High Strung Tall Tales
High Strung Tall Tales
ASIN: B000003BXW
Editorial Reviews
Amazon.com
Adrian Legg comes out of the British "baroque folk" guitar tradition of Bert Jansch, John Renbourn, and Richard Thompson, and like his predecessors, Legg plays the Anglo-Celtic roots of folk, country and classical "early music" with a chamber musician's ear for precision and harmony. On his new album, "High Strung Tall Tales,'' Legg displays a rare knack for combining strong melodic lines with arpeggiated harmonies in such a way that they flow with a graceful unity. Guitarists love him for his ability to pull off these one-person "duets," but lay listeners will love the sheer beauty of melodic and harmonic interplay.
"High Strung Tall Tales" serves up a generous serving of 20 tracks, covering all the far-flung aspects of Legg's career. You have the improvised, unaccompanied guitar of "Naive II"; the six studio collaborations between Legg's acoustic guitar and various other musicians; the four movements of his classically influenced "High Strung Suite"; and a sampling from a live show in Philadelphia in February, including four solo guitar tunes and five monologues delivered in his deadpan British delivery.
The collaborations include a lovely guitar-and-snaredrum duet, "The Crockett Waltz," and an irreverent garage rock mugging of the Christmas carol, "Silent Night." The suite captures Legg's playing at its most intricately virtuosic, and the live tracks document the wild humor and musical simplicity that make his concerts so special. --Geoffrey Himes
High Strung Tall Tales,Adrian Legg,Relativity,Jazz,New Acoustic,Pop,Popular Music,Rock,Solo Instrumental
Average customer rating:
- Legg takes a few gambles, but remembers from where he came
- superhuman talent, coupled with humility...what a concept
- Finally a live track
- Very disappointing
- Awesome guitar work; mood-altering textures
|
High Strung Tall Tales
Adrian Legg
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
General
| New Age
| Styles
| Music
Solo Instrumental
| New Age
| Styles
| Music
General
| Rock
| Styles
| Music
New Age
| Indie Music
| Stores
| Music
| Ambient
| Celtic
| Environmental
| General
| International
| Jazz
| Meditation Music
| Piano
| World Dance
General
| Jazz
| Indie Music
| Stores
| Music
4-for-3 New Age
| 4-for-3 Music
| Stores
| Music
CDs $7 - $10
| Jazz General
| Jazz
| Today's Deals in Music
| Formats
| Music
All Bargain Titles
| Jazz General
| Jazz
| Today's Deals in Music
| Formats
| Music
CDs $7 - $10
| New Age General
| New Age
| Today's Deals in Music
| Formats
| Music
Similar Items:
- Waiting for a Dancer
- Inheritance
- Wine, Women & Waltz
- Guitar Bones
- Fingers And Thumbs [ENHANCED CD]
ASIN: B000003BXW
Release Date: 1994-10-11 |
Tracks:
- Celandine
- The Crockett Waltz
- The Cool Cajun
- Song For Di
- Sweetheart
- High Strung Suite: Meditation
- High Strung Suite: Hispanic Theme
- High Strung Suite: Thirds
- High Strung Suite: Major Theme
- Naive II
- Silent Night-The Movie
- Live At The Tin Angel-Philadelphia, February 5, 1994: Mud & Jigs
- Live At The Tin Angel-Philadelphia, February 5, 1994: Paddy In The Synagogue/ The Pregnant Folksing
- Live At The Tin Angel-Philadelphia, February 5, 1994: Sharon Puckett's Knees
- Live At The Tin Angel-Philadelphia, February 5, 1994: The Irish Girl
- Live At The Tin Angel-Philadelphia, February 5, 1994: Profiles In Hormones
- Live At The Tin Angel-Philadelphia, February 5, 1994: Queenie's Waltz
- Live At The Tin Angel-Philadelphia, February 5, 1994: Two Duties
- Live At The Tin Angel-Philadelphia, February 5, 1994: Meditation Reprise
- Live At The Tin Angel-Philadelphia, February 5, 1994: Nasenhaarmechismus
Amazon.com
Adrian Legg comes out of the British "baroque folk" guitar tradition of Bert Jansch, John Renbourn, and Richard Thompson, and like his predecessors, Legg plays the Anglo-Celtic roots of folk, country and classical "early music" with a chamber musician's ear for precision and harmony. On his new album, "High Strung Tall Tales,'' Legg displays a rare knack for combining strong melodic lines with arpeggiated harmonies in such a way that they flow with a graceful unity. Guitarists love him for his ability to pull off these one-person "duets," but lay listeners will love the sheer beauty of melodic and harmonic interplay.
"High Strung Tall Tales" serves up a generous serving of 20 tracks, covering all the far-flung aspects of Legg's career. You have the improvised, unaccompanied guitar of "Naive II"; the six studio collaborations between Legg's acoustic guitar and various other musicians; the four movements of his classically influenced "High Strung Suite"; and a sampling from a live show in Philadelphia in February, including four solo guitar tunes and five monologues delivered in his deadpan British delivery.
The collaborations include a lovely guitar-and-snaredrum duet, "The Crockett Waltz," and an irreverent garage rock mugging of the Christmas carol, "Silent Night." The suite captures Legg's playing at its most intricately virtuosic, and the live tracks document the wild humor and musical simplicity that make his concerts so special. --Geoffrey Himes
Customer Reviews:
Legg takes a few gambles, but remembers from where he came.......2002-12-10
About the time that High Strung Tall Tales was being released, Adrian Legg admited that he was paranoid about that reactions the CD might receive. There are a few deviations of style here, but Legg stays rooted in his winning formula. And rarely have you heard guitar music sound this good.
It's rather hard to describe the power of the music because it gently walks the line between impressive guitar work and impressive melodies. How can you have both? Well Legg shows us how it's done with the High Strung Suite, a four movement piece (and a reprise towards the end) that gives us varations on a theme. The theme may sound conventional, but the variations are modern.
Naive II and Silent Night are a bit puzzling (I'll assume that the latter is a joke?), but the remainder of the album really does serve up the goods just as well as the suite. Throwing in a keyboard here, a wind instrument there, a dab of drums, there is lots of nicely arranged music for your money. The song Sweetheart can melt the coldest of hearts.
And we get a concert excerpt too. It's a real treat for me (since I've never seen him perform) to hear this, even if the live songs total to only three. The rest are his witty banter (like Leo Kottke, just replace the midwestern wryness with British wryness).
To call High Strung Tall Tales a bummer is really underscoring all that is going on, surface and otherwise. If you like your guitar music, and I mean REALLY like your guitar music, you owe it to yourself to hear High Strung Tall Tales.
superhuman talent, coupled with humility...what a concept.......2001-11-10
If you've ever seen a picture of Adrian Legg...he's a pretty unassuming-looking guy. He possesses, however, a huge guitar talent. Not only is he a monster fingerpicker, but he also makes extensive use of a guitar technique that you would bet $ couldn't work--while the right hand is busy with intricate fingerpicking, the left hand will suddenly leap off the guitar neck and start to detune certain strings with a speed and precision that seems impossible. Between this detuning and the actual fretting of strings on the neck with the same hand, beautiful melodies are created. In waltz time, no less. If you've ever held a guitar long enough to mess with the tuners, you can imagine how difficult it must be to zip up to various tuners at lightning speed and move them to exact new locations so that the open string plays a different note. This is while alternating back and forth playing chords, etc. on the neck! While the right hand is making sense of it all with complex fingerpicking patterns! AND, you have to write a piece that can make use of this startling trick. I saw him do this live, repeatedly and with apparent little effort, as the opening act for the G3 Tour (Vai, Satriani, Johnson) in the mid-90s. The crowd was a bunch of testosterone-poisoned chuckleheads who swilled Miller Lite, chest-bumped each other and totally ignored Legg's set, which was a pity because he was the most interesting thing in the whole show. The live cuts on this CD show, to anyone who doubted, that it is technique and not trickery that creates his unique sound. His stories between the live cuts are priceless--sublime and ridiculous (a'la Python) tributes to dry British wit. I would give this CD five stars, but I'm not as enamoured of waltzs as Legg is.
Finally a live track.......1999-12-17
There are a couple of live tracks on this CD. I quite honestly didn't believe he was as good as he sounds on the previous albums and I own them all. You can't fake live and it is as amazing as it is beautiful. The album seems to be an experiment with a few tunes in the beginning that seem to be variations on a theme. It allows you to hear how an artist of this caliber can take a melody in different directions. A very worthwhile investment.
Very disappointing.......1999-09-06
After buying Mrs Crowe's Blue Waltz and Guitar for Mortals, I was hooked...was. Sorry Adrian this one's a bummer and I won't take a chance on you again. :-(
Awesome guitar work; mood-altering textures.......1999-04-20
Adrian Legg can provoke almost any human physiological response with six strings. This album runs the gambut from Irish jigs to smooth New-Age(ish) melodies. I am as impressed by his virtuosity as I am pleased with, and soothed by, the textures he creates. Even the between-song patter on the live tracks is highly entertaining.
Jazz Music:
- I'm Getting Sentimental Over You [Box set]
- Improvisie [Limited Edition] [Original recording remastered]
- Inside Life
- Introducing Roland Kirk
- It's Magnificent but It Isn't War
- Journey Within [Import]
- Let's Dance Band Stand
- Let Freedom Ring!
- Let Go to Town Show [Live]
- Live at Athenaeum Jazz [Live] [SACD]
Jazz Music
Jazz Music