Drum Suite [Enhanced] [Import]
Drum Suite [Enhanced] [Import]
ASIN: B0000087S2
Track Listings
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1. Sacrifice - Art Blakey
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2. Cubano Chant - Art Blakey
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3. Oscalypso - Art Blakey
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4. Nica's Tempo - Art Blakey & the Jazz Messengers
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5. D's Dilemma - Art Blakey & the Jazz Messengers
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6. Just for Marty - Art Blakey & the Jazz Messengers
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Editorial Reviews
Product Description
Recorded in 1956/57 and featuring Great Sidemen Such As: Jo Jones (Drums), Ray Bryant (Piano), Oscar Pettiford (Bass,cello), Jackie Mclean (Alto) and Bill Hardman (Trumpet). This CD is Composed of Two Different Sessions. The First is Afro-Cuban and Highlights the Percussion Talents of Conga Masters Sabu and Candido. The Second Session features Straight-Ahead Jazz in the Inimitable Messengers Style.
Drum Suite,Art Blakey,Sony Int'l,Hard Bop,Jazz,Leader,Pop
Average customer rating:
- A good value
- The Sound Track Since Bernard Hermann
- Good mix of film music
- A mixed collection of movie music
- Uplifts your soul, takes your mind into the heavens
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Varese Sarabande 25th Anniversary Celebration
Manufacturer: Varese Sarabande
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Binding: Audio CD
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Similar Items:
- Paramount 90th Anniversary Collection: Scores
- In Session: Film Music Celebration
- The Essential Elmer Bernstein Film Music Collection
- Jerry Goldsmith: 40 Years of Film Music
- Music In Film (National Public Radio Milestones Of The Millennium)
ASIN: B00008WI90
Release Date: 2003-04-22 |
Tracks:
- The Man from Snowy River (Bruce Rowland)
- The Winds of War (Bob Cobert)
- Blue Velvet (Angelo Badalamenti)
- Witness (Maurice Jarre)
- Raising Arizona (Carter Burwell)
- Pee Wees Big Adventure (Danny Elfman)
- Halloween (John Carpenter)
- A Nightmare On Elm Street (Charles Bernstein)
- The Fly (Howard Shore)
- RoboCop (Basil Poledouris)
- The Empire Strikes Back (John Williams)
- The Right Stuff (Bill Conti)
- The Final Conflict (Jerry Goldsmith)
- The Abyss (Alan Silvestri)
- Brainstorm (James Horner)
- Peggy Sue Got Married (John Barry)
- My Left Foot (Elmer Bernstein)
- The Dead (Alex North)
- Stanley & Iris (John Williams)
- The Milagro Beanfield War (Dave Grusin)
- Driving Miss Daisy (Hans Zimmer)
Tracks:
- Steel Magnolias (Georges Delerue)
- Unforgiven (Lennie Niehaus and Clint Eastwood)
- Raggedy Man (Jerry Goldsmith)
- The Grifters (Elmer Bernstein)
- Green Card (Hans Zimmer)
- City Slickers (Marc Shaiman)
- Father Of The Bride (Alan Silvestri)
- While You Were Sleeping (Randy Edelman)
- Babe (Nigel Westlake)
- The Adventures Of The Great Mouse Detective (Henry Mancini)
- The Adventures of Robin Hood (Erich Wolfgang Korngold)
- The Young Indiana Jones Chronicles (Laurence Rosenthal)
- The Secret Garden (Zbigniew Preisner)
- A Little Princess (Patrick Doyle)
- Rudy (Jerry Goldsmith)
- Iron Will (Joel McNeely)
- Memphis Belle (George Fenton)
- Eye Of The Needle (Mikl)
- Total Recall (Jerry Goldsmith)
- Back To The Future Part III (Alan Silvestri)
Tracks:
- To Die For (Danny Elfman)
- The Player (Thomas Newman)
- Black Robe (Georges Delerue)
- Medicine Man (Jerry Goldsmith)
- 2001 (Alex North)
- Star Wars: Shadows Of The Empire (Joel McNeely)
- The Crow (Graeme Revell)
- Blade (Mark Isham)
- The Omen (Jerry Goldsmith)
- Vertigo (Bernard Herrmann)
- Scream (Marco Beltrami)
- The Sixth Sense (James Newton Howard)
- Xena: Warrior Princess (Joseph LoDuca)
- Air Force One (Jerry Goldsmith)
- Starship Troopers (Basil Poledouris)
- The Matrix (Don Davis)
- The Iron Giant (Michael Kamen)
- Youve Got Mail (George Fenton)
- A Little Romance (Georges Delerue)
- Pleasantville (Randy Newman)
Tracks:
- Sunset Boulevard (Franz Waxman)
- L.A. Confidential (Jerry Goldsmith)
- Rounders (Christopher Young)
- The Score (Howard Shore)
- The Replacements (John Debney)
- Gone In 60 Seconds (Trevor Rabin)
- The Bourne Identity (John Powell)
- Rush Hour 2 (Lalo Schifrin)
- XXX (Randy Edelman)
- Die Hard (Michael Kamen)
- The Last of the Mohicans (Trevor Jones)
- Moby Dick (Christopher Gordon)
- The Mists Of Avalon (Lee Holdridge)
- Cleopatra (Alex North)
- Life As A House (Mark Isham)
- Emma (Rachel Portman)
- In The Bedroom (Thomas Newman)
- Cast Away (Alan Silvestri)
- One True Thing (Cliff Eidelman)
- Unfaithful (Jan A.P. Kaczmarek)
- Far From Heaven (Elmer Bernstein)
- Ice Age (David Newman)
- Shrek (Harry Gregson-Williams and John Powell)
Customer Reviews:
A good value.......2007-05-17
I wasn't expecting to have 4 discs for this price, and the music is a quality selection of film music, giving a good scope of the genre, and a very listenable transfer.
The Sound Track Since Bernard Hermann.......2006-07-25
This collection is bound to capture your heart and evoke a tin ear on successive tracks. I found much to like and some duds - easy to skip over.
Very good value.
Good mix of film music.......2006-07-02
Good mix of films!
I'm a big fan of this soundtrack music and will be looking for more CD's like this.
A mixed collection of movie music.......2006-02-23
For the price, this CD is a great bargain. The musical selections, as you might expect, are mixed in quality ranging from extraordinary to so so, the balance being worthwhile and interesting. Sonically the CD is excellent.
Uplifts your soul, takes your mind into the heavens.......2006-01-06
I have been listening to great scores for many years and this collection is truly inspirational in so far as the choice of different scores takes you on a journey of listening pleasure matched by only a few collections.The price is incredibly reasonable for hours of listening pleasure. Don't pass this one up
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Only half the songs of the original set!!
- Its all Christmas
- A Good Basic Collection
- cd reviews
- Poor Quality
|
The Time-Life Treasury of Christmas
Manufacturer: Time Life Records
ProductGroup: Music
Binding: Audio CD
All Works by Handel
| Handel, George Frideric
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Similar Items:
- Time-Life Music: Treasury of Christmas - Holiday Memories
- Ultimate Christmas
- A Christmas Festival
- Now That's What I Call Christmas!
- Now That's What I Call Christmas! The Signature Collection
ASIN: B00005NOZH
Release Date: 2001-09-11 |
Tracks:
- Home For The Holidays - Perry Como
- White Christmas - Bing Crosby
- Jingle Bells - Ella Fitzgerald
- Do You Hear What I Hear? - Andy Williams
- Carol Of The Bells/Deck The Halls - The Robert Shaw Chorale
- I Heard The Bells On Christmas Day - Harry Belafonte
- Blue Christmas - Elvis Presley
- My Favorite Things - Eddie Fisher
- Joy To The World - Julie Andrews
- Here We Come A-Caroling - The Mormon Tabernacle Choir
- March Of The Toys - The Saint Louis Symphony Orchestra
- O Holy Night - Luciano Pavarotti
Tracks:
- Rudolph The Red-Nosed Reindeer - Gene Autry
- It's The Most Wonderful Time Of The Year - Andy Williams
- The Twelve Days Of Christmas - Roger Whittaker
- Dance Of The Sugar Plum Fairy - The Boston Pops Orchestra
- Mary's Boy Child - Harry Belafonte
- I'll Be Home For Christmas - Elvis Presley
- Rockin' Around The Christmas Tree - Brenda Lee
- Sleigh Ride - Johnny Mathis
- Tennessee Christmas - Alabama
- Baby's First Christmas - Connie Francis
- The Little Drummer Boy - Harry Simeone Chorale
- Auld Lang Syne - Guy Lombardo
Customer Reviews:
Only half the songs of the original set!!.......2007-01-17
Although I love the CDs, I was disappointed that there were only about half of the songs I thought there would be. I bought the original double cassette set back in the early 90's and when I found the CDs with the same name and cover, I thought I was getting the same thing only on CD. But the Cassettes had twice as many songs, including Let it Snow,Have Yourself a merry Little Christmas,The First Noel, Jingle Bells by Jim Reeves, The Christmas song by the Carpenters and so many others!!
Its all Christmas.......2007-01-09
It reminded me of Christmas as a child. I played this all throughout the holidays.
A Good Basic Collection.......2006-02-11
This is a good, basic collection of Christmas Music. As a general rule, Time-Life has selected what is probably the definative artist/arangement of each song.
My only complaints are that there are only 24 songs on two disks and one or two of them are not ones that I would have picked (not my style).
Overall, it's a good set that I would recommend to anyone who wants to start a collection.
cd reviews.......2006-01-15
this cd was very good, much recommended
Poor Quality.......2005-12-05
The only good thing about this collection is the inclusion of so many Christmas standards. I was very disappointed in the quality of the recordings, they obviously need digital inhancement.
Average customer rating:
- Admirable communion with life
- F_kin' Hardcore
- Eccentric Centrist
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Moondog
Manufacturer: Ojc
ProductGroup: Music
Binding: Audio CD
General Modern
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Similar Items:
- Moondog 1 & 2
- More Moondog/The Story of Moondog
- Viking of Sixth Avenue
- The German Years 1977-1999
- Rare Material
ASIN: B000000Z63
Release Date: 1991-07-01 |
Tracks:
- Caribea
- Lullaby
- Tree Trail
- Death, When You Come To Me
- Big Cat
- Frog Bog
- To A Sea Horse
- Dance Rehearsal
- Surf Session
- Trees Against The Sky
- Tap Dance
- Oo Debut
- Drum Suite
- Street Scene
Amazon.com
Louis Hardin, known to pre-Watergate New Yorkers as the blind street musician Moondog, is also a fascinating and sui generis composer. This disc collects 1969 recordings of his orchestral works and 1972 small-group recordings of the two-minutes-and-under "rounds and canons" that are his most influential work. Janis Joplin covered his "All Is Loneliness," you can hear foreshadowings of Stereolab in his "Madrigals," and you only need to hear "Theme" to hear how profoundly he influenced Michael Nyman. Simple and beautiful, Moondog's rounds owe as much to the swing he heard on the radio in his youth as to Bach's canonical structures, and they vary as little and as much as roses in a row. --Douglas Wolk
Customer Reviews:
Admirable communion with life.......2007-04-26
Blind he is our Moondog, but he does not bark for pity. He listens to and reproduces what he can capture with his ears. That means his work is a tremendous compilation of sounds from the real world, animals or just insects, his own baby and his own wife, or just some beating on a drum, or the frail dancing of a pipe along with a frog and a cricket. It is this extreme patchwork of sounds, voices, noise and music under the light enchantment from the moon that our artist is imagining in his eternal night. At least for him the moon never sets, never disappears over or behind the hills. "Surf Session" is the only piece that has some real length. The sea surf, the sea waves, the breaking of these waves we imagine along some pebbly seaside give a strange depth to the very both Asian and tremendously romantic music that manages to float forever over the rather powerful vortex of the sea, the ocean. The nearly Chinese constant grace-notes give the music a charm that is both discrete and so strong we seem to be able to imagine some Last Emperor advancing in the Forbidden City just before defeating his beleaguered wife and sons under the sign of some golden flower. The "Street Scene" is less fascinating because it is aimless, it lacks a direction and a destination? "I must never follow you and you must never follow me." He is roaming on and on, around and around, in that incessant, menacing, mechanical noise that comes up from the New York street locked up in between the walls of surrounding buildings. Can that be life? And what can it sound like to a blind man? Is it worse or less violent than what the famous Arthur Miller's Salesman felt, heard and experienced in his trapped two storied house in the middle of surrounding skyscrapers and under the crushing noise of thousands of motor vehicles? We will never know, except if we decide to do what dipus did when he realized his criminal inability to see the fate that was his. And he lived ever after like a dog in the eternal night of his blindness remembering the moonshine and the sunshine, tolerating the insults and petty assaults from those whose yes are not bleeding dead.
Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne
F_kin' Hardcore.......2005-12-06
Louis T. Hardin did not graduate from the Juliard. He went to a school in Iowa and Memphis, but was mostly self taught. Listen to this with your eyes closed.
Eccentric Centrist.......2003-12-14
Odd-ball individuals are more common than geniuses, but Moondog is both. Harry Partch had the highest regard for this blind graduate of Julliard, whose fantastic get-up of skins, furs and horns might have detracted from the impact of less seminal music. Since he was immensely tall, he made quite an apparition. Moondog's primitivo get-up was odd, to say the least, but since Moondog was blind, one wonders who put the costume together. Moondog, like Harry, invented most of the instruments he played standing on the corener at the Avenue of the Americas. His music reaches back into prehistory in its effect, and has a kindness to it, if that may be a reasonable thing to say. Later, Moondog became sort of a darling of the avant garde, and composed for traditional instruments, but the earlier the recorded work, the more deep down and pure it was. The later work is slicker, but just as intelligent.
Average customer rating:
- Rodgers is one of the greatest theatre composers...
- Something Wonderful!
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Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
Richard Rodgers , John Mauceri , and Hollywood Bowl Orchestra
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
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Similar Items:
- Lerner & Loewe Songbook for Orchestra
- Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
- Puttin' on the Ritz: The Great Hollywood Musicals
- Pops Stoppers: Greatest Hits of the Boston Pops Orchestra
- Greatest Hits
ASIN: B00000415D
Release Date: 2001-10-30 |
Tracks:
- Oklahoma!: Overture
- Carousel: Carousel Waltz
- State Fair: Suite
- Allegro: Overture
- South Pacific: Overture
- The King And I: Overture
- Me And Juliet: Overture
- Pipe Dream: Overture
- Cinderella: Overture
- Flower Drum Song: Overture
- The Sound Of Music: Entr'acte
Amazon.com
The debate will never stop raging between those who prefer Richard Rodgers's early work with Lorenz Hart and those partial to his later collaboration with Oscar Hammerstein. The shows of the two partnerships were so different that there's almost no resolution possible, but the themes on this CD prove that Rodgers wrote memorable melodies in very different styles during his career. Even if you prefer, say, Pal Joey, it's hard to deny the majestic allure of Carousel and The King and I. With the Rodgers & Hammerstein canon readily available on CD, this album is notable for two things. The first is that by focusing exclusively on overtures, and by presenting them in chronological order, it offers a quick survey of some of Rodgers's best-known melodies. The second is that it includes two rare pieces: the first recording of the overture from 1953's Me and Juliet and the overture from Pipe Dream, a 1955 show based on John Steinbeck's novel Cannery Row that was Rodgers & Hammerstein¹s biggest failure. Those two alone make it worthwhile for R&H fans to pick up the album. --Elisabeth Vincentelli
Customer Reviews:
Rodgers is one of the greatest theatre composers..........2002-10-06
When people think about legends in musical theatre, ranking high at the top would be Stephen Sondheim, Cole Porter, Jule Styne, Irving Berlin and Jerome Kern. But no list would be complete with the celebrated collaborators Richard Rodgers and Oscar Hammerstein II. For this recording, conductor John Mauceri decided to perform the overtures to Rodgers and Hammerstein's shows. A lot of work went into this, considering 2 of the shows didn't have the conventional overture and another was a film score. R&H first worked together in 1943 on the show "Oklahoma!" which became a monstrous sensation, running for 2,212 performances in its initial Broadway run and forever becoming a musical theatre icon. The overture has been heard over the years on various recordings - the Original Broadway album (considered to be the true original Broadway cast recording), etc. Even more thrilling is finally getting the full eight minute "Carousel Waltz" in its original orchestrations. I saw a reconstruction of the entire score at Carnegie Hall on June 6, 2002 with Audra McDonald and Hugh Jackman and there was lengthy applause for this piece - which is my nomination for the greatest waltz written in the 20th century (with every other beloved Rodgers waltz coming in close behind.) The suite from State Fair proposes what could be a stage overture for the show (its eventual Broadway attempt was unfortunately a flop). Its interesting to hear the first recording of the "Allegro" overture - something that was not included on the original cast album. The show is one of the 3 flops that the team experienced in their career together. "South Pacific" is presented unedited (and its so wonderful to hear everything) and "The King and I" is another joy. "Me and Juliet" is also another one of the flops - its overture is the type that will leave you wondering why it wasn't successful (I especially the enjoy the Latin influence.) Then we come to a personal favorite - the least successful Rodgers and Hammerstein show - "Pipe Dream", based on John Steinbeck's novel "Sweet Thursday", a sequel to "Cannery Row". I have a fondness for this show and its score (the libretto is admittedly weak and bland - missing what Steinbeck had intended for it). But the full overture (it was cut in half on the RCA album) is a joy - featuring "The Man I Used to Be", "All At Once You Love Her" and what sounds like a true showstopper "Sweet Thursday". (These are the strongest numbers in the show) I personally think that with a reconceived & rewritten script and a few lyric alterations, this could be the hit it should've been in 1955. Definitely a candidate to be revisited. The next overture has been available for years - "Cinderella". On this recording, the 1965 version is used, which was far superior to the original 1957 version and should be used in any stage production of the show today. "Flower Drum Song" is not the original Broadway overture - it is the national tour overture. For the tour, Rodgers decided that "I Enjoy Being a Girl", undeniably the show's lasting standard, be included in the opening, meaning the loss of "Like a God". Finally we reach the 11th and final show - "The Sound of Music". Onstage, the show opens with a chorus of nuns singing Gregorian chant, however the creative team behind this recording decided to subsitute the rarely heard Entr'acte of the show, which gives you an idea of what an overture might have been for this show, had the composers decided on a traditional opening. They also tacked on an arrangement of "Climb Ev'ry Mountain" at the end of the piece. All in all, this is a great documentation - and hearing the music symphonically performed makes it 100 times better than ever. Mauceri sure picked a real winner here, folks. Definitely worth the money for true Rodgers and Hammerstein fans.
Something Wonderful!.......2002-03-25
To borrow a title from one of the great songs penned by R&H -- this album of overtures from some of their greatest as well as lesser hits really is something wonderful! Oklahoma, Carousel, State Fair, South Pacific, The King and I, and The Sound of Music are all represented. But so are Allegro, Me and Juliet, Pipe Dream, Cinderella, and Flower Drum Song; shows perhaps not as well known, but all containing the gorgeous melodies of Richard Rodgers. Oscar Hammerstein's words are not heard -- at least on the album -- but they're so ingrained into most of our psyches that it's impossible not to 'hear' them in your head. Most of the overtures are presented in their original orchestrations by the genius Richard Russel Bennett. Wouldn't it be great to see some of these shows restaged -- including the 'ones that got away' like Allegro and Pipe Dream? And wouldn't it be equally great to hear some of today's singers cover the R&H classics along with some all but forgotten gems (e.g., "The Loneliness of Evening," orginally written for South Pacific, but cut and subsequently incorporated into the 1965 version of Cinderella) that are every bit as beautiful as the more popular R&H compositions. This is a super album for any R&H fan or any fan of beautiful music.
Average customer rating:
- A little too much and poor sound quality
- And now, honored ladies and gentlemen, may we present...!
|
Imperial Fanfares
Manufacturer: Naxos
ProductGroup: Music
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ASIN: B00008MLVK
Release Date: 2003-07-15 |
Tracks:
- Imperial Fanfare
- Royal Entry
- Ceremonial Procession
- Heroic Procession
- Festive Procession
- Elector's Procession
- Elector's Procession
- Majestic Procession
- Priere Du Matin
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- Toccata (Prelude To Orfeo)
- Courante For The Entry Of His Imperial Majesty And All The Cavalry
- Follia For New Entry Of The Sprinter And Other Equestrian Manoeuvres
- Sarabande For The End Of The Ballet
- Trumpet Duet
- Intrada For The Trombet Und Musicalischen Tafeldienst
- Menuet (Trumpet Duet No. 82)
- Trumpet Duet No. 8
- 1812 Overture, Op. 49
- Festive Table Music No. 1
- Festive Table Music No. 2
- Procession At The Imperial Court
- Procession No. 3
- Festive Procession: The Entry Of The Emperor, 1631
- Intrada From Bruck An Der Mur
- Procession No. 4
- Procession No. 1
- Procession (Brilliant, Bright)
- Marche Des Nations De Flore
- 2e Air Du Combat De Lance D?Amadis
- La Descente De Mars
- La Marche Italienne
- Prelude Des Divertissements
- Chaconne Du Palais Royal
- Menuet Royal
- Marche Pour Les Trompettes Seules
- Bruit De Trompettes
- L?Etendard
- Fanfare A Deux Trompettes
- Bruit De Guerre
- Allemande
- Molto Moderato
- Signature Tune Of The Old Town Of Bratislava
- Fanfara 1
- Fanfara 2
- Marcia Per La Cavalleria, No. 1
- Entree Fanfare
- Modern Fanfare
- Signature Fanfare
- Convention
- Fanfare Solo I
- Fanfare Solo II
- Fanfare Solo III
- Fanfare Solo IV
- Fanfare Solo V
- Fanfare Solo VI
- Opening Fanfare
- New Palace Fanfare
- Welcome Fanfare
- Excitement
- Short and Concise
- Short Fanfare No. 1
- Short Fanfare No. 2
- Short Fanfare No. 3
- Short Fanfare No. 4
- Flourish
- Il Giorno Del Silenzio
- Fanfare For Solo Trumpet And Drum - V
- Fanfare For Solo Trumpet And Drum - II
- Wrapped In Mystery
- Marcia Maestoso
- Imperial Procession In Vienna
- Procession No. 8: Allegretto
Customer Reviews:
A little too much and poor sound quality.......2006-11-10
Even though this was recorded just a couple of years ago the sound quality is not that good. It sounds like it was recorded in the 70s and outside with the microphones far away. There is nothing too deep here and all the fanfares are fairly short, just lasting a few seconds it seems. I got tired of this pretty quickly and it doesn't stand up to repeated listenings and to be honest a lot of the stuff on here sounds the same. The performances are ok, but nothing special, they sound kind of flat, and they don't really do anything to make this sound exciting like it should. Maybe if the performance and sound was better I would of enjoyed this more.
And now, honored ladies and gentlemen, may we present...!.......2003-07-17
This is what you'd have to call a specialty CD. It consists entirely of fanfares--nothing but fanfares--some of them as short as 10 seconds long. An interesting idea for a CD, perhaps, but I would guess it is primarily for directors of costume dramas, period pieces, and ceremonies of various sorts.
There are 76 fanfares on the disc covering composers ranging from Monteverdi to a trio of modern composers, all of the latter associated with the CD itself. They are played by an outfit called 'The Art of the Trumpet,' a coalescence of 24 Austrian trumpeters and a couple of timpanists (and on occasion a single trombone). Some of the fanfares use the whole group, there are others for solo trumpet, and for all combinations in between. They are led by a trumpeter from Vienna named Leonhard Leeb who is not only one of the trumpeters but also one of the composers--the other two modern composers are Leon Bolten and Joel Modart (I almost typed 'Mozart' but no!...).
Other composers include Salieri, Lully, Biber, J.H. Schmelzer, Pezel (often spelled Petzel here in America), Philidor (yes, the chess master of that name), Marc-Antoine Charpentier, and the multi-talented A. Nony Mous.
The performances are appropriately stirring, ceremonial, attention-grabbing, even mournful (one, Bolten's 'Wrapped in Mystery,' was dedicated to the victims of the World Trade Center tragedy of September 11, 2001). I would strongly suggest you not listen to the whole CD at one sitting--actually, it's hard to imagine anyone would--because too much B flat can fry your brain unless you yourself are a brass player or bagpiper.
For what it is, though, this CD is excellent.
Review by Scott Morrison
Average customer rating:
- A Treasure!
- Albam's best?
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The Drum Suite
Manny Albam with Ernie Wilkins
Manufacturer: RCA Fs Imports
ProductGroup: Music
Binding: Audio CD
General
| Jazz
| Styles
| Music
Contemporary Big Band
| Swing Jazz
| Jazz
| Styles
| Music
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ASIN: B00005YUA9
Release Date: 2004-11-16 |
Tracks:
- First Movement: Dancers on Drums
- Second Movement: Bristling
- Third Movement: Chant of the Witch Doctor
- Fourth Movement: Skinning the Valves
- Fifth Movement: Cymbalisms
- Sixth Movement: The Octopus
Customer Reviews:
A Treasure!.......2005-10-24
This is a fabulous album of consummate big band artistry that just boils over with sheer exuberance. The arrangements, musicianship, and the sense that the musicians had a ball doing this album make it a little known but vitally important example of the genre.
NOTE: I had to wait about 3 months for my copy to arrive. It's an import and can be hard to get. But it was well worth hanging in there, and I'm delighted with it. Exceeds all expectations, and gets played constantly. Even my 24 year old daughter finds it a great listen.
Albam's best?.......2005-02-21
Taken as a whole, this just might be Manny Albam's best recording; it is one of my favorite of his anyway. "Bristling" is absolutely terrific, a real up-tempo cooker with excellent brush work by drummers Osie Johnson and Ted Sommer. Also very good is "Dancers on Drums." But everything here clicks and it's a lot of fun to listen to. Highly recommended.
Average customer rating:
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Handel: The Masterworks (Box Set)
Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B00062FLI8
Release Date: 2004-11-30 |
Average customer rating:
- I'm Mad About Baroque
- Amazing!
|
Mad About Baroque
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD
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ASIN: B000001GKF
Release Date: 1993-07-13 |
Tracks:
- The Arrival Of The Queen Of Sheba
- Canon In D
- Rondeau (Masterpiece Theater Theme)
- Jesu, Joy Of Man's Desiring
- Water Music: Allegro-Andante(Allegro da capo)
- Water Music: Air
- Water Music: Bourree
- Water Music: Hornpipe
- Xerxes: Largo
- Sound Of The Trumpet, Sound
- The Four Seasons 'Winter': Largo
- Messiah: Hallelujah Chorus
- Adagio In G Minor
- Music For The Royal Fireworks: La Rejouissance
- Concerto For Lute In D Major: Largo
- Christmas Concerto: Allegro, Pastorale. Largo
- Concerto No. 1 For Oboe & String Orchestra: Adagio - Allegro
- Concerto No. 12 In B Minor: Aria. Larghetto e Piano
- Le Coucou
- Brandenburg Concerto No. 3 In G Major: Allegro
Customer Reviews:
I'm Mad About Baroque.......2007-01-05
I love this CD and am so pleased to have purchased it. I put it on almost daily at work -- it is the perfect length equipt with the perfect choice music.
Amazing!.......2002-12-18
I thouroughly enjoy this CD! The music is beautiful enough to listen to all by itself, but also quiet and peaceful enough to listen to while studying for exams or doing homework. Mad about Baroque has been in my discman for many weeks and accompanied to the library many times. This is a great CD!
Average customer rating:
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Essential Hyperion, Vol. 2
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD
Waltzes
| Ballets & Dances
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Similar Items:
- The Essential Hyperion (Label Highlight Compilation)
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ASIN: B00004RITB
Release Date: 2001-01-09 |
Customer Reviews:
Nothing but hits.......2001-01-31
As with their first collection of label highlights, Hyperion's new two-disc collection provides a broad sampling of their exceptional catalogue and performers. Particularly rewarding are the selections from Beethoven (Scherzo from String Trio in C minor, op 9 no 3, performed by the Leopold Trio) and Thomas Tallis (Salvator mundi I, performed by the Winchester Cathedral Choir), but experienced and novice listeners alike will find much to enjoy on these discs. It's also a good value--more than 2 1/2 hours of music for less than $10.
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- Esperança [Import]
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- Femme Fatale
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- Generation Dance
- Geoff & Amos [Import]
- Give Him the Ooh-La-La [Import] [Original recording remastered]
- Going Baroque Operazione San Pietro [Import]
- High Strung Tall Tales
- I'm Getting Sentimental Over You [Box set]
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