A Day in New York

A Day in New York

ASIN: B00008Y3W5

Track Listings

1. Five

2. Shes Different

3. The Lady Is A Tramp

4. Tenderly

5. Blues For Three Horns

6. I Remember You

7. Lullaby Of The Leaves

8. A Shoulder To Cry On

9. At Home With The Blues

10. There Will Never Be Another You

11. Portrait Of Ravi

12. Body And Soul

13. I Cant Get Started

14. Gone With The Wind

15. The Explorer

16. If Im Lucky

17. The Chant

18. Villa Jazz

19. Zonk

20. Blues For Five

See all 24 tracks on this disc

Editorial Reviews
Product Description
This double disc of jazz was recorded in New York City, November 1957 and features Tony Scott, Bill Evans, Milt Hinton, Henry Grimes, Paul Motian, Jimmy Knepper, Sahib Shihab & Clark Terry. 24 tracks. Fresh Sound label. 2003.

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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The Life and Works of Ludwig van Beethoven
What to Listen for in Music
Study of Orchestration, Third Edition
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Send In The Clowns (From 'A Little Night Music') - Cleo Laine
Losing My Mind (From 'Follies') - Barbara Cook
I Remember (From 'Evening Primrose') - David Korman
Liasons (From 'A Little Night Music') - Hermione Gingold
With So Little To Be Sure Of (From 'Anyone Can Whistle') - Jerry Hadley
Not A Day Goes By (From 'Merrily We Roll Along') - Bernadette Peters
Pretty Women (From 'Sweeney Todd') - Michael Rupert
In Buddy's Eyes (From 'Follies') - Barbara Cook
No One Is Alone (From 'Into The Woods') - Cleo Laine
Johanna (From 'Sweeney Todd') - Victor Garber
So Many People (From 'Saturday Night') - Suzanne Henry
Sorry-Grateful (From 'Company') - Stephen Collins
Too Many Mornings (From 'Follies) - Barbara Cook
Finishing The Hat (From 'Sunday In The Park With George') - Mandy Patinkin
Not While I'm Around (From 'Sweeney Todd') - Angela Lansbury
Like It Was (From 'Merrily We Roll Along') - Julie Andrews
Unworthy Of Your Love (From 'Assassins') - Annie Golden
Anyone Can Whistle (From 'Anyone Can Whistle') - Cleo Laine

Customer Reviews:

Wonderful songs.......2003-02-07

If you're a Sondheim ballad fan, this a must-have. While there are a few renditions that aren't great (Not a Day Goes By is way overdone), the selections from Follies sung by Barbara Cook are outstanding. The Cleo Laine version of "Send in the Clowns" is lovely and Stephen Collins does an amazing good job on "Sorry-Grateful" from Company. Still, it's the Follies songs that truly shine!

Average customer rating:

Crossover works!
One of my favourite Bossa Nova album
Great CD for Relaxing
A Sophisticated Album

A Day in New York
Morelenbaum2/Sakamoto
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Brazil | South & Central America | International | Styles | Music

General | International | Styles | Music

Samba | Latin Music | International | Styles | Music

General | Latin Music | Styles | Music

Bossa Nova | Latin Music | Styles | Music

Brazilian Jazz | Jazz | Styles | Music

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$7.99 and Under | Classical Music Blowout | Stores | Music

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Similar Items:

Morelenbaum (2)/Sakamoto: Casa (Tribute to Jobim)
Berimbaum
Quarteto Jobim-Morelenbaum
Chasm
Elis & Tom

ASIN: B00009ATJC
Release Date: 2003-05-27

Tracks:

Desafinado
Bim Bom
Insensatez
Coracao Vagabundo
Falando De Amor
Chora Coracao
Sabia
Tango (Versao Em Portugues)
Chega De Saudade
Samba Do Aviao
Fototografia

Amazon.com

The second chapter of Morelenbaum2/Sakamoto, A Day In New York picks up where the trio's moody and elegant 2002 debut, Casa, left off and broadens the vision. Rather than covering a broad spectrum of Antonio Carlos Jobim's compositions while stressing lesser-known material, as it did on the debut, Morelenbaum2/Sakamoto does five more Jobim tunes and three songs from other composers as well as three new versions of songs that also appeared on Casa. The playing on this session (a studio date tacked to the end of a tour) is a little more upbeat than the moody debut. Nonetheless, the music is again absolutely stunning thanks to additional help from guitarist Luiz Brasil and percussionist Marcelo Costa. Highlights here include classics "Desafinado" and Joao Gilberto's "Bim Bom" and "Insensitez," all of which couldn't have been done better. Filled with yearning romance, sentimental playing, and the tasteful restraint of classic bossa nova, A Day In New York is a fine follow-up to an excellent debut. --Tad Hendrickson

Customer Reviews:

Crossover works!.......2007-04-02

Two superb concert musicians playing the best of traditional Brasilian
pop-- Tom Jobim-- but in a serious manner!. Combine this with a woman whose voice would make Astrud Gilberto green with envy and you have some first rate "Thinking man's (or woman's)" music. This is creativity at its best!
Listen, read a book, WRITE a book, make love; it's the perfect background.

If you like Heavy Metal, I'd suggest you go to the junkyard and hang out with the rottweilwers.

One of my favourite Bossa Nova album.......2004-04-18

I have more than 20 titles of Bossa Nova music, from Jobim's play to Ono Lisa. This title "Day in New York" is one of my favourite. I suggest all Bossa Nova lovers should have this one. The most impressive paly is "Chega de Saudade", the best version I've ever heard. The whole feeling is just right! Very wild and sexy singer and players.

Great CD for Relaxing.......2003-08-08

I bought this CD about 2 days ago and I love it! I purchased this one a few months after thoroughly enjoy their first release "Casa." Unlike "Casa," this one is recorded live. Believe it or not, I'm enjoying their CD's more than the Antonio Jobim CD's I have in my collection!

A Sophisticated Album.......2003-07-16

The Morelenbaums, part of Tom Jobim's musical "family" have done an excellent job once again of proving that his music, some of it now almost 50 years old, is indeed timeless. Jobim's elegant and intricate melodies, combined with Vinícius de Moraes' poetic lyrics keep this music a strong statement of the seductive music Brasil has offered to the world. The brilliant addition of Ryuichi Sakamoto makes this group shine. Reading the liner notes, it would appear that this album was almost an afterthought to the tour-ending of the remarkable previous album by this group, "Casa". What a treat then that the recording was even made! "A Day In New York" is very similiar to "Casa" with a live feel to it and includes, in addition to the Jobim/de Moraes songs, one of João Gilberto's early, fun compositions *Bim Bom* and a haunting song *Coração Vagabundo* (Vagabond Heart) by the superb singer, songwriter etc., etc., Caetano Veloso, as well as a truly gorgeous new song composed, it seems, by the Morelenbaums, Sakamoto and T. Onuki called *Tango*. This song as well as all the others, is superbly sung by the beautiful voice of Paula Morelenbaum. No wonder Jobim wanted her to sing his melodies. She has the gift of being able to sing the "saudade" that is so prevelant in his music, perfectly, and has a crystal clear, sensual voice on these songs. The cello of Jaques Morelenbaum is, as always, achingly beautiful and the piano sound of Sakamoto is eerily like that of Jobim himself. The inclusion of the great guitarist, Luiz Brasil and Marcelo Costa at percussion puts this album over the top. My favorite song on the album? The heart-rending *Chora Coração* by Jobim and de Moraes. Jaques Morelenbaum says in the notes that it is "saddest song that could ever be composed". I would have to agree. Beautiful. This would make a wonderful companion album to "Casa". Here's hoping the Morelenbaums will continue to shine the Jobim light for many more years to come.

Philip Smith, Principal Trumpet, New York Philharmonic

Average customer rating:

Philip Smith shines
Flawless
Good variety, superb performances
Top Notch!!
One of the finest trumpet-and-piano discs you'll hear.

Philip Smith, Principal Trumpet, New York Philharmonic

Manufacturer: Cala Records
ProductGroup: Music
Binding: Audio CD

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Orchestral Excerpts For Trumpet
David Hickman, Trumpet
From Moscow With Love
Trumpet in our Time
Thomas Stevens Trumpet Sonatas

ASIN: B00000FDEJ
Release Date: 1997-09-16

Tracks:

Concert Piece For Eight Trumpets
Intrada
Lnde
Triptyque: Scherzo
Triptyque: Largo
Triptyque: Saltarelle
To a Wild Rose
Amazing Grace
Someone To Watch Over Me
Festival Fanfare For Eight Trumpets
Brass Music: Rondo For Lifey
Brass Music: Fanfare For Bima
Song For Cornet
Trio In E-Flat For Trumpet, Violin And Piano: Andante
Trio In E-Flat For Trumpet, Violin And Piano: Allegro molto
Trio In E-Flat For Trumpet, Violin And Piano: Adagio
Trio In E-Flat For Trumpet, Violin And Piano: Allegro molto
Two Portraits: Psalm
Two Portraits: Incantation
There's A Great Day Coming For Six Trumpets

Customer Reviews:

Philip Smith shines.......2007-07-01

We have here yet another installment of the CALA New York Legends series, and it is no less beautiful and superb than any previous. Philip Smith, the principal trumpet of the New York Philharmonic for over 20 years now, with this album, fully shows why he was both given that position and how he has been able to maintain it with the respect of trumpet players worldwide. Indeed I recommend any of the albums from that series, and I think it must be something in the water because these New Yorkers are all phenomenal musicians, from Glenn Dicterow, to Jeanne Baxtresser, and on to Philip Myers and Joseph Alessi.

Philip Smith begins the album with a concert piece for 8 trumpets featuring other fabulous trumpet players of whom great things have also been heard. He then continues on with the Intrada written by friend/composer/pianist Joseph Turrin, which is rapidly becoming a popular recital piece among trumpet players despite its youth. The album then proceeds to two pieces well known to trumpet players for both their aesthetic values and also their difficulty. Smith plays Legend by Enescu and the Tomasi Triptyque with enviable beauty and technique. We are then treated to an American tribute where Philip Smith brings beauty and grace to such famous tunes known to all Americans such as Amazing Grace and Someone to Watch Over Me. We then have another multiple trumpet piece which is here a fanfare which again features New York's finest. We are then given the 2 remaining movements of the Brass Music chamber piece written by Bernstein, and which the remaining movements are included on the albums by Philip Myers and Joseph Alessi. Philip Smith then delights us with a gorgeous song for cornet. The highlight of this album is indeed here where the Trio for Trumpet, Violin, and Piano by Eric Ewazen is taken and given such beauty that it redefines the word. Ewazen's name is known well to any brass player for his chamber music, and this is his largest rising piece and is performed very frequently for a piece less than 15 years old, and listening to this performance, you are left in no doubt why. This "recorded recital" finishes up with two portraits and a jazzy piece, the portraits again a gift to us by Joseph Turrin, and "It's a great day coming" for six trumpets a well-known piece that shows us that Philip Smith, master of the orchestral trumpet can also handle himself well enough in the jazz setting as well.

This album is a wonderful argument in favour of everything that the 20th and 21st century chamber trumpet is. You would be hard-pressed to find a more enjoyable or better performed disc of trumpet chamber music. Philip Smith's technique rivals that of any trumpet soloist (indeed he has soloed himself with the New York Philharmonic no less than 75 times in his career thus far), and his lyric playing is quite obviously supreme and seems almost to contain the beauty that one hears in the performance of a string master in his mastery of phrasing. Any trumpet enthusiast or performer should not under any circumstances be without this disc. Even if the trumpet isn't your cup of tea, I still recommend this disc, and indeed I have personally showed this one to people who do not like the sound of the trumpet who have themselves later gone and purchased this album for themselves. It's not the cheapest CD ever, this is true, but it is worth easily 4 or 5 other chamber trumpet CDs, so the price is still more than fair.

In short, an absolutely brilliant musical statement that is most essential to any brass player and highly recommended for any other chamber music enthusiast.

Flawless.......2006-04-06

Phil Smith's performance on this album is pure perfection. I have many albums that display a performer's dazzling technique, but few with equal artistry and musicality. Truly, this is a 'must have' for any collection.

Good variety, superb performances.......2005-08-12

Philip Smith collaborates with some other excellent trumpeters (including Fred Mills, Vince Penzarella, and Robert Sullivan) in this album. The Tomasi Triptyque is well executed, with good dynamics, articulation, and tone. Basically, you can't find fault with Smith's playing on any of these recordings. The Ewazen Trio is another good piece, showing off the warmth of Phil's playing. It's also good to hear the several large fanfare pieces, which allow all the guys to open up and blow. This cd will please trumpet aficionados and the regular listener.

Top Notch!!.......2002-06-12

This CD has quickly become one of my favorite trumpet CD's. Philip Smith is sensational. I particularly enjoyed the Enescu and the Ewazen. I heard the Ewazen on Minnesota Public Radio (MPR) and quickly called to find out where I could purchase the CD.

One of the finest trumpet-and-piano discs you'll hear........2001-07-13

This is superb trumpet playing in solo and ensemble settings. I've never heard the Enesco "Legende" played better. Smith has a long history as a cornet and trumpet soloist with Salvation Army bands. He can sound alternately brilliant and mellow, stident and serene. This disc has changed my trumpet playing for the better and given me lots of enjoyment. Smith takes a simple song like "Amazing Grace" and makes something truly memorable of it. Truly gorgeous tone production and phrasing.

Kudos also go to Joseph Turrin for his excellent accompaniment. His compositions are first-rate too, especially the first of his "Two Portraits."

Tracks:

Fascinatin' Rhythm
Soon
Summertime
Embraceable You
Liza
A Foggy Day
'S Wonderful
The Man I Love
I Got Rhythm
He Loves And She Loves
They Can't Take That Away From Me
They All Laughed
Funny Face
Our Love Is Here To Stay
Lady Be Good
These Foolish Things
Laura
April In Paris
Autumn Leaves
Autumn In New York

Tracks:

Cheek To Cheek
Isn't This A Lovely Day?
Change Partners
Top Hat, White Tie And Tails
I've Got My Love To Keep Me Warm
Heat Wave
The Way You Look Tonight
Pick Yourself Up
A Fine Romance
All The Things You Are
Why Do I Love You?
I Get A Kick Out Of You
Night And Day
Looking At You
Just One Of Those Things
My Funny Valentine
Thou Swell
The Lady Is A Tramp
Blue Room
Jealousy
Skylark

Customer Reviews:

Most beautiful music.......2005-08-17

This is happy music.
Just plain happy, instrumental music.
Highly recommend to everyone.

The Longest Day: The Ultimate World War Movie Theme Collection

Average customer rating:

These are not the same arrangements as the original movie soundtracks
An outstanding compilation
The really good ones are missing.
"many were winners by the Academy for best scores"

The Longest Day: The Ultimate World War Movie Theme Collection

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music
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Battle of Britain
The Longest Day: Music From The Classic War Films (Soundtrack Anthology)
Patton (1970 Film): Also Featuring Tora! Tora! Tora! (1970 Film) (1997 Studio Recording)
Epics: The History of the World According to Hollywood
The Wild West: The Essential Western Film Music Collection

ASIN: B00020R02O
Release Date: 2004-05-25

Tracks:

The Longest Day
Attack On The Iron Coast
Band Of Brothers-Prelude
Band Of Brothers-Theme
Battle Of Britain
The Battle Of The Bulge
The Blue Max
Das Boot
The Bridge At Remagen
The Bridge On The River Kwai
A Bridge Too Far
The Caine Mutiny
The Captive Heart
Casablanca

Tracks:

Coastal Command
The Cruel Sea
The Dambusters
The Diary Of Anne Frank
The Eagle Has Landed
Empire Of The Sun
The English Patient
Fear And Desire
Force Ten From Navarone
Gallipoli
The Great Escape
The Guns Of Navarone

Tracks:

Hanover Street
The Hindenburg
In Harm's Way
Is Paris Burning?
King Rat
Lawrence Of Arabia
Lifeboat
Macarthur / Patton
Malta G.C.
Merry Christmas Mr. Lawrence
Midway
The Mountain Road
1941

Tracks:

The Naked And The Dead
The Night Of The Generals
Paradise Road
Paths Of Glory
Pearl Harbor
Saving Private Ryan
Schindler'S List
Sergeant York
The Sharkfighters
Sink The Bismarck!
633 Squadron
Where Eagles Dare
The World At War
The Longest Day

Customer Reviews:

These are not the same arrangements as the original movie soundtracks.......2007-01-21

I was disappointed that these are not the same arrangements as the original movie soundtracks. For example, in Colonel Bogey, the countermarch from the movie soundtrack is not included in the arrangement on this CD. Don't get me wrong, the songs are good, but I would have preferred the same arrangements as the original movies.

An outstanding compilation.......2006-08-25

This compilation is superb and a real must-buy. From Band of Brothers to A Bridge Too Far: every war movie theme is represented here. An all time classic.

The really good ones are missing........2005-07-18

While this compilation has some masterpieces such as the theme from The Great Escape and Is Paris Burning, it's missing some of the finest tracts ever written. Where is the theme from Victory and Ernest Gold's stirring epic from Cross of Iron? The closing theme from Inchon was also a feast for the ears, but it's not here. It was written by Jerry Goldsmith, one of the foremost soundtrack composers of our time. Instead we're subjected to the likes of Hanover Street and The English Patient. I'll admit Inchon and Victory weren't Academy Award winning movies, but their soundtracks were second to none. As John Stossel would say," Give me a break"!!!

"many were winners by the Academy for best scores".......2004-05-26

Silva America presents the essential in film music during the period of World Wars ~ "Longest Day:Ultimate World War Movie Theme", featuring some long forgotten cues, 53 to be exact that sent chills and thrills into the pulses of world events ~ selections from a limited collectors edition that would make any "film-score-buff" green with envy.

Released to commemorate the sixth Anniversary of D-Day, never has there ever been such a tribute compilation package from any other label and Silva comes to the forefront ~ featuring The City of Prague Philharmonic Orchestra (Paul Bateman, Nic Raine Tony Bremner and Carl Davis as conductors), The Philharmonia (Kenneth Alwyn, Jerry Goldsmith, Mario Klemens and Paul Bateman as conductors) and also the world renown Crouch End Festival Chorus (David Temple as choir master) ~ what a gathering of talented musicians and singers fill this collection supreme.

The lineup of composers is a Who's Who in the world of film music ~ John Addison, Tomaso Albinoni, Kenneth J. Alford, Paul Anka, John Barry, Arnold Bax, Elmer Bernstein, Eric Coates, Carl Davis, Klaus Doldinger, Antonin Dvorak, Benjamin Frankel, Gerald Fried, Hugo Friedhofer, Jerry Goldsmith, Ron Goodwin, Bernard Herrmann, Maurice Jarre, Michael Kamen, Jerome Moross, Alfred Newman, Clifton Parker, Alan Rawsthorne, Ryvichi Sakamoto, Lalo Schifrin, Gerard Schurmann, David Shire, Max Steiner, Dimitri Tiomkin, Ralph Vaughan Williams, John Williams, Gabriel Yared and Hans Zimmer ~ set the stage for compositional human drama while exploring the deepest troves of musical emotion ~ one masterpiece after another, each cue manages to display both a convincing authenticity of the times and places ~ experience every tracks passion and skill for striking the exotic orchestral colors, explosive power and spectacular works of full large scale orchestral arrangements previal at every turn.

We are grateful to James Fitzpatrick (producer), Reybnold da Silva (executive producer), Rick Clark (associate producer/album sequence), Marion Garden (associate producer) and the whole gang at Silva America who have resurrected many of the soundtracks for the "film-score-buffs" in all of us.

Tracks:

Opening - From Babes in Toyland (Herbert & MacDonough) with Kenny Baker and Karen Kemple
Toyland
Floretta
Never Mind Bo-Peep, We Will Find Your Sheep
March of the Toys
I Can't Do the Sum
Go To Sleep, Slumber Deep
Song of the Poet
The Military Ball
Hail to Christmas
Finale: He Won't Be Happy Till He Gets It and March of the Toys
When You're Pretty and the World Is Fair - From The Red Mill (Blossom & Herbert) with Wilbur Evans, Eileen Farrell, and Felix Knight
Moonbeams
In the Isle of Our Dreams
Because You're You
Every Day is Ladies' Day With me
The Streets of New York

Customer Reviews:

The Most Beautiful Recorded Tenor Voice?.......2005-06-22

Is any recorded, tenor, singing voice as lovely as Kenny Baker's? As a child, I often heard him during the 1930s on the Jack Benny show, but have scarcely thought of him since. Amazon.com offers him on four CDs: BABES IN TOYLAND, LOVE WALKED IN, THE STARLIT HOUR and WEILL FROM BERLIN TO BROADWAY. Over the years, I have heard the recorded voices of many tenors, mostly operatic. Their fine voices were excellently trained, often to a wider range and more difficult music. But note for note, their sound as recorded is not I think as sheerly beautiful as Kenny Baker's. A splendid, unspoiled, unstrained, natural gift, put to disciplined and tasteful use! His enunciation is remarkably clear, and his musical line, perfectly smooth. He makes each song a different story, as in the six pieces here from BABES IN TOYLAND.

My claim is easy to test. This website has CDs with excerpts for listening to the best tenors of the 20th century, including Enrico Caruso, John McCormack, Giovanni Martinelli, Beniamino Gigli, Tito Schipa, Richard Tauber, Richard Crooks, Jussi Bjoerling, Morton Downey, Mario Lanza, Giuseppe di Stefano, Nicolai Gedda, Jan Peerce, Leopold Simoneau, Fritz Wunderlich, Luciano Pavarotti, Placido Domingo and Jose Carreras. Of course, the earlier the career, the greater the damage to the recorded voice from primitive technology. Heard live, who knows which voice was most beautiful? But at least we have what earlier centuries could only imagine: lasting copies of live performances. Listen to Kenny Baker's voice on tracks 2 and 8 of BABES IN TOYLAND, and then compare.

The numbers from THE RED MILL will make you want to hear more. This operetta, also composed by Victor Herbert, was first produced in 1906, three years after BABES IN TOYLAND. "Moonbeams" (well sung by Eileen Farrell) is lovely; "Because You're You" (a duet between Farrell and Felix Knight) is quite simple but surprisingly affecting. The last two are the best: "Every Day Is Ladies' Day with Me," and "In Old New York." They are patter songs, perhaps inspired by, and surely as deft, as the ones that Gilbert and Sullivan were writing two decades earlier. Both are sung by Wilbur Evans, in a rich baritone, with perfect enunciation and marvelous comic flair. Great fun!

The selections on this CD were recorded in 1944 and 1945, then released in 1946 on both 78s and 10" LPs. For this CD, they were remastered from wartime lacquered-glass originals. Baker and Evans emerge in radiant form, surely much closer to live sound than reached our family radio via AM transmission 65 years ago. The orchestral and choral sound is less attractive. Poorly miked?

Very, very truncated........2002-12-09

The scores of Victor Herbert's "Babes in Toyland" and "The Red Mill" are lovely classics, but the incomplete scores represented by this Decca Broadway remastering of its antiquated 78s are not the best reprentation. My advice: wait for the John McGlinn "Babes in Toyland" to be released. As for "The Red Mill", you'd do better to pick up the Ohio Light Opera's double-CD from Albany Records.

incomplete pleasure.......2002-11-09

Two terrible mistakes keep this from 5 stars.. BABES IN TOYLAND is not complete as they are missing the delightful IN THE TOYMAKER'S WORKSHOP. Why? In THE RED MILL they use a butchered take of EVERY DAY IS LADIES DAY WITH ME. Again, why?
John McGlinn will be out with a complete BABES soon - and there is a lot of music in it - so you may want to wait.

Finally available on CD!.......2002-08-01

Decca's 1946 album of selections from Victor Herbert's celebrated musical was a welcome addition to record libraries, covering most of the major songs plus some of the delightful dance music. The album was reissued as a ten-inch Lp in 1949. A later reissue in 1957 dropped 4 songs to fit the score on one side of a twelve-inch Lp backed by six selections from Herbert's THE RED MILL. That pairing is reproduced here but the CD contains the complete BABES IN TOYLAND program! It's nice to have it back too! Nice of Decca to give us this early Christmas present this year. But BABES IN TOYLAND is a score that enchants all year round. How strange that no other complete recording exists.

Tracks:

Choir Opening and Introduction
Foundation Medley
Why Not Make It Now
He's All That
Group Introductions
Goodness and Mercy
Only by the Blood
We'll Say Goodbye
Introductions
Knock No More
Intro to Healed
Healed
For God So Loved
Long as I Got King Jesus

Product Description

Its a long way from Douglasville, Georgia to the Queens Borough of New York City, but the result was definitely worth the trip! Popular southern gospel quartet Brian Free & Assurance took the stage at Christ Tabernacle for a live recording and invited their amazing 140-voice choir to join them on three songs...a kickin rendition o the James Cleveland classic Long As I Got King Jesus, a stirring new version of Song Of The Year honoree For God So Loved and a powerful new ballad Healed. Song List: Goodness And Mercy He's All That Knock No More We'll Say Goodbye Why Not Make It Now The Foundation Medley Only By The Blood Long As I Got King Jesus For God So Loved Healed

Customer Reviews:

its live--AND ITS GREAT--imagine that.......2006-01-28

this is the best live gospel music album i have heard since double take live by gold city in 1986.Very uplifting,great vocals,and great new songs.The acapella version of "how firm a foundation" will make you rewind and rewind and rewind.....you get the picture right?

Average customer rating:

Sublime!
Excellence at its Best
A Christmas Gem for Audiophile
Wonderful, Comforting, Meaningful
Outstanding

Christmas at Trinity

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Candlelight Carols
O Come All Ye Faithful: Christmas Carols at King's College, Cambridge
Carols from Trinity
Now It is Christmas Again
A Festival of Nine Lessons and Carols

ASIN: B00005QXCJ
Release Date: 2001-10-16

Tracks:

Once in Royal David's City
Sans Day Carol
The Three Kings
I Sing Of A Maiden
O Come, All Ye Faithful
The Holly And The Ivy
In The Bleak Midwinter
I Wonder as I Wander
Adam Lay Ybounden
O Little Town of Bethlehem
I Saw Three Ships
In Dulci Jubilo
Away in a Manger
Of the Father's Heart Begotten
Infant Holy, Infant Lowly
Gabriel's Message
Lullay, My Liking
Resonet in Laudibus
Angels, from the Realms of Glory
Sussex Carol
A Babe Is Born
Silent Night
Hark! The Herald Angels Sing

Customer Reviews:

Sublime!.......2006-01-06

I mistakenly bought this CD thinking it was a reprint of an LP of Christmas carols that my parents played when I was a child. What a happy accident this was! The singing is beautiful, the arrangements are well-crafted and the sound is lush and warm.

These are indeed the carols that I enjoyed as a child, but the fact that they were recorded in New York City and accompanied by a pipe organ that was shortly afterward ruined in the September 11 World Trade Center attacks gives this CD an extra resonance.

Excellence at its Best.......2004-01-02

Trinity Church at Wall Street was directly in the path of the World Trade Center's monumantal rubble showers when the buildings collapsed on 9/11. Consequently Trinity's magnificinet organ was a victim of dust and debris along with everything else in its path. As a sort of memorial to the late renowned organ, "Christmas at Trinity" is a tribute to not only the superb choir and its director, Dr. Owen Burdick, but a fond farewell (for the time being) to one of this country's finest musical instruments. And as the the parishoners get used to a decent substitute organ, the glorious instrument is being refurbished (at enormous, but worthy expense) to return to its place of honor at Trinity, Wall Street.
Having added that bit of history, "Christmas at Trinity" is a general collection of the finest arrangements and selection of choral literature for Christmas. Under the direction of Dr. Owen Burdick, the Choir breathes sensitivity into each carol. This disc is one of the finest collections of Christmas music available. It is a classical collage of sound and literature which I would recommend for a single choice for one's Christmas enjoyment, that is, if you are on a limited budget.
And, speaking of "budget", for $6.98 this is a superb bargain. Naxos is the label with delicious and unusual collections of music for anyone wanting to be adventuresome, or looking for a modest start to a personal CD library. Start with "Christmas at Trinity" and be delighted with not only the performance, but also the lovely price!

A Christmas Gem for Audiophile.......2002-12-08

This is a wonderful CD. The singing is wonderful. The recording is excellent with a huge soundstage. Descriptions like "smooth like silk" come to mind when I want to describe their voices. I bought this CD last year and play it all the time, even after Christmas. My system consists of Meridean CD player, Audio Research amp, Herron preamp, and Verity speakers.

Wonderful, Comforting, Meaningful.......2002-11-30

Sit back,relax and enjoy the wonderful music on this sure to be a classic Christmas CD. I am particularly interested in this CD because my 5th great-grandfather was a vestryman at Trinity and is buried in the Trinity Church Yard. HOWEVER, whether or not you have a family connection to Trinity, it is still a wonderful, relaxing and meaningful album.

Outstanding.......2002-11-25

Absolutely beautiful! A must have for those who listen to Christmas music seriously.

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