band
The Ballad Of Robert And Peter - Tim Rice
Christmas Dream - Maynard Williams
It's Only Your Lover Returning/All Through My Crazy And Wild Days/Don't Cry For Me Argentina - Julie Covington
It's Easy For You (1977 Jungle Room Session Version) - Elvis Presley
Magdalena - Tony Christie
Buenos Aires - The Roja Rockers
Pollicle Dogs And Jellicle Cats - Andrew Lloyd Webber
Mungojerrie And Rumpleteazer (Live At The Sydmonton Festival 1980) - Gemma Craven
I Could Have Given You More - Petula Clark
I've Been In Love Too Long - Marti Webb
Benedicite - The Stephen Hill Singers

Album Description

Disc 1: Selections from Jesus Christ Superstar, Evita, Cats, and Song and Dance

Disc 2: Selections from Starlight Express, Requiem, Phantom of the Opera, and Aspects of Love

Disc 3: Selections from Joseph nad the Amaziong Technicolor Dreamcoat, By Jeeves, Sunset Boulevard, Whistle Down the Wind, and The Beautiful Game

CD 4: 1. "Oh What a Circus" --David Essex 2. "Memory" - Betty Buckleey 3. "The Phantom of the Opera" -Sarah Brightman, Steve Harley 4. "All I Ask of You" --Sarah Brightman, Cliff Richard 5. "Love Changes Everything"--Michael Ball 6. "Any Dream Will Do"--Donny Osmond 7. "Amigos Para Siempre (Friends for Life)"--Sarah Brightman, Jose Caerras 8. "As if We Never Said Goodbye"--Barbra Streisand 9. "The Perfect Year"--Dina Carroll 10. "With One Look" --Petula Clark 11. "You Must Love Me" 12. "The Heart Is Slow To Learn" --Kiri Te Kanawa 13. "Whistle Down the Wind"--Tina Arena 14. "A Kiss Is a Terrible Thing To Waste"--The Metal Philharmonic 15. "No Matter What"--Boyzone 16. "The Vaults of Heaven"--Tom Jones and Sounds of Blackness 17. "Try Not To Be Afraid"--Boy George 18. "Pie Jesu"--Charlotte Church

Disc 5: (All tracks available for the first time) 1. "Make Believe Love"--Wes Sands 2. "Down Thru' Summer"--Ross Hannaman 3. "I'll Give All My Love to Southend"--Ross Hannaman 4. "Believe Me I Will"--Sacha Distel 5. "Joseph and the Amazing Technicolor Dreamcoat: 1969 Luxembourg Radio Commercial--The Jospeh Consortium, Pete Murray 6. "Try It and See"--Rita Pavone 7. "Come Back Richard Your Country Needs You"--Tim Rice and the Webber Group 8. "Goodbye Seattle"-- Paul Raven 9. "John 19:41"--The Andrew Lloyd Webber Orchestra 10. "What a Line To Go Out On"--Yvonne Elliman 11. "Disillusion Me" --Gary Bond 12. "The Ballad of Robert and Peter"--Tim Rice 13. "Christmas Dream" --Maynard Williams 14. "It's Only Your Lover Returning/All through My Wild and Crazy Days/Don't Cry for Me Argentina--Julie Covington 15. "It's Easy for You" (1977 Jungle Room Session version)--Elvis Presley 16. "Magdalena"--Tony Christie 17. "Buenos Aires"--The Rioja Rockers 18. "Pollicle Dogs and Jellicle Cats"--Andrew Lloyd Webber original demo 19. "Mungojerrie and Rumpleteazer" (Live at Sydmonton Festival 1980)-Gemma Craven 20. "I Could Have Given You More"--Petula Clark 21. "I've Been in Love Too Long"--Marti Webb 22. "Benedicte"-- Stephen Hill Singers

Customer Reviews:

I waited for this for five years.......2006-06-30

Between Amazone, Ebay and Napster, I don't usually buy CDs anymore, and I usually wait till I can buy them cheaper "new and used". When this set came out, I was excited, mainly by Disc 5, but wasn't going to spend $70 on it. I waited till it was cheap enough, and got it for Father's day this year.
It was worth the wait.

The concept is great. The packaging is great. The recording is great. Disc five is really cool for an ALW aficionado. There are a few real gems on it; my favorites are Petula Clark's "I Could Have Given You More" and "Benedicite."
I've always thought "Gus the Theatre Cat" made a great medley on the piano with "Unexpected Song" and "I DOn't Know How to Love Him," but wished there was an alternate lyric to match the other two songs. Now that I know there *is*, and it's a good lyric, it's a dream come true.
The melody of "Benedicite" is one of my favorites from _Sunset_ (the book mis-identifies it as "SUrrender"; it's actually "The Lady's Paying" and "Eternal Youth is Worth a Little Suffering"). The lyrics are the canticle from Daniel 3, which comes up every odd Sunday in the Divine Office, so it's nice to have cool music to sing it with.

I haven't bought _By Jeeves_ or _THe Beautiful Game_ yet, to it was great to sample them.

There are other parts of the CD taht aren't found in my collection. I like CD 4 "The Hits."

But the selections on CDs 1-3 don't make sense.

First, any self-respecting ALW fan has the Original London Cast of _Phantom_, so six tracks are totally useless. Why not draw from the Canadian cast with Colm Wilkinson? Or pull out some obscure recordings never published.

Why two different tracks with Michael Ball singing "Love Changes Everything", yet they're hardly any different?

On Disc 5 is "It's Only Your Lover Returning," sung by Julie Covington. It's an early draft of the song (Lloyd Webber and Rice went through several suggested titles) and quite nice. The very thing one expects on a Boxed Set.
So why have the Julie Covington "Don't Cry for Me" on disc 1?? The only difference is a few words, but it's otherwise identical. Why not Elaine Paige or Patti Lupone or Madonna?

The _Evita_ section is otherwise the best, choosing a sample from each major recording, though I'd have chosen slightly differently (as above).

There is a great selection of "Mungojerrie and Rumpleteazer" from the Sydmonton festival, using the original music that was changed when _Cats_ went to Broadway_. It would have been nice if they'd included more recordings from Sydmonton, like the original lyric of "All I Ask of You" shown on the second DVD to the _Phantom_ movie.

With so many great actress-singers who've played Norma Desmond, why does the collection beat us over the head with Glenn Close?

Paul Miles Kingston must be set for life in royalties, for the number of albums the original recording of "Pie Jesu" has appeared on. "Amigos Para Siempre" is nice, but it reminds me of Shari Lewis's "The Song that Doesn't End," especially when it's been used on so many compilations.

In short, this is a great collection for the obscure material, if you can get it cheap. But for a boxed set, it's a poor sampling, drawn mostly from the most familiar recordings.

Excellent collection but BIG PUBLISHING MISTAKE! .......2006-01-10

Please beware they made a mistake on this. It's actually the shortened Ray Shell version of STARLIGHT EXPRESS from the original 1984 London cast - NOT the El Debarge single from 1987 like it says on the box. I don't know how they let that goof pass. Sorry to Ray Shell. Having said that, this is an outstanding compilation of Lloyd Webber's greatest hits.

ONE OF LLOYD WEBBER'S BEST COMPILATIONS, DESPITE A FEW FLAWS.......2005-03-21

Regardless of the fact that some of his latest efforts (most notably, The Woman in White) are disappointing, there can be little doubt that Andrew Lloyd Webber is one of the greatest composers ever to work in the musical theatre. Ever since his "Jesus Christ Superstar" hit the stage in the early 70-is, it was clear that the conception and perception of musicals are never going to be the same again. Many of his songs became standards not only in the theatre history, but also as tops on the charts. Even though he's British, his influence on the shape of the modern musical theatre expanded over the West End boundaries long ago and has thus made an enormous impact on Broadway. Two of his shows ("Cats" and "The phantom of the opera") hold the record as two the longest running shows in the history of Broadway. He has also been the only composer to have three of his shows running at Broadway concurrently. Some of his awards include three Grammies, a Golden Globe, an Oscar and a bunch of Tony awards. But perhaps most of all, Lloyd Webber is responsible for bringing the musicals and the theatre appealing to the wide audiences, who in different circumstances would not consider seeing a musical. The secret of his success is probably the mixture of beautiful and catchy melodies, interesting subject matter (though some, like Starlight Express, are too thin) and grandiose staging.

Over the years many compilations of his work have emerged. In the late 80-is and early 90-is it was the "Encore" series and lately the one-disc collection called "Gold". The one in question here can be considered one of the best currently on the market. First, it includes a 3-disc selections from all of his shows, minus the latest one, i.e., "The Woman in White", which, considering the triviality of the score, is no great lost. The fourth disc covers some of his most known songs sung by the famous artists. Then, there is the fifth disc with previously unreleased material, most of which are the songs ALW wrote with Tim Rice for various artists during the 70-is. The disks are all neatly packed in a hardcover book that features 67 pages of pictures and text with information about each of ALW's shows. One of the other assets here is the perfect sound quality, since all of the tracks have been digitally remastered.

Here are my basic impressions and comments regarding the material on the discs:

* Disc #1 has the selections from "Jesus Christ Superstar", "Evita", "Cats" and "Song & Dance". The Superstar material mostly comes from the Concept Recording. Although the songs sound beautiful as always, their orchestration is a bit dated now. Only Steve Balsamo's "Gethsemane" from the 1996 revival cast has a modern rock sound. "Evita" comes with the material from all of the major recordings: London, Broadway and the movie productions, as well as the Concept album. No objections here; since this is one of ALW's most satisfying works, every song is just perfect, although Patti LuPone, the Broadway and overall the best Evita, is left with only a couple of lines. With the selections from "Cats", however, I have some doubts. A plus to the choice of the "Jellicle ball" impressive orchestral sequence from the 1998 movie version and "Mister Mistoffelees" from the 1981 London cast. One of the best known ALW's songs, "Memory", also comes from that album. It's a pretty version and Elaine Paige's rendition cannot be matched, but why include this when the definite version, featuring an 80-piece orchestra and Elaine Paige with much better interpretation, can be found in the same movie version. Thusly, one has to buy Elaine Paige's latest 2-disc compilation "Centre Stage: The very best of Elaine Paige" to get that one. And "Gus the theatre cat" is more a recital than a song, so there was not much point in including that. Marti Webb brings her vocal charm to the "Song & Dance" sequence, Sarah Brightman sings "Unexpected song" with her famous soprano, but as much as I like her version, Bernadette Peters, who was in this show on Broadway is strangely left out here.

* Disc # 2 starts with "Starlight Express". This was never one of my favorite ALW's shows; the plot is even lighter than in "Cats" and the 1984 original cast recording is terribly dated. Yet, here we have one terrific duet, "I am starlight" from the original together with three songs from the later revivals and it seems that fresh orchestrations were just the thing Starlight needed. My favorite remains a touchy ballad, "Next time you fall in love". "Requiem" is the most solemn of all ALW's compositions, written in 1985 to commemorate the death of his father. Placido Domingo's tenor rides together with the chorus all the way through the strong "Hosanna", only to be joined by Sarah Brightman in the final moments of this song. She then gives an echoing deliverance of "Pie Jesu". What can be said of ALW's next show, "The Phantom of the Opera"? A phenomenon in its own right, it's easy to see from the six numbers included here why this is one of the best and most beloved musicals of all time. The cast, the music, the story - everything is perfect. Although "Aspects of love" was never a popular hit, it does have some of the most beautiful love melodies ALW has ever written. "Love changes everything" sung by Michael Ball is probably one of the best tunes ever about love. The rest of the selected material here has a dreamy love flavor and the melodies find their way into your brain in the best Lloyd Webber way.

* ALW's first musical, "Joseph and the amazing Technicolor dreamcoat" was more successful in its revival form than the original from the 70-is. The three songs included here are sung by the show stars, Jason Donovan and Donny Osmond. Maria Friedman was not a lucky choice to play the narrator, as the track from the 1998 movie version shows. "By Jeeves" was ALW's only big flop when it came to the stage in the 70-is. The 1995 revival sounds much better though, full of funny numbers in the best manner of the musical comedy. "Travel hopefully" remains one of the show's highlights on this compilation. "Sunset Boulevard" comes next. "Sunset" remains for me one of Webber's best scores; lush and beautiful. I listen to the original cast recording with Patti LuPone all the time. However, here most of the songs are performed by Glenn Close. A big mistake. If you've ever listened the American premiere recording with her, you'll know what I am talking about. She may have a strong stage presence, but her vocal abilities are too limited, and her aggressive approach to the role lacks any subtlety. Therefore, the two big numbers from this show, "With one look" and "As if we never said goodbye" are ruined by the fact she can't sing. The same goes for the American Joe Gillis, who was played by Alan Campbell. Luckily, Patti LuPone and Kevin Anderson, the original Norma and Joe from the London production, make their brief entrance here with the "Perfect year"; enough to show how better they are. The funny thing is, on the jacket and inside of it, Glenn Close and Alan Campbell are credited as performers in this song as well. If this was a mistake on ALW's part, it was a good one. The next ALW's show, "Whistle down the wind" was never a critic's dear and yet the audiences rushed in to see it in London. The score brings back ALW to his rock and roll roots of the seventies and the story is quite interesting. But the selections here are not the happiest, since the cast recording boasts with much better songs. And finally, "The Beautiful Game". Again, we have one of those ALW's shows that is worth in its individual parts rather than as a whole. "Our kind of love" and "Let us love in peace" are two catchy ballads. The latter is a nice amalgam version not available elsewhere. The two other tracks here I could live without.

* Disc # 4 has the songs from all the above shows performed by different artists. The assembled tracks have their pros and cons. For example, we have some previously unreleased stuff, like Dame Kiri Te Kanawa's operettic rendition of "The heart is slow to learn", or a stunning and epic "A kiss is a terrible thing to waste" from "Whistle down the wind", performed by The Metal Philharmonic Orchestra. Then again, what was the point in including almost identical tracks as the ones on the previous disks? So we have Michael Ball again singing "Love changes everything" with only a bit different orchestration; Sarah Brightman comes out again with the same Phantom duets, but only with the different male singers. It would be much more appropriate to include tracks from the Toronto Cast of the Phantom, with Colm Wilkinson. Other pop deliverances (Tina Arena's "Whistle down the wind", Barbra Streisand's "As if we never said goodbye", Boyzone's "No matter what" and many more) were wisely chosen. Patti LuPone is again nowhere to be found and Petula Clark's "With one look" sounds too worn-out.

* The last disc is probably the one that will be of most interest to Lloyd Webber aficionados. It consists of entirely previously unreleased material ALW for the most part wrote for various artists during his early years, with Tim Rice. Some of these tunes, not successful as a singles, were later used in his shows. Thus "Down thru' summer" became "Buenos Aires"in Evita, "Try it and see", an unsuccessful attempt for the Eurovision was used for "King Herod's song" in "Superstar" and so on. Some of these songs are nicely made pop songs: "Make believe love", ALW's first recorded composition, for which he provided the lyrics; "Goodbye Seattle", sung by Paul Raven, who later became Gary Glitter; "Come back Richard, your country needs you", from a never made musical, sung here by Tim Rice, or Latin flavored "Magdalena", with Tony Christie singing. My all time favorite here is a song called "It's easy for you", sung by none other than Elvis Presley himself. Lloyd Webber and Rice sent him a demo recording that he accepted and recorded this live version a couple of weeks before he died. It's amazing to hear how his voice remained in the perfect shape. Also, there is a track of Andrew Lloyd Webber singing "Policle dogs and Jellicle cats" while plying the piano. His voice doesn't sound bad at all.

Taken as a whole, this compilation makes a perfect birthday or Christmas present to any fan of Andrew Lloyd Webber shows, or just anybody interested in some of the best tunes from the modern era of the musical theatre; despite the flaws I mentioned above. To the former, it may just be the final addition for the Andrew Lloyd Webber collection.

SUCH MAGICAL MUSIC OF THE NIGHT!.......2003-01-19

"Evita." "Sunset Blvd." "Starlight Express." "Jesus Christ Superstar." "Joseph and the Amazing Technicolor Dreamcoat." "Requiem." "Aspects of Love." The man who is the most recognized composer in the history of the musical theatre, the man who has won more Tonys than any other composer, the man who boasts the best-selling show of all time ("The Phantom of the
Opera") and the longest-running show of all time ("Cats"), the man whose homes are filled with three Grammys, five Oliviers, a Golden Globe, and Oscar and too many other honors and hosannas to mention, the man knighted in 1992 certainly doesn't need an introduction. Now Decca Broadway pays tribute to Sir Andrew Lloyd Webber with "Now and Forever," a spectacular 5-CD set compiled and produced by Sir Andy himself. It's cheaper than a
ticket to "The Producers" ... and more much exciting. This treasure trove contains highlights from all of Webber's shows, and a bonus disc of tunes sung by Betty Buckley, Barbara
Streisand, Jose Carreras, Boy George, Charlotte Church, Madonna, Tom Jones, Petula Clark, even Elvis! A must for lovers of theatre---and good music.

A Must Have for Sir Andrew fans.......2002-05-21

This five-CD collection of Andrew Lloyd Webber's career is fantastic. It leaves virtually no stone unturned. I have no doubt that diehard Webber fans will love this, especially for the 5th disc entitled "From the Vaults." This disc alone is worth the price as it contains tunes never before heard by the typical fan. Who knew Elvis did a Lloyd Webber tune?!? I didn't! Also the tune "Benedictine" which the composer wrote for his most recent marriage is not only pretty, but it has the same medley as "The Lady's Paying" from "Sunset Blvd." which I found highly enjoyable. Another great track is the composer himself singing a cut song from "Cats" entitled "Pollicle Dogs and Jellicle Cats" which has the same tune as "Jellicle Songs for Jellicle Cats," but to hear Sir Andrew sing is a blast...he sounds a lot like Al "Year of the Cat" Stewart.
The cuts from the musicals are great but are likely owned by ALW fans as they are on the original cast albums. And I'm glad that there were tunes included from the composers most recent efforts which have yet to make it beyond London (Whistle Down the Wind, Beautiful Game).
My only complaint is the inclusion of way too many tracks by Sarah Brightman. She must've received a great divorce settlement that included having tunes on any ALW collection until the end of time!! Her interpretations of some of the tunes were limp and uninspired. I would've much rather heard casts from around the world rather than yet another song by this disdainful soprano! How about Colm Wilkinson's version of "Music of the Night" from the original Canadian cast of "Phantom"? Or Michael Crawford's version of "Unexpected Song"? What? No Betty Buckley from "Sunset Blvd."? And of course there are songs you KNOW are going to be on the collection before you even listen to it as they have been on EVERY ALW collection for the past decade or so.
A great collection but too much Sarah Brightman!

Average customer rating:

Katie
SWeet movie
My Little Box Rocks
suburbanwolf got it right!
"My Little Box" is not sung by Trent Reznor

Ghost Ship (Score)
John Frizzell
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Slither: Original Motion Picture Score
Thirteen Ghosts
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The The End of All Things to Come
The Reaping

ASIN: B00006WL42
Release Date: 2002-11-05

Amazon.com

If the idea behind director John Beck's nautical frightfest isn't exactly new--long-lost ship is mysteriously found floating at sea--the filmmaker invests it with a smart sense of style and tension that lifts it above its horror-exploitation roots. The brooding orchestral score from composer John Frizzell (13 Ghosts, Beautiful, Alien Resurrection) conjures up the appropriate atmosphere of foreboding and unease, while largely steering clear of the genre's inherent cheese quotient. Indeed, the composer invokes an often surprising sense of emotional strain and weariness, injecting some welcome human dimensions amid the expected shrieking strings and rumbling brass and percussion. While certain genre clichés are paid heed, Frizzell's efforts here often as not eschew orchestral thunder for more subtle, intimate music that lifts the film from mere floating haunted-house gambit into something more emotionally gripping. --Jerry McCulley

Customer Reviews:

Katie.......2007-04-11

I love the music from this movie. I really love this movie because of the little girl. Katie is very sweet. You would love to have a friend like her. Katie will be there for you. Katie will take care of you.

SWeet movie.......2006-04-09

also THE MUDVANYE SONG RULES!!!!!!!!!!!!!! "NOT FALLING" I'M PLAYING IT RIGHT NOW, I KNEW THIS BAND SOUNDED FAMILIAR. THEY ROCK BABY. :)

My Little Box Rocks.......2005-02-13

The great song from the "flashback scene" in the movie, is track 23, My Little Box. Simply a must-have song. Dark and dry, the lyrics accompany the hollow and spooky beat. "I live safe inside my cell, in the darkness that surrounds me, I see my own special hell. Compliment my suffering, feeling warm inside this pain, four walls comin' down on me, are coming down again."

suburbanwolf got it right!.......2004-12-30

the song for flashback(night of slaughter)scene is "superhoney" by edwin and the pressure. it can be purchased on amazon canada or go to the edwin and the pressure website and click on links for purchase. And there it is!

"My Little Box" is not sung by Trent Reznor.......2004-06-10

"My Little Box" is sung by Gabriel Mann, not Trent Reznor like someone suggested.

Average customer rating:

Ultra soothing unexpected tender gems of musical beauty

Unexpected Songs

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Preludes | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Easy Listening | Pop | Styles | Music
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ASIN: B000FQVY5O
Release Date: 2006-07-18

Tracks:

Lady D'Arbanville
Lenehan Oblivion
Marble Halls
Prelude In E Minor
In Haven
Chant Hindou
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Unexpected Song

Amazon.com

This is music to dream by. Designed to bring out the singing quality of the cello, the program comprises folk music of many lands, art songs, arias from opera and operetta, and instrumental pieces. All of the 20 numbers except Fauré's "Sicilienne," which the composer himself transcribed for cello, are arrangements. All are slow, lyrical, similar in mood and very repetitious, both motivically and strophically. The dynamics, except for an occasional mild build-up, are subdued; every piece ends in a fade-out. Contrast is limited to instrumental colors, including electronics, and idiomatic rhythms. Julian Lloyd Webber is a fine cellist; his style and temperament seem eminently well suited to this music. His tone is beguilingly sweet and flawlessly pure, but, staying mostly in the middle range of the cello, it lacks nuance and inflection. The intensity of his vibrato varies only in one piece, where he puts swells on all the long notes: Schubert's famous "Serenade," whose simple melody hardly calls for it. He is mightily abetted by some splendid partners, most notably harpist Catrin Finch and pianist John Lenehan, both of whom made several of the arrangements. The record's title comes from the closing number, part of a piece written for the cellist by his brother, Andrew Lloyd Webber, performed here as a song. --Edith Eisler

Album Description

With an overall calming and relaxing theme, and the repertoire ranging from the core classical to interpretations of contemporary writers, Unexpected Songs, his 40th album, will appeal to a wide audience. The title track is composed by his brother, Andrew, and part of the musical Song And Dance and features a special vocal guest appearance by multi-platinum recording artist Michael Ball. Another highlight is the cello arrangement of 'Koyal (Songbird)', originally by producer / songwriter / DJ and orchestral composer Nitin Sawhney, who established himself as one of the UK's leading scorers for film and television. Catrin Finch, the 'Queen of Harps' joins him on several tracks, providing an enchanting accompaniment.

Album Details

Widely Regarded as One of the Most Creative Musicians of his Generation, Julian Lloyd Webber Has Collaborated with an Extraordinary Array of Musicians from Yehudi Menuhin, Lorin Maazel and Neville Marriner to Stephane Grappelli, Elton John and Cleo Laine. On this Release from EMI Classics He Presents an Album of `unexpected Songs', a Collection of Favorites Ranging from Core Classical Works by Chopin, Elgar, Faure to More Contemporary Pieces Such as Cat Stevens' "lady D'arbanville". He is Joined on this Recording by the Harpist Catrin Finch and Pianist John Lenehan. The Title Track is Composed by his Brother, Sir Andrew Lloyd Webber, and is from the Musical `song and Dance' the Dance Numbers from which Originated from an Album He Had Written for Julian. The Song features a Guest Appearance from Britain's Leading Musical Theatre Star, and Multi-platinum Recording Artist, Michael Ball.

Customer Reviews:

Ultra soothing unexpected tender gems of musical beauty.......2007-05-21

The songs in this album are terrific. Nothing can be written to describe how great they are, so I suggest you listen to the samples.

I bought this album for my father's birthday and he tells me that he has to listen to it every single night to go to sleep.

What initially drew me to this album was a remake of "A Gift of Thistle" from the Braveheart soundtrack by James Horner. If you know that piece, listen to Webber's clip and you'll see how this arrangement flows so nicely and succeeds in accentuating the strengths of the piece. I usually don't like remakes of originals but this one is an exception.

All songs are acoustic except the title track "Unexpected Song".

Total of 20 tracks, well worth it.

Average customer rating:

alvin with rabies
"A Weird and Wonderful Jazz Record"
Suprise! The Mystery is Solved . . .
Shhh... it's a secret!

The Unexpected
Raymond Scott & The Secret Seven
Manufacturer: Basta Records
ProductGroup: Music
Binding: Audio CD

General | Jazz | Styles | Music

Jazz | Imports | Stores | Music
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ASIN: B0001Z4PJQ
Release Date: 2004-05-04

Tracks:

Waltz Of The Diddles
Temptation
And The Cow Jumped Over The Moon
A Message From Where
In The Beginning
Someone To Watch Over Me
March Of The Diddles
Night And Day
And The Dish Ran Away With The Spoon
Quiet Entrance
Jill
Over The Rainbow

Album Description

Raymond Scott's "Secret 7" was recorded in 1960 for Scott's own Top Rank label. The featured artists, who are never supposed to be named, are all jazz legends. This well-kept secret from the '60s shows off yet another side of the musical genius of Raymond Scott.

Customer Reviews:

alvin with rabies.......2004-05-18

Despite using the services of some well-known jazz musicians, these guys are more in studio mode than jazz mode. Most of the tunes sound like TV show or movie soundtrack cues with some jazz influence but little or no improvisation. It's melodic, well played, and generally much more relaxed than the Scott Quintette pieces from the 30s. Consider it Scott's version of bachelor pad music or whatever they're calling it this year. Toots Thielemans, playing harmonica, is the star, sounding especially nice on "Over the Rainbow".

Then there are those vocal tracks. Dorothy Collins, (Scott's wife at the time and a singing star on "Your Hit Parade"), sings on two songs. Her vocals are double-speeded, like the chipmunks, but sung very intensely, like her head is going to explode. It sounds like Alvin with rabies. It's actually pretty funny in a deranged kind of way, and it's reassuring to know that Scott never stopped being a little bit loony.

It's great that Basta continues to document Scott's music with these reissues. Please do more- he was a true original.

"A Weird and Wonderful Jazz Record".......2004-05-04

.

"A weird and wonderful jazz record. An extraordinary release in many ways, even for RAYMOND SCOTT. Some pieces are worthy of Scott's earlier Raymond Scott Quintet literature, which for many remains his stylistic hallmark. These pieces generally tend to be more complex, ambitious and yet shorter than his earlier works. You really need to listen at least a couple of times to figure out what is going on. But once you've got a grip on THE UNEXPECTED its virtues become obvious."

--David Lewis, ALL MUSIC GUIDE

.

Suprise! The Mystery is Solved . . ........2004-05-04

* * * * * * *

In 1959, Raymond Scott assembled an anonymous all-star band and dubbed them "The Secret Seven." With this group of top jazz musicians he recorded THE UNEXPECTED album in January of 1960. For nearly 45 years the identity of the Secret Seven line-up has remained a mystery, but now you can learn the identity of Raymond Scott's all-star jazz band by visiting a "secret" webpage whose location is revealed in the CD booklet...

This is another CD in Basta's Essential Reissue series, complete with original liner notes, cover artwork, and a newly-prepared booklet featuring historical info and previously unpublished photos...

Correct TRACK LIST:

1. Waltz of the Diddles
2. Temptation
3. And the Cow Jumped Over the Moon
4. A Message from Where
5. In the Beginning
6. Someone to Watch Over Me
7. March of the Diddles
8. Night and Day
9. And the Dish Ran Away With the Spoon
10. Quiet Entrance
11. Jill
12. Over the Rainbow

* * * * * * *

Shhh... it's a secret!.......2004-05-04

_

Now the truth can finally be told... This late-'50s album by the amazing Raymond Scott boasts a truly ALL-STAR jazz supergroup line-up:

Elvin Jones

Milt Hinton

Kenny Burrell

Eddie Costa

Sam "The Man" Taylor

Harry "Sweets" Edison

"Wild" Bill Davis

Jean "Toots" Thielemans

What else do you need to know? Well, this is one of the wildest & weirdest jazz records of the period it was made -- or ANY period for that matter! Check it out -- even if you've never heard of Raymond Scott -- it's a 1-of-a-kind album! I wish I could give this CD reissue 7-stars -- 1 for each of it's exotic secrets!

_

Jazz Music:

Jazz Music

Jazz Music